Audiobook7 hours
War Porn
Written by Roy Scranton
Narrated by Brian Hutchison
Rating: 3.5 out of 5 stars
3.5/5
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About this audiobook
The term "war porn" refers to videos and images brought back from combat zones. IED explosions, air strikes, firefights, images of death and gore largely shorn of context, at times even evidence of potential war crimes (most famously, the photos of detainee abuse at Abu Ghraib). "War porn" is also, in Scranton's searing debut, a metaphor for the fragmentation and confusion of modern combat, the broken shards of experience that form the wartime experiences of soldiers and civilians alike. The three sections of War Porn fit inside one another like nesting dolls: from an end of summer barbecue in the American Southwest; to the perspective of a young US soldier in the early months of the occupation of Iraq; to the story of Qasim al-Zabadi, an Iraqi math professor who faces the American invasion with a blend of fear, denial, and perseverance. Through the eyes of the occupiers, we watch Qasim become an interpreter for US forces, then prisoner and victim. As the scene switches from America to Iraq and back again, as home and hell merge, Qasim reveals the fragile humanity that connects occupier and occupied, torturer and tortured.
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Reviews for War Porn
Rating: 3.5833333333333335 out of 5 stars
3.5/5
6 ratings1 review
- Rating: 5 out of 5 stars5/5There has been a flood of books emerging from the current wars in the Mideast, yet Iraq war veteran Roy Scranton has managed to do something quite different with his debut novel, WAR PORN. The story moves back and forth from the home front to the war zone and back again, and also back and forth in time in the early years of the Iraq war. At home, in remote Moab, Utah, a group of friends gather for a back yard barbecue. One of them brings a date, Aaron Stojanowski, a National Guard MP, just back from a tour in Iraq where he worked at a prisoner detention center. The party hostess feels a magnetic attraction to this stranger, but a wide chasm between him and the others, all largely untouched by the war, becomes quickly and explosively apparent.Cut to Iraq, and a soldier named Wilson, a failed poet and drifter from Oregon who joined the army after 9/11. If there is a central character, he's it, as we learn of his pre-Army life in short flashbacks which serve to emphasize his 'different-ness' from his fellow enlistees. Profanity-laced GI talk, with its usual gallows humor, political incorrectness and irreverence abounds as Wilson goes about his daily duties, patrolling, pulling gate duty, transferring prisoners and more, counting down the days 'til his personal hell is over. And then, still in Iraq, we get a look at life on 'the other side,' as a timid Iraqi math professor and his extended family take center stage, first waiting for the American invasion, and then enduring it, caught up in a dark nightmarish madness and personal betrayals. This section alone sets WAR PORN apart to an extent, but it is not really new. This 'other side' viewpoint has already been used quite effectively in a few other novels: Helen Benedict's SAND QUEEN, Elliot Ackerman's GREEN ON BLUE, and, perhaps the best one of all, Joydeep Roy-Bhattacharya's THE WATCH, with its elements of Greek tragedy.No, there are other things which make Scranton's story different. First. there are short seemingly nonsensical sections placed here and there throughout the narrative, each of them titled simply "Babylon," which confuse the reader and throw him off balance. Here's a sample -"population of two already pleaded to be those targets on the edge of the gallbladder and transverse colon; only those acts which can be said to be half measures, the national Kalashnikovs with a gunshot wound through the rectum; and two with possible war seen war that will be fourteen more casualties arrived OPERATION SIDEWINDER CIA secret prisons at the military's Iraqi Advanced Trauma Life Support protocols for the administration of Bush's decision was over the last six ..."Yes, shades of the mythical Tower of Babel, or perhaps the gobbledygook, or 'babble' you might have heard had you clicked quickly through the TV news channels in those early days of the war. Babylon was, after all, an early name for Iraq. The words of the fragmented reportage splatter the page like paint from a Pollock painting, but it works. Remember the conflicting reports, the half-truths, the 'spin,' the lies, the endless words, words, words ... That's one thing that makes WAR PORN different. The other is much darker: the meaning of the title itself - dark video images of casual killing, torture and the 'enhanced interrogation techniques' so graphically and minutely described in a recent Iraq memoir, Eric Fair's CONSEQUENCE. Scranton takes those images and literally rubs the reader's face in them in a stunningly horrific concluding sequence.WAR PORN is not an easy read. It will twist your gut and shock your sensibilities. You will come away shaken. And yet the war goes on and on. This is without a doubt an important contribution to the oeuvre of war lit. Very highly recommended.- Tim Bazzett, author of the Cold War memoir, SOLDIER BOY: AT PLAY IN THE ASA