The Paris Review

The Celestial Memory Palace

Pieter Brueghel the Elder, The Great Tower of Babel, 1563

Wordsworth’s Prelude, subtitled “Growth of a Poet’s Mind,” exists in many versions, written throughout half a century and revised until the poet’s death. It seems fitting that there should be so many, expanding revisions in parallel with the accumulating layers of a life.

In an 1805 letter to the art patron Sir George Beaumont, Wordsworth says of his greatest work that it is “a thing unprecedented in literary history that a man should talk so much about himself.” During the many years that he wrote it, he did not think that he could be justified in “giving [his] own history to the world” unless he published it alongside a sober, philosophical work, The Recluse.

Wordsworth spent years talking about The Recluse without ever really writing it. But the idea was always there, in his correspondence, in his descriptions of future work, and in the rest of his poetry. In 1814, he published The Excursion, which he called “a Portion of The Recluse,” outlining the rest of the unwritten work in three sections. Eighteen years later, he had made little more progress on The Recluse, but had completed the fourteen-book Prelude and was still editing it. His daughter Dorothy wrote in a letter:

Mother and.

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The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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