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    Far from the Madding Crowd
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    Far from the Madding Crowd
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    Far from the Madding Crowd
    Audiobook14 hours

    Far from the Madding Crowd

    Written by Thomas Hardy

    Narrated by Joe Jameson

    4/5

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    About this audiobook

    Gabriel Oak is a shepherd struggling to get ahead when Bathsheba Everdene moves next door. Although he loves her, she sees him as a friend and rejects him for two other suitors. After she leaves town, she and Gabriel are reunited years later, once everything has changed.

    In this classic novel, Thomas Hardy depicts the English countryside as idyllic but also hard and unforgiving, much like the Victorian mindsets of the day.

    LanguageEnglish
    PublisherDreamscape Media Audio
    Release dateFeb 18, 2019
    ISBN9781974937745
    Author

    Thomas Hardy

    Thomas Hardy was born in 1840 in Dorchester, Dorset. He enrolled as a student in King’s College, London, but never felt at ease there, seeing himself as socially inferior. This preoccupation with society, particularly the declining rural society, featured heavily in Hardy’s novels, with many of his stories set in the fictional county of Wessex. Since his death in 1928, Hardy has been recognised as a significant poet, influencing The Movement poets in the 1950s and 1960s.

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    Reviews for Far from the Madding Crowd

    4/5

    2,056 ratings90 reviews

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    • 4/5
      My second visit to beautiful Dorset over this glorious Easter holiday has been accompanied by reading my second Thomas Hardy novel. I didn't enjoy this quite as much as The Mayor of Casterbridge, but Far from the Madding Crowd is still a solid and enjoyable novel rooted in the rhythms and ways of life of 19th century Dorset, being the first of Hardy's Wessex novels. Bathsheba Everdene is an independent-minded young woman making her way in the male-dominated rural life of the time, after inheriting her uncle's farm on his death. Yet, as the object of three very different men's differing forms of love, she still shows a headstrong and even reckless side, for example when she sends a joke Valentine's card to middle-aged and confirmed bachelor farmer Boldwood, which ignites an obsession with him as he refuses to accept its light hearted motivation. She marries soldier Frank Troy, but their marriage is not a success and he disappears. It is shepherd Gabriel Oak whose loyal and steadfast devotion to her as his employer wins her love in the end, after a final explosive confrontation between Boldwood and a returned Troy. Other memorable characters include Fanny Robin, Troy's former sweetheart, who dies in the workhouse pregnant with his child. A very good read, though lacking the plot-driven narrative of Mayor of Casterbridge.
    • 5/5
      I love the way Thomas Hardy writes, so lush and evocative. This book is about a young woman with a very great sense of herself and loses it in a fit of emotion, and the man who loves her steadfastly and honestly with no strings attached. Wonderful book. I could read Hardy all day long.
    • 4/5
      This was my third work by Thomas Hardy, following The Mayor of Casterbridge and Jude the Obscure, both of which I thought were outstanding.Far from the Madding Crowd is very much in the same style. If you are a fan of Hardy, you will enjoy this book. As always, Hardy's story telling ability is top notch. His writing is fluid, descriptive and flows easily. On the negative side, I thought this work started far too slowly, and could have been tighter. While there were sections that were true "page turners," other sections were simply too long and/or unnecessarily descriptive.Not Hardy's best work, but still enjoyable.
    • 4/5
      This novel shows beauty in imperfection and mistakes like no other. Being independent means having the right to choose, and mistakes naturally will come with that right. The most important thing in life is learning how to deal with that errors. That is why i adore very much Thomas Hardy's Bathsheba and this story. The other characters are also uniquely humans. In the provincial setting that can bore certain people, i saw a great love that Thomas Hardy have inserted which is; the love of common life . That is my humble interpretation.
    • 4/5
      I don't know what it was with this Hardy, especially as so many people give it a 5 star rating, but I felt like I was really labouring through the first half of it. It seemed to take so long for the scene setting of the three suitors before the story really got going, and compared with other Hardy novels I've loved I wasn't feeling the characters for the first 150 pages or so.Once it finally got into its stride it was standard Hardy gold - drama, tragedy, wonderful characterisation. I just wish it hadn't taken quite so long to pull me in.
    • 4/5
      It's been a few days since I finished Far From The Madding Crowd but life has been crazy so I haven't had the time to write this review, which is unlike me because I usually make time. Oh well, here we go anyway...My first experience with Hardy came from Tess of the d'Urbervilles, which completely surprised me. I loved it. But it had been a while since then so I opened this one without a great deal of expectation despite the 'classic' status. After finding the first couple of chapters a little slow, general setting the scene type chapters, by the time we met Bathsheba again on her own farm I was really enjoying it.Bathsheba Everdene is spirited and independent and fiercely determined to be able to run her uncle's farm after firing the stealing bailiff (manager). This was the part of her I most admired. She cared about the farm and her employees, she was resourceful and clever - I hadn't realised that female characters like her popped up in literature from the 1800s. What let me down was her stupidity when it came to men (although I realise without this there may have been no story!)Gabriel Oak is our other main character in this story, and in him I can find few faults. His loyalty to Bathsheba may be considered a bit extreme but at least he wasn't crazy like Farmer Boldwood. No matter Gabriel's feelings, he put them aside to do his work and to build a friendship with Bathsheba that is perhaps one of my favourite literary friendships. He was the only one who would be completely honest with her and she respected his opinion even if she didn't always like it. What progressed seemed very natural, unlike her romances with Sergeant Troy and poor infatuated Farmer Boldwood, who I felt sorry for but really needed to just let go. He wanted her because he felt he deserved her, he loved her but without taking into account her feelings on the matter. There was no foundation for either of these romances like there was between her and Gabriel.Hardy writes a great story although some of his description can get a bit tedious, I guess he just liked to set his scene. I really enjoyed the supporting characters in this novel as well as Bathsheba and Gabriel and I think it is a great addition to anyone's library. 
    • 4/5
      When Bathsheba Everdene inherits her uncle's farm, she becomes a prominent citizen of Weatherbury, a village in 19th century England. Her status as an independent woman attracts a lot of attention, but she is confident and capable, managing the farm and her employees with relative ease.Bathsheba's was an impulsive nature under a deliberative aspect. An Elizabeth in brain and a Mary Stuart in spirit, she often performed actions of the greatest temerity with a manner of extreme discretion.For much of the day-to-day management she relies on Gabriel Oak, a shepherd who until recently had his own farm. Gabriel is quiet, reliable, and in love with Bathsheba, but she quickly dispenses with any notion of romance between the two of them. Enter two more suitors: Boldwood, an older well-established landowner & farmer, and Troy, a rakish soldier with bags of sex appeal. Boldwood makes his intentions known, and Bathsheba toys with him. With Troy, she is unable to keep the upper hand. Matters escalate on both fronts, and I will stop there so as not to spoil the story.Hardy feared the English countryside was in decline. The rural idyll is front and center in this novel, of equal importance to the characters. The natural setting and the village inhabitants add considerably to the plot, and make up for certain elements that seemed a bit contrived. I also liked Hardy's depiction of a strong woman, unusual for the time period, and his ability to communicate so much about a character in a single, concise sentence, such as "Troy was never more clever than when absolutely at his wits' end."I felt ambivalent about this book for the first half or so, but by the time I turned the last page I had found much to appreciate.
    • 4/5
      Sometime last year I saw the 2015 film adaptation of Far From the Madding Crowd. It’s very picturesqueness and told an interesting story - a young single woman managing her own property - but it felt rushed, like it was too abridged. Reading the book made sense of my reactions to the film. The film is framed as Bathsheba’s story, opening with a voiceover from her. However, the book is only sometimes from Bathsheba’s point of view. Certain things occur off-screen - and the reader is left, along with other main characters, to fill in the gaps ourselves as to exactly what happened. I found this approach made Bathsheba’s choices seem much more convincing.The book is also very clear about the passage of time. That helps to provide needed context - and I was interested by the colourful portrayal of life for this farming community.I particularly enjoyed Hardy’s descriptions and the amusing way with words some of his characters have. Even though I knew where the story was heading, the way the story was told kept me interested. I didn’t always enjoy the story of Bathsheba’s multiple suitors, but I appreciated that they’re not thrown in to create artificial tension. Far From the Madding Crowd offers thoughtful, and at times surprising, commentary on courtship, male expectations of women, healthy relationship dynamics, and the consequences of mistakes.And I found a certain romance even more shippable than I did in the film.Another one of the best books I’ve read this year. The audiobook, read by Nicholas Guy Smith, is excellent.[...] said Oak; and turning upon Poorgrass, “as for you, Joseph, who do your wicked deeds in such confoundedly holy ways, you are as drunk as you can stand.”“No, Shepherd Oak, no! Listen to reason, shepherd. All that's the matter with me is the affliction called a multiplying eye, and that's how it is I look double to you—I mean, you look double to me.”“A multiplying eye is a very bad thing,” said Mark Clark.“It always comes on when I have been in a public-house a little time,” said Joseph Poorgrass, meekly. “Yes; I see two of every sort, as if I were some holy man living in the times of King Noah and entering into the ark [...]”
    • 4/5
      I read this many years ago and it is one of Hardy's best novels.
    • 4/5
      I found this to be one of the least depressing Thomas Hardy books I've read. It is set in an idyllic pastoral setting in England, and follows Batsheba, a beautiful independent farmer that has 3 men completly in love with her. Of course, being a Hardy novel there are some dark melodramatic moments. I didn't like it as much as Jude the Obscure, but worth the read.
    • 2/5

      6/10.

      The mainspring of the book centres around Bathsheba Everdene and her three suitors. And, in portraying her caprice and wilfulness gradually crushed by bitter self-knowledge and rejection.

    • 3/5
      Okay, so I didn't actually finish this novel, beyond skipping ahead to read the second to last chapter. Actually, I don't think I actually finished Tess of the D'Urbervilles either. I guess not finishing Thomas Hardy novels is becoming a habit.

      Honestly, there was a lot to like about this novel. I liked Gabriel Oak. I love Hardy's use of crazy, creepy, mythic symbolism. I even liked the descriptions and the Shakespearian peasant characters. But halfway through it mostly just began to confuse and bore me, because the rest of Hardy's characters just confounded me.

      The funny thing is that my feelings about the book were summed up in a Henry James quote on the back of the book, saying that the only believable element were the sheep. (Henry James's pastime seemed to be saying offensive things about English novelists. He also made derogatory comments about Dickens.) The person writing the copy on the back of the book quoted him in order to say that he was wrong, but nearing the end I started to agree with him. Almost all of the conversations involving Bathsheba just sounded so strange and artificial, and all of her motivations were elliptical and contradictory. I just didn't know what to do with her after a while. If I'd had more time, I would have happily finished it properly, but I don't feel like I missed very much.
    • 4/5
      It's a classic innit? It really is though. I'd forgotten just how good this is. The best thing is the way it evokes rural life in the West Country in the late 18th century. Marvellous and, unusually for Hardy, with a feel good ending.
    • 4/5
      I love Thomas Hardy's writing, as long as I continually remind myself to remain in the period. Bathsheba, the "heroine", as the author refers to her, is not exactly a role model for women of any period in my opinion. Of course, the men are driven mad, literally, by her spirit and beauty, and she remains insensitive, flighty, and totally impulse driven until the climax when she miraculously sees the error of her ways. I really like Gabriel Oak, my hero.
    • 5/5
      I have long admired Hardy's poems. So much that as a teenager I even committed one to memory. This year I began to read Hardy's novels for the first time. The 1968 film version of "Far from the Madding Crowd" made it quickly to my top ten favorite movies of all time after I saw it on DVD. I was excited to relive the story of Bathsheba Everdene and her suitors by reading the novel. Well, there are often good reasons books are considered classics. Psychological types easily recognized today perform in a vivid setting saturated with nostalgia for a pre-industrial pastoral world. The strings of a florid Victorian pianoforte style are plucked from inside the instrument with an originality, congruency and wit that delighted me when I read his poetry. I've read that Thomas Hardy is considered somber, but his karmic sense of justice corresponds to my own. He admires and rewards mature virtues, persistence, patience self-control, practicality, modesty and, oh yeah, mature love and he does that in a way that makes virtue romantic. The sensual earthy texture of the movie is true to the novel.
    • 5/5
      Bought 1980s, read for the Hardy Reading ProjectA truly amazing book: rich, beautiful writing and a page turner. A big step forward in his writing, I felt. Proud Bathsheba thinks she can outwit love but is floored bu it; her suitors have very different fates from one another and the landscape, the stars and the animals provide a wonderful backdrop. The local farmhands are done with a lighter touch; still comical but not so laboured, somehow, and there are some beautiful scenes, for example Gabriel's observation of the movement of the stars. My favourite quotation was another bird-related one: "No Christmas robin detained by a window-pane ever pulsed as did Bathsheba now" (p. 247).I studied this for O level but had forgotten the story, although certain rather random scenes and descriptions, such as Gabriel's face and the round hill he stands upon, were very familiar. Truly a privilege and a joy to re-read this book.
    • 2/5
      One of the things to put me off classical literature - much as I love it really - is that so much seems contrived. A character disappears, is forgotten about, and returns at a critical juncture, changing the course of the story. Two characters, who seem to have nothing in common, actually do, and then it's something really strange and unlikely that unites them. Basically, it's like "Lost" writ large.Hardy, one of the Romantics, was guilty of many of the crimes I list above, though he cannot be blamed for what was taken so seriously for so long. "Far From the Madding Crowd" is spoilt by these contrivances; it is still worth reading as an early feminist novel (though written by a man it concerns the life and loves of one woman), and if you are interested in the English countryside you'll find this fascinating.
    • 4/5
      If I had known I'd enjoy this novel so much, I'd have read it sooner! It's a wonderful story of life in agricultural England, seemingly untouched by the Industrial Revolution. Bathsheba is young, alone, and very confident of her abilities. When she inherits her uncle's farm, her social position abruptly changes for the better. Over the next few months, three different men, each with unique combinations of virtues, enter into her life. Despite her earlier convictions to make it on her own, she chooses one to marry, with consequences for her little community. Hardy has developed a set of characters that, while maybe not entirely believable, are attractive and interesting. The novel moves right along, never bogging down. His descriptions of the farming community are charming and invite the reader into a world that was fast disappearing. His reflections on the social mores and their influence on people's choices are fun to read as well as thought-provoking.
    • 4/5
      In "Far from the Madding Crowd" we have Thomas Hardy's 1874 breakthrough publication. This was my introduction to Hardy, and I expected certain aspects of his work, and didn't expect others. For one, I didn't expect the humor that I encountered in early character descriptions, but I was not surprised by the power and depth of the story. Hardy's reputation had preceded him to that extent."Far from the Madding Crowd" recounts the tribulations of the young and beautiful - and tragically vain - Bathsheba Everdene, and the three men who love her. Or the two men who loved her, and the rake who married her, or perhaps most accurately, the rake who married her, the inexperienced man who loved her to distraction, and the one faithful stalwart who stood by her through all. For Bathsheba is the most beautiful of women, and men become entranced with her and offer marriage pretty regularly here. The force of the story flows from Bathsheba's initial vanity, her tragic and ill-advised coquetry and first marriage, and how her self-absorption leads to mental breakdown and manslaughter. Hardy presents the plot in a straightforward way, and handles Bathsheba's evolution very skilfully and realistically. The chief characters are fully-realized, memorable creatures. Oak, her constant and ultimate protector, middle-aged Boldwood, driven to distraction by latecoming first love, and the reprobate Sergeant Troy, the tragic first husband, all ring truly; we believe them and understand their motivations. I found the rabble of farm workers to bear no such distinction.I'm going to reserve judgment on whether this is where to start with Hardy. Plot-wise and resolution-wise, I was gratified by how this book ends. There is a tragic force in this narrative, and I understand it's something Hardy produced regularly. This book ends on a hopeful, life-affirming note, which by reputation, Hardy does not always employ. I'm glad I completed the exercise, but a little sorry that's what it felt like.
    • 3/5
      Although written in 1874 this is a very modern novel as a strong women runs a farm and her life surrounded by suitors.
    • 5/5
      In a common 18th-19th century plot convention, a beautiful young woman, Bathsheba Everdene, finds herself without guidance, trying to make her way in a man's world. What makes this novel stand out for me is Hardy's use of the rural, natural environment not only as a setting, but as a force in the plot of the novel. Bathsheba learns that a good farmer makes the best husband :). Actually, the examination of romantic love and conventions, contrasted with true affection and companionship, is still relevant and interesting, and Hardy's writing is rich and fresh.
    • 5/5
      This is the second Hardy novel I have read and is very much like the first, Tess of D'Urbervilles. This novel tells the story of Bathsheba Everdeen and her trials and tribulations trying to live her life as a headstrong and ambitious woman in a Victorian man's world. However, unlike Tess of D'Urbervilles, this book has a few smiles and a positive ending. This book has little action, but is mostly about relationships.
    • 4/5
      While I quite enjoyed this novel, I spent much of it extremely frustrated with Gabriel. He's such a good and honest guy, saving the farm on multiple occasions, but he's so fixated on Bathsheba he can't take himself away from the vain and thoughtless woman. Bathsheba may have been beautiful, but no woman is worth the hell that Gabriel put himself through for her.
    • 5/5
      Only my second Hardy, but I think it’s safe to say I’m a fan.I loved everything about this book: the twisty story of friendship, love, and figuring life out, the character development, and especially the completely unorthodox female character that is Bathsheba Everdene. She goes from poor to rich, and from independent and brazen to lovesick and sad and then back again. So very good!
    • 5/5
      Which would you rather have? Burning passion or constant loyalty?
    • 5/5
      When my husband show me with the dictionary in one hand and the book in the other, asked me why I was bothering myself with that book, if it was so difficult to read. "Because, it's so good, it's worth it!" was my answer.I read it decades ago and I admit I didn't like it; I found it gloomy and depressing. But this time, I thoroughly enjoyed it: I loved Hardy's subtle humor and oh, so accute observations on human nature, the landscape descriptions, the twists of the tale and of course Gabriel Oak.The scene where Oak asks for employment from the woman that he had asked to marry not a few weeks ago, when they were equals, was heartbreaking. So few words, no more than 4 or five lines stripped of sentimental frillies, but you can feel Oak's feelings, loss of pride and despair as if you were him.But there were so many great scenes: Troy planting flowers in Fanny's grave at night, Boldwood's proof of obsession with Bathsheba coming to light, Gabriel and Bathsheba working together in the granary to save the corn from the rain while angry flashes rake the sky and many more. Through detailed descriptions of rural life in England during the late 1800s, the plot never loses its pace and there are enough twists and turns to keep the reader engrossed. The piquant remarks on human nature from Hardy, spice up the story and offer a touch of humor that saves it from being downright gloomy. Even when the greatest catastrophe occurs, Hardy's commendation on it, will usually have you ending the chapter with a slight smile on your face. I'm glad I gave this book another chance. Thanks BJ Rose for reminding me of it:)
    • 4/5
      Fantastic read! A really challenging and rewarding book--a perfect example of advanced, proficient use of archaic language. Hardy's mastery of the English vocabulary is inspiring, but it took a lot of concentration to read.
    • 5/5
      Lovely, simply lovely. I was enchanted by all the characters, and just amazed that this was one story where I really could not see the plot coming down the street waving flags and yelling "Here I come!" like most stories these days. The story floored me and kept me glued till the end. I loved it!
    • 5/5
      After a cautious start, due mostly to language of the period, I thoroughly enjoyed this book. The English countryside,the weather & the mood and feelings of the characters are described in such detail that I almost felt like I was there amongst the characters and involved in the events.Three very different suitors are vying for the affections of the beautiful, highspirited Bathsheba, who unwittingly manages to become entrapped to more than one of these men. Love proves to be quite fickle with some dire consequences.The further I progressed through the story,the more difficult it was to put down. A dictionary beside me helped with the occaisional bygone word and would recommend this novel to anyone who appreciates a tempestuous love story set in a bygone era where manners and propriety and honour are all important.
    • 4/5
      Far From the Maddening Crowd by Thomas HardyWhen Bathsheba Everdene, a beautiful young woman full of life inherits a farm and moves to the remote country she creates chaos in the hearts of the local men. She finds that her overseer has been stealing from the farm and fires him, determined to run the farm herself.Gabriel, a local sheep farmer who is poor but rich in integrity soon proposes marriage to her but Bathsheba refuses him. She is not in love with him though she likes him very much.Later she mischievously sends a valentine card to the wealthy farmer Boldwood. He too falls in love and becoming obsessed with her also proposes marriage. She refuses him as well for the same reason. She is not in love with him.Then a handsome and charming young scoundrel of aman, Sergeant Troy appears and Bathsheba falls madlyin love with him. They secretly wed but Bathsheba soon discovers that his one true love is one of her maids and that he is still in love with her.Bathsheba eventually learns that Sergeant Troy is an unfaithful small minded husband who can be trusted neither with her heart nor her farm. When the young maid Fanny, who loved the Sergeant is discovered dying giving birth to his stillborn child he becomes terribly and inconsolably remorseful and leaves Bathsheba.But this classic has much more to it than just the romantic interests. There is much about the farming and husbandry of those days that I found to be quite interesting. There are crops to be grown and harvested. There are also the interactions between all of the people in the novel.My least favorite character was Bathsheba herself. She was a fairly flat character and even the peasant folk seemed to have more body to them.I found this book to be lively & exciting which I know is quite the opposite of how some view Hardy's work. However I really enjoyed it and recommend it to those of you who enjoy the classics and to all Hardy lovers.