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  • The Paris Review

    Joyce’s Unpunctuated Rigmarole of Numerical Spangablasm

    by Anthony Madrid Sep 27, 2017 3 minutes

    An seventeenth-century shilling.

    Joyce was good. He was a good writer. He makes me grumpy a lot, especially Ulysses, but he was good. There are at least twenty irresistible qualities to Ulysses. At or near the top of the stack, at least for me, is the way he traffics in what I call “hyperrealistic unnecessaries.”

    Shakespeare was like that, too. Sprinkled all through his plays are these exchanges that are not at all essential to the plot but that “ring true” in some surprising way, causing one to turn ’em over and over in one’s mind, pleasurably.

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