Artist Profile

LIKE ANANTELOPE THROUGH A PYTHON…

DEBATE IN AND AROUND ART EDUCATION IN THIS country and therefore its impact on our culture and support for retaining art schools, particularly in Sydney, is important and needs input from all those who truly care for a serious ongoing vibrant culture in the visual arts.

This essay’s heading of “like an antelope through a python” are words I_have never forgotten. They’re from an article written or maybe typed by Robert Hughes (who else?) in 1985.

The article in magazine, titled ‘Careerism And Hype Amidst An Image Haze’, gave me the first inkling that American universities had made a shift to add another string to the academic bow, and as a graduate from two art schools here and in England, I was bemused and_somewhat taken aback at the implications

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile4 min read
Unpredictable In Its Predictable Unpredictability
On first impression, the ARNDT Collection is a Lewis Carroll mischmasch of international twentieth century big name European trophy artists sprinkled with known Australian artists. There are some edgy stunners presented and challenging gambles on yet
Artist Profile5 min read
Chris Dyson A No Theory Vibe
Chris Dyson has spent the better part of fifty years producing a prolific body of work, including drawings, paintings, and sculptures. However, there is scant evidence of his legacy on the internet; a rare and refreshing phenomenon in the age of the
Artist Profile4 min read
Leah Fraser The Subconscious
For as long as she can remember Leah Fraser has been fascinated by mythology, folklore, and legends from cultures around the world and the unexplained connections between them—a self-proclaimed “history nerd.” Drawing inspiration from characters of a

Related