Audio Technology

The Minimum Toolset

A part of being a producer is battling that deadly vice… lust. The condition has a name: Gear Acquisition Syndrome. Have you got G.A.S.? Do you convince yourself that a new preamp, microphone, compressor, plug-in, etc., will be the elixir that transforms your next production into a hit?

I’m afraid it doesn’t work that way. Hey, I’ve bought plenty of gear over the years that has changed my workflow — and the way I think about audio — but none of it has made a song . Gear may have made a song easier to record, it may have even made the sound a little sweeter, but it was

You’re reading a preview, subscribe to read more.

More from Audio Technology

Audio Technology7 min read
ZOOM F6 Portable Field Recorder
I recently reviewed Zoom’s F8n [see AT132] and both it and their new F6 demonstrate that Zoom is continuing a strong evolution of design in its products. There will never be a single device that is perfect for all needs, but the F6 is an interesting
Audio Technology3 min readTechnology & Engineering
Audio Voodoo
Jonathan Burnside talks with Rick Perrotta of Royer Labs about passive microphones, impedance and how the dBooster does what it does... Jonathan Burnside: There are a lot of boosters on the market. What inspired you to add yet another to the fray? Ri
Audio Technology4 min readTechnology & Engineering
Last Word
In the early ‘60s Arthur C. Clarke wrote: “Any sufficiently advanced technology is indistinguishable from magic.” Thirty years later I was baby-sitting a fully-configured CEDAR (Computer Enhanced Digital Audio Restoration) system; a great opportunity

Related