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    Two Good Dogs: A Novel
    Two Good Dogs: A Novel
    Two Good Dogs: A Novel
    Audiobook11 hours

    Two Good Dogs: A Novel

    Written by Susan Wilson

    Narrated by Rick Adamson, Fred Berman and Christina Delaine

    5/5

    ()

    About this audiobook

    Susan Wilson, the bestselling author of One Good Dog delivers another powerful audiobook of loyalty and love.

    Single mom Skye Mitchell has sunk her last dime into a dream, owning the venerable, if run-down LakeView Hotel in the Berkshire Hills. It’s here where she believes she’ll give her fourteen-year-old daughter Cody a better life. But being an innkeeper is more challenging than she imagined, and Cody still manages to fall in with the wrong crowd. In addition, Cody is keeping an earth-shattering secret that she’s terrified to reveal. The once loving, open girl has now become completely withdrawn, and Skye is both desperate and helpless to reach her.

    When Adam March and his pit bull Chance check into the hotel, it becomes the first of many visits. Here in these peaceful mountains he finds an unexpected relief from his recent bereavement. He and the beleaguered innkeeper form a tentative friendship. Adam knows the struggles of raising a difficult teenager and Skye understands loneliness.

    And then there is Mingo, a street kid with a pit bull dog of his own. When Cody discovers an overdosed Mingo, Adam takes the boy’s dog not just for safekeeping, but to foster and then rehome. But the dog isn’t the only one who needs saving. A makeshift family begins to form as four lost people learn to trust and rely on each other, with the help of two good dogs.

    LanguageEnglish
    PublisherMacmillan Audio
    Release dateMar 7, 2017
    ISBN9781427291257
    Two Good Dogs: A Novel
    Author

    Susan Wilson

    From the time I was a little girl, the word "writer" held a special significance to me. I loved the word. I loved the idea of making up stories. When I was about twelve, I bought a used Olivetti manual typewriter from a little hole in the wall office machine place in Middletown, CT called Peter's Typewriters. It weighed about twenty pounds and was probably thirty years old. I pounded out the worst kind of adolescent drivel, imposing my imaginary self on television heroes of the time: Bonanza, Man from U.N.C.L.E. and Star Trek. Those are my earliest memories of my secret life of writing. For reasons I cannot really fathom, I never pursued writing as a vocation. Although I majored in English, I didn't focus on writing and it wasn't really until I was first married that I hauled out my old Olivetti and began to thump away at my first novel. This was, as I recall, an amorphous thinly plotted excercise in putting sentences together and has mercifully disappeared in some move or another. I didn't try anything more adventurous than some short stories and a lot of newsletters for various things I belonged to until we moved to Martha's Vineyard and I bought my first computer. My little "Collegiate 2" IBM computer was about as advanced as the Olivetti was in its heyday but it got me writing again and this time with some inner determination that I was going to succeed at this avocation. I tapped out two novels on this machine with its fussy little printer. Like the first one, these were wonderful absorbing exercises in learning how to write. What happened then is the stuff of day time soap opera. Writing is a highly personal activity and for all of my life I'd kept it secret from everyone but my husband, who, at the time, called what I did nights after the kids went to bed, my "typing." Until, quite by accident, I discovered that here on the Vineyard nearly everyone has some avocation in the arts. Much to my delight, I discovered a fellow closet-writer in the mom of my kids' best friends. For the very first time in my life I could share the struggle with another person. I know now that writers' groups are a dime a dozen and I highly recommend the experience, but with my friend Carole, a serendipitious introduction to a "real writer", Holly Nadler, resulted in my association with my agent. Holly read a bit of my "novel" and liked what she read, suggested I might use her name and write to her former agent. I did and the rest, as they say, is history. Not that it was an overnight success. The novel I'd shown Holly never even got sent to Andrea. But a third, shorter, more evolved work was what eventually grew into Beauty with the guidance of Andrea and her associates at the Jane Rotrosen Agency. The moral of the story: keep at it. Keep writing the bad novels to learn how to write the good ones. And, yes, it does help to know someone. Andrea might have liked my work, but the path was oiled by the introduction Holly Nadler provided. Hawke's Cove is my second published novel, although there is a "second" second novel in a drawer, keeping good company with the other "first" novels.

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