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Jane and Prudence: A Novel
Jane and Prudence: A Novel
Jane and Prudence: A Novel
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Jane and Prudence: A Novel

Rating: 4 out of 5 stars

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The author of Excellent Women explores female friendship and the quiet yearnings of British middle-class life—a literary delight for fans of Jane Austen.
  Jane Cleveland and Prudence Bates were close friends at Oxford University, but now live very different lives. Forty-one-year-old Jane lives in the country, is married to a vicar, has a daughter she adores, and lives a very proper life in a very proper English parish. Prudence, a year shy of thirty, lives in London, has an office job, and is self-sufficient and fiercely independent—until Jane decides her friend should be married. Jane has the perfect husband in mind for her former pupil: a widower named Fabian Driver.
But there are other women vying for Fabian’s attention. And Pru is nursing her own highly inappropriate desire for her older, married, and seemingly oblivious employer, Dr. Grampian. What follows is a witty, delightful, trenchant story of manners, morals, family, and female bonding that redefines the social novel for a new generation. 
LanguageEnglish
Release dateJan 22, 2013
ISBN9781453279618
Author

Barbara Pym

A writer from the age of sixteen, Barbara Pym has been acclaimed as ‘the most underrated writer of the century’ (Philip Larkin). Pym’s substantial reputation evolved through the publication of six novels from 1950 to 1961, then resumed in 1977 with the publication of Quartet in Autumn and three other novels. She died in 1980.

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Rating: 4.2 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    I enjoyed this book. The main character, Jane Cleveland, is a hopelessly inefficient vicar’s wife, who goes through life with snatches of poetry resounding in her head. She provides support and suggests romantic possibilities for her elegant, unmarried friend Prudence. This book as a Wildean flavor, as people are always saying or thinking witty things which gently expose the hypocrisy around them.
  • Rating: 4 out of 5 stars
    4/5
    Jane, 41 and Prudence,29 are friends from school days at Oxford, Jane being the teacher and Prudence having been her pupil. They have remained friends these many years. Jane is married to a Vicar, Nicholas and they have a daughter, Flora who is ready to attend University. Prudence has remained a spinster though she has an imaginary crush on her married boss at work.And though one would expect that of the two women Jane would be the one with common sense this does not prove out. Poor Jane goes through her life with very humorous vague thoughts, actions and conversation. In fact she is most inappropriate in the funniest of ways and at the strangest of times. In reading her I sometimes felt like a curtain just plop, dropped over her eyes and mouth. On the other hand Prudence has common sense even though she lives in a world of make believe love.When Nicholas is transferred from his London Parish to a village Parish Jane and Prudence continue their friendship through letters and train trips back and forth to visit one another.The women of the Parish often raise an eyebrow at Jane for she is definitely not your ordinary Vicar's wife plus the previous Vicar was unmarried though he was (**gasp**) engaged to a woman whom his parishioners had never met. And as with any Pym novel, there is much matchmaking by the ladies of the church. I enjoyed this one as I do all of Barbara Pym's work but have waited to long to give a review of much content. For as Pym's works are all similar in the way of the nice middle aged spinster women doing their good deeds, working for the local Parish, caring for the Parish Curate or Vicar and spending time gossiping and matchmaking, if I don't write the review right away her books all run together in my head. But that is something I have come to love and depend on from her.Like all of her other books that I have read, I recommend Jane and Prudence. I giggled and laughed my way merrily through this one. I do remember thinking that it is the funniest one of hers I have read yet. I rated it 4 stars.
  • Rating: 4 out of 5 stars
    4/5
    Beautifully observed, and very funny. One minor quibble - I didn't care for the chick lit cover.
  • Rating: 4 out of 5 stars
    4/5
    The Barbara Pym Society of North America will focus their meeting this year in March (2012) on Jane and Prudence. If you can make it, sign up and I’d love to meet you at Harvard, Cambridge, MA.The one thing I know about this work and all of Ms Pym’s work is that I’ve missed bucket loads of information. Books such as this one and all that I’ve read so far of Ms Pym cry out for group readings. Women need to gather round and well-rounded men, who love women, need to pick up these books. A clergyman’s wife who worries about match making and not necessarily about her husband’s parish. A very independent friend and a grown daughter who moves in and out of the story, very much more apt than her mother. And then of course the men.I enjoy Ms Pym because of her ability to create believable men. Some tired, some scoundrels, some wonderfully placid and loving (such as Jane’s husband) yet devoted to his calling. But of course it is the women, their relationship with each other where Ms Pym shines. Women know and ought to acknowledge that there is no one more hard on a woman than – well another woman. “They had thought to creep round the back and peer in at the windows to surprise her in the kitchen, perhaps catch her in the very act of stubbing out a cigarette in the tea leaves in the sink basket. She felt almost triumphant that they should have failed.”“She had been feeling that things were pretty desperate if one found oneself talking about and almost quoting Matthew Arnold to comparative strangers, though anything was better than having to pretend you had winter and summer curtains when you had just curtains.” Yes, that’s the genius of Barbara Pym the mundane, the simple social hiccups we feel, cringe over and now have to stop and laugh over because it’s true – why bother?And so the story continues. Love affairs maneuvered by well-intended women who make lives miserable for more well-intended women – and in the end and what I love about Jane and Prudence – it’s the women who stay loyal to one another and the men who stay at arm’s length; not a poor relationship with the women they love but a different - a sort of outsiders’ respect.“‘It seems sometimes that we must hurt people we love,’ said Fabian, stroking her hair. ‘Oscar Wilde said, didn’t he…?’Let’s not bother about him,’ said Jessie. ‘I always think he must have been such a bore, saying those witty things all the time. Just imagine seeing him open his mouth to speak and then waiting for it to come out. I couldn’t have endured it.’”
  • Rating: 5 out of 5 stars
    5/5
    Sometimes when I finish a book I feel that there is nothing much to say beyond “good,” “bad,” “the type of thing I think you would like”, or “how did this ever get published?”Sometimes when I finish a book I feel that any book review that did it justice would have to be at least as long as the original book.Jane and Prudence falls into that second category of book.So, to begin by getting some of the business done before moving on to the meat of the review.This is an excellent book. I feel that on technical points the writing itself falls short of the standard set by Pym in Excellent Women but it surpasses that book in terms of the nuanced exploration of character and the entwined exploration of the themes of class and religion in England in the 1950s and class, gender and food rationing in England in the 1950s. Warning the first: For those who have yet to read Excellent Women -- one scene in this book containers spoilers about characters in that book.Warning the second: This is one of those books which should be read without first reading the publisher’s description. For example, that of the Chivers Press edition of the book contains no information that cannot be gleaned without in the first few minutes of reading and mischaracterizes both the major characters, their interactions and what happens to each of them over the course of the story.Jane and Prudence is set in the post WWII England when much of life still revolves around the problems and irritations that arose from the rationing of food. Rationing began January 8 1940 and continued even after the end of the war. Gradually, over the years, restrictions were dropped on various items such as clothes, chocolates, flour and soap but some items, particularly meat, were still rationed until July 4, 1954. These forced food shortages had the unintended consequence of making people much more consciously aware of how class, gender and social networks impacted who had access to which items. The importance of meat is signaled early in the story, “people in these days do rather tend to worship meat for its own sake,’ said Jane, as they sat down to supper. ‘When people go abroad for a holiday they seem to bring back with them such a memory of meat.’” [1] (22)Men, we learn as we read, can not be expected to endure the same dietary hardships as the women around them. For example, Jane and her husband Nicholas are having a meal at a local tea shop.[quote]at last Mrs. Crampton emerged from behind the velvet curtain carrying two plates on a tray. She put in front of Jane a plate containing an egg, a rasher of bacon and some fried potatoes cut in fancy shapes, and in front of Nicholas a plate with two eggs and rather more potatoes.Nicholas exclaimed with pleasure.‘Oh, a man needs eggs! said Mrs. Crampton, also looking pleasedThis insistence on a man’s needs amused Jane. Men needed meat and eggs--well, yes, that might be allowed; but surely not more than women did? Perhaps Mrs. Crampton’s widowhood had something to do with it; possibly she made up for having no man to feed at home by ministering to the needs of those who frequented her café.Nicholas accepted his two eggs and bacon and the implication that his needs were more important than his wife’s with a certain amount of complacency, Jane thought. But then as a clergyman he had had to get used to accepting flattery and gifts gracefully.. (p. 65)[/quote]But, the reader soon learns, Nicholas wasn't getting extra meat just because he was a clergyman:[quote]Mrs. Crampton now returned and set down before Mr. Oliver a plate laden with roast chicken and all the proper accompaniments. He accepted it with quite as much complacency as Nicholas had accepted his eggs and bacon and began to eat.Jane turned away, to save his embarrassment. Man needs bird, she thought. Just the very best, that is what man needs. (67)[/quote]Jane isn't the only woman who is consciously (and sardonically) aware that society seemed to feel that it was vitally important that men have their meat:[quote]‘Mr. Driver! Mr. Driver!’ Mrs. Arkright came out on to the lawn calling. ‘Your steak’s ready!” ‘Ah, my steak.’ Fabian smiled. ‘You will excuse me, Miss Morrow?’‘Of course. I should’t like to keep you from your steak. A man needs meat, as Mrs. Crampton and Mrs. Mayhew are always saying.’ She waved her hand in dismissal.Fabian hurried away, conscious of his need for meat and of the faintly derisive tone of Miss Morrow’s remark, as if there were something comic about a man needing meat. (73, 74)[/quote]Pym is also clear-eyed and politely but firmly aware of the class presumptions that underline the religious habits of the British gentry.One may wonder when Pym allows the reader into the shallow and self-centered “musings” of Fabian Driver if that sharp eye is trained only a particular type of person--someone who is facile and in the end desires social approval more than the approval of God:[quote]He walked slowly down the main street, past the collection of old and new buildings that lined it. The Parish Church and the vicarage were at the other end of the village. Here he came to the large Methodist Chapel, but of course one couldn’t go there; none of the people one knew went to chapel, unless out of a kind of amused curiosity. Even if truth were to be found there. A little further on, though, as was fitting, on the opposite side of the road, was the little tin hut which served as a place of worship for the Roman Catholics. Fabian knew Father Kinsella, a good-looking Irishman, who often came into the bar of the Golden Lion for a drink. He had even though of going to his church once or twice, but somehow it had never come to anything. The makeshift character of the building, the certain discomfort that he would find within, the plaster images in execrable taste, the simplicity of Father Kinsella’s sermons intended only for a congregation of Irish labourers and servant-girls--all these kept him away. The glamour of Rome was obviously not there.(70, 71)[/quote]Yet Pym later reveals not dissimilar thoughts in the mind of one of the more sympathetic characters, the sophisticated and educated Prudence[quote]But then she imagined herself sitting on a hard, uncomfortable chair after a day’s work, listening to a lecture by a raw Irish peasant that was phrased for people less intelligent than herself. Better, surely, to go along Farm Street and be instructed by a calm pale Jesuit who would know the answers to all one’s doubts. Then, in the street where she did her shopping there was the Chapel, with a notice outside which said: ALL WELCOME. The minister, the Rev. Bernard Tabb, had the letters B.D.; B.Sc. after his name. The fact that he was a Bachelor of Science might give particular authority to his sermons, Prudence always felt; he might quite possibly know all the answers, grapple boldly with doubt and overcome it because he knew the best and worst of both worlds. He might even tackle evolution and the atomic bomb and make sense of it all. But of course, she thought, echoing Fabian’s sentiments as he walked in the village one just couldn’t go to Chapel; one just didn’t. Not even to those exotic religious meetings advertised on back of the New Statesman, which always seemed to take place in Bayswater.(284,285)[/quote]Reading Pym makes this reader wonder if the petty and long lasting nature of the privations after the Second World War played a major role in breaking down (some) of the class structure and gender relations in England. People learned new skills during the war and they called on their bravery to withstand the dangers and the rigours of that time. After the war people were expected to return to their old jobs and their old ways of life as if they had not learned or experienced anything. Women who had held down jobs were expected to get married and settle done. But there weren't enough men around to marry even if the women wanted to do so. And the pettiness of the privations without actual physical danger to ameliorate their sting made people edgy and more likely to be critical and cynical. The peace, even more than the war, was undermining in the old England much more than threats from foreign country. Men had gone off to fight a war to preserve the England in which they had grown up leaving behind women who were called to do things they never would have done in that old England. England was not conquered but nonetheless the old England was no longer there to return to and many of the women, if not the men, were questioning if they wanted to go back to the way things were before:[1] All quotations are from Pym, Barbara (1986:1953) Jane and Prudence. Bath, UK: Chivers Press
  • Rating: 4 out of 5 stars
    4/5
    Jane is a vicar's wife and completely batty. Don't get me wrong....I like her and all that - it's just that she is hilariously ineffectual. She has deep thoughts about poetry and beauty and cares deeply for all those around her...but is of no help at all. Jane's latest project is to secure a husband for her friend Prudence. She and Prudence are an unusual friendship as there is a generation gap but they share a love of literature. Jane was in fact Prue's tutor before they became friends.Prue is a sophisticated young woman who has reached the age of twenty-nine. As Barbara Pym intones "an age that is often rather desperate for a woman who has not yet married."Will Jane succeed in her mission? If you like to read books where the characters speak alternately:"rather complacently""scornfully""derisively""rather acidly""anxiously""sensibly""fatuously"and"rather hysterically"all in the space of two pages..then this is the book for you.....Have I mentioned that I adore Barbara Pym's writing with an unbridled passion? Often rather hysterically in fact.
  • Rating: 5 out of 5 stars
    5/5
    Jane and Prudence is the story of two friends—Jane is a middle-aged clergyman’s wife, and Prudence is a spinster at the age of 29, “an age that is often rather desperate for a woman who has not yet married.” When Jane and her husband move to a small parish, they meet a widower named Fabian Driver, with whom Jane wants to set Prudence up. This novel is a very quiet satire of love and romance and the constant search for them.Jane and Prudence’s friendship is an unlikely one, and it’s hard to see why, exactly, they’re friends (beyond the fact that they met at Oxford). In addition, I kept wondering why Jane would want to set up her good friend with someone who’s a known womanizer. Still, she means well. I think the interplay between the two main characters is well done. Of the two, I think I prefer Jane with her hapless housekeeping over Prudence, who seems a bit arrogant at times. I think in a different age (say, ours), Prudence would be just anther career woman living in London (and she’d have a much better job). If she lived today, though, there would still be a focus on getting her set up with a boyfriend or husband, so not much has changed there.I did also like Nicholas, Jane’s husband, who puts up with Jane’s flaws with an admirable amount of patience. There’s a lot of humor in this book, but some of it is downright mean at times.Still, Barbara Pym is at her best when she’s talking about the relationships between men and women. She has some very interesting things to say about the state of being married, or not. I think the reason why Barbara Pym’s novels appeal to people even today is that her themes are so wide-ranging and timeless.
  • Rating: 5 out of 5 stars
    5/5
    I'm so glad to have read this book so soon after having read Crampton Hodnet. It has the same setting and some of the same characters, but Jane and Prudence is much better than Pym's earlier work. The character development is much better, the plot smoother and more coherent, the underlying humor more subtle, and it is delightfully British. This is my favorite work by Pym so far.
  • Rating: 4 out of 5 stars
    4/5
    Another charming novel set mostly in rural England, ca. 1930's. Jane and Prudence became friends at Oxford, despite a difference of about 10 years in their ages, and have kept up their friendship through the years. Now Jane has just settled into a new parish with her husband Nicholas while Prudence, still attractive but pushing thirty, wonders if she will ever find true love. The novel centers around Jane--her difficulty fitting in to the new town, her efforts at matchmaking for Prudence, her reminiscences of working on the seventeenth-century poets at Oxford, etc. She is quite the character--bright and independent-minded, a modern woman but concerned that she isn't fitting properly into the role of a vicar's wife. Several characters from [Crampton Hodnet] reappear, including the domineering Miss Doggett and her delighfully understated but sly companion, Miss Jessie Morrow.
  • Rating: 4 out of 5 stars
    4/5
    Another delightful glimpse of 1950s England, full of Pym's gentle but subversive little insights into the way the world (or at least this very middle-English bit of it) works. There ought to be a timeless quality about this story of vicars, spinsters and tea-parties on the lawn, but we are forever being reminded that this is a changing world. The village is on the fringe of the city; the local tradesmen are as involved in running the church as the more middle-class residents; everyone is affected by post-war shortages; there are no servants any more, but women from the village "oblige" with cooking and cleaning. Above all, it's a women's world. Men exist only on the fringes of the community. They are vain, impractical, in constant need of food and reassurance, and mostly have no very clear occupation (Dr Grampian is "some kind of economist or historian"; Fabian does something or other in the City). They can be ornamental and nice to have around the place, but on the whole they are a bit of a nuisance. Women are focussed, competent and organised, and are the only people in the book we ever see doing anything useful. The exception to this rule is Jane, who is clever, a whizz when it comes to 17th century poetry, but hilariously absent-minded when it comes to her adopted role in life. She can imagine very clearly, in terms of Trollope, Jane Austen, and Miss Charlotte M. Yonge what a clergyman's wife should be, but she always somehow loses track of what she means to do about it herself. Fortunately, Mrs Glaze (who obliges at the vicarage) and Jane's teenage daughter are on hand to treat her as a sort of honorary male to be fed and tidied-up-after, and her husband is a new man avant la lettre who doesn't complain about the non-appearance of food at mealtimes. The text teams with little in-jokes: it's much more literary in its references than most of Pym's other books. References to John Donne, Coventry Patmore, and Keats abound (some of them slightly more risqué than the tone of the book would suggest), Jane Austen's Emma is mentioned several times (Prudence's name was obviously picked to allow her to be annoyed by colleagues calling her "Miss Bates"), and there are jokey mentions in passing of literary figures who must be intended as thinly-disguised versions of Pym's friends Lord David Cecil and Philip Larkin. And there are some lovely lines - not least concerning the old battleaxe, Miss Doggett, who looks as though she "had heard that men only want one thing, but had forgotten for the moment what it was."Great fun, and as usual in Pym there is no neatly contrived ending to force closure on the characters: a few little rearrangements, everyone capable of doing so has learned a little bit about themselves, but not much has really changed.
  • Rating: 5 out of 5 stars
    5/5
    Jane is a brillian character in this book
  • Rating: 4 out of 5 stars
    4/5
    There's something quietly lovely about a Barbara Pym novel. It's a perfect rainy day read, as you imagine yourself in England... if you have a large chintz armchair, all the better. And while I don't think you need to adore Jane Austen in order to enjoy Barbara Pym, it probably helps, though there's something a little darker and more melancholy in Pym.Jane and Prudence unsurprisingly deals with two Englishwomen named Jane and Prudence. (As a result, I was singing "Dear Prudence" over the three or four days where I was reading this.) Jane is a minister's wife who is a bit older than Prudence; the two met when Jane was her tutor at Oxford and their unlikely friendship stuck. Jane's husband has just taken over a country parish and Jane is more than usually aware of the fact that she's not a particularly good clergyman's wife. Nevertheless, they move into this parish with their eighteen-year-old daughter, Flora (who is about to head up to Oxford herself), and settle in to meet the locals and navigate the intricacies of a small country town. Prudence, meanwhile, lives in London; she's unmarried and while she is employed, she is not absorbed in academic work, which often leads the older women of their college back at Oxford to be at a loss for fitting Prudence into a particularly neat category, though Jane might say that she might not have her work, but "Prudence has her love affairs." And for the time, it does seem that Prudence has such a romantic nature as to be enjoying the attention of a man or fancying herself in love with another. Prudence's latest focus is her employer, a middle-aged man that does not seem particularly interested in her, beyond one day a while back when he used her Christian name and took her hand as they looked out a window. Jane (in a not-quite-focused way) tries to think of who might be suitable for Prudence in this new town.Aside from scenes set at Prudence's office (where her spinster coworkers pay close attention to what time the tea should be brought in, and mild chatter about the two men in the office), the majority of the book is set in the country parish, where you have the usual assemblage of busybodies and village VIPs. As with all Pym novels, you're presented with women in a rather narrow life, struggling to find their niche or at least muddle through without one. It's highly representative of the post-war feeling of confusion that women of the age must have experienced as they balanced the desire to have work of their own just as they're expected to marry and start families. The intriguing thing, of course, is that it might not be exactly the same today, but it's easy to relate to the unsettled feelings as one tries to find a place in the world that feels like it fits.It's easy to see why one might suggest Pym to those who enjoy Austen. Pym novels are, on the surface, easily summed up as novels about Englishwomen in the middle of the 20th century, often too smart for their surroundings, but without a means of focusing that intelligence as they become wives, mothers, or settle into their role as spinsters (for indeed, there is no real place for a single woman unless it is that of a spinster). If you're looking for a quiet, lovely novel with some subtle social commentary and quite good character insight, then I suggest you try reading a Pym novel. The rainy afternoon and a tray with tea and scones are not required, but they certainly help set the scene.
  • Rating: 4 out of 5 stars
    4/5
    Jane and Prudence begins at a reunion at the Oxford college where the women met when Prudence was a student and Jane was her tutor. Jane was already married to a clergyman at that time. Prudence has a string of spurned suitors dating back to her college days. Jane thinks it is time for Prudence, at age 29, to settle down, and she fancies herself as Emma Woodhouse to Prudence's Harriet Smith.This is a book of contrasts -- women and men; married, widowed, and single; urban and rural; educated and uneducated; High church, Low church, and Roman Catholic; attractive and plain; young, middle aged, and somewhere in between. The reader sees how the characters affect each other through everyday activities like a church meeting, a village whist drive, a neighborhood tea party, and a day at the office. Most of the characters seem resigned to fate; they react to the situations they find themselves in rather than taking the initiative to change their circumstances. The exceptions are Jane and Jessie Morrow, a companion to her comfortably wealthy spinster cousin. Jane and Jessie are rather plain but very observant women who are underestimated by those around them, and thus they each find opportunities to influence others' choices of action.I've recently discovered Barbara Pym through Library Thing. I started with Excellent Women, and this is the second of her books I've read. I'm glad I read them in that order since there is a brief reference to the main character of Excellent Women in this book. I'm looking forward to reading more of Pym's works.
  • Rating: 5 out of 5 stars
    5/5
    I picked up this little dollop of Trollope last Saturday afternoon and went through it quicker than a bag of Tim's potato chips. Next thing I knew - I was licking the salt from my fingers - I heard "Live, from New York, it's Saturday night" in the other room. Talk about a seamless transition from light comedy to light comedy.This was my first Barbara Pym, and what a delight! A trans-Atlantic trip on a time machine to post war England and a small English village. There to follow the daily meanderings of Jane Cleveland, a daffy vicar's wife who doesn't quite fit the solemnity of her distaff role. A woman who is always a tad distracted in a "...hello, Lucy?" kind of way. Not a woman you would entrust with the high office of...preparing, without burning, dinner? We wonder "was she ever serious about her university day aspiration of authoring a book on 17th century poets?" Rather, her true passion seems to be to find a match for her youngish friend, Prudence. Prue, age 29, is a working girl/office assistant/researcher who lives a train ride away in London. She's a touch vain and lost in a limbo of a social life. As the story opens, she's vaguely pining for the attentions of her middle-aged and married mentor/employer. But only dreamily. And daydreaming of her college conquests, an honor roll of fading romeos. But only vaguely.Enter the recently widowed Fabian, the village Lothario. Curiously, Fabian has a benign reputation for he usually had the discretion to conduct his extra-marital affairs in London. And, sufficient grace, in local entanglements, to end an amour while at the same time finding his wife a new knitting partner.Pym's writing sparkles with the detail and dialogue that make those English so ummm.... English! It's a wry twist of girly book, and not just for the ladies. Though more than once, it's observed with a bit of eye-rolling that "A man must have his meat, you know!" And, that men are just interested in the mysterious "main thing". I say, gents and ladies, just relax, have an Ovaltine and some oyster patties, put your feet up, and let the skilled hand of Barbara Pym adjust your pillow. This is a better escape bargain than any you'll find on Orbitz.
  • Rating: 4 out of 5 stars
    4/5
    Another delightful book from Pym. This one also featured Miss Jessie Morrow and Miss Doggett, as did my previous Pym, [Crampton Hodnet]. This one dealt with the proper English courting rules (love was definitely a major theme) and how people navigated them. It also, of course, had a delightful cast of characters, most prominent (to me) was Jane Cleveland. She was the bumbling, fumbling new curate's wife that could just never quite add up to her predecessor. Again - quite fun and enjoyable. I would recommend it to anyone who likes cozy English novels and wants a good laugh - and of course, wants to make fun of English courtship.
  • Rating: 3 out of 5 stars
    3/5
    Husbands took friends away, she thought, though Jane had retained her independence more than most of her married friends. And yet even she seemed to have missed something in life; her research, her studies of obscure seventeenth-century poets, had all come to nothing, and here she was, trying, though not very hard, to be an efficient clergyman's wife, and with only very moderate success. Compared with Jane's life, Prudence's seemed rich and full of promise ... She had her work, her independence, her life in London ... Lines of eligible and delightful men seemed to stretch before her ... (p. 83)Jane and Prudence first met at Oxford, where Jane was Prudence's tutor. The two have been friends for years. Prudence, 12 years younger, is unmarried and living in London. At 41, Jane is married to a vicar and has just left London to join her husband in his new country parish. Jane cannot resist attempts at matchmaking on Prudence's behalf, and so invites her to visit and meet a local bachelor. Much of this novel is a comedy of manners focused on the gossip and personalities that are typical of any church community. Barbara Pym's writing uses quite subtle wit to poke fun at everyday life. And while I enjoy her writing, this book was less interesting, the plot more predictable, than others I have read. Short, enjoyable, respectable ... but in the end, just kind of average.
  • Rating: 4 out of 5 stars
    4/5
    This book had many of the same characters and the same setting as Crampton Hodnet. The story and characters were just as witty and real, however, I found it didn't have so many of the great little asides and observations as Crampton Hodnet, and the ending left me a bit unsatisfied. I could so relate to one of the main characters, Jane. She is a clegymans wife who was a literary major in college, wrote a book about 17th century poetry, and had no idea how to deal with a household, cooking, cleaning, etc. She felt herself a failure in her position and of no support to her husband's calling. I think that Miss Pym may be showing one of the first generations of this problem that we still see today; women's focus being on education, and then finding themselves thrust back into the traditional womens role with no skills and no idea of what they are doing.

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Jane and Prudence - Barbara Pym

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Jane and Prudence

A Novel

Barbara Pym

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter One

JANE AND PRUDENCE WERE walking in the college garden before dinner. Their conversation came in excited little bursts, for Oxford is very lovely in midsummer, and the glimpses of grey towers through the trees and the river at their side moved them to reminiscences of earlier days.

‘Ah, those delphiniums,’ sighed Jane. ‘I always used to think Nicholas’s eyes were just that colour. But I suppose a middle-aged man—and he is that now, poor darling—can’t have delphinium-blue eyes.’

‘Those white roses always remind me of Laurence,’ said Prudence, continuing on her own line. ‘Once I remember him coming to call for me and picking me a white rose—and Miss Birkinshaw saw him from her window! It was like Beauty and the Beast,’ she added. ‘Not that Laurence was ugly. I always thought him rather attractive.’

‘But you were certainly Beauty, Prue,’ said Jane warmly. ‘Oh, those days of wine and roses! They are not long.’

‘And to think that we didn’t really appreciate wine,’ said Prudence. ‘How innocent we were then and how happy!’

They walked on without speaking, their silence paying a brief tribute to their lost youth.

Prudence Bates was twenty-nine, an age that is often rather desperate for a woman who has not yet married. Jane Cleveland was forty-one, an age that may bring with it compensations unsuspected by the anxious woman of twenty-nine. If they seemed an unlikely pair to be walking together at a Reunion of Old Students, where the ages of friends seldom have more than a year or two between them, it was because their relationship had been that of tutor and pupil. For two years, when her husband had had a living just outside Oxford, Jane had gone back to her old college to help Miss Birkinshaw with the English students, and it was then that Prudence had become her pupil and remained her friend. Jane had enjoyed those two years, but then they had moved to a suburban parish, and now, she thought, glancing round the table at dinner, here I am back where I started, just another of the many Old Students who have married clergymen. She seemed to see the announcement in the Chronicle under Marriages, ‘Cleveland-Bold’, or, rather, ‘Bold-Cleveland’, for here the women took precedence; it was their world, the husbands existing only in relation to them: ‘Jane Mowbray Bold to Herbert Nicholas Cleveland.’ And later, after a suitable interval, ‘To Jane Cleveland (Bold), a daughter (Flora Mowbray)’.

When she and Nicholas were engaged Jane had taken great pleasure in imagining herself as a clergyman’s wife, starting with Trollope and working through the Victorian novelists to the present-day gallant, cheerful wives, who ran large houses and families on far too little money and sometimes wrote articles about it in the Church Times. But she had been quickly disillusioned. Nicholas’s first curacy had been in a town where she had found very little in common with the elderly and middle-aged women who made up the greater part of the congregation. Jane’s outspokenness and her fantastic turn of mind were not appreciated; other qualities which she did not possess and which seemed impossible to acquire were apparently necessary. And then, as the years passed and she realised that Flora was to be her only child, she was again conscious of failure, for her picture of herself as a clergyman’s wife had included a large Victorian family like those in the novels of Miss Charlotte M. Yonge.

‘At least I have had Flora, even though everybody else here has at least two children,’ she said, speaking her thoughts aloud to anybody who happened to be within earshot.

‘I haven’t,’ said Prudence a little coldly, for she was conscious on these occasions of being still unmarried, though women of twenty-nine or thirty or even older still could and did marry judging by other announcements in the Chronicle. She wished Jane wouldn’t say these things in her rather bright, loud voice, the voice of one used to addressing parish meetings. And why couldn’t she have made some effort to change for dinner instead of appearing in the baggy-skirted grey flannel suit she had arrived in? Jane was really quite nice-looking, with her large eyes and short, rough, curly hair, but her clothes were terrible. One could hardly blame people for classing all university women as frumps, thought Prudence, looking down the table at the odd garments and odder wearers of them, the eager, unpainted faces, the wispy hair, the dowdy clothes; and yet most of them had married—that was the strange and disconcerting thing.

Prudence looks lovely this evening, thought Jane, like somebody in a woman’s magazine, carefully ‘groomed’, and wearing a red dress that sets off her pale skin and dark hair. It was odd, really, that she should not yet have married. One wondered if it was really better to have loved and lost than never to have loved at all, when poor Prudence seemed to have lost so many times. For although she had been, and still was, very much admired, she had got into the way of preferring unsatisfactory love affairs to any others, so that it was becoming almost a bad habit. The latest passion did not sound any more suitable than her previous ones. Something to do with her work, Jane believed, for she had hardly liked to ask for details as yet. The details would assuredly come out later that evening, over what used to be cocoa or Ovaltine in one of their bed-sitting-rooms when they were students and would now be rather too many cigarettes without the harmless comfort of the hot drink.

‘So you have all married clergymen,’ said Miss Birkinshaw in a clear voice from her end of the table. ‘You, Maisie, and Jane and Elspeth and Sybil and Prudence…’

‘No, Miss Birkinshaw,’ said Prudence hastily. ‘I haven’t married at all.’

‘Of course, I remember now—you and Eleanor Hitchens and Mollie Holmes are the only three in your year who didn’t marry.’

‘You make it sound dreadfully final,’ said Jane. ‘I’m sure there is hope for them all yet.’

‘Well, Eleanor has her work at the Ministry, and Mollie the Settlement and her dogs, and Prudence, her work, too…’ Miss Birkinshaw’s tone seemed to lose a little of its incisiveness, for she could never remember what it was that Prudence was doing at any given moment. She liked her Old Students to be clearly labelled—the clergymen’s wives, the other wives, and those who had ‘fulfilled’ themselves in less obvious ways, with novels or social work or a brilliant career in the Civil Service. Perhaps this last could be applied to Prudence? thought Miss Birkinshaw hopefully.

She might have said, ‘and Prudence has her love affairs’, thought Jane quickly, for they were surely as much an occupation as anything else.

‘Your work must be very interesting, Prudence,’ Miss Birkinshaw went on. ‘I never like to ask people in your position exactly what it is that they do.’

‘I’m a sort of personal assistant to Dr. Grampian,’ said Prudence. ‘It’s rather difficult to explain. I look after the humdrum side of his work, seeing books through the press and that kind of thing.’

‘It must be wonderful to feel that you have some part, however small, in his work,’ said one of the clergymen’s wives.

‘I dare say you write quite a lot of his books for him,’ said another. ‘I often think work like that must be ample compensation for not being married,’ she added in a patronising tone.

‘I don’t need compensation,’ said Prudence lightly. ‘I often think being married would be rather a nuisance. I’ve got a nice flat and am so used to living on my own I should hardly know what to do with a husband.’

Oh, but a husband was someone to tell one’s silly jokes to, to carry suitcases and do the tipping at hotels, thought Jane, with a rush. And although he certainly did these things, Nicholas was a great deal more than that.

‘I like to think that some of my pupils are doing academic work,’ said Miss Birkinshaw a little regretfully, for so few of them did. Dr. Grampian was some kind of an economist or historian, she believed. He wrote the kind of books that nobody could be expected to read.

‘Here we are all gathered round you,’ said Jane, ‘and none of us has really fulfilled her early promise.’ For a moment she almost regretted her own stillborn ‘research’—‘the influence of something upon somebody’ hadn’t Virginia Woolf called it?—to which her early marriage had put an end. She could hardly remember now what the subject of it was to have been—Donne, was it, and his influence on some later, obscurer poet? Or a study of her husband’s namesake, the poet John Cleveland? When they had got settled in the new parish to which they were shortly moving she would dig out her notes again. There would be much more time for one’s own work in the country.

Miss Birkinshaw was like an old ivory carving, Prudence thought, ageless, immaculate, with lace at her throat. She had been the same to many generations who had studied English Literature under her tuition. Had she ever loved? Impossible to believe that she had not, there must surely have been some rather splendid tragic romance a long time ago—he had been killed or died of typhoid fever, or she, a new woman enthusiastic for learning, had rejected him in favour of Donne, Marvell and Carew.

Had we but World enough, and Time

This Coyness Lady were no crime…

But there was never world enough nor time and Miss Birkinshaw’s great work on the seventeenth-century metaphysical poets was still unfinished, would perhaps never be finished. And Prudence’s love for Arthur Grampian, or whatever one called it—perhaps love was too grand a name—just went hopelessly on while time slipped away….

‘Now, Jane, I believe your husband is moving to a new parish,’ said Miss Birkinshaw, gathering the threads of the conversation together. ‘I saw it in the Church Times. You will enjoy being in the country, and then there is the cathedral town so near.’

‘Yes, we are going in September. It will all be like a novel by Hugh Walpole,’ said Jane eagerly.

‘Unfortunately, it is rather a modern cathedral,’ said one of the clerical wives, ‘and there is one of the canons I do not care for myself.’

‘But I’ve never thought of myself as caring for canons,’ said Jane rather wildly.

‘One woman’s canon might be another woman’s…’ began another clerical wife, but her sentence trailed off unhappily, giving an effect almost of impropriety which was not made any better by Jane saying gaily, ‘I can promise you there will be nothing like that!’

‘It is an attractive little place you are going to,’ said Miss Birkinshaw. ‘Perhaps it has grown since I last saw it, when it was hardly more than a village.’

‘I believe it is quite spoilt now,’ said somebody eagerly. ‘Those little places near London are hardly what they were.’

‘Well, I expect it will be better than the suburbs,’ said Jane. ‘People will be less narrow and complacent.’

‘Your husband will have to go carefully,’ said a clerical wife. ‘We had great difficulties, I remember, when we moved to our village. The church was not really as Catholic as we could have wished, and the villagers were very stubborn about accepting anything new.’

‘Oh, we shall not attempt to introduce startling changes,’ said Jane. ‘There is a nearby church quite newly built where all that has been done. The vicar was up here at the same time as my husband.’

‘And we are to have your daughter Flora with us, next term,’ said Miss Birkinshaw. ‘I always like to see the children coming along.’

‘Ah, yes; I shall live my own Oxford days over again with her,’ sighed Jane.

There was a scraping of chairs and then silence. Miss Jellink, the Principal, had risen. The assembled women bowed their heads for grace. ‘Benedicto benedicatur,’ pronounced Miss Jellink in a thoughtful tone, as if considering the words.

There was coffee in the Senior Common Room and then chapel in the little tin-roofed building among the trees at the bottom of the garden. Jane sang heartily, but Prudence was silent beside her. The whole business of religion was meaningless to her, but there was a certain comfort even in the reedy sound of untrained women’s voices raised in an evening hymn. Perhaps it was because it took her back to her college days, when love, even if sometimes unrequited or otherwise unsatisfactory, tended to be so under romantic circumstances, or in the idyllic surroundings of ancient stone walls, rivers, gardens, and even the reading-rooms of the great libraries.

After chapel there was more walking in the gardens until dusk and then much gathering in rooms for gossip and confidences.

Jane ran to her window and looked out at the river and a tower dimly visible through the trees. She had been given the room she had occupied in her third year and the view was full of memories. Here she had seen Nicholas coming along the drive on his bicycle, little dreaming that he was to become a clergyman—though, seeing him standing in the hall with his bicycle clips still on, perhaps she should have realised that he was bound to be a curate one day. She could remember him so vividly, wheeling his bicycle along the drive, with his fearful upward glance at her window, almost as if he were afraid that Miss Jellink and not Jane herself would be looking out.

Prudence had her memories too. Laurence and Henry and Philip, so many of them, for she had had numerous admirers, all coming up the drive, in a great body, it seemed, though in fact they had come singly. If she had married Henry, now a lecturer in English at a provincial university, Prudence thought, or Laurence, something in his father’s business in Birmingham, or even Philip, small and spectacled and talking so earnestly and boringly about motor cars…but Philip had been killed in North Africa because he knew all about tanks….Tears, which she had never shed for him when he was alive, now came into Prudence’s eyes.

‘Poor Prue,’ said Jane rather heartily, wondering what she could say. Who was she weeping for now? Could it be Dr. Grampian? ‘But after all, he is married, isn’t he?—I mean there is a wife somewhere even if you’ve never met her. You shouldn’t really consider him as a possibility, you know. Unless she were to die, of course, that would be quite all right’ A widower, that was what was needed if such a one could be found. A widower would do splendidly for Prudence.

‘I was thinking about poor Philip,’ said Prudence rather coldly.

‘Poor Philip?’ Jane frowned. She could not remember that there had ever been anyone called Philip. ‘Which, who…?’ she began.

‘Oh, you wouldn’t remember,’ said Prudence lighting another cigarette. ‘It just reminded me, looking out at this view, but really I haven’t thought about him for years.’

‘No, I suppose Adrian Grampian is the one now,’ said Jane.

‘His name isn’t Adrian; it’s Arthur.’

‘Arthur; yes, of course.’ Could one love an Arthur? Jane wondered. Well, all things were possible. She began to think of Arthurs famous in history and romance—the Knights of the Round Table of course sprang to mind immediately, but somehow it wasn’t a favourite name in these days; there was a faded Victorian air about it.

‘It isn’t so much what there is between us as what there isn’t,’ Prudence was saying; ‘it’s the negative relationship that’s so hurtful, the complete lack of rapport, if you see what I mean.’ ‘It sounds rather restful in a way,’ said Jane, doing the best she could, ‘to have a negative relationship with somebody. Of course a vicar’s wife must have a negative relationship with a good many people, otherwise life would hardly be bearable.’

‘But this isn’t quite the same thing,’ said Prudence patiently. ‘You see underneath all this, I feel that there really is something, something positive….’

Jane swallowed a yawn, but she was fond of Prudence and was determined to do what she could for her. When they got settled in the new parish she would ask her to stay, not just for a weekend, but for a nice long time. New surroundings and new people would do much for her and there might even be work she could do, satisfying work with her hands, digging, agriculture, something in the open air. But a glance at Prudence’s small, useless-looking hands with their long red nails convinced her that this would hardly be suitable. Not agriculture then, but a widower, that was how it would have to be.

Chapter Two

‘I FEEL THAT A crowd of our new parishioners ought to be coming up the drive to welcome us,’ said Jane, looking out of the window over the laurel bushes, ‘but the road is quite empty.’

‘That only happens in the works of your favourite novelist,’ said her husband indulgently, for his wife was a great novel reader, perhaps too much so for a vicar’s wife. ‘It’s really better to get settled in before we have to deal with people. I told Lomax to come round after supper, perhaps for coffee.’ He looked up at his wife hopefully.

‘Oh, there will be supper,’ said Jane in a firm tone, ‘and there may be coffee. I suppose we could give Mr. Lomax tea, though it wouldn’t be quite the usual thing. I wonder if we are well-bred enough or eccentric enough to carry off an unusual thing like that, giving tea after a meal rather than coffee? I wouldn’t like him to think that we were condescending to him in any way because his church is not as ancient as ours.’

‘Of course coffee does tend to keep people awake,’ said Nicholas rather inconsequentially.

‘Lying awake at night thinking out a sermon,’ said Jane; ‘that might not be such a bad thing.’

‘What are we having for supper?’ asked her husband.

‘Flora is in the kitchen unpacking some of the china. We could open a tin,’ added Jane, as if this were a most unusual procedure, which it most certainly was not. ‘Indeed, I think we shall probably have to, but I know we’ve got some coffee somewhere if only we can find it in time. Will he be bringing Mrs. Lomax with him?’

‘No, he is not married as far as I know,’ said Nicholas vaguely, ‘though it is some time since we’ve met. Our conversation yesterday was mostly about parish matters. I remember at Oxford he rather tended towards celibacy.’

‘I dare say he was a spectacled young man with a bad complexion,’ said Jane. ‘He may have thought there was not much hope for him, so he became High Church.’

‘Well, my dear, there are usually deeper reasons,’ said Nicholas, smiling. ‘Not all High Church clergymen are plain-looking.’

‘Nor all Moderate ones, darling,’ said Jane warmly, for her husband’s eyes were still blue and he had kept his figure.

They were in the room which was to be Nicholas’s study, sitting in the middle of a litter of books which Jane was arranging haphazardly in the shelves.

‘These are all theology,’ she said, when Nicholas suggested that it might be better if he did them; ‘as long as nothing unsuitable-looking appears among these dim bindings I don’t see that the arrangement really matters. Nobody could possibly want to read them. You’re sure you wouldn’t rather have the room upstairs for your study? It looks over the garden and might be quieter.’

‘No, I think this room is the best for me. It seems somehow unsuitable for a clergyman’s study to be upstairs,’ said Nicholas, and then, before Jane could enlarge upon the idea with her vivid fancy, he added hastily, ‘I shall have my desk in the window—it is sometimes an advantage to be able to see people coming.’

‘Then you must have a net curtain across the window,’ said Jane, ‘otherwise you will lose your advantage if they can see you too. But at the moment it seems as if nobody will ever come to see us….’ She looked out over the laurels to the green-painted gate. ‘You would think they’d come out of curiosity, if for no nobler reason.’ She turned back to arranging the books.

‘But there is somebody coming,’ exclaimed Nicholas in a rather agitated voice. ‘A lady, or perhaps a woman, in a straw hat

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