Artist Profile

PETER HUDSON

As a child I loved being out there in the bush; it was the beginning of my long relationship with the land, and even then I noticed how it made me feel. The things I still hold close from those days are the feelings, memories and experiences the land can evoke.

my life in Northern and Central West Queensland. My father worked for the Department of Civil Aviation and in those early years we lived and worked close to the small country airports. As aerodromes are built on the outskirts of town, as kids we had full access to the bush. I loved being out there;

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile6 min read
Zac Langdon-pole
This description makes Zac Langdon-Pole’s practice sound playful, based in small acts of curious deployment of things, ideas, and words—the tangible and intangible, perceptible and imagined. And there is an element of play as it might be understood a
Artist Profile8 min read
Hoda Afshar Concealed Body, Concealed Land
Stephanie Berlangieri (SB): Last year was a significant one for your practice. You were included in the Sharjah, TarraWarra, and The National biennials. You also presented your first mid-career survey, A Curve is a Broken Line, at the Art Gallery of
Artist Profile13 min read
Representing Emily
Early 1989, CAAMA (Central Australian Aboriginal Media Association) Shop, Alice Springs. The redbacks had been evicted and Rodney Gooch, the manager, had the first paintings by the Utopia Women lining the walls. A Summer Project was an experiment we

Related Books & Audiobooks