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Charles Dickens and the Great Theatre of the World
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Charles Dickens and the Great Theatre of the World
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Charles Dickens and the Great Theatre of the World
Audiobook11 hours

Charles Dickens and the Great Theatre of the World

Written by Simon Callow

Narrated by Simon Callow

Rating: 4.5 out of 5 stars

4.5/5

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About this audiobook

A short life of Dickens which celebrates the impact of the theatre on his life and work

Acclaimed actor and writer Simon Callow captures the essence of Charles Dickens in a sparkling biography that explores the central importance of the theatre to the life of the greatest storyteller in the English language.

From his early years as a child entertainer in Portsmouth to his reluctant retirement from ‘these garish lights’ just before his death, Dickens was obsessed with the stage. Not only was he a dazzling mimic who wrote, acted in and stage-managed plays, all with fanatical perfectionism; as a writer he was a compulsive performer, whose very imagination was theatrical, both in terms of plot devices and construction of character.

Like many actors, Dickens felt the need to be completed by contact with his audience. He was the original ‘celebrity’ author, who attracted thousands of adoring fans to his readings in Britain and across the Atlantic, in which he gave voice to his unforgettable cast of characters.

In Charles Dickens and the Great Theatre of the World, Callow brings his own unique insight to a life driven by performance and showmanship. He reveals an exuberant and irrepressible talent, whose ‘inimitable’ wit and personality crackle off the page.

LanguageEnglish
Release dateFeb 2, 2012
ISBN9780007449743
Unavailable
Charles Dickens and the Great Theatre of the World
Author

Simon Callow

Simon Callow has starred in such films as Four Weddings and a Funeral (1994) and Shakespeare in Love (1998). His many stage appearances include Peter Ackroyd’s critically acclaimed The Mystery of Charles Dickens.

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Rating: 4.340909090909091 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    A wonderfully warm narration of a fascinating subject. A joy.
  • Rating: 5 out of 5 stars
    5/5
    The voice of Simon Callow brought Dickens to life. Never boring to listen to always captivating. A laugh out loud account of Dickens’ character. Recommended reading
  • Rating: 5 out of 5 stars
    5/5
    Biography of Charles Dickens by British actor Simon Callow, focused on Dickens’s love of the theatre. It provides excellent insight into what Dickens was like as a person. It is not a comprehensive discussion of the writing of his books but mentions all fifteen in sequence. Dickens had a “difficult” personality in some respects, which comes through in his relationship with his wife and his publishers. The book covers his upbringing, travels, family, friendships, work ethic, and many lesser-known elements of his life.

    It portrays the manner in which his childhood influenced the content of his books. His deep sympathy with the poor started early in his life. At age twelve, he worked 10-hour days in a boot-blacking factory while his father was being held in Marshalsea Debtor’s Prison. He wrote his first book as a series of monthly installments at age 24 and he was still writing when he died at age 58. Later in life, Dickens achieved even more acclaim due to his public readings. It is obvious that he loved the theatre and put a great deal of emotion and effort into these performances.

    Simon Callow does a wonderful job narrating the audio book. His pacing is just right. He performs various accents – Scottish, Irish, American, various English regional accents, and a specific voice for Dickens himself. If you have never read a biography of Dickens, this book is a great starting point. It made me want to read more of Dickens’s books. I loved it!
  • Rating: 5 out of 5 stars
    5/5
    Perhaps no one alive today has done more to shine a light on Charles Dickens, the man and his works, than Simon Callow (Charles Dickens 7 February 1812 – 9 June 1870). Callow has achieved a most delightful and compelling biography.

    Callow himself performs one-man shows of Dickens life, along with adaptations of selected novel scenes for the stage. This is appropriate because Dickens often thrilled audiences by acting out scenes from his novels when his public readings burst into dramatic performances. Callow carries on the tradition, becoming much more than a scholarly biographer, but a dramatic virtuoso who breathes new life into the 19th-century author and his creative genius.

    Dickens wrote from life. The statement has become a cliché, but no one can say it more truly than Dickens. Callow does a marvelous job mapping the biographical facts with characters and scenes in the novels. Even Dickens’ famous detailed descriptions of quaint shops and other charming nooks of 19th-century London—they derived from intentional explorations of hundreds and hundreds of those shops with the express purpose of describing them later.

    One of Dickens’ favorite pastimes was to walk London streets for miles and miles, hours on end, every day, sometimes with a friend, sometimes alone. He also haunted theaters and tried his hand at acting early in life. He was conversant with stage life and made use of that knowledge in his stories as well. Also notably, Dickens’ depictions of child labor came from his own consignment to forced child labor in a blacking factory.

    Many of Dickens’ contemporaries recognized themselves and each other in the novels. Several of the novels’ lawyers, proctors, courts, and even specific court cases were lifted straight from the real thing. An anguished protest from one such person (Jane Seymour Hill) characterized in early chapters of David Copperfield (Miss Mowcher), moved Dickens to significantly improve her characterization in later chapters (197). He could modify characters and plot direction in-progress, because the novels first appeared as magazine installments over the course of a year or more.

    Connecting the real-life elements with the stories makes Callow’s biography all the more compelling. The astounding breadth and variety of characters in Charles Dickens’ novels speaks to both the brilliant writing of the author and of the fascinating colorful culture of Victorian London.

    Simon Callow provides a beautiful and thorough discovery of Dickens the exceptional human being, through his vibrant and compassionate telling of the life of the author. Callow also provides fascinating insights into Dickens’ superhuman energy, imagination and intellect. Callow’s biography gives a deep look into Dickens’ creative life, the interplay between creative output and personal circumstances, and the profound psychological battles Dickens fought throughout his life.

    It’s hard to say which part of Charles Dickens’ genius was the greater: storytelling, artistic writing, descriptive detail, complex plot organization, sheer high-level imagination, mixing fantastical with real to make them indistinguishable. There is no end to the ways Dickens is remarkable. Callow highlights these qualities vividly, while keeping the main focus on the man himself, his motivations, his conscience, his physical and mental struggles, and his complicated personality. Callow brings us inside, where we really get to know Dickens on a personal level.

    Simon Callow achieves his own remarkable work of genius in this biography of Charles Dickens. The work shows moving affection as well as deep understanding of its subject. Our lives are fuller because of Dickens’ novels. And we are fuller because of Simon Callow’s work of art in this biography.
  • Rating: 4 out of 5 stars
    4/5
    I've read other biographies of Dickens, but this one was very readable and added the element of Dickens' love of and use of theater in his works to consideration. This added a new perspective to Dickens' work. As a stand alone biography, this book does not deal in depth with some issues such as Dickens' marriage and relationship with his family, and also his relationships with other writers. But as an additional biography, it definitely adds something useful to the field.