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La mano del malato povero
La mano del malato povero
La mano del malato povero
Audiobook20 minutes

La mano del malato povero

Written by Luigi Pirandello

Narrated by Gaetano Marino

Rating: 0 out of 5 stars

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About this audiobook

Pubblicata per la prima volta ne Il Giornale di Sicilia il 21 e 22 febbraio del 195, "La mano del malato povero" è una novella altamente simbolica.
Il narratore infatti parte dall'analisi di una mano per ricostruire in maniera del tutto arbitraria le vicende umane del malato che si trova al suo fianco in un letto d'ospedale.
Quella fatta dalla voce narrante è quasi un'indagine poliziesca, un'indagine che parte dall'unico elemento a disposizione: una mano.
LanguageItaliano
PublisherLA CASE Books
Release dateAug 1, 2018
ISBN9781949685107
La mano del malato povero
Author

Luigi Pirandello

Luigi Pirandello (1867-1936) was an Italian playwright, novelist, and poet. Born to a wealthy Sicilian family in the village of Cobh, Pirandello was raised in a household dedicated to the Garibaldian cause of Risorgimento. Educated at home as a child, he wrote his first tragedy at twelve before entering high school in Palermo, where he excelled in his studies and read the poets of nineteenth century Italy. After a tumultuous period at the University of Rome, Pirandello transferred to Bonn, where he immersed himself in the works of the German romantics. He began publishing his poems, plays, novels, and stories in earnest, appearing in some of Italy’s leading literary magazines and having his works staged in Rome. Six Characters in Search of an Author (1921), an experimental absurdist drama, was viciously opposed by an outraged audience on its opening night, but has since been recognized as an essential text of Italian modernist literature. During this time, Pirandello was struggling to care for his wife Antonietta, whose deteriorating mental health forced him to place her in an asylum by 1919. In 1924, Pirandello joined the National Fascist Party, and was soon aided by Mussolini in becoming the owner and director of the Teatro d’Arte di Roma. Although his identity as a Fascist was always tenuous, he never outright abandoned the party. Despite this, he maintained the admiration of readers and critics worldwide, and was awarded the 1934 Nobel Prize for Literature.

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