The Paris Review

The Philosophy of Fly-Fishing

When I was seventeen, I drove to Missoula, Montana, to learn how to fly-fish. The town is one of the best places to fish in the country. Rivers with names like the Bitterroot and Blackfoot crisscross the valley harboring trout the size of walruses. I spent that summer learning to cast and looking for the eddies and pools where fish might be lurking. I tried a thousand different flies and a hundred different rivers, and though I tensed my entire body to be ready for a strike, though I was living with a friend who made his living as a fishing guide, in three months I didn’t catch a single fish. Not one.

Published in 1653, Izaak Walton’s might best be described as a curiosity cabinet of a pious Renaissance naturalist. Framed as a dialogue between a veteran angler, Pescator, and his eager student, Venator, the book came recommended by practiced anglers and seemed to promise some bit of knowledge I was lacking. Next to descriptions of fish like pike (“a solitary, melancholy, and a bold Fish”), and bream (“scales set in excellent order”), were poems by George Herbert. Alongside a cheery round of fishing songs, I found instructions for making fishing line from horse hair (“take care that your hair be round

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Farah Al Qasimi
Farah Al Qasimi’s first photographs were of the dreary New Haven winter: reflections in water, a dead cat, an angry dog. She was an undergraduate at the Yale School of Art, where in 2017 she also received her M.F.A. Since then, Al Qasimi has turned h
The Paris Review1 min read
Mother
The bird was blue and grayLying on the stairsThere was somethingMoving inside of itAnd still I knew it was deadI promised my motherI wouldn’t touch anythingThat had been long goneInside something turned and wiggledThere’s a kind of transformationThat
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

Related Books & Audiobooks