The Millions

Ten Essential Tales of Terror by Women

As a writer, I know I’m on the right path when I feel afraid to sit down to work every day; and as a reader, I’m most drawn to stories that confront the terrors, as well as the beauties, of being human. Horror and its handmaidens—fear, disgust, revulsion, dread, panic—are great teachers; by daring us to look away, they invite us to look closer. If you want to know what sickens a society, investigate its most disturbing art; the answers, usually, are there.

None of the following titles would be classified as horror in your local bookstore, because horror itself is not the point of these narratives; rather, their power to disturb is the result of their unflinching insistence on exposing the horror (which in daily life is treated as mundane, if it is treated any way at all)—of life, sex, and love under patriarchy. Representing work from Japan, Canada, Argentina, France, Austria, England, and the U.S., speaking from the 1930s to today, these 10

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