The Paris Review

Mustard, the Color of Millennial Candidates, Problematic Lattes, and Aboriginal Paintings

PHOTO: SUZANNE CORDEIRO/AFP/GETTY IMAGES.

Late last year, I found myself in a meeting with three other women, and we were all dressed identically. Blue jeans of various washes, clumpy, Chelsea-style black boots with pull-on tabs, parkas (shed over the backs of our chairs), and mustard yellow sweaters. We noticed it and laughed. “This is the only kind of yellow I wear,” said a woman with wispy blonde hair. “It’s the only one that looks good on me.”

Is this brownish, orangey yellow universally flattering? Considering how many people I see wearing it, it must be. (Or perhaps we’ve decided, en masse, that what’s “flattering” no longer matters.) The mustard craze of the late 2010s appears to have started on runways and in boutiques, but it quickly made its way into home goods and other consumer products. You can buy mustard yellow midcentury modern couches from hip start-ups and mustard yellow lamps from high-end designers. There are condiment-colored cashmeres hanging off bespoke hangers in brick-and-mortar shops, and condiment-colored acrylic blends for sale online at Target. It’s become surprisingly ubiquitous—especially for a color that leans so far toward brown. This isn’t a primary, playful, dandelion-bright yellow. It isn’t the color of daffodils or spring or blooms. It’s too murky for that. This is the color of late-summer allergies, well-stocked pantries, and hashtag-adulting. It’s the color of pest-deterring marigolds and over-tall crops. It’s a harvest color, one that normally shows up later in the year, when the grasses have begun to dry and wild turkeys have begun to roam into the road. But this year, instead

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
The People’s History of 1998
France won the World Cup.Our dark-goggled dictator died from eating a poisoned red applethough everyone knew it was the CIA. We lived miles from the Atlantic.We watched Dr. Dolittle, Titanic, The Mask of Zorro. Our grandfather, purblind and waitingfo
The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review22 min read
Social Promotion
I didn’t understand. If that boy couldn’t read, why was he up there? The girl they originally had hosting the ceremony didn’t show, but why they put that boy there? Just because he volunteer for everything? You can’t read off enthusiasm. It made the

Related Books & Audiobooks