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    It Happens in the Dark
    It Happens in the Dark
    It Happens in the Dark
    Audiobook13 hours

    It Happens in the Dark

    Written by Carol O'Connell

    Narrated by Barbara Rosenblat

    4/5

    ()

    About this audiobook

    The reviews called it "A Play to Die For" after the woman was found dead in the front row. It didn't seem so funny the next night, when another body was found - this time the playwright's, his throat slashed. Detective Kathy Mallory takes over, but no matter what she asks, no one seems to be giving her a straight answer. The only person - if "person" is the right word - who seems to be clear is the ghostwriter. Every night, an unseen backstage hand chalks up line changes and messages on a blackboard. And the ghostwriter is now writing Mallory into the play itself, a play about a long-ago massacre that may not be at all fictional. "MALLORY," the blackboard reads. "TONIGHT'S THE NIGHT. NOTHING PERSONAL." If Mallory can't find out who's responsible, heads will roll. Unfortunately, one of them may be her own.
    LanguageEnglish
    PublisherRecorded Books, Inc.
    Release dateAug 6, 2013
    ISBN9781501992421
    It Happens in the Dark

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    Reviews for It Happens in the Dark

    4/5

    232 ratings128 reviews

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    • 5/5
      First read Dubliners in the early 90's... re-read it again in 2005 or so along with some critical essays. Probably in my top 50 of all time... will be making that list once I have all my titles uploaded and reviewed. I'm sure you're all waiting with baited breath for that.
    • 5/5
      Perfection in character studies. When people talk about Joyce being the granddaddy of writing in the twentieth century, I'd say these are the crib notes for all the kids who were listening. Since most of the stories lack a resolution, they probably leave you unsatisfied. I like it that way, though, since it's almost impossible to ever get an ending that seems "right" in my eyes.
    • 5/5
      Joyce\'s fifteen fingers laced together. The stories are painful, pretty, too delicate to skip a single word. They\'re almost like math equations in their efficiency as they break characters down.
    • 5/5
      Quite apart from the perfection of “The Dead,” death permeates the stories, vignettes, character sketches and emotional revues of Dubliners. A death is announced in the first sentence of the first story, “Sisters.” Whether in the foreground or mentioned in passing, deaths are just part of life for those who live in Dublin. When death gets title billing in that final story, it is hardly surprisingly to find Joyce reaching some kind of summative view on the matter with the snow now general across all of Ireland.This time reading Dubliners, I was struck by the “The Sisters,” “An Encounter,” and, as ever, “Araby.” But also “The Boarding House,” and “A Mother.” Yet standing apart from all of them is “The Dead.” It is so much more complete, so much more complex, so much more human and humane, and sadder. It truly is the culmination.Highly recommended, every time you read it.
    • 5/5
      my first impression of this book is that it reads like a collection of short stories. i like the way that the characters are linked by common geography; each chapter is a story of a different character whose lives are lived in Dublin during the early 20th century. many literary reviews note the truthfulness of these stories, as James Joyce was a Dubliner himself and hence wrote locally, in every sense of the word. there's something to be said about the semi autobiographical element in these kind of fiction. this is the first time i've come across a literary work written in such spatial proximity to the author, but i think it speaks volumes about one's "habitat". the details of the city are accurate too: down to the locations of the pubs, as in "Counterparts", and the historical events, as in "Ivy Day in the Committee Room" in the introduction of this oxford edition, the editors point out that Joyce framed the book in four arrangements to try to make a complete picture of life in Dublin: childhood, adolescence, maturity and public life. i thought that was really neat.as well, the final story in the Dubliners, "The Dead" has been recognized as one of perhaps the greatest short stories to be written in English fiction. reading the literary analysis of it after the text itself, i can really appreciate why brilliance has been assigned to it.
    • 5/5
      This book was my 'A' level set book and I enjoyed it as narrative without understanding much of its significance. I got Bolt's preface to Joyce, as a prelude to another attempt at 'Ulysses' and re-read it. It's deep and experimental, but a good read at the same time. A great insight into Dublin just before WW1 and humanity in general, take what you want, it's here.
    • 4/5
      I finished the last story in this collection last night--Christmas Eve, coincidental with the story taking place on Christmas night. I have enjoyed every one of the tales in this book, the light brushstrokes with which each character and scene is painted, the reliance on simple human circumstances rather than action-heavy, moralistic plotlines. They rise from the page, leaving me with the sorts of emotions--wistfulness, annoyance, regret, joy--that I know well from real life. Beautiful.
    • 3/5
      Really liked The Dead. Some of the others had their moments, but I didn't like that most of them were more like vignettes than actual short stories.
    • 4/5
      Maybe this will make me sound like a donkey, but I didn't know this was a collection of short stories going in so when the story in the first chapter was not picked up in the second, it came as quite a surprise. I'm not generally a big fan of short stories, but there was something appealing about these. They weren't page-turning, gripping adventures, by any means, but they drew fascinating little portraits of everyday people, one by one painting a picture of Dublin as seen by Joyce.My first attempt at Joyce was Finnegan's Wake, which turned out to be, of course, a terrible idea. For several years I shunned the man due to that experience, in fact. Recently, however, I read A Portrait of the Artist as a Young Man and now Dubliners and I'm starting to see why people love him so. He's not the kind of writer that will end up on my favorites list, I suspect, but he's moved off of my most hated list as well. I tend to like blasting, emotionally-charged, flowery, intense books- like Edith Wharton, Thomas Hardy, Dostoevsky, and their ilk- so the pleasure that I'm finding in Joyce, which is more of a seeping-in, slowly absorbed pleasure, is quite a change. Rarely do I read in such small chunks but I found that I could only enjoy Dubliners when I read a singe story then let it settle for a while. One of these days I will try Ulysses and then, when I'm feeling brave (and have a guide), Finnegan's Wake. Got to work my way up to them though.
    • 3/5
      Verzameling korte verhalen, nogal wisselend van niveau, geen meesterwerken maar wel gedegen vakmanschap. Gemeenschappelijk katholieke verwijzingen, band met Dublin. Telkens een schokkende gebeurtenis voor de betrokken persoon. Apart: langere essay The Dead, subliem-wervelend.
    • 3/5
      Sure, this collection was written by none other than James Joyce, but let's be perfectly honest: this book encapsulates what Thoreu was talking about when he stated the obvious: "the mass of men lead lives of quiet desperation." After finishing this collection of failed lives, broken dreams, religious superstition, alcoholic excess, harsh memories, heartbreak, double-dealing, etc, I am going to need lots of ice cream to cleanse my palate of from the taste of a 'why even bother' mentality. And to think that my Irish grandmother was living in these very streets as this book was written! No wonder she left! Despair at its most relentless; as one character notes, "I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger." And he was one of the lucky ones!
    • 4/5
      Dubliners is comprised of 15 short and simple stories all centered around the people of Dublin. To sum up the collection it is a portrait of a city as seen from the eyes of the people living there. The very first story, The Sisters, is nothing more than a family's reaction to a priest's death. While the characters are not connected, their stories are. Life and death, love and loss, youth and aging, poverty and wealth. Joyce does a remarkable job capturing the spirit of the Irish while revealing universal truths about mankind as a whole. It is as if we, as readers, get to peek into the character's lives and are witness to moments of our own circumstance.
    • 3/5
      Capturing the essence of middle-class Ireland in the early 1900s, this is a collection of 15 short stories changing in mood and character, but constant in theme. The age of the protagonists rises from the first story to the last, but all are engaged in some sort of defining internal moment or thought. The last story, The Dead was perhaps the most profound example of this, but it is possible to capture that defining moment in each tale. The Dead was also the most moving story, for me, although I was also touched and disturbed by both A Painful Case and Clay. I confess, not being an appreciator of Irish Lit, most of the rest of the stories did little for me, but I am in awe of Joyce’s short story telling ability, nonetheless.
    • 4/5
      These stories of Irish life at the turn of the century seem oddly incomplete. The trick is to bring your own intellect to bear on them. You add the final gloss. I love Joyce's allusive tone. "Grace" is my favourite. In its broad, roundabout discursive manner with its heavy accent on the vernacular and heavily allusive (if deliberately innaccurate) style, it reminds me of a late Kipling Story, like Dayspring Mishandled or The Janeites. There is a hiddne narrative here. Can you spot what is going on amongst these "Christian" men?
    • 4/5
      A collection of short stories, each depicting a "Dubliner," this is arguably the most accessible Joyce. But Joyce can be a tough read if you aren't prepared for it. That's why I think this collection of shorts format is a great place to begin to see if you like Joyce. Joyce did NOT write to be accessible, though. It's work reading Joyce. For some it's a labor of love. For others it's just work. For me, it's just work.
    • 4/5
      Several short stories set in Joyce's hometown of Dublin, Ireland. His stories capture the essence of human nature; from all classes of society and different aspects of life. His stories entail happiness and love to sympathy and remorse, to regret and loss. Each story encompassing a different emotion and leaving the reader feeling enraged and melancholy amongst others. Written in the early 1900’s yet the stories can be relevant to current times.
    • 5/5
      I can't explain why I love this book so much, but I found it incredible. Perhaps it was the simple tales about average people or the glimpses into the oddities of everyday life. In any case, the collection of quick stories is thoroughly entertaining and should be on everyone's must-read list
    • 1/5
      I have a list of major authors whom I’ve never read in a Notepad file: Dickens, Faulkner, Carver, Woolf, etc. This stems from being a young reader in the 21st century, looking back across history at the overwhelming weight of the human canon. My theory is that while there are far too many great books in the world for anybody to read in one lifetime, you should try to read at least one book from all the major authors, to sample their style and see if they take your fancy or not, to discover whether you want to pursue their works further. James Joyce is on that list, and since there is not a chance in hell I’m ever going to read Ulysses, I thought it appropriate to read his short story anthology Dubliners.I’m not going to try to talk my way around it: I hated this book. It was extremely tedious. Rarely did any of the fifteen stories gathered within capture my attention in any way; more often than not, I found myself distracted and daydreaming, and had to keep snapping my focus back to the page. I finished the book yesterday and can properly summarise exactly zero of the stories for you. I can tell you virtually nothing about the plots they contain, let alone the thematic weight they are supposed to carry. This is not to say that they are bad or useless or pointless; merely that whatever literary heft they have was lost on this reader. Dubliners, just so we’re clear, is not written in the same deliberately confusing modernist stream-of-consciousness style that Ulysses and Finnegan’s Wake are. It’s a perfectly normal, ordinary style of writing. It’s just very, very boring.I’m not a stupid or crass reader. I have read, enjoyed, appreciated and even loved the works of Herman Melville, Ernest Hemingway, J.M. Coetzee and Peter Carey, to name a few. But I hated Dubliners, and if that makes me a philistine then so be it.
    • 4/5
      Enjoyable enough, a great introduction to Joyce if you have never read--certainly more accessible than [Ulysses]. I read these short stories very closely thanks to an Irish lit undergrad course and got to see a recurrent theme of paralysis (emotional, physical, and psychological) throughout the stories.
    • 4/5
      Such wonderful writing! The book gets better the further you go, because the stories create a vivid picture of a city and time. Although these are short stories, in one sense this is a novel. Makes me think of "Winesburg, Ohio" (which I just realized I need to add to my list of books read).
    • 4/5
      Lovely collection of stories about Dublin.
    • 4/5
      Joyce was a fantastic writer. That is until he perpetrated the greatest fraud in the history of literature by producing "Ulysses" and resting on his laurels. He followed with an even more outrageous work "Finnegan's Wake" which I believe tweaked the noses of the literati, making it so incomprehensible that it "must be good". Bull. His "Portrait of the Artist as a Young Man" and "Dubliners" proved his gift. "Ulysses" and "Finnegan's Wake" show his sense of outrageous humor concerning his worshipers.
    • 2/5
      A practice run for Portrait of the Artist As a Young Man and Ulysses. Some good moments, but a lot of flops; the only "great" stories are Araby, Eveline, and The Dead. Not that the others aren't enjoyable; Joyce is at his best when he has more breathing room than the short story form allows.
    • 5/5
      A collection of stories about people in Dublin. All are more or less losers, but they cannot help it themselves. Beautifully written, especially The Dead.
    • 4/5
      While shopping for books recently on Amazon, I was trying to upgrade my reading list through the addition of some “classics” that I’d avoided in the past. In doing so, I discovered a couple of relatively short works by authors that were somewhat intimidating by reputation. Having done a little research, I was pretty sure that authors such as Camus, Sartre, Joyce and Faulkner would probably not be to my liking. Nevertheless, I picked up Camus’ The Plague and Dubliners by James Joyce, emboldened by their brevity. In hindsight, I’m glad I did, though I’m unlikely to delve much deeper.This short (140 relatively dense pages) work is a compilation of short stories centered upon the Irish city of Dublin near the turn of the 20th century. These short stories are VERY short, most in the range of 5-10 pages long. I don’t necessarily dislike short stories, however I like for my short stories to be at least long enough to actually tell a story and this collection fails in that regard. Many of the offerings merely paint a tapestry, albeit in beautiful prose, but fall short of actually engaging the reader. In truth, there are no “stories” as much as vignettes. They were very reminiscent of many of the short Hemingway stories I’d read; beautifully written, but too short to capture my interest.I was quite disappointed after having read the first three or four very short vignettes, but it soon became apparent that the short stories were coalescing into a larger picture and the reader begins to get a more complete picture of the city, its people and their culture. Then, the final story, The Dead, proves a fitting capstone to the collection. Far longer than the other stories, at about 30 pages, it is by far the most powerful and memorable of the stories.Bottom line: This is a very short book containing very short stories, most of which are TOO short for my taste. Taken as a collection, however, they serve the purpose of making the reader familiar with the city, its people and their period in history. The final work makes the entire effort worthwhile. It was a two star effort through the first half, becoming three star as the stories coalesced, vaulted to four star by the final story.
    • 4/5
      James Joyce has always been a very intimidating author for me. His books Ulysses and Finnegans Wake are infamous for how difficult they are to read. I decided to start with Dubliners and see how that went before diving into another one of his and I’m glad I did. Even though I approached it with trepidation, I really enjoyed it. I’m sure I’m not supposed to say this, but Dubliners reminded me of Maeve Binchy’s short story collections. Her books, The Return Journey and London Transports, give glimpses of the lives of Irish and English people going about their daily lives and this book does the same. Both Dubliners and Binchy’s collections give readers well-written characters that they care about by the end of the story. The difference, of course, is that Joyce’s writing it much more poetic, but still, they have a similar feel. It’s odd to think about how controversial this book was when it was first released. Its content seems so tame compared with today’s standards, but at the time publishers were turning him down because it was too “lewd” because there were references to drunks, etc. I think my two favorites in the selection were “A Little Cloud,” a grass-is-always-greener story, and “The Dead.” To me, Joyce managed to blend the three vital elements of a great short story: good characters, an interesting look at their lives and beautiful prose. Here are a few examples of Joyce’s wonderful way with words…“A dull resentment against his life awoke within him.”“But we are living in a skeptical and, if I may use the phrase, a thought-tormented age: and sometimes I fear that this new generations, educated or hyper-educated as it is, will lack those qualities of humanity, of hospitality, of kindly humour which belong to an older day. ““His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”If you’ve been thinking of trying this author out, but aren’t sure where to start, I’d pick this one up and go from there.
    • 4/5
      I chose "really liked it" because there were some stories that I really loved. There were others that were interesting but didn't grab my attention as much.

      The stories I loved were: A Little Cloud, The Dead, and A Mother.

    • 4/5
      Two things that struck me about these short stories. One, the writing is so vivid. Mr. Joyce focuses a tight lens on the details - and everything comes alive. Two, these stories are less stories in the sense of narrative than stories in the sense of catching a glimpse of a life - like looking through a window at a moment or two in an on-going story. The trick in this is that the window catches just that moment that tells the whole story.
    • 4/5
      Joyce's simple stories keep one gripped. Wonderful collection and a great introduction to Joyce.
    • 3/5
      Reading Joyce's short stories here, I was strangely reminded of Tolstoy, for a reason I can't quite think of. I enjoyed Joyce's character studies, and found them an insightful introduction to life in Dublin at the turn of the last century. That said, I found the whole to be slow-going, and sometimes quite a lot of work. I drifted off at times and had to reread whole paragraphs.