The Paris Review

Toothless: On the Dentist, Powerlessness, and Pnin

Otto Dix, Mädchen vor dem Spiegel, 1921.

Sometimes I wonder what I’d look like without any teeth left in my head. Lips turned inward on themselves, gums a shocking pink. My throat a cavern that empties forever downward, and my body hollow, without purpose or power. Mine would not be strong gums, like a baby has, with nascent teeth budding just below the surface. Mine would be a mouth of death, as soft and pliant as dirt tossed loosely on a grave.

Clearly, I have some feelings about my teeth.

When I was a teenager, my parents divorced and stopped making dentist appointments for me—I’m not sure whether this was a miscommunication between them or if, as I distantly recall, they both decided I ought to take on the responsibility myself once I reached fourteen, even though I couldn’t yet drive and was afraid of making phone calls to strangers. Either way,

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review19 min read
The Beautiful Salmon
I’ve always loved salmon. Not to eat, as I don’t eat fish, but I’ve always loved salmon in general because salmon jump and no one knows why. They jump all over the place—out of rivers, up waterfalls. Some say they jump to clean their gills. Others sa
The Paris Review1 min read
Tourmaline
is a stone some sayhelps put a feverish childto sleep and othersclaim it wakes actorsfrom the necessarytrance of illusion to become themselves again it comes in many colorslike the strange redstone set into the Russian imperial crowneveryone thoughtw
The Paris Review1 min read
Passages
Chris Oh began making art as a child in Portland, Oregon, copying pictures from encyclopedias and taking inspiration from the plants and rocks his parents brought home from hikes. After graduating from New York’s School of Visual Arts in 2004, he too

Related Books & Audiobooks