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    Mr. Gatling's Terrible Marvel: The Gun That Changed Everything and the Misunderstood Genius Who Invented It
    Mr. Gatling's Terrible Marvel: The Gun That Changed Everything and the Misunderstood Genius Who Invented It
    Mr. Gatling's Terrible Marvel: The Gun That Changed Everything and the Misunderstood Genius Who Invented It
    Audiobook10 hours

    Mr. Gatling's Terrible Marvel: The Gun That Changed Everything and the Misunderstood Genius Who Invented It

    Written by Julia Keller

    Narrated by Norman Dietz

    3/5

    ()

    About this audiobook

    Soon after its debut at the time of the Civil War, the Gatling gun changed the nature of warfare and the course of world history. Discharging 200 shots per minute with alarming accuracy, the world's first machine gun became vitally important to protecting and expanding America's overseas interests. Its inventor, Richard Gatling, was famous in his own time for creating and improving many industrial designs, from bicycles and steamship propellers to flush toilets, though it was the gun design that would make his name immortal. A man of great business and scientific acumen, Gating used all the resources of the new mass age to promote sales across America and around the world.

    Ironically, Gatling actually proposed his gun as a way of saving lives, thinking it would decrease the size of armies and, therefore, make it easier to supply soldiers and reduce malnutrition deaths. The scientists who unleashed America's atomic arsenal less than a century later would see it much the same way.
    LanguageEnglish
    PublisherTantor Media, Inc
    Release dateJun 16, 2008
    ISBN9781400176441
    Mr. Gatling's Terrible Marvel: The Gun That Changed Everything and the Misunderstood Genius Who Invented It
    Author

    Julia Keller

    Julia Keller, winner of the Pulitzer Prize and former cultural critic at the Chicago Tribune, is the author of many books for adults and young readers, including A Killing in the Hills, the first book in the Bell Elkins series and winner of the Barry Award for Best First Novel (2013); Back Home; and The Dark Intercept. Keller has a Ph.D. in English literature from Ohio State and was awarded Harvard University’s Nieman Fellowship. She was born in West Virginia and lives in Ohio.

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    Reviews for Mr. Gatling's Terrible Marvel

    3/5

    19 ratings4 reviews

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    • 3/5
      A social history of the Gatling gun. Author Julia Keller draws heavily on (and praises) John Ellis’s The Social History of the Machine Gun, but doesn’t get it quite right. Sloppy editing is one problem; the chapters seem disconnected, as if they were originally written as magazine stories and pieced together – there are frequent repetitions. For example – in one chapter, discussing the New York City draft riots of 1863: “Informed of the crowd’s approach, New York Times editor Henry Jarvis Raymond] Raymond set up Gatling guns – two at the north windows, one on the roof”. One chapter later: “It had begun on the streets of New York during the draft riots of 1863, when New York Times editors reportedly pointed Gatling guns at the marchers…. Keller also seems handicapped by an imperfect understanding of technology – she describes the Bessemer process as a way of “oxidizing steel”. Finally, she makes a classic mistake involving projecting attitudes backwards in time – the failure of the Army to adopt the Gatling gun (initially) is blamed on hidebound bureaucrats rather than the real problem – tactics were not available to use the new technology. The original Gatling guns looked, and were used like, artillery pieces – and that is the way Gatling saw them. The modern idea of machine gun use is an infantry weapon able to cover any spot in the area in front of the gunner. The original Gatling guns were on field artillery mountings and could only be traversed by moving the entire carriage. Later, Gatling developed an oscillator that would sweep the gun back and forth as the operator turned the crank – but still within the limited traverse available on the carriage mounting; and eventually there was a “police” or “bulldog” Gatling on a tripod mount, with a traverse handle, but the original weapon was intended to fire at a fixed location – taking the place of a muzzle loading cannon loaded with grape or shell. The modern concept of a heavy machinegun – an infantry weapon – just didn’t exist yet. To be fair, the Gatling’s replacement, the Maxim gun, had the same problem at first – when it was demonstrated to prospective military purchasers they didn’t see much use for a weapon that in one minute could put 600 bullets through a man-sized target 1000 yards away.
      However, When Keller gets out of technology and military tactics and more into the social history of Gatling’s time, she’s quite readable. Gatling is portrayed as one of the legion of amateur American inventors of the19th century – according to Keller, there were more patents per capita issued to American inventors in the 1860s than anywhere at any time before or since (the fact that most other countries didn’t have a patent system yet probably helped). She also risks political incorrectness by criticizing depictions of Abraham Lincoln as a sort of early gun control advocate, citing and refuting sources that claim that Lincoln was unfamiliar with firearms and never hunted. In fact, according to Keller there was a whole room in the White House full of sample guns submitted by hopeful inventors, and in at least one case an inventor showed up at the White House with a new rifle design and was immediately shown into Lincoln’s office (try showing up at the White House with a rifle nowadays and see what happens). Pleasant digressions like this include descriptions of the development of steamboat travel, the city of New Haven, Indiana politics, and 19th century medicine (Gatling spent a couple of years at medical school and usually appended “MD” to his name, although he never graduated).
      So, not bad – just not as good as it might have been. There are fairly extensive endnotes, but they are referenced only by page number rather than numerals in the text, which means if you want to look up a source for one of Keller’s claims you have to thumb through the back of the book. Illustrations are mostly photographs of Gatling and his family. The bibliography is almost all secondary sources.
    • 4/5
      What I find most interesting is the vehement dislike that this book, which uses the life and times of Richard Gatling as a prism to comment on the transformations the 19th century wrought on American society, seems to inspire in some people. While I appreciate that the author is essentially writing a popular treatment of what contemporary social and technological history tells us about the evolution of America, there seems to be a certain class of reader who wanted a narrow technical and deployment history of Mr. Gatling's invention, and nothing else, and are highly annoyed that they didn't get it.As for my own issues with the book I would note that while Keller's prose does have snap and crackle, I'm not sure that narrative history is her thing; if you're known as a feature writer you might be better off writing thematic sections. Particularly that even at less than three-hundred pages this book still feels a little padded.
    • 3/5
      I picked "Mr Gatling's terrible marvel" up, thinking we would get a good overview of the life of Mr Gatling and his invention. We certainly heard about the Gatling Gun and the world of the nineteenth century, but it seems Keller found information on Mr Gatling hard to come by and dealt with it by going off on huge tangents.Another reviewer suggests that Keller thought very highly of herself and her writing ability to actually write about the topic at hand. I would have to agree and to be honest if I wasn't in remote Indonesia with no other English language books at hand, I probably wouldn't have bothered finishing "Mr Gatling's terrible marvel". I was, however, in remote Indonesia (locked inside a toilet cubicle for part of it) and forced to finish it.
    • 2/5
      I made it about fifty pages in before the author's smugness at her ability to view a gun as anything other than a symbol of pure evil drove me so crazy that I had to put the book down. Too bad, this could have been interesting.