The Atlantic

Postmodernism—for Kids

Fifteen years ago, Lemony Snicket's <em>A Series of Unfortunate Events</em> built a huge following among children–in part because it used highly self-conscious, experimental literary techniques.
Source: Jeff Chiu / AP

With a plot featuring accidental dismemberment, death by leeches, serial arsonists, and rampant child abuse, A Series of Unfortunate Events seemed to descend from the Grimm's Fairy Tales tradition of juvenile fiction. The tragicomic 13-book series, which debuted 15 years ago, chronicled the plight of the three Baudelaire orphans, whose lives become a hamster wheel of misery after their parents die in a mysterious fire. The books sold more than 60 million copies internationally, spawning a video game, fan sites, companion books, and a 2004 film adaptation starring Jim Carrey.

A year after the series began, I received a copy of as a Christmas gift. I fell in love—partly because of the absurdist storyline and the likable but unlucky young trio: Violet the inventor, Klaus the reader, and Sunny the baby with sharp teeth.

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