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    Lighthouse Island: A Novel
    Lighthouse Island: A Novel
    Lighthouse Island: A Novel
    Audiobook14 hours

    Lighthouse Island: A Novel

    Written by Paulette Jiles

    Narrated by Kevin T. Collins

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    About this audiobook

    From the Author of the National Book Award Finalist News of the World

    Paulette Jiles, the bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women, pushes into new territory with Lighthouse Island—a captivating and atmospheric story set in the far future—a literary dystopian tale resonant with love and hope.

    In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.
     
    It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.

    When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.

    LanguageEnglish
    PublisherHarperAudio
    Release dateOct 8, 2013
    ISBN9780062292995
    Author

    Paulette Jiles

    Paulette Jiles is a novelist, poet, and memoirist. She is the author of Cousins, a memoir, and the novels Enemy Women, Stormy Weather, The Color of Lightning, Lighthouse Island, Simon the Fiddler, and News of the World, which was a finalist for the 2016 National Book Award. She lives on a ranch near San Antonio, Texas.

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    Reviews for Lighthouse Island

    4/5

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    • 5/5
      Best book ever, are there more related books to this one.

      1 person found this helpful

    • 5/5
      I loved this book. I Loved the words, the poetry, the imagery, everything! And the reader was fantastic!
    • 3/5
      The poet’s foray into dystopian literature offers a glimpse of a world ravaged by human greed. An almost cold heroine with a single-minded desire to reach the mythical Lighthouse Island on the western shore of the United States leads the reader through a nightmarish America of unending drought-ridden city and prison work camps. Jiles’ distinctive writing style is even more disjointed and lyrical in this enchanting but disconnected story of survival and drive.
    • 4/5
      Sophia was abandoned on the streets by her parents at age 4 at a time when most of the US, Mexico, etc is one large urban sprawl suffering the effects of a 150 year drought following war. Maps are gone as are numbered years, names of cities, states, borders, etc--there are sections of the cities known as Gerrymanders. Sophia is blinded while watching TV due to lack of vitamin A, which is rectified, but since she continues to have problems watching TV, she turns to deserted books & memorized a great deal of poetry. She is sent out to a foster home where she is befriended by Thin Sam, who helps her as much as he can until he is arrested on grounds of stealing water.

      Sophia manages to grow up and get a job, but is continually demoted due to her attitude which doesn't let her put up with too much junk, and then has to flee because her affair with the husband of her Overseer is discovered. Sophia longs to get to Lighthouse Island, which she has seen on TV, and is convinced that she will find her real life there. Enroute, she meets James Orotov, a Demolitions Expert and amateur cartographer who is wheelchair bound following a fall in his youth. Aided by something he gives her which allows him to know where she is, and madlly in love with each other after their one conversation, she continues, trying to stay one step ahead of authorities.

      This is at once literary and adventure, quasi sci-fi, but mostly a literary dystopian novel. I rounded up not down because I particularly liked the last quarter of the novel which had it's share of surprises not seen from pre-reading the ending. True to the other 2 novels I've read of Paulette's, the main characters have their share of problems that continue with them even to the end, but I find her characters easier to relate to than those of Margaret Atwood.

      If you like literary fiction you may well enjoy this, even if you don't always see eye to eye with what I read.
    • 4/5
      Jiles always wraps up a good story, but the early stages of both her books seems to drag to the point that I almost give up.
    • 2/5
      In the future, Earth’s human population has increased. But animals are almost extinct and food and water are in short supply; much to the point that water is rationed off. The elite, of course, are better off and the rest are subdued by mindless television. Every so often, people are taken away an executed for even the slightest event.Nadia was abandoned by her parents at a young age and all she dreams about is escaping to the Lighthouse Island, a Northwest paradise that she becomes obsessed with. She’ll do most anything to achieve that goal.Sounds like an interesting story and I do enjoy the occasional dystopian novel, but this story seems to drag on and on as the author describes the various places that Nadia travels to and the people that she meets. She even finds love in the forsaken world, but by that time I didn’t really care.
    • 4/5
      A unexpected dystopian novel from the author of "Enemy Women", one of my favorites. I liked this one - it reminded me of Phillip Pullman's "Golden Compass" trilogy. It's the year 2138 and life in the remnants of the USA is overpopulated, underhydrated, and miserable. Our heroine is abandoned by her parents in the street at age 4 and makes her way north through her wit and stubbornness. Her reward is a new way of life, new companions, and a man who is almost her equal in strength and resilience. I really liked it, but there's too much inconsequential detail of the new world and not enough background on what destroyed our old familiar one (Ted Cruz is not involved, apparently).
    • 3/5
      Have you ever read a book where the writing is beautifully done but there's just something missing and so you end up not appreciating the book as much as the writing says you should? Lighthouse Island by Paulette Jiles is a book like that for me. I am admittedly not a huge dystopian fiction reader but I have read a few in the past that have pleasantly surprised me so that I don't automatically discount this particular setting anymore and I very much wanted Lighthouse Island to be one of these unexpected surprises. Instead, I really had to work to keep turning the pages. Nadia is an orphan abandoned in the street by her parents as a very young child. Being an orphan in the dystopian future is not easy at all, especially one who spends an unidentified amount of time blind and unable to watch the television shows that obsess the rest of the populace before having her sight restored, although her eyes remain a weakness for her always. The terribly overpopulated world she lives in is suffering from a severe drought, water is rationed, megacities sprawl across the dirty, dusty landscape of the former US, and the government is restrictive, cruel, and unbalanced in its treatment of its highest and lowest citizens. Nadia is of minimal importance in this random, oppressive world and she keeps slipping closer and closer to being in danger of being eliminated entirely with each of her infractions, small and large. When she has an ill-advised affair with her oversupervisor's husband, she knows that she is no longer safe and rather than be taken and potentially executed for the gruesome new televised executions, she runs, striking out for Lighthouse Island, the vacation spot she's long fantasized about and the place where she imagines her parents waiting for her. So starts her long journey through the unending city and to her fateful meeting with cartographer and demolitions expert, the wheelchair bound James Ortolov. James is much higher up in the hierarchy than she is and yet when he stumbles across her on the rooftop of the Ritz-Carlton, they spend the evening talking, they fall in love, and he works to aid her on her way to Lighthouse Island. Nadia is a smart, resourceful, and inventive character but she is also lying and manipulative in the face of desperation to survive. She mostly shows a curious lack of empathy for others trapped under the same governmental strictures to which she is a hostage and yet her callousness is rewarded time and time again. But her very emotionlessness makes it hard to believe in her love for James. The love story itself is necessary to the plot, otherwise he has no real reason to aid her in such potentially dangerous ways, but it is underdeveloped. Jiles builds this future world of Nadia and James masterfully but then continues to repeat the descriptions ad infinitum as Nadia plods through one sector after another trying to make it to the Northwest. Having intentionally stripped the world of place names and dates, in fact, having stripped Nadia herself of her original name both through governmental decree and then over and over again as she tries to travel undiscovered through the city, there were an awful lot of instances where characters used the supposedly forgotten and verboten ancient names to orient themselves. The world itself is a strange and frightening one, close enough to a possible future for us to cause a reader a lot of discomfort. And yet there are some strange incongruous things about this future world. For instance, people no longer know how to create many things we take for granted. All the manufacturing of things like computers was shipped overseas and then those foreign societies which retained the knowledge of how to create collapsed, and yet the whole of the future world and its corrupt government is reliant on computer technology. Not entirely compatible ideas here. The tone of most of the book is one of bleakness and despair and yet it ends on a completely incongruous, hopeful note. It is a book that exults the power of literature through the broadcasts of novels on the radio and through Nadia's prodigious memory of poetry and it holds these things as important and life changing. Combine this with Jiles' beautiful facility with language and it should have been a wonderful quest novel. Instead it was dense, oftentimes repetitive, and ultimately underdeveloped. Regular readers of dystopian fiction might feel differently about it than I did however.
    • 4/5
      I found this novel disjointed and the ending too quick, leaving a lot of unanswered questions. Maybe there is going to be a sequel but that's a poor excuse for not wrapping things up. Nadia was abandoned by her parents when she was very young with them telling her to keep looking for the north star. The whole of the US practically is covered by a city and almost everyone is poor. They have jobs for the most part but the jobs are in huge bureaucracies and the pay is minimal. Water rationing is extreme, food is synthetic and everyone spends their leisure hours glued to the state run TV. People are often rounded up for small infractions and sent to work camps. Nadia, who is very smart and well-read, escapes that fate by the skin of her teeth. She decides to walk across the continent to Lighthouse Island which has been touted as a vacation spot for those people who manage to earn enough credits. Nadia has dreamed of going there almost all her life and figures she has nothing to lose. Would I read the sequel? Perhaps, because I would like to answer some of those questions.
    • 4/5
      I was immediately swept into the world of this creatively different post-apocalytic dystopian reverie for adults.As with many post-apocalyptic scenarios, the world has been decimated by unsupportable levels of population growth, environmental devastation, decline of education and technology, urban wars and perhaps most central to this story, “the ineradicable fungus of bureaucratic jargon.” And you have to love how political districts are now referred to as Gerrymanders.In this shady world where freedom is uncertain and aleatory, people kept disappearing, “but everybody pretended not to notice and stayed neutral and colorless like fabric lampshades.” Ubiquitous large television screens now provide the opiate of the masses, with news programs that gave people “the feeling of being informed"; public trials to shame and destroy those who don’t comply with regulations; fantasy serials to satisfy peoples’ desires for a better life; and even public executions to titillate them while instilling more mind-controlling fear. And always there are ads encouraging people to save up for a vacation at Lighthouse Island, a supposed paradise somewhere in the Northwest.But that isn’t the only entertainment available to the masses. While the language on the tv was “crushed by fear and boredom," there was also “Big Radio,” a voice from an abandoned satellite that cycles through all the old classics of literature all year long. It is in this way that Nadia, an orphan abandoned when she was four, acquires her unusual education. Since she was briefly blind, her eyes never adjusted well to television, and she relied on Big Radio to fill her hours with entertainment, and her imagination with dreams. In addition, “Nadia plunged into books because there was no danger of fictional characters disappearing, and even better, they were not subject to arrest.”Like so many others, Nadia aspires to go to Lighthouse Island, but she is smarter and more resourceful than most. When circumstances dictate that she needs to run and hide for her life, she decides to try to make her way there. She finds an unlikely source of help from a politically powerful paraplegic, James, who falls in love with Nadia, and is determined to help her.Discussion: There are many elegantly phrased passages in this book, as well as apt allusions to poems and classics reflecting Nadia’s frame of reference - snippets inserted slyly that will titillate more literate readers. When Nadia first sees an airplane, for example, her wonder at its creation evokes William Blake’s “The Tiger.” There are whispers of Eliot and Yeats and opera and plays. Everything comes together without fanfare but in symphonic alignment, as with this nice passage, when Nadia and her fellow prisoner Charity are in a room with their prison administrator and James:“Nadia glanced quickly from one side to the other. The entire room seemed to be electrified, its photons and electrons and atoms and beige-and-blue-striped curtains in a slubby weave were all charged with desire. With potential and kinetic love. With poetry and antique emotions. With faith, hope, and Charity, who was standing quietly by with a bread knife in her hand thinking of slitting the administrator’s throat.”I admired the many ways in which the author (a poet as well as a writer) juxtaposes the ugliness of the man-made world to the beauty of nature, such as her description of the sea when it beat and spangled on the rocks “and threw sequins into the air and overhead the gulls sailed and watched.”And there is this well-crafted and astute definition of love:“James searched [Nadia’s] face as if wondering how a blind orphan child had become this ardent young woman with her face now smoothed out by wet and damp. To him she was erotic and steadfast and endearing and if she were not this to other people, then he alone held the key to her being. Sometimes love is blind and sometimes it is sighted, perhaps with a third eye.”Sometimes the tone of the prose was a bit dream-like and fantastical, and some aspects of Nadia’s journey lacked for realism, but while I didn’t like those aspects of the story as much, they fit.Evaluation: I was quite impressed with this surprising book, and consistently absorbed in the story. Those who like poetry will find this book especially rewarding, as the author - through her craft, manages to transmogrify bleak destruction and hopelessness into transcendent beauty and salvation.
    • 5/5
      it nice
    • 4/5
      Lighthouse Island by Paulette Jilesis a highly recommended (with a codicil) dystopian novel set in the future.

      The earth is an endless, borderless city where water is scare and people are disposable. Lighthouse Island opens: "The winds carried dust to every part of the great cities; left it on roofs and windowsills and uneven streets. It scoured glass to an iridescent glaze. The city covered the entire earth, if people think of the earth as 'where I live.'”(Page 1) "As far as anyone knew, the world had become nothing but city and the rains had failed for a century. (Page 3)

      Raisa was abandoned by her parents at age 4: "Her parents had given her a coin purse of red leather—in it were five coins—and a note, and another piece of paper on which were drawn the constellations of the Big Dipper, Cassiopeia’s Chair, and the North Star. Her mother handed her the paper and said, Look to the North Star and we will always be there. You’ll be lonely for a while but things will get better. (Page 2). Raisa became a PD--a Parentless Dependent, and was renamed Nadia Stepan at the orphanage where she grew up.

      Nadia, who temporarily went blind as a child, listened to the television but, even after her sight returned, she avoided watching it, preferring to read and memorize poetry. The one thing she heard about on TV that enchanted her was Lighthouse Island and, even though she is not sure it is real, she wants to visit it. When she grows up, events send her running for her life and in search of Lighthouse Island.

      James Orotov is a demolitions expert who became a paraplegic. He is fascinated by geography and cartography, even though most old maps have been destroyed and are outlawed. He and Nadia meet and he instantly knows he must help her for he also knows he will be running for his life shortly too.

      Lighthouse Island is a beautifully written novel. Jiles does an exceptional job describing her setting, the barren, dusty, decaying, over-populated earth. In a way, Jiles novel brought to my mind China Miéville's Bas-Lag novels and his city of New Crobunzon, like Perdido Street Station. Although they are also very different novels, I think the connection is due to the incredible ability both authors have demonstrated in creating their dirty, dusty, crowded, urban police state cities, although Jiles' Lighthouse Island is definitely set on earth in the future. They both have some steampunk influence.

      That brings me to the codicil on my rating. Lighthouse Island started out strong and held my rapt attention for much of the novel. There are some brilliant moments and observations throughout the novel. But, as other reviewers have pointed out, while the writing is beautiful, Jiles also needlessly does some repetition of descriptions, and the plot does move at a very slow pace. Then, in the last third of the book or so, the tone of the novel changes dramatically and it felt like a different novel with an ending that is... interesting, but not conclusive, and it feels somewhat rushed and incomplete.

      Thanks to TLC for providing me with a review copy for my Kindle.