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    Giving Up the Ghost
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    Giving Up the Ghost
    Unavailable
    Giving Up the Ghost
    Audiobook6 hours

    Giving Up the Ghost

    Written by Hilary Mantel

    Narrated by Jane Wymark

    4/5

    ()

    Unavailable in your country

    Unavailable in your country

    About this audiobook

    This is award-winning novelist Hilary Mantel's uniquely unusual five-part autobiography.

    Opening with 'A Second Home', in which Mantel describes the death of her stepfather, Giving Up the Ghosts is a wry, shocking and beautifully-written memoir of childhood, ghosts (real and metaphorical), illness and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.
    LanguageEnglish
    PublisherW. F. Howes Ltd
    Release dateApr 1, 2012
    ISBN9781407499512
    Unavailable
    Giving Up the Ghost
    Author

    Hilary Mantel

    Hilary Mantel is the author of seventeen books, including A Place of Greater Safety, Beyond Black, the memoir Giving Up the Ghost and the short story collection The Assassination of Margaret Thatcher. Her latest novel, The Mirror & the Light, won the Walter Scott Prize for Historical Fiction, while Wolf Hall and Bring Up the Bodies were both awarded the Booker Prize.

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    Reviews for Giving Up the Ghost

    4/5

    175 ratings9 reviews

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    • 4/5
      Published twenty years ago, this is Hilary Mantel's memoir of her struggle, since adolescence, with physical illness and the utter failure of the medical establishment to treat her with professionalism, informed care, understanding or effective measures. It's a horror story, really, and the fact that she could carry on living, let alone writing brilliantly, through years of pain, undiagnosed symptoms and misogynistic treatment is something of a miracle. A head shaker and a heart breaker.
    • 5/5
      One of our finest writers today turns her talents inward, sharing with captivating prose the path she took to get here. The rare 'page-turner' memoir.Os.
    • 4/5
      Mantel's memoir focuses on three main aspects of her life: her dysfunctional family, her relationship to Catholicism, and her ongoing health issues. She, her parents, and her two younger brothers lived with her maternal grandparents during her early years; she was particularly close to her grandfather. Later, her parents moved into a home of their own, and her mother's lover moved in; Hilary and her father shared a room. There is some hint of sexual abuse, but it is rather obscure. At one point she says that everyone expects this to be mentioned in a memoir, and she relates a "vision" she once had of a child lying in her grandfather's garden until the ground covers her and the grass grows over her and she disappears. Maybe if you've had this experience, you know what she is hinting at, but it was all rather cryptic to me. Perhaps it's a memory that she was trying to bury, but I'm not sure.Like a lot of Catholics, Hilary shifts between deep faith and resentment or guilt. Most of the nuns at her school were cruel. She relates one story of a nun hitting her so hard that her head turned around the wrong way. One nun in particular kept telling her that she would amount to nothing and was astonished when Hilary passed exams and was able to attend university. Her mother had pushed to get her into a better school, but other girls who knew her also attended, and they spread the stories about Hilary's "sinful" mother, leaving her rejected. But at other times, she seems to have found comfort in prayer, and she admits that reading prayers had an effect on her writing style.The greatest amount of time is spent detailing her sad battles with ill health. She was afflicted with pains in her legs and abdomen and excessive menstrual bleeding. After seeing the university clinician, she was sent to a psychiatrist who determined that her complaints were psychosomatic; all they ever tested her for before putting her on a series of mind-muddling drugs was anemia. It was the 1960s, and she was encouraged to give up law school as the focus on "details" was supposedly affecting her mental state. Years later, she read about endometriosis and felt sure this was what she suffered from; finally, she found a doctor who agreed. But by then, at age 27, she had to undergo a hysterectomy and had several inches of her bowel removed as well. Although she had never particularly wanted children, nor did her husband, she lamented the loss of choice. Because of her youth, the doctors kept her on hormones to delay menopause, but this fed remaining endometrial cells that had wandered to other parts of her body, leading to renewed and continuing pains.It's quite amazing that during this time, Mantel began to research and write her French Revolution novel, A Place of Greater Safety. Despite a difficult life, she managed to develop into a wonderful, Booker Award-winning writer. (Wolf Hall is my favorite historical novel of all time.) Rather than this being a first-rate memoir, I got the sense that Mantel needed to get her past out of her system by writing Giving Up the Ghost. I can only recommend it to fans who want to know more about her life and the endurance that brought her to where she is today.
    • 4/5
      This brief but moving memoir is difficult to write about, because one starts thinking Mantel is writing about her experiences with the supernatural, but its concluding pages are very personal. It took courage to write this, and considerable effort .
    • 5/5
      This book is truly a Gem! As a person who can remember my own past from an age before I could talk, I could totally relate to the child, Hilary. Also, having raised a precocious child, I could so see parallels. What a difficult life Hilary Mantel has endured, and what a gift she has given the world with her books!
    • 5/5
      There is no self-pity in this memoir, which is poignant, unexpectedly funny at times. If anything there is too much self-control, and even minute traces of self-loathing. In handling the sections of her childhood, she shapes the story to the child’s half understandings. The male figures, father, step-father, brothers, husband, are at best presences. Yet every sentence, every phrase in this book is breathtaking, artfully crafted, subtly shaped. We almost forget the message given at the beginning. If you want to be a writer “ Rise in the quiet hours of the night, prick your fingertips, and use the blood for ink.” But what we have read has been written in blood, product of pain, sacrifice, self-control, distance from oneself and from one’s own ghosts. A real achievement.

    • 4/5
      This short memoir by Hilary Mantel focuses on two main aspects of her life: her somewhat difficult childhood and her long periods of (misdiagnosed) ill-health. Of the two, it was the first that I found most interesting. Growing up as a young child in a Irish Catholic home in England she seems to have had a poor but loving early childhood, surrounded by parents, grandparents and aunts and uncles. But as she was about to start secondary school her life changed for ever: after a period of a somewhat curious ménage a trois, her mother left her father to live with another man, taking the young Hilary and her two brothers with her. Hilary never saw her father again. At this stage I desperately wanted to know more about the background of this separation, but as these recollections are very much told from the point of view of the child observing them those details are never forthcoming. And with a new and difficult step-father, and a place at a convent school while the child of a woman who had left her husband to live with another man, Hilary's teenage years become much more difficult.What I found a more challenging part of the book was the story of Hilary Mantel's battle with ill-health, which left her infertile by her late twenties. While this is a horrendous story of misdiagnosis by doctor after doctor, I found that I got more and more frustrated with Hilary herself: I just couldn't understand why either she or her husband or parent didn't make more fuss, when it was clear that she wasn't getting the treatment she required. Why didn't you argue, I kept wanting to say to her. Why don't you insist on a second opinion? And it's clear that Hilary Mantel does not completely understand her attitude either:'There are several possible explanations, on several levels. One is that, in the time and place where I grew up, expectations of health were low, especially for women. The proper attitude to doctors was humble gratitude; you cleaned the house before they arrived. The deeper explanation is that I always felt that I deserved very little, that I would probably not be happy in life, and that the safest thing was to lie down and die'Overall, an interesting read, although the recollections are interspersed at times with a number of supernatural elements (the ghost of the title being a case in point) which rather left me cold. But recommended nonetheless.
    • 5/5
      The back of this book is unhelpful; it makes it seem as though the whole thing is about her infertility. That's part of the story, but it's not even most of it. Most of it is about growing up Catholic, going to schools taught by nuns, growing up in a family, trying to make sense of life from a child's perspective. The mysteries of adults and the struggle to unravel them. How it is when Father is displaced by another man who is unkind, and how the neighbors know and try to shame your mother. Later she talks about health problems that dogged her most of her life, and she was ill served by doctors and modern medicine. She was diagnosed as a young woman as having psychiatric problems and given drugs that altered her vision and her memory, and finally got her self off of them and away from doctors. Later her illnesses and the drugs she had to take made her body change shape and she is eloquent about how strange that was. For me that was the most moving part of the book. How being fat changes you, changes the way people look at you. Besides this she remakes her life again and again, and mentions those changes in the most casual way, which puts me in awe of her. She begins the book as a child and as a young woman with no agency, no certainty, and ends it as someone who seems to understand herself and the world well and to have taken charge of her life. It's good to see.
    • 4/5
      I read almost half of this book in a used book store so had to buy it. I found it fascinating and finished it that evening. Ms. Mantel's powerful intellect sustained her through a difficult childhood and an adulthood blighted by ill health.