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The Stepford Wives
The Stepford Wives
The Stepford Wives
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The Stepford Wives

Rating: 4 out of 5 stars

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The internationally bestselling novel by the author of A Kiss Before Dying, The Boys from Brazil, and Rosemary's Baby.

With an Introduction by Peter Straub.

For Joanna, her husband, Walter, and their children, the move to beautiful Stepford seems almost too good to be true. It is. For behind the town's idyllic facade lies a terrible secret -- a secret so shattering that no one who encounters it will ever be the same.

At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

LanguageEnglish
PublisherHarperCollins
Release dateApr 26, 2011
ISBN9780062037602
The Stepford Wives
Author

Ira Levin

Novelist and playwright Ira Levin (1929-2007) was a native New Yorker whose books include A Kiss Before Dying, Rosemary's Baby, This Perfect Day, The Stepford Wives, The Boys from Brazil, Sliver, and Son of Rosemary. His plays include No Time for Sergeants, Critic's Choice, and the longest-running thriller in Broadway history, Deathtrap. An alumnus of New York University, Levin also wrote the lyrics of the Barbra Streisand classic "He Touched Me," and was the recipient of three Edgar Allan Poe Awards from the Mystery Writers of America (including 2003's 'Grand Master'), as well as the Horror Writers Association's Bram Stoker Award for lifetime achievement.

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Rating: 4.0790960451977405 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5

    Published in 1972 I can see why this book attracted a lot of attention. It's a short read, more like a novella. I was really pulling for Joanna. Now I want to watch the 1975 movie of this, not the Nicole Kidman version.
  • Rating: 5 out of 5 stars
    5/5
    Great story! Really enjoyed the ending, the writing style is great too.
  • Rating: 5 out of 5 stars
    5/5
    What a wonderfully creepy novella. I enjoyed it just as much as the movie (1975).
  • Rating: 4 out of 5 stars
    4/5
    This has done absolutely nothing good for my paranoia. I was already against exclusivity and now I have a reason that doesn't sound like I'm whining about being left out.
  • Rating: 5 out of 5 stars
    5/5
    Just read this again. I read it a really long time ago, not long after it came out, and I have to say I still enjoyed it the second time.
  • Rating: 3 out of 5 stars
    3/5
    just watched the first episode of Secrets of the Stepford Wives and I can't wait to read this!
  • Rating: 5 out of 5 stars
    5/5
    I've always loved the movie and until recently didn't know if was a book! The book did not disappoint! I love the movie AND the book. great story
  • Rating: 5 out of 5 stars
    5/5
    amazing story!
  • Rating: 5 out of 5 stars
    5/5
    One of the best book I have read in the last years.
  • Rating: 4 out of 5 stars
    4/5
    First thing: Chuck Palahniuk needs to read books before he gives out about them - there are many complaints to be made about the Shopaholic books, that they are about a woman trying to get a man is not one of them. Second thing, this was really good and I'm mainly annoyed that was too familiar with the book before reading to have enjoyed it properly. I may revise the score upwards on a re-read some time in the future.I'll certainly be looking out other Ira Levin books.
  • Rating: 3 out of 5 stars
    3/5
    I read this a million years ago but I remember it so clearly. It was a sticky Ohio summer day and I was curled up in my grandmother's living room. My grandmother kept suggesting that I go outside instead of wearing my eyes out, but I was mesmerized by the Stepford Wives. I think it had a profound effect on my budding feminist self. I also remember accusing my mother of wanting nothing more than to be one of the Stepford wives. I was a rotten kid, for the record.

    2 people found this helpful

  • Rating: 2 out of 5 stars
    2/5
    I didn't really like this at all! Mostly I just couldn't stand the writing. I don't think it flowed well at all. Despite the book being really, really short, I took a while to get through it because the sentences just didn't flow into each other well for me. I liked the actual idea behind the story and I thought the characters were really interested. A few parts were amusing and some were creepy. Overall though I didn't find it every entertaining and certainly not memorable.
  • Rating: 4 out of 5 stars
    4/5
    The Stepford Wives, a story of women who have no means of self-expression, might have been the story of real women in Jordan, Syria or Yemen. Women who are utterly controlled by their husbands but look quite normal, fashionable even as they no longer (have to) wear hijab. But it's the story instead of American women whose husbands would like to control them in the same way and, like Arab men, have no controls on themselves whatsoever. Unable to fulfil this desire in the usual ways of living, they result to extremism. So the women are dehumanised in life and in the book.

    Although this is a good, light read from one point of view, what it says about the nature of the majority of men is not light at all. In Arab society there are men, a few, who do not like the strictures their women have to live under, but most do not object at all. Some seek to deepen it even unto the utter keeping of women as private pleasures and public invisibility as in Saudi Arabia, and some, with some success, seek to spread their control of women into our own societies.

    Ira Levin's book is as much a parable as it is entertainment.



    Edit. For those who think that this desire for control of women is not in the nature of the majority of men, I'm talking globally, not just of people living in a couple of rich, secular, emancipated countries in the world, although that said, that is where the book is set.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    I have to give this book 5 stars because in the collective hour or so it took to read, it some how managed to play on my insecurities and leave me feeling completely awful. I don't know if "scary" is exactly the word I would use, but I have to admit I was nervous and anxious by the end... basically scared, yeah. I guess that is the word I would use.I've never read a book that used such simple language and was able to make me feel so strongly. It reminds me of reading chapter books like the Fudge series in elementary school ...except for how this book made me panicky and upset. I don't know if anybody else would react this strongly. It probably helps that I've never seen the movie, or even heard many cultural references, and that I generally have a lot of irrational anxieties to begin with. But it's a very quick read so I'd definitely recommend giving it a shot.
  • Rating: 4 out of 5 stars
    4/5
    This was a short, but thought provoking book. It's a comedy, a thriller, a horror story, and a satire. Some argue that it's dated. but I think "The Stepford Wives" still makes a strong comment on present day issues (as sexism and prejudice still exist). I thought Ira Levin did an excellent job writing all of the characters (male and female). The plot flowed well, the dialog was sharp, and I enjoyed the characters.
  • Rating: 4 out of 5 stars
    4/5
    I watched the newer Nicole Kidman version of The Stepford Wives when it first came out, having no idea that it was based on a book or that there was an original (and, from what I hear, far superior to the remake). So, when I saw this copy at The Friends of the Library Bookstore I was a little surprised and intrigued. A short 123 pages, The Stepford Wives is definitely worth reading.I love novels about suburbia and this novel quickly revealed the dysfunction of Stepford. Joanna and Walter have just moved to this idyllic area, and it is not long before Joanna realizes there is something terribly wrong with the women of Stepford. A great page turner, The Stepford Wives is well written and thought provoking.
  • Rating: 3 out of 5 stars
    3/5
    Well, it has been many years since I first saw the movie. This book has been lying around my library, and I thought I'd pick it up and read it on a slow day.Two interesting things strike me. First, the book is very dated. The very notion of the interaction between the lead couple seems to be time-worn. Perhaps my interpretation is jaded a bit by what I view to be our current gender environment.Second, as great as the story is, it has lost its power to shock. In this era of doom and gloom, it seems as if the ending is anti-climatic.Maybe I just saw the original movie too long ago to really appreciate the story.
  • Rating: 3 out of 5 stars
    3/5
    It was pretty short and to the point. The end was pretty hard to swallow, even after so many years have passed since it was written. I had to laugh when the pieces started to fit together, because there's just no way.I did like the slow progression of things, though, and I liked how the alliances held between the three women at the beginning started dropping off one by one. The constant cleaning endeavors of the other housewives was pretty funny, too, and I wasn't entirely sure if it was supposed to be.I read it in a couple hours, and I liked it all right, but it's not something that I'd give to all my friends, nor will it stay with me for very long. It is an odd little story, though.
  • Rating: 5 out of 5 stars
    5/5
    Loved this book. I’ve seen both versions of the movie…but the book was GREAT! Clean writing, accessible and thought provoking while still being thoroughly entertaining!! A+, I’m certainly glad I finally took the time to read this. My only grip…I hate movie tie in covers.
  • Rating: 1 out of 5 stars
    1/5
    I like the idea, and the execution was vaguely creepy, but the ending made it very blah.
  • Rating: 5 out of 5 stars
    5/5
    The Stepford Wives manages to be both simple and complex. Even if you know the ending (and I think everybody does by now), there are still surprises and twists.
  • Rating: 3 out of 5 stars
    3/5
    The singular plot doesnt leave you caring about any of the characters, which is probably why I didn't care if Johanna was replaced by a robot. Couple the shallowness of the writing with a premise that is unbelievable and Levin is lucky to get a 3 star rating from me. An adequate read if you have some time to kill.
  • Rating: 2 out of 5 stars
    2/5
    In Stepford, the wives are perfect robots. An interesting idea, but poorly executed. Clunky prose and dialog.
  • Rating: 5 out of 5 stars
    5/5
    A very short but tightly crafted novel. I found this suspenseful and shocking even though I knew the plot and finale from the classic film version (not the absurd 2004 remake). Of course, there are plot holes and surely at least one husband would have objected to the plan, and/or at least one wife would have managed to escape and tell all to, if not the disbelieving authorities then at least the sensation-hungry newspapers. But this does not really matter: the story is a superb creepy suspense story.
  • Rating: 5 out of 5 stars
    5/5
    Creepy Book! But it was great.
  • Rating: 4 out of 5 stars
    4/5
    Much better than the movie.
  • Rating: 5 out of 5 stars
    5/5
    I was extremely pleased with this book, it was so concise and meticulously well timed. Though it was fairly short, you didn't feel as though you were missing something. Nothing was left out, no fluff was added, it was about as precise as a novel could get. It was written during a time when tensions were highly felt between men and women. Women's lib was going full swing and there was a bit of a two edged sword with a lot of women who were married and simultaneously feeling a great resentment and suspicion towards many men.Along with that, the book touched on racial tensions as well. In one scene it described how pleased she was with a photo she'd managed to take before leaving the city of a black male venomously glaring at a empty on-duty Taxi cab as it sped pass, noting to herself that racial pictures were popular right then and she'd probably be able to sell it. It goes into further detail about it when a black family moves into Stepford, though the citizens of Stepford are too serene to be 'bothered' by it. Over all everything is brought out in very subtle ways and you aren't beat over the head or preached to about anything. Even the climaxes are subdued, a gently rising that builds in plateaus towards the final thrust. Over all, in the words of Peter Straub, this was a deceptively 'easy' read with many underlying layers, wit, and commentary.
  • Rating: 5 out of 5 stars
    5/5
    Wow. Just...wow. I'm amazed at how well this book was able to maintain it's atmosphere of creepyness and unease. I was on the edge of my seat, dying to know whether Joanna would realize what was going on, and if she did, would she be able to escape? The final pages of the book wrap up the story, without really providing any sort of explaination; I think leaving those details to the reader's imagination works in this case, and serves to make this a better, more chilling tale.

Book preview

The Stepford Wives - Ira Levin

One

THE WELCOME WAGON lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, You’re really going to like it here! It’s a nice town with nice people! You couldn’t have made a better choice! Her brown leather shoulderbag was enormous, old and scuffed; from it she dealt Joanna packets of powdered breakfast drink and soup mix, a toy-size box of non-polluting detergent, a booklet of discount slips good at twenty-two local shops, two cakes of soap, a folder of deodorant pads—

Enough, enough, Joanna said, standing in the doorway with both hands full. Hold. Halt. Thank you.

The Welcome Wagon lady put a vial of cologne on top of the other things, and then searched in her bag—No, really, Joanna said—and brought out pink-framed eyeglasses and a small embroidered notebook. I do the ‘Notes on Newcomers, she said, smiling and putting on the glasses. "For the Chronicle." She dug at the bag’s bottom and came up with a pen, clicking its top with a red-nailed thumb.

Joanna told her where she and Walter had moved from; what Walter did and with which firm; Pete’s and Kim’s names and ages; what she had done before they were born; and which colleges she and Walter had gone to. She shifted impatiently as she spoke, standing there at the front door with both hands full and Pete and Kim out of earshot.

Do you have any hobbies or special interests?

She was about to say a time-saving no, but hesitated: a full answer, printed in the local paper, might serve as a signpost to women like herself, potential friends. The women she had met in the past few days, the ones in the nearby houses, were pleasant and helpful enough, but they seemed completely absorbed in their household duties. Maybe when she got to know them better she would find they had farther-reaching thoughts and concerns, yet it might be wise to put up that signpost. So, Yes, several, she said. I play tennis whenever I get the chance, and I’m a semi-professional photographer—

Oh? the Welcome Wagon lady said, writing.

Joanna smiled. That means an agency handles three of my pictures, she said. And I’m interested in politics and in the Women’s Liberation movement. Very much so in that. And so is my husband.

"He is?" The Welcome Wagon lady looked at her.

Yes, Joanna said. Lots of men are. She didn’t go into the benefits-for-both-sexes explanation; instead she leaned her head back into the entrance hall and listened: a TV audience laughed in the family room, and Pete and Kim argued but below intervention level. She smiled at the Welcome Wagon lady. He’s interested in boating and football too, she said, and he collects Early American legal documents. Walter’s half of the signpost.

The Welcome Wagon lady wrote, and closed her notebook, clicked her pen. That’s just fine, Mrs. Eberhart, she said, smiling and taking her glasses off. I know you’re going to love it here, she said, and I want to wish you a sincere and hearty ‘Welcome to Stepford.’ If there’s any information I can give you about local shops and services, please feel free to call me; the number’s right there on the front of the discount book.

Thank you, I will, Joanna said. And thanks for all this.

Try them, they’re good products! the Welcome Wagon lady said. She turned away. Good-by now!

Joanna said good-by to her and watched her go down the curving walk toward her battered red Volkswagen. Dogs suddenly filled its windows, a black and brown excitement of spaniels, jumping and barking, paws pressing glass. Moving whiteness beyond the Volkswagen caught Joanna’s eye: across the sapling-lined street, in one of the Claybrooks’ upstairs windows, whiteness moved again, leaving one pane and filling the next; the window was being washed. Joanna smiled, in case Donna Claybrook was looking at her. The whiteness moved to a lower pane, and then to the pane beside it.

With a surprising roar the Volkswagen lunged from the curb, and Joanna backed into the entrance hall and hipped the door closed.

Pete and Kim were arguing louder. B.M.! Diarrhea! Ow! Stop it! Cut it out! Joanna called, dumping the double handful of samples onto the kitchen table.

She’s kicking me! Pete shouted, and Kim shouted, I’m not! You diarrhea!

"Now stop it, Joanna said, going to the port and looking through. Pete lay on the floor too close to the TV set, and Kim stood beside him, red-faced, keeping from kicking him. Both were still in their pajamas. She kicked me twice, Pete said, and Kim shouted, You changed the channel! He changed the channel! I did not! I was watching Felix the Cat!"

Quiet! Joanna commanded. Absolute silence! Utter—complete—total—silence.

They looked at her, Kim with Walter’s wide blue eyes, Pete with her own grave dark ones. Race ‘em to a flying finish! the TV set cried. No electricity!

A, you’re too close to the set, Joanna said. B, turn it off; and C, get dressed, both of you. That green stuff outside is grass, and the yellow stuff coming down on it is sunshine. Pete scrambled to his feet and powed the TV’s control panel, blanking its screen to a dying dot of light. Kim began crying.

Joanna groaned and went around into the family room.

Crouching, she hugged Kim to her shoulder and rubbed her pajamaed back, kissed her silk-soft ringlets. Ah, come on now, she said. Don’t you want to play with that nice Allison again? Maybe you’ll see another chipmunk.

Pete came over and lifted a strand of her hair. She looked up at him and said, "Don’t change channels on her."

Oh, all right, he said, winding a finger in the dark strand.

"And don’t kick," she told Kim. She rubbed her back and tried to get kisses in at her squirming-away cheek.

It was Walter’s turn to do the dishes, and Pete and Kim were playing quietly in Pete’s room, so she took a quick cool shower and put on shorts and a shirt and her sneakers and brushed her hair. She peeked in on Pete and Kim as she tied her hair: they were sitting on the floor playing with Pete’s space station.

She moved quietly away and went down the new-carpeted stairs. It was a good evening. The unpacking was done with, finally, and she was cool and clean, with a few free minutes—ten or fifteen if she was lucky—to maybe sit outside with Walter and look at their trees and their two-point-two acres.

She went around and down the hallway. The kitchen was spick-and-span, the washer pounding. Walter was at the sink, leaning to the window and looking out toward the Van Sant house. A Rorschach-blot of sweat stained his shirt: a rabbit with its ears bent outward. He turned around, and started and smiled. How long have you been here? he asked, dishtowel-wiping his hands.

I just came in, she said.

You look reborn.

That’s how I feel. They’re playing like angels. You want to go outside?

Okay, he said, folding the towel. Just for a few minutes though. I’m going over to talk with Ted. He slid the towel onto a rod of the rack. That’s why I was looking, he said. They just finished eating.

What are you going to talk with him about?

They went out onto the patio.

I was going to tell you, he said as they walked. I’ve changed my mind; I’m joining that Men’s Association.

She stopped and looked at him.

Too many important things are centered there to just opt out of it, he said. Local politicking, the charity drives and so on …

She said, "How can you join an outdated, old-fashioned—"

I spoke to some of the men on the train, he said. "Ted, and Vic Stavros, and a few others they introduced me to. They agree that the no-women-allowed business is archaic. He took her arm and they walked on. But the only way to change it is from inside, he said. So I’m going to help do it. I’m joining Saturday night. Ted’s going to brief me on who’s on what committees. He offered her his cigarettes. Are you smoking or non- tonight?"

"Oh—smoking," she said, reaching for one.

They stood at the patio’s far edge, in cool blue dusk twanging with crickets, and Walter held his lighter flame to Joanna’s cigarette and to his own.

Look at that sky, he said. Worth every penny it cost us.

She looked—the sky was mauve and blue and dark blue; lovely—and then she looked at her cigarette. Organizations can be changed from the outside, she said. You get up petitions, you picket—

But it’s easier from the inside, Walter said. "You’ll see: if these men I spoke to are typical, it’ll be the Everybody’s Association before you know it. Co-ed poker. Sex on the pool table."

If these men you spoke to were typical, she said, it would be the Everybody’s Association already. Oh, all right, go ahead and join; I’ll think up slogans for placards. I’ll have plenty of time when school starts.

He put his arm around her shoulders and said, Hold off a little while. If it’s not open to women in six months, I’ll quit and we’ll march together. Shoulder to shoulder. ‘Sex, yes; sexism, no.’

‘Stepford is out of step,’ she said, reaching for the ashtray on the picnic table.

Not bad.

Wait till I really get going.

They finished their cigarettes and stood arm in arm, looking at their dark wide runway of lawn, and the tall trees, black against mauve sky, that ended it. Lights shone among the trunks of the trees: windows of houses on the next street over, Harvest Lane.

Robert Ardrey is right, Joanna said. I feel very territorial.

Walter looked around at the Van Sant house and then squinted at his watch. I’m going to go in and wash up, he said, and kissed her cheek.

She turned and took his chin and kissed his lips. I’m going to stay out a few minutes, she said. Yell if they’re acting up.

Okay, he said. He went into the house by the living-room door.

She held

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