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The Mute Ventriloquist: A short story from The Secret Lives of People in Love
The Mute Ventriloquist: A short story from The Secret Lives of People in Love
The Mute Ventriloquist: A short story from The Secret Lives of People in Love
Ebook42 pages29 minutes

The Mute Ventriloquist: A short story from The Secret Lives of People in Love

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The Secret Lives of People in Love is the first short story collection by award-winning writer Simon Van Booy. These stories, set in Kentucky, New York, Paris, Rome, and Greece, are a perfect synthesis of intensity and atmosphere. Love, loss, human contact, and isolation are Van Booy's themes. In radiant prose he writes about the difficult choices we make in order to retain our humanity and about the redemptive power of love in a violent world.

Included in this updated P.S. edition is the new story "The Mute Ventriloquist."

LanguageEnglish
PublisherHarperCollins
Release dateFeb 23, 2010
ISBN9780062001955
The Mute Ventriloquist: A short story from The Secret Lives of People in Love
Author

Simon Van Booy

Simon Van Booy is the author of two novels and two collections of short stories, including The Secret Lives of People in Love and Love Begins in Winter, which won the Frank O'Connor International Short Story Award. He is the editor of three philosophy books and has written for The New York Times, The Guardian, NPR, and the BBC. His work has been translated into fourteen languages. He lives in Brooklyn with his wife and daughter.

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    Book preview

    The Mute Ventriloquist - Simon Van Booy

    The Mute Ventriloquist

    A short story from The Secret Lives of People in Love

    Simon Van Booy

    Dedication

    To Maddie

    Contents

    Dedication

    The Mute Ventriloquist

    Acknowledgments

    An Excerpt from Tales of Accidental Genius

    About the Author

    Praise

    Credits

    Copyright

    About the Publisher

    THE MUTE VENTRILOQUIST

    I.

    Oskar was a Polish ventriloquist who lived in Drake’s basement. People thought he was mad and were afraid of him. Sometimes he went for long walks. He never spoke to anyone he saw but carried small bites in his pocket that he handed to passing dogs.

    Those who didn’t know that Oskar was a puppeteer might have thought him mute. Nobody quite knew what to make of him because though he was the quietest resident of Greenpoint, with a small wooden puppet on his knee, the words and sentences flowed like water from a faucet.

    Drake was an only child.

    He lived in a brownstone at 999 Lorimer Street. Red paint peeled above the front door. The stairs groaned when Drake ran up and down them in his socks. His best friend growing up was called Kristine. She was very tall and flopped her legs when she walked as though stepping over something invisible. Drake liked to mimic the voices and sounds he heard coming from the man in the basement because it made her laugh. Sometimes, when he and Kristine talked in whispers on the steps, Oskar would suddenly appear with two plums.

    As they put on the years like new coats, Drake and Kristine became strangers to one another. The intimacy of unbroken silence was replaced by the awkwardness of conversation. Words fell from their minds like a rain of hard stones, snapping branches of blind desire, trapping the fresh blooms of feeling within the darkness of meaning.

    Twenty-five years later, Drake saw Kristine at a sales convention in Glasgow, Kentucky.

    At first he didn’t recognize her because she was so much bigger. Then he felt suddenly very light. His breath quickened as though he’d been running.

    With her body occupied by the journey of age, beauty had flooded her eyes.

    There is little joy in those first moments of recognition—for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground

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