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Bound: A Novel
Bound: A Novel
Bound: A Novel
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Bound: A Novel

Rating: 3.5 out of 5 stars

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An indentured servant finds herself bound by law, society, and her own heart in this novel set in colonial Cape Cod from the author of acclaimed The Widow’s War.

Indentured servant Alice Cole barely remembers when she was not “bound”, first to the Morton family, then to their daughter Nabby—her companion since childhood—when she wed. But Nabby’s new marriage is not happy, and when Alice finds herself torn between her new master and her old friend, she runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Impulsively stowing away on their ship to Satucket on Cape Cod, Alice finds employment making cloth with Lyddie. Yet as Alice soon discovers, freedom—as well as gratitude, friendship, and trust—has a price far higher than she ever imagined.

LanguageEnglish
PublisherHarperCollins
Release dateOct 13, 2009
ISBN9780061870378
Author

Sally Cabot Gunning

Sally Cabot Gunning lives in Brewster, Massachusetts, with her husband, Tom. A lifelong resident of New England, she is active in local historical organizations and creates tours that showcase the three-hundred-year history of her village. She is the author of three “Satucket novels” (The Widow’s War, Bound, and The Rebellion of Jane Clarke), as well as the historical novels Benjamin Franklin’s Bastard and Monticello.

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Rating: 3.6375001166666667 out of 5 stars
3.5/5

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  • Rating: 5 out of 5 stars
    5/5
    The second in the Satucket series has as its focus Alice, a young Londoner who is bound over to indentured servitude by her father when the rest of her family dies during a disastrous transatlantic voyage. At first she is well treated and even beloved by her new family, but circumstances cause her to flee when she is only 15. Those who are so bound and escape are fugitives, and if caught, years are added to their tenure. Alice again takes to the sea and ends up in Satucket with the widow Berry (the hero of the first novel in the series, The Widow's War). The framework is pre-Revolutionary times, and the ties between Alice, the widow, and lawyer Freeman are taut and fraught. There are two trials and much insight into the immature mind of Alice, and how her troubling decisions make her life worse, in which she's not too different from a modern day teenage girl. Again, there's a very strong feminist viewpoint which was surely not prevalent in the Colonies at the time. Another substantial read, highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    As a child, Alice boards a ship with her family to travel from London to America. Her mother and her siblings die on board ship and, upon arrival in America, her father indentures her out for 11 years. Her master is a kind man and she grows up almost as a family member, but she is passed on to his son-in-law when his daughter marries. Now her troubles begin: he abuses her and she runs away. Her story now intersects with characters from the author's earlier novel The Widow's War.The author is concerned with the condition of women in 18th century America. The previous book dealt with the situation of a widow and now a bound woman. Her women are strong enough to stand up against the roles expected of them, in spite of difficulties. There is plenty of information about 19th century America as well as great characters and a compelling story.
  • Rating: 4 out of 5 stars
    4/5
    I love Sally Gunning's Cape Cod series - you feel you are really there getting to know the characters and experiencing 18th century Massachusetts. This is a somewhat sequel to 'Widow's War'. Both are highly recommended!
  • Rating: 2 out of 5 stars
    2/5
    Depressing! Just like, the whole time. One of those books where bad stuff just keeps happening. I had little sympathy for the main character.It wasn't horrible, though. Readable, but not great.
  • Rating: 2 out of 5 stars
    2/5
    This book got off to a good start with an interesting premise (girl sold into indentured servitude by her own father in 18th C. New England) and good pacing. Unfortunately, as the story moved along, I realized I had very little sympathy for the main character and the more historical/political aspects were not detailed enough to balance this out.
  • Rating: 1 out of 5 stars
    1/5
    Alice Cole goes with her family from London to Philly. Mother and brothers die aboard ship and father sells her as indentured servent. Goes with new wife and husband who rapes her repeatedly. She escapes and is taken in by Widow Berry and Mr. Freeman. She has a baby by man who raped her and is on trial for smothering the baby. Mr Freeman, a lawyer defends her and she is found not guilty. Ends up leaving Mr Freeman who marries Widow Barry and living with a family with 6 children. Mr Freeman sends Alice a letter that she is no longer an indentured servant anymore, she is legally released from the contract. Alice thinks about writing the young man, Nate who has returned to Cambridge. Set against the time of 1756 and 3 years forward when the east coast Boston and others are full of rebellion against the King and the taxes on goods. Alice spins and weaves in order to make the cloth needed so that it will not need to be imported. An explanation of indentured servant mentioning the number of current indentured servants living today. Good book, in some places a little contrived, but definately a page turner. Writing has phrases of language of yore and is a nice touch.
  • Rating: 3 out of 5 stars
    3/5
     Not as good as first book, Widow's War
  • Rating: 5 out of 5 stars
    5/5
    Eight-year old Alice Cole sailed from London to America with her family in 1756. It was a rough crossing and her mother and both her brothers died en route and were buried at sea. Upon landing in Boston, her father did not have enough money left to pay for the passage for the family and sold Alice into indentured servitude for 10 years - until she became 18. She left the ship with her new master, never to see her father again. Her new home was good, and Alice was well treated. She was happy until, at age 15, her master sent her to live with his daughter after her marriage. Her new master made a habit of raping Alice, and threatening and torturing her to remain silent. As an indentured servant, she had no rights and no recourse. She ran away, and spent the next year not knowing if she could really trust the people who helped her, especially when the authorities became aware of her and she was compelled to defend herself in court. I've done a poor job describing the story, but don't want to give away anything which might spoil anyone's enjoyment of the book. Alice's story is told in a compassionate but convincing manner. It is set against a backdrop of pre-revolutionary Boston, when the colonists started becoming unsettled by the actions being taken by the Parliment in London. Alice, typical of a 15-year old girl, is so wrapped up in her own troubles that she is barely aware of what is happening around her. She desperately wants to trust the people around her, but continually talks herself into believing that no one is trustworthy - even those who have been nothing but kind to her. I liked that the historical elements were presented in a matter-of-fact fashion - no flashing arrows pointing out the important events that we all learned about in school. Instead, we are shown a very practical side of the non-importation movement mounted by the colonists, as the housewives were forced to make due without the necessary items that typically were imported. I also was struck by the close-up look at the practice of indentured servitude. A note from the author at the end of the book explains it even more fully, pointing out that it is still a common practice, even in the United States. Overall, I was very impressed by the book. I think it may be one that is not easily or quickly forgotten.
  • Rating: 3 out of 5 stars
    3/5
    This book was initially bewildering. Sally Gunning begins her book in a style that at first made me believe it was a work written for juveniles. She introduces Alice, a seven year old girl who is about to embark on a sea voyage from London to the colonies to begin a new life with her family. The tone and style of the writing brought to mind a young adult novel. Her choice of words assumed an air of being pared down for a younger reading audience, and the narrative style was constrained. After getting past the first chapter, it became clear that the previous chapter was meant to infer that it was written as if in Alice's seven year old perspective. I thought that this was hindering, and not very adeptly done. In my opinion, it would have been better to use one writing style continuously throughout the book. The ultimate effect was that it was jarring, and I had a hard time getting into the story as a result.After a wretched sea voyage, in which most of her family dies, Alice is deposited on the shores of New England only to be sold to a stranger in indentured servitude by her father, who apparently didn't have enough money for the family's voyage. Alice is whisked away to the Morton household to begin her service. The book glosses over the several years that Alice gives her service to the family, who is kind to her and treats her as if she is one of them. When the older Morton daughter, Nabby, marries, Alice's indenture contract is given to Nabby's husband, and there begins Alice's strife and struggles. When Alice sees the confusion of the new household and the devastation that settles at her feet, she runs away from her new station. In her escape, she meets the Widow Barry and a man named Eban Freeman who help her and give her refuge from her misfortune. Alice, however, is hiding a secret. This secret threatens to destroy her new found life, and puts her at odds with everyone around her. As the novel progresses, Alice's problems become multiplied and she is caught in a web of deceit and danger. Alice must face extreme adversity with only the widow and Freeman at her side.One pleasant aspect of the book was the amount of historical period detail that was given. Though it wasn't filled with minutiae, it was very informative and interesting as a whole. On the other side of the coin, I found the sub-plot involving the boycott of British products and it's political ramifications to be a dull plot contrivance. It wasn't detailed enough to be meaningful or historically informative. I believe that it detracted from other elements in the story that could have been delved into further.Another flaw in the book was the lack of growth in Alice's character. She remained suspicious and manipulative throughout the story, and used such ill judgment at times that it was frustrating to behold. Although I can understand that her circumstances and experiences led her to behave this way, she never seemed to revise her opinion that everyone around her was a secret enemy, waiting to betray her, regardless of how kindly they treated her. It was most aggravating to see her mind work out the most negative conclusions to every trial she faced, though the hope in her situations was plain to see. I felt as though she remained closed-minded and wary to the detriment of further emotional exploration within herself.The other characters in the book seemed very two-dimensional. The widow was mostly quiet and taciturn, and it was hard to gauge the love for Alice that prompted her to want help the young girl. It was obvious that she came to love Alice, but what were her motivations for that love, where had her love for the girl originated? Freeman was only slightly more understandable. It was clear that he was suspicious of Alice, as she was of him, but in time he began to see Alice from a different perspective. What was not clear was why he continued to trust and respect her as she went along betraying him time after time. Even in the conclusion of the book, Alice continues to act dishonestly and rashly, and he meekly forgives her without a word of dissent. Why?? I just didn't understand the reasoning behind his forgiveness and love.Though I had many problems with this book, I was amazed at how involving it actually was. I felt compelled to keep reading and discover what fate held in store for Alice, and what she would do with it. I think most of the problems for me came in the execution of the book, as the plot was very interesting and fluid, whereas the style and character development fell flat. I wanted to love this book. In the end I only liked it.
  • Rating: 5 out of 5 stars
    5/5
    "Bound" by Sally Gunning"Bound" written by Sally Gunning (The Widow's War) and published by William Morrow; is a fictional accounting of Alice Cole and her journey from England to the American colonies. Learn how Alice goes from being a free 7 year old child with a father, to that of an indentured servant,or slave. An eye opening and thoroughly absorbing story told during the pre-Revolutionary years of 1756 to 1765, from Boston to Cape Cod. Alice's father is forced, after the deaths of her Mother and brothers at sea, to put her in indentured servitude for 11 years. Her first family is a loving family that sees to her needs while she works off her service. The daughter, Nabby marries and Alice's service papers are transferred to Nabbies husband who then starts to abuse Alice. Alice manages to escape and finds herself working with/for Lyddie Berry (see THE WIDOW'S WAR) and her companion Eben Freeman. Shown kindness for the first time, Alice starts to relax into the day to dayness of it all. Until a secret Alice holds close to her heart ruins everything.History and law, in this pre-revolutionary time, comes alive under Ms Gunnings clever story weaving, as she wraps the truth of the times with the fiction of one persons "story". This tale could have been told as a maudlin tear jerker, yet, refreshingly it was not. I do hope that as third book will make it's way from Ms Gunning's pen to let us know more about Nate (an important secondary character) and how his life unfolded after Bound ended. I loved this thought provoking, eye -opening, enjoyable (albeit sad) read of the times and lives of our forefathers and if you are a fan of Historical Fiction, this is a book you will be sure to want to include in your library.
  • Rating: 4 out of 5 stars
    4/5
    I have always been a fan of historical fiction. When I think back to my favorite books as a young girl or look through old boxes of my books, this is so clear to me though I don't think I realized it until I was an adult. I prefer books about women, am partial to books about London - throw in a prostitute and squalor and I'm in. I don't enjoy tales that are especially romantic or melodramatic. I am interested in how people lived - what life was like.This is why I was so thrilled when Harper Collins offered me a copy of Sally Gunning's latest novel, Bound. Alice Cole is seven years old when she crosses the Atlantic from London to Boston with her family. When the ship reaches Boston, only she and her father remain of their family and Alice is bound by her father into indentured servitude to the Morton family. Mr Morton is kind to Alice and apart from doing hard work her life is not unpleasant. When Mr Morton's daughter leaves to marry, Alice goes with her and her time remaining to serve becomes the property of her new master. Alice finds herself in danger in this home and runs away. She stows away on a boat to Satucket on Cape Cod and is taken in by the Widow Berry. Here Alice works hard but lives in fear of her secrets being discovered. The life that Alice builds in Satucket is jeopardized and it takes every bit of her strength and bravery to find her way again. Bound is just the sort of historical fiction I love. I thought the characters were interesting and multifaceted. There was a fascinating plot that kept me turning pages. There was a small amount of romance that did not overshadow the main storyline. What I enjoyed the most, though, was reading about life in New England in 1764 with the controversy of taxation without representation in the background. I learned not only about the politics and legal processes of the time, but also what sort of work was done in the home including how cloth was made, what sorts of food were eaten and what life was like for women.I have not yet read Sally Gunning's previous novel, The Widow's War which is the story of the Widow Berry. I certainly plan to, and look forward to seeing what Gunning writes next. While this story wrapped up nicely, I could see the possibility of Alice turning up in Gunning's future work.

Book preview

Bound - Sally Cabot Gunning

ONE

March 1 756

For a time Alice remembered the good and forgot the bad, but after a while she remembered the bad and then had to forget everything to get rid of it; when it came back it came back in bits, like the pieces in a month-old stew—all the same gray color and smelling like sick, not one thing whole in the entire kettle.

First was the ship. Alice had lived her first seven years of life in London before she got aboard the ship, and if she hadn’t got aboard she imagined she might have remembered better those early years of her life, but the ship and what came after it took away all but a few brown heaps of London ash and dirt. She remembered helping her mother to hang the wash on the fence; she remembered learning to pump the foot wheel to twist fine linen fibers into thread; she remembered constantly sweeping lint and bark and wood chips from under her father’s bootheels as he sat and smoked and talked about the ship.

It seemed to Alice that her father talked about the ship a long time before they ever got on it. Alice’s two older brothers joined in with excited jabber about great stiff sails, sturdy beams, and wide, salted oceans, but Alice watched her mother’s face and stayed quiet. Her mother’s face had clouded at the word ship and stayed so through all her father’s and brothers’ happy clamor; Alice saw the face but didn’t understand it. As her father described it, leaving two rooms full of smoke and damp for a fine house new-made by his own hand in a place called Philadelphia seemed to promise a life as big as the word. But after a time Alice stopped looking at her mother when her father and brothers began their talk of the ship, and when the cart finally came to collect them she was hanging on the windowsill in the same eagerness as her brothers.

Alice’s mother held her tight on her lap through the whole cart ride; when they drew up onto the wharf and saw the ship looming in front of them, Alice’s mother said, Don’t be afraid, Alice, but Alice wasn’t. She squirmed out of her mother’s quivering fingers and chased after her brothers up the gangway. The deck of the ship seemed nothing but a large, fenced yard covered with boards, except that it groaned and creaked and swayed back and forth like the pendulum on a clock she had once seen at the magistrate’s.

A man wearing both hat and kerchief on his head led them down a narrow, laddered passage into what he called the ’tween decks; there Alice entertained herself looking at strange faces and listening to strange tongues as her mother hung a curtain around a row of bunks no wider than a set of dough trays. Alice had only just sorted the people around her into families when the tramp of feet overhead grew louder and the creaking and groaning of the ship grew stronger. The deck below her feet began to slant, a little and then a little more, and a collection of cries sprung up around them: We’re away! We sail!

A small child wailed. A woman. Another. Alice looked at her mother and saw her eyes brim. Alice returned to her study of the oddly dressed, strangely gabbling people around her and felt herself well entertained until they began losing their stomachs.

Alice’s mother was the first in their family to turn the color of paste and go up to the rail; by the time she returned, half a dozen small children had already washed the ’tween deck with their vomit. Alice’s brothers went next, and last Alice, too sick to notice anything around her; when she returned below, the boards beneath her feet had already turned slick, the air sour and rancid, and the strange families that had amused Alice not long before now seemed too close, too loud, too familiar.

After a time Alice’s mother couldn’t raise herself to climb the companionway to the deck, and Alice, who had stopped getting sick first, was assigned to run up and down with the bucket. Her first trip above in health amazed her. She could look around her now and saw the sails were indeed great and stiff as her brothers had said, the beams indeed sturdy, the ocean indeed wider than anything Alice had ever seen or imagined. The air off the deck felt like a cool, damp hand on Alice’s hot forehead; she breathed it in as far as it would go and held on to it through her return below as long as she was able.

With each trip above Alice noticed that the wind blew harder, which Alice’s father told her was a good thing because it would push them faster to Philadelphia, but Alice thought it good because it built white-topped mountains out of flat seawater and crashed them on deck in great snow showers. But after a time Alice’s father took the bucket from her and wouldn’t let her go on the deck anymore; she heard him whisper to her mother of a young boy who had been swept overboard, to which Alice’s mother replied, Lucky boy, a remark Alice didn’t understand and which her father wouldn’t explain to her.

At last Alice’s mother’s stomach settled, but she began to run as if from a physic, and the brothers too, the stink of their running worse than the stink of the vomit. Alice begged to go out on the deck and cried, which only caused her father to slap her and tell her to go clean up her brothers, so she gave up crying. By now Alice felt well enough to be quite hungry, but the meat they gave her to eat was so salted that she was in great thirst every minute and the water so black and thick she didn’t like to drink it.

There came a row of days of much the same grayness, where it seemed that everyone but Alice and her father lay sick and moaning, but after a time a few of the men began to raise themselves, and the talk began, at first in a low rumble and then in something louder, with shouting in it. Alice strayed close enough to listen and learned that the wind had come around from the wrong direction, blowing so hard that the captain had ordered the crew to take down sail, which made them drift far off their course for Philadelphia. Some of the men wanted to turn back to London but some didn’t, and Alice’s father finally shouted at them that they might as well stop jawing because the captain wasn’t going to turn around on account of a few days’ short rations. It was true that the salt meat had run out, but Alice didn’t mind because her tongue and lips had begun to blister from it and even though the biscuit they gave her had bugs in it that she had to pick out and snap between her fingers.

Alice’s mother was the first to get fevered; she moaned and called out whenever the waves smashed the ship and knocked her about. One of the men yelled at Alice’s father to shut her up, and Alice’s father hit the man in the face, so other men had to push Alice’s father to the ground until he quieted. The brothers’ fevers came on next, one fast upon the other, but they made no noise at all, which disturbed Alice as much as her mother’s cries.

After a time a surgeon traveling in one of the above cabins came down into the ’tween decks with some bottles of medicine; Alice’s father took out his money pouch and bought a bottle of it; the next day he bought another, but it didn’t help them. The following day he paid the surgeon to bleed Alice’s mother and brothers, but that didn’t help them, either.

Alice’s mother died first. Alice’s father carried her up the companionway, telling Alice to stay with her brothers, but Alice followed her father and watched from the hatchway as a sailor with a missing finger and one with a broken tooth took her mother out of her father’s arms and threw her overboard into the water.

After that Alice’s father grew quiet; Alice had to tell him when her brothers died, near together, two days after. Alice watched them go over the side too, imagining her mother catching them and calling them lucky boys as she’d called the boy who’d been swept overboard near the start of the voyage.

Another long, gray period dropped down until a morning when a great disturbance woke her from sleep; she opened her eyes to see people sick and well laughing and shouting and pushing for the companionway. ’Tis land! Land sighted!

Alice and her father went up on deck with all the others; after a time Alice saw a flat, brown crescent dotted with low hills and a smattering of little steeples, but everyone cried with joy at the sight of it, except her father, who cried but did not look joyful in it. Alice didn’t feel like crying, but neither did she feel joyful, so she stood silent and clung to the rail, peering over at what she had thought was Philadelphia but soon learned was someplace else called Boston.

The ship sailed past many little islands into the harbor, toward the brown crescent, which Alice could now see was rimmed by buildings, little dots of things, nothing like the walls of brick and stone that framed the river at London. A smaller boat rowed out to meet them, and the ship was towed until it could be tied up snug against a long wharf that stuck out deep into the water. The captain shouted the sailors into lines to fold the sails while Alice busied herself watching the carts and carriages and people moving along the wharf, trying to find out if these people were different from the ones in London.

After a time Alice’s father took her hand and led her back to the companionway. Down below, one of the ship’s men walked among the passengers too sick to go on deck and wrote things in a log; quite often someone would shout weakly at him but he never shouted back, only answering in a flat voice before moving to the next person. Alice’s father stood for some time in silence, watching the man, and then dropped Alice’s hand. I must go talk with that fellow. Put our things together, Alice.

Alice changed her dirty shift for one that was a little cleaner; she put on the least worn of her two dresses and packed the other things in the trunk on top of her mother’s shoes and stockings and shawl, which her father had removed before he’d seen her into the water. She added the pair of pewter mugs and plates, the three blankets, her father’s tobacco pouch, and some papers he’d been looking at before land had been sighted. She watched her father as he talked to the man; she could hear her father’s voice well enough, but not the man’s quiet answers. She moved closer.

Like I told you, the man said. Dead after half the voyage still means full fare.

The girl’s but seven.

Seven’s still half fare.

Then I’d like you to tell me what surgeon charges ten shillings for a bloody bottle of piss and a bleeding I’d have done better with a marlin spike!

That you take up with the surgeon.

The man walked off. Alice’s father returned to Alice. He looked at the air above her a long time, but after a time he drew his eyes down and took her in from top to bottom, as if he weren’t sure how she’d happened to come along on the ship with him. He said, Wash your face. Comb your hair. Brush up that dress and stay here till I collect you. He disappeared up the companionway.

Alice did as her father said; as she waited for him to return she looked around and noticed others doing much as her father had told her to do. A mother spit on the corner of her skirt and rubbed her wasted children’s faces; a near-grown girl yanked a comb through a smaller girl’s hair; a girl Alice’s age picked at a crust on the seat of her brother’s breeches.

Alice’s father came back and kicked the trunk. Alice remembered that—he kicked the trunk—but she couldn’t remember that he said any words to her. Later she thought there were some words she’d forgotten; later again she thought there were no words whatever. He took her hand, led her up on deck to a line of worn-down, bleached-out passengers, and pushed her onto the end of it. After a time a stream of finely dressed men and ladies walked up the gangway and down the line of passengers, looking them over with what seemed to Alice an odd amount of interest. One lady stopped at Alice and felt her arm. A gentleman told her to open her mouth. Another lifted her skirt. One man with a locked knee asked Alice’s age and then moved off, so Alice didn’t think of him any more than another, but after a time he came back and asked if Alice’s father was her father, and when her father said he was, the man asked him a lot of questions, which Alice’s father answered in a high, tight voice Alice hadn’t heard in him before. She’s the healthiest on the whole ship, as you can see for yourself, sir. She’s quick and she’s good behaved, and she can spin and use a tape loom, if someone sets the web for her. She’ll not give you a sorry day, I promise you that, sir.

The man with the locked knee waved Alice’s father out of the line, and they disappeared into the after cabin. When they returned, Alice’s father had a paper in his hand, which he folded and pushed into his money pouch. He tied the pouch around Alice’s neck. You’re to live with Mr. Morton now. Do as he tells you. Remember God. And keep hold of that paper.

Mr. Morton took Alice’s hand and led her to the gangway. Grab onto the rope, child. Watch your feet. Alice grabbed onto the rope and watched her feet, but once she landed on the dock she twisted around, looking for her father. Mr. Morton pulled her along, but she continued to twist, looking over the feeble string of passengers stumbling onto the wharf, not finding her father in them. Mr. Morton led her to a dusty carriage and boosted her into the seat; from there Alice had a better view and after a time she spied her father pushing their trunk into the back of a rough wagon. He climbed in after the trunk; three other men Alice recognized from the ship climbed in after him; the wagon clattered into the road heading into the sun so that the wagon and the men became nothing but a sharp black lump against the sky. Mr. Morton moved his carriage into the road and moved off with the sun behind him.

TWO

The paper Alice’s father hung around her neck read:

This indenture made the twentieth day of May one thousand seven hundred fifty-six between John Morton of Dedham in the County of Suffolk on the one part and Simeon Cole of London in the County of Middlesex on the other part that the said Simeon Cole has bound and does hereby bind minor child Alice Cole his daughter to any lawful work for and to reside with the said John Morton until the twenty-first day of March one thousand seven hundred and sixty-seven at which time said minor child will have reached the age of eighteen years during which time said John Morton covenants to use all means in his power to provide for said Alice Cole suitable boarding lodging clothing and such attendance as necessary to her comfortable support in sickness and in health and further shall cause her to be taught to read her Bible as she is capable and the said John Morton shall furnish her with two good sets of clothes at such time as her term of indenture shall be canceled.

The paper had been signed by John Morton and Simeon Cole. John Morton began his name with a wavering, feathery spiral. Simeon Cole began his with a thick, sideways wave. When Alice first took the paper out to look at it, the spiral and the wave were all she could make of it, although she ran her fingers over the rest of the letters many times.

At first the Morton household contained Mr. Morton and Mrs. Morton, a son nearing manhood named Elisha, and one daughter three years older than Alice named Abigail whom they called Nabby. Mr. Morton was the one with the locked knee, but Mrs. Morton was the one always in bed with an ail, which she put sometimes to her lungs and sometimes to her stomach. A tall, bony Negro named Jerubah tended Mrs. Morton and ordered the kitchen, working her tasks in dark silence, but the girl Nabby chattered and bounced from one piece of work to another without a care for what was left to Alice to finish. Alice didn’t mind the girl’s chatter—in fact she took great interest in it—and Alice didn’t mind the work, as it was much the same as the work she had done alongside her mother back in London: beating, bleaching and boiling clothes, sanding floors, oiling woodwork, spinning, weeding, and picking the garden; but now Alice worked under a new kind of sky that might shed bright sun and thick snow in a single day, or remain all sun or all snow for weeks together. And space! So much space! The land ran like the ocean, wave after wave of it, and off into a distance nothing but more waves, until it faded into a soft green haze.

Alice hadn’t been very long at the Mortons when Mrs. Morton died of something to do with neither her lungs nor her stomach, and the son, Elisha, married and left to settle in the westward part of the colony. With each change in the household the work changed, perhaps less washing but more spinning, or less cleaning and more weeding, but it didn’t matter to Alice what kind of work it was—it took up all the daylight hours no matter what it was made of.

Mr. Morton saw to it that Alice was fed, clothed, and attended in illness as her paper demanded, and himself taught her to read, remarking many times on her quickness. By her eighth birthday Alice could read the paper that still hung around her neck, and she had stopped going to the window to look for her father in any of the wagons that rumbled along the road. By Alice’s ninth birthday she was reading to Mr. Morton out of Pope and Dryden and had come to understand her life as made up of two parts, divided by the paper. Taken together she didn’t think of the second part as greatly worse than the other. Mr. Morton called her his sweet, good girl, sat her next to Nabby at table, and quizzed them out of the Bible together. He smiled at her and patted her cheek each time he passed her in the house or yard and only struck her when she dropped an onion soup in his lap or tipped his pipe into the fire or scorched his stock with the iron.

Nabby Morton in her turn treated Alice as one might treat a younger sister, or a younger sister as Alice had been taught it by her brothers, which meant she was to follow around when allowed and keep away when she wasn’t, yet with Nabby it also meant that when she wanted someone to share a stolen pie or run bare-legged in the creek in the heat of summer it was Alice she called, and when she needed to cry over her mother, she did it into Alice’s apron.

That didn’t mean that Alice forgot her old family altogether. After the day of the spilled soup Alice curled up in the bed she shared with Jerubah, closed her eyes, and conjured up a big, new house in Philadelphia, with her mother in a blue dress trimmed with lace just like a favorite dress of Mrs. Morton’s. She dreamed her father came in from work to smile at her and pat her cheek and give her an orange.

On Alice’s arrival at Mr. Morton’s he had offered to keep her indenture paper safe for her in a drawer in a desk in his study, but as Alice’s father had told her to keep hold of it, she’d been loath to give it over. As time went on, however, and as repeated reading of the paper told her nothing more of her father’s whereabouts, and as she remembered nothing more of her mother than a pair of limp feet dangling from sharp-boned ankles as she went over the ship’s rail into the water, the cord around her neck began to chafe more than it comforted.

At Alice’s tenth birthday Mr. Morton called her into his study and gave her a twopence; Alice put it in her father’s money pouch and at the same time took out the indenture paper, giving it to Mr. Morton to lock up in his drawer.

Alice didn’t see the paper again until the year she turned fifteen and Mr. Morton gave her to Nabby on the occasion of Nabby’s marriage to Emery Verley of Medfield.

THREE

April 1764

Alice carried her workbasket to the cart, stepped wide of the cow already tied behind, and attempted to wedge the basket between the linen trunk and the washtub, but she felt no great confidence in its purchase. The workbasket had been given to her by Mrs. Morton, already filled with her own scissors and pins and needles, and Alice didn’t wish to lose it in the road or dislodge any of its contents. She took the basket out, climbed onto the cart beside Verley’s Negro, George, clutched it tight in her lap, and waited. Nabby Morton, or Nabby Verley since the night before, wouldn’t get in the carriage ahead; her new husband had to get down out of his seat to collect her.

Come, Nabby, before you kiss all the hair off your father’s head. Mr. Morton, sir, you must shoo her away or we’ll not get to Medfield by sunset.

Nabby rubbed at her eyes and ran her thumbs over her father’s wet cheeks to dry them. The father’s and daughter’s tears caused a bad effect in Alice; she dashed at her own eyes, and the movement brought Mr. Morton’s attention, causing him to untangle himself from his daughter and approach the cart.

My sweet, good girl. My pretty girl. You’ll sit in my heart always, next to my daughter’s place there. God bless you, child. He turned to his daughter. Nabby, you see the example you set for Alice? Stop your tears and obey your husband. Get into the carriage.

Nabby went to the carriage and climbed in; Mr. Morton began a lock-kneed step toward his daughter for one final word, but Verley had already flicked his horse into motion, and the carriage pulled away. The cart lurched after, full of the washtubs, churns, cheese molds, iron kettles, and trunks of linens that, including Alice and the cow, were all part of Nabby’s marriage portion from her father. Mr. Morton didn’t attempt a final word for Alice, which Alice was glad of, because she still found herself in a state of some disturbance.

Alice had been in a state of disturbance for the fortnight past, ever since she’d been handed the new paper that transferred her remaining time from the father to the daughter. The disturbance came from the fact that she couldn’t feel the same way two minutes in a row about her change in circumstance; one minute she felt the wrench of leaving Mr. Morton and what she knew of home, the next minute she found herself caught up in the excitement of Nabby’s prospects.

When Alice had first seen Emery Verley’s well-formed features and the fine set of his coat she had thought there was little to be done in the way of physically improving him; he had turned away from Mr. Morton’s hearth, spied Alice, and given her a little bow—a bow, to Alice—and from there she’d found little to fault in him altogether. A fortnight after the intentions had been published Alice had lifted a carelessly set latch and walked into the supposed empty front room to find Nabby spread-legged under Verley’s dropped breeches, but when Alice carried Nabby’s water to her chamber later that night and found the girl in a cascade of giggles over the adventure, Alice had decided it cast no great mark against the suitor. Add to it that Verley was already set up with a sawmill and good-size farm in Medfield, and Alice could only look ahead with her own share of enthusiasm toward the venture.

Their arrival at Medfield added no discouragement to Alice’s outlook. True, her first look at the village included a black swamp and ugly potash works, but the cart and carriage took them safely beyond, turning along a pretty stretch of river that ended at a well-kept orchard and a pasture speckled with livestock. The house sat back handsomely on a gentle rise of land, the front door boasting its prosperity with both paint and knocker; a fresh-turned garden framed the back door, and the hens charged fat and thick around Alice’s feet as she stepped down from the cart, still holding firm to her workbasket.

The keeping room looked bare compared to Mr. Morton’s, but of course it sat in wait for Nabby’s collection of goods, still piled outside in the cart. The other rooms were more fully fitted, and Alice liked the weight of the furnishings, as if promising they wouldn’t soon be shifted. She especially liked the little room in the lean-to at the back that was to be hers alone, a thing she hadn’t had at Mr. Morton’s. She also liked it that she was included at the supper table, just as she had been at Mr. Morton’s; she further liked it that supper wasn’t just bread and cheese and beer but apple tart and candied plums and seedcake. Above it all, she liked it that Verley lifted his glass to Nabby and then to Alice and said, To my new family!

Alice went to bed that night with only one brief, low thought for Mr. Morton, and fell into the restless sleep that excess excitement often caused in her, coming half awake at the sound of the lifting latch, coming fully awake at the sight of Verley’s gold hair glinting above his candle.

He came to the bed and stood over her, wearing nothing but his shirt, hanging loose to his knees. He held the candle high. He said, "Well, now, my pretty Alice,

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