The Paris Review

I Want a Reckoning


Usually it is a woman who asks the question—always the same question. She sits near the door in the last row of the auditorium, where I have spent the last hour talking about what it means to have been kidnapped and raped by a man I loved, a man with whom I lived. He was a man who, even before the kidnapping, had already violated me in every way you might imagine, especially a man like him. Someone else in the audience asks what happened to the man who did this to me, and I explain how he got away, how he is a fugitive living in Venezuela, raising a new family. This is not the ending anyone expects.

Now the woman has a question, always last. She raises her hand and when I call on her, she stands and speaks in a clear, assertive voice: “What do you want to have happen to him, to the man who did this to you?” By “this” I know she means not only the actual crime that the man committed, but also all of the therapy, the nightmares and panic attacks, the prescribed medication and self-medication, the healing and self-harm. “I mean, you probably want him dead, right?”

, I think. “No,” I say aloud. Her expression crumples; she looks confused. Everyone in the audience looks confused.

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review1 min read
As for What the Rain Can Do
wash me in blossoms yet to comelift my boat flood the rice fields where the egret landscomplex math rinse off a benchturn on a dime give you something to think aboutfeed an aspiring stream tell you by thunder it’s comingstand you up play a little mus
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

Related Books & Audiobooks