Guernica Magazine

Leaving Karachi

On the anniversary of the brutal partition of India, the author reflects on her uncle's coming-of-age in wartime Karachi: a child’s-eye view of power, identity, and a nation being ripped apart. The post Leaving Karachi appeared first on Guernica.
Illustration: Ansellia Kulikku.

In 1941, when he was ten years old, my uncle Narayan dropped a lit match into the charcoal chute that stemmed from the wall of his Karachi home, and set it aflame. The act mimicked a Hindu ritual he had participated in on visits to his native Tamil Nadu village, in which a lamp would be lit on open ground in front of the temple deity, allowing worshippers to carry home a light from the flame for their evening prayers. In this way the fire was always multiplying while always maintaining its shape. Before lighting the fire in Karachi, Narayan didn’t know that a single match could engulf and consume in the way that it did, climbing up the wall of the house and reducing the clapboards of the family bungalow to ash. The fire seemed to charge toward his face while smoke enveloped him from the back. He remembered, in the moments before two servants ran outside and extinguished the flames with a pot of water, the feeling of two threats converging at his throat, as though choking him into nonexistence.

Then, in 1942, Singapore fell to the Japanese, beginning the dissolution of British colonial rule. Japan had defeated British troops in Burma and were pushing their way towards the northeast of India. Over the winter, the British ranks swelled in Karachi as troops traveled to Burma to block the Japanese invasion.

“Are they protecting us?” Narayan asked his father. Raghavan was a civil servant, the Examiner of Local Fund Accounts, and one of the few people in Karachi who could articulate the government’s plans and assess their motives.

“They’re protecting what’s theirs,” his father responded. When Narayan listened to that description of the events he could hear a sound of choking, as though his father didn’t know from which threat to run.

Narayan recalled an afternoon weeks before, in Saddar Town, when he had stood at the periphery of a crowd of British soldiers while a man, surrounded by spectators, unleashed a mongoose and a cobra. The animals lashed at each other and the force of their rage pushed the gasping crowd back. Narayan had seen this fight before, and was drawn less to the bloody display than to the opportunity to study the British in close proximity. His presence there compromised his father’s values, and he was ashamed for sanctioning the brutality of the animals’ battle and the imposing presence of the British. The troops were captivated by the struggle, leaning their lanky bodies closer for a glimpse. Eventually, the battle ended as it always did, the snake’s corpse coiled at the man’s feet.

The soldiers pressed against each other, hands on their comrades’ shoulders, eyes on the battle bloodying the slab of cement in front of them. Through a space in between the two men’s elbows, Narayan saw that the mongoose had returned to its cage. He wondered how well the man had trained the cobra so he himself would not be struck, how unquestioningly the animal must have trusted its captor.

“It’s interesting to them because nobody expects the mongoose to win,” his father later explained. He boxed Narayan’s ears for going to Saddar Town alone without permission, but was willing to discuss the battle’s outcome and the details of where the soldiers had stood.

“But the mongoose always wins,” Narayan said.

“One day it won’t,” his father said.

*

Raghavan, my grandfather and Narayan’s father, had been born in his ancestral village of Adaichani in southern India. His own father, a man with little formal education, had two

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