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October Ferry to Gabriola: A Novel
October Ferry to Gabriola: A Novel
October Ferry to Gabriola: A Novel
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October Ferry to Gabriola: A Novel

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Paradise proves fleeting in this engrossing tale of a married couple who tries to chase away the past by immersing themselves in nature
Edited by Malcolm Lowry’s widow and released more than a decade after his death, October Ferry to Gabriola is the sentimental story of two individuals striving for sanity, inspiration, hope, and purpose in the deep seclusion of the British Columbian forest. Once the couple finds a new home in the woods, their new, off-the-grid life together becomes their last attempt at finding stability... Illuminating and joyful, October Ferry to Gabriola is a striking ode to the struggle for hope amid the purity of the wilderness—a story made all the more poignant by Lowry’s untimely death before publication.
LanguageEnglish
Release dateNov 6, 2012
ISBN9781453286302
October Ferry to Gabriola: A Novel
Author

Malcolm Lowry

Malcolm Lowry (1909–1957) was born in England, and he attended Cambridge University. He spent much of his life traveling and lived in Paris, New York, Mexico, Los Angeles, Canada, and Italy, among other places. He is the author of numerous works, including Ultramarine and Hear Us O Lord from Heaven Thy Dwelling Place.

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  • Rating: 4 out of 5 stars
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    I came to Lowry’s fiction sort of accidentally. I knew of him, of course, and of his most famous novel, Under the Volcano; but I’d never read him, nor had any real desire to do so. But after my father died, my mother was clearing out some stuff, including a collection of Penguin paperbacks my dad had bought in the late 1960s (the receipts were still in the books), and which included, among many other authors, three books by Lowry. I took about two dozen of the paperbacks, including the Lowrys, and the first of the Lowrys I read was his collection, Hear Us O Lord from Heaven Thy Dwelling Place. I was hugely impressed by the novella, ‘Through the Panama’. So I read the other two paperbacks, Ultramarine (see here) and Under the Volcano (see here). And then I wanted to read more… So I started collecting first editions of his books. And I have now read them all. October Ferry to Gabriola was his last, not published until thirteen years after his death. (In fact, only Ultramarine and Under the Volcano, and some of the contents of his collection, were published during his lifetime.) Ethan Llewellyn and his wife, Jacqueline, have been evicted from their shack on the Eridanus river and, after some time spent in Vancouver, have chosen to head for the small island of Gabriola to buy an advertised property. The novel opens on the bus to the seaside town where they will catch the ferry, but pretty much heads straight into flashback, beginning with their home in Niagara-on-the-lake. But their home there burns down in a freak lightning strike. Leading to their move to Eridanus. October Ferry to Gabriola is a hit of the pure Lowry – from the plot recycling parts of Lowry’s own life, never mind parts of his other works (their neighbours in Eridanus are Sigbjørn and Primrose Wilderness, Lowry analogues in Dark is the Grave Wherein My Friend is Laid, ‘Through the Panama’ and a handful of stories), the long discursive sentences, the detailed self-reflective and self-analytical prose, the self-deprecating humour, and, of course, the copious amount of alcohol. This is great stuff, it’s just so good. I went slightly mad when I decided to collect Lowry, but I’ve yet to read anything by him that has caused me to question that madness. I’m only sorry I’ve run out of novels by him to read. I guess I’ll just have to start re-reading them…

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October Ferry to Gabriola - Malcolm Lowry

Chapter 1

The Greyhound

FAREWELL, FAREWELL, FAREWELL, EIGHT Bells, Wywurk, The Wicket Gate. The little house looked all right. So we love forever, taking leave.

The October morning sunlight filled the swift bus, the Greyhound, sailing through the forest branches, singing straight out to sea, roaring toward the mountains, circling sudden precipices.

They followed the coastline. To the left was the forest; to the right, the sea, the Gulf.

And the light coruscated brilliantly from the windows in which the travelers saw themselves now on the right hand en-islanded in azure amid the scarlet and gold of mirrored maples, by these now strangely embowered upon the left hand among the islands of the Gulf of Georgia.

At times, when the Greyhound overtook and passed another car, where the road was narrow, the branches of the trees brushed the left-hand windows, and behind, or in the rearview mirror ahead reflecting the road endlessly enfilading in reverse, the foliage could be seen tossing for a while in a troubled gale at their passage. Again, in the distance, he would seem to see dogwood rocketing through the trees in a shower of white stars. And when they slowed down, the fallen leaves in the forest seemed to make even the ground glow and burn with light.

Downhill: and to the right hand beyond the blue sea, beneath the blue sky, the mountains on the British Columbian mainland traversed the horizon, and on that right side too, luminous, majestic, a snowy volcano of another country (it was Mount Baker over in America and ancient Ararat of the Squamish Indians) accompanied them, with a white distant persistence, and at a different speed, like a remote, unanchored Popocatepetl.

Well, damn it, he said, I don’t think I’m going to.

Not going to what, Ethan sweetheart?

Ethan and Jacqueline sat, arm in arm, in the two back left-hand seats of the Greyhound and once when he saw their reflections in the window it struck him these were the reflections of some lucky strangers who looked too full of hope and excitement to talk.

Register our tickets at the depot to insure return space. It seems to be tempting fate either way you look at it.

Jacqueline smiled at him with affection, absently, patting him on the knee, while Ethan regarded their ticket again.

Victoria…Duncan…Nanaimo hath murdered sleep.

And in Duncan too, the poor old English pensioners, bewhiskered, gaitered, standing motionless on street corners, dreaming of Mafeking or the fore-topgallant studding sail, or sitting motionless in the bankrupt rowing club, each one a Canute; golfing on the edge of the Gulf, riding to the fall of the pound; bereaved of their backwaters by rumors of boom. Evicted…But to be evicted out of exile: where then?

The bus changed gear, going up a hill: beginning: beginning: beginning again: beginning yet again: here we go, into the blue morning.

The vehicle was rounding a high curve and as it turned down toward the valley below, Jacqueline leaned forward for a better view from the right-hand windows: the sea swarmed with islands, and one of them was surely Gabriola.

Gabriola! Ah, if it should prove the right place, her eyes were saying, the dreamed-of place, and the old skipper’s house Angela had written about still for sale, and, more important, within their means to buy! Of course, there was this other lot they could almost certainly get, but then they’d have to build a house, and that would take so long.

For the Llewelyns, like love and wisdom, had no home.

Jacqueline, he knew, already saw the skipper’s house as theirs, as their home. Small, but with big sun-filled seaward windows it stood for her, facing the Pacific and the blue mountains of the mainland, while behind, it was guarded by a forest of huge knotted maples and firs and ancient cedars and, against the sky, tall slender alders, swaying…

She had a passion for gardening, so for her a garden was all-important. But also the wide verandahs, big cupboards, a stone fireplace: all these delightful (and to Ethan, after their life on the beach in Eridanus, by now almost irrelevant) possibilities, combined with other conveniences not long since all but forgotten, would be taking shape in her mind, just as they had no doubt many times taken shape in her mind this last unhappy month of loss and searching—only for her to be confronted by the reality of bare treeless grassless yards, soulless desiccated war-built bungalows, or older houses yet more moribund, for the awfulness of having to live in which no conveniences whatsoever would even compensate, homeless homes with stoves full of old bones, and subaqueous basements, neglected and run down during the last years, houses once well situated, but now viewless as Shakespeare’s winds, cackling, who knows, with poltergeists.

Yet this time, she would be thinking, ah this time it would be different, for surely a skipper of all people would be one to have rendered his own house shipshape, even if a retired skipper. As if shipshapeness were the entire question with her either.

Gleaming white cedar siding home

Clean as a pin from stem to stern.

Living room, dining room, kitchen with Sun room off. And two bright bedrooms.

It was an ironic little chant they had. At this point they would always pause and then add in unison, laughing: Only ten thousand dollars down!

Chapter 2

The Magician of the Toodoggone River

ETHAN LLEWELYN WAS SHARPLY reminded that he himself was retired, and that his total income now amounted to not much more than $10,000 in two years. He was in an income tax bracket more compatible with the role of public defender he had so often, to his credit and the detriment of his pocketbook (Ethan was really thinking in this peculiar manner), assumed in the past, and for which he was still even nationally famous. A prosperous criminal lawyer, despite this, he had, though still a fairly young man, given up practice two years and four months ago, three summers and two winters, after one of the most gruesome and complicated cases he had ever defended. Well, it was not exactly retirement. Nor had he made the move because he’d lost this particular case: in part it was perhaps because, having for so long sincerely believed his client, a deceitfully benign watchmaker, innocent (and such was Ethan’s genuine train of thought), it had only been to discover, after he’d saved him from the scaffold, locally in this instance a disused prison elevator shaft painted bright yellow, that he could not have been more guilty.

With means, if more than a little diminished means, of his own Ethan had done what his father before him, likewise a lawyer, had done, and had once in days past counselled him to do before it was too late, before this might spell an irrevocable retirement. He made a Retreat. (To be sure he had not been bidden so far afield as had his father, who’d spent the last year of peace before the First World War as a legal adviser on international cotton law in Czarist Russia, whence he brought back to his young son in Wales, or so he announced, lifting it whole out of a mysterious deep-Christmas-smelling wooden box, a beautiful toy model of Moscow; a city of tiny magical gold domes, pumpkin- or Christmas-bell-shaped, sparkling with Christmas tinsel-scented snow, bright as new silver half-crowns, and of minuscule Byzantine chimes; and at whose miniature frozen street corners waited minute sleighs, in which Ethan had imagined years later lilliputian Tchitchikovs brooding, or corners where lurked snow-bound Raskolnikovs, their hands stayed from murder evermore: much later still he was to become unsure whether the city, sprouting with snow-freaked onions after all, was intended to be Moscow or St. Petersburg, for part of it seemed in memory built on little piles in the water, like Eridanus; the city coming out of the box he was certain was magic too—for he had never seen it again after that evening of his father’s return, in a strange astrakhan-collared coat and Russian fur cap—the box that was always to be associated also with his mother’s death, which had occurred shortly thereafter; the magic bulbar city going back into the magic scented box forever, and himself too afraid of his father to ask him about it later—though how beautiful for years to him was the word city, the carilloning word city in the Christmas hymn, Once in Royal David’s City, and the tumultuous angel-winged city that was Bunyan’s celestial city; beautiful, that was, until he saw a city—it was London—for the first time, sullen, in fog, and bloodshot as if with the fires of hell, and he had never to this day seen Moscow—so that while this remained in his memory as nearly the only kind action he could recall on the part of either of his parents, if not nearly the only happy memory of his entire childhood, he was constrained to believe the gift had actually been intended for someone else, probably for the son of one of his father’s clients: no, to be sure he hadn’t wandered as far afield as Moscow; nor had he, like his younger brother Gwyn, wanting to go to Newfoundland, set out, because he couldn’t find another ship, recklessly for Archangel; he had not gone into the desert nor to sea himself again or entered a monastery, and moreover he’d taken his wife with him; but retreat it was just the same.)

It is a course the wisdom of which should not be impugned because its objectives, briefly, may often be expressed only in clichés, his Scottish father-in-law, a not unexpected ally, had observed in his solemn oratorial burr. Ethan smiled to himself; the thought of Jacqueline’s father, when he could bring himself to believe in the existence of such a man on earth at all, afforded him keen pleasure. The British Isles beget bizarre sons: and examples of her most fabulous were to be found in Canada. And if Canadian policy (as once with the strategy of the Battle of Britain) was never, according to reliable report, formulated by its higher ministers without recourse by its highest to counsel from the angelic host, and if there were, and their friend the gamewarden in Eridanus swore there were, Englishmen in British Columbia who lived up trees, why not a Scotsman in the Dominion of whom it was said, like Virgil, that he was a white magician? Fantastic though it sounded, Angus McCandless was or had been a cabbalist, and one of high degree, even a sort of Parsifal: this once accepted, if you like cum grano salis, his interior life seemed, to a layman, of a transcendent, an almost unapproachable seriousness, though he could discuss aspects of it with anything but seriousness; the humor of the situation entered for Ethan via the fact that the old practitioner of ceremonial magic was also a hard-fisted and tough rancher, farmer, ex-soldier (precisely how he squared his magical activity with his conscience Ethan had never understood, for The McCandless, besides having been a Mason, was also a Catholic). Before the amassing of money, and in Canada the law is a method of making it appallingly facile, The McCandless had gone on, you may now consider your own, and my daughter’s deeper needs. You may now place health and the pursuit of happiness first, it being a providential thing that your grandfather saw fit to provide in his will for your son’s education. Aye. And I am profoundly glad that you are anxious to know yoursel’, to discover, if possible, other, profounder capacities in yoursel’. Perhaps after all, he had added with unconscious sarcasm, you are not essentially a lawyer, even if it is to be hoped you will never lose your affection for the paradoxes and absurdities of the law itself. (Indeed Ethan still lectured occasionally—or had until these last months—on Canadian law, to the changing of which, in certain horrendous items, he yet hoped to contribute.) Another peculiar thing about Jacqueline’s father was that, a Scot of Scots, he had not been born in Scotland at all, but in Bordeaux, being directly descended from a Scottish laird who in the ancient days of Bordeaux greatness, was a knight-at-arms in the retinue of the Duke of Berwick, the son of James II and Marlborough’s sister, who once held there what approximated to a court-in-exile. One branch of the family had never left the old seaport, and it was on his own parents’ visit to these relatives that Angus McCandless had been born. Still half loyal in his heart to the victor of Almanza and the House of Stuart, The McCandless had emigrated to Canada after being informed that several original letters of Montesquieu, discovered in the family archives, were his property. These had been sold to the library of the Arsenal in Paris, though the proceeds didn’t get him very far. As for me, the old magician said, my life has been full of retreats. In this country I started at eight dollars a month in 1905 on a stock farm working from daylight to dark. There was a retreat for you…The following year I got forty dollars a month breaking horses on a ranch in Saskatchewan. Then I rode herd on the Toodoggone River Ranch for twenty-five dollars a month and board. That’s two more retreats. In 1908 I took up a homestead sixty miles from Dumble, Alberta. I sold that for twenty dollars an acre after three years homestead duties, which was worse, on the whole, than the Montesquieu Letters. I went overseas in 1914, more in pity than in anger still faithful to Old England—the most unusual bloody retreat of the lot…I was invalided home with a leg wound in November 1917 and in February 1919 I bought a poultry farm at Onion Lake, where I lost heavily on account of the low price of eggs.

Finally he’d bought another farm: And I may say this was all bushland and took me nine years to pay for it working out, which was another retreat for you, and by then of course we had young Jacqueline to look after.

Chapter 3

Outward Bound

ETHAN HAD MET HER one winter afternoon of thunder and snow in 1938 within the foyer of a suburban Toronto cinema, where they were showing Douglas Fairbanks, Jr., in Outward Bound. This was a merry euphemism; they had shamelessly picked each other up, a cause of much later laughter between them, since it was a movie house that showed serious films for high-class audiences, and it had struck them both simultaneously that this of course sanctified such giddiness. Slim and supple, dark-eyed, dark-haired, and incredibly young and passionate-looking—Ethan was not capable of more detailed asseverations in regard to women, as he explained it to her afterwards, her legs were so beautiful he felt as if he had swallowed a bolt of lightning—and lounging by the velvet curtains of the entrance, smoking a cigarette, she greeted him gaily and almost as if they were lovers already. Rouging her lips, she told him she prided herself on her independence, went everywhere unescorted if she felt like it, was a chain smoker, liked to drink gin and orange juice, loved good movies and taught school in an Ontario village: music, French, botany, literature, everything, and had twenty-two pupils.

It’s a little school just outside Norway, about a mile off the main highway.

—Norway’s the town where we used to live part of each year, in Wales, on the Caernarvonshire coast.

My Norway’s just a little place east of Toronto.

Ethan suggested that perhaps she’d consider him as her twenty-third pupil, and added that talking of twos, he’d left Canada when he was two, having been born here in Ontario itself, and hadn’t returned until he was twenty-two, which was six years before.

And how do you find your native country after so long?

Big.

She said that her father came from the old land, and Ethan, taking her cigarette and putting it out in the sand-filled trash stand, remarked that he’d returned largely because of the depression in order to help disentangle his father’s affairs in Canada.

I feel lonely, he said. Everybody takes me for an Englishman and they seem to hate the English like the devil. Myself, I take pride in saying I’m English even though I’m half Welsh, even though strictly speaking I’m a Canadian.

I’m Scottish.

—but are we going to heaven, or hell? the great voice of one of the characters in the show boomed through into the foyer…Ah, came back the answer, But they are the same place, you see. Had the voice been that of the Inspector, who was supposed to be God, who had come aboard that ship of the dead to judge the passengers? Or was it Scrubby the barman speaking, the halfway, destined because of his suicide to commute eternally on that spectral ferry between earth and the unbeholden land?

Chapter 4

Isn’t Life Wonderful

BUT FROM THE FIRST Jacqueline and Ethan had been completely at home with one another. They joined a film society showing film classics on Saturday afternoons in an auditorium—it turned out—belonging to the tuberculo-therapic annex of the General Hospital, where they went to see, for a start, D. W. Griffith’s Isn’t Life Wonderful.

Life might be wonderful, or seem so at the moment, but it hadn’t occurred to Ethan before that it could be provoked to actual mirth at the mere hint of death or dissolution…Yes, uncharitable as it was merely to entertain such a thought here, even in the absence, naturally, of the patients, Ethan and Jacqueline, seated almost alone in the stalls equipped with objects they at first mistook for ashtrays, every time they reflected on their environment vis-à-vis the title of the picture, found themselves, to their shame, beset by promptings to irreverence similar to those which sometimes tempt the kindliest folk to bizarre behavior at funerals. And for a few minutes they actually had a hard time stopping each other laughing out loud. Ethan soon discovered the film was impressing him deeply and in a new and strange manner in which he never remembered being impressed before. The scene was laid somewhere in the Balkans, and the film opened with two young lovers, newly married, being driven from their home, a hut on the edge of the forest, by looting soldiers who killed their parents and then set fire to their hut. Now the lovers were fleeing for their lives, dragging their sole remaining possession: a sack of potatoes. Behind them, distantly, their home burned. The day declined in the forest with a turbulent sky above the trees presaging storm, and the lovers, fearful of more soldiers, or bandits, did not know what path to take. Next, bandits ambushed them and robbed them of their sack of potatoes. Night fell. The defenseless lovers were lost in the forest. All was dark…The story thus far had the virtue of its own naïveté but also to their more modern eyes the film occasionally appeared so crude and jerky it was difficult not to laugh now for that reason. But quite suddenly Griffith’s genius began to transmute all this, and in such a profoundly beautiful way, Ethan felt it almost beginning to change something in himself. The camera traveled slowly up to the treetops bending in the wind and now you saw the tempestuous sky brighten as the moon sailed out of the clouds. And instead of giving way to despair as the lovers had seemed about to do, they gazed up with a hungry supplication at this wild beauty of trees and stormy moonlight above them, then turned to each other with love, as to say, a supposition confirmed by the subtitle, Isn’t Life Wonderful.

Ethan, who had his excuses, reflected he hadn’t often felt life was very wonderful—certainly not in that way. Still, he must have sometimes gazed at the beauty of trees or the moon or the sea—undoubtedly the sea—in much this fashion, in youth at least, though such yearning was always short-lived with him, short-circuited by embarrassment at himself, the foolishness of the girl he was with, by some feeling of general frustration, more often sexual, or a humble, obscure and complicated sense of ignorance, as from some lack of ratification for what one saw, which perhaps was not what one was supposed to see, or which was not all a finer nature would see. And how many times had not misery or loneliness, or when he grew older, guilt, even complete hopelessness, got in the way? Anyhow, this scene on the screen with the transfigured faces of the lovers gazing up at the moonlight falling through the treetops struck him all of a sudden as so much more poignant than anything he had ever experienced in fact, and seeing it with Jacqueline affected him with so much the more uninhibited wonder, that what happened was extraordinary. It was like deducing the real from the unreal. It was as though the moonlight falling through the trees on the screen inside the theatre, by the transpiercing beauty of the manner in which it was perceived and photographed, gave the remembered moonlight of the world outside a loveliness it had never before possessed for him, nay, gave the earth, life itself, for him, another possible beauty, a new reality somehow undreamed-of theretofore.

But now here was all this, and here he was, aware of Jacqueline’s moist hand in his, of both of them trying not to weep, but he could feel it happening by a perfect identity, they were the lovers themselves. Now they saw with the lovers’ eyes. It was they who, having lost everything, had not given way to despair. It was they themselves, Ethan and Jacqueline, who were gazing up now at this wild beauty of trees and stormy moonlight above them in rapture, and thanking God for their love, because life was wonderful and they were in love themselves and this was what it was to exist!

The film ended with a similar scene of trees in sunlight with the lovers approaching down a long road, hand in hand, gazing up at the over-arching treetops overhead, then there was only the long road stretching into the future…while the next moment Jacqueline and he were standing outside the cinema on a similar deserted road, one of the quiet tree-lined avenues adjoining the hospital grounds; beyond to their right they found a small park, where a few convalescents were walking or being wheeled by nurses, and where now, excited by the film and uncertain where to go (Ethan was still afraid of her youth, didn’t know where to take her, and perhaps was a little afraid of himself), they began to drift up and down, discussing the film. Ethan became so enthralled he scarcely knew after a time whether he was talking or simply thinking to himself. Not only was the film not sentimental, he decided, there was no irony in the title. It was, in a mysterious way, the truth, yes even in Keats’ sense. (Latterly Ethan, then almost totally ignorant of literature, unless rhetoric be a branch of it, but anxious to prove himself indeed Jacqueline’s twenty-third pupil, had taken to reading poetry, Jacqueline having started him off recklessly with Keats.) There was the beauty of truth within which was the truth of love, and the truth of beauty above, which love perceived through its own eyes, and to which it mysteriously corresponded. Something like that. So that if you had love, even if you’d lost all your worldly goods you simply spoke the truth when you said, Isn’t Life Wonderful?

Suddenly death appeared an enemy, the world (so different from the earth), not less so: then you were a great deal stronger than death too, if you had love, and faith in that love. Ethan waxed impassioned, derivative, contradictory, philosophically profound, personally adolescent. He also felt himself being very entertaining, in the manner of a lover who arouses gaiety with all the ardor of one making love, a gaiety in which, especially when remembered in later marriage, sometimes sounds a note of sadness, as though such moments foreshadowed not only the lightheartedness and companionship of that married life, but its pitfalls, sorrows and bereavements too…

As he was saying, only the earth with all its beauty was your friend, and the outward correspondence of your inner nature, when you were blessed with love. And if you betrayed this by too much attachment to the things of the world, love could only revenge itself by appearing in material guise too and bring about your downfall. And it was scarcely Ethan’s most logical or original argument for the defense, that that had started out on behalf of life, nor involved any point of view or law—whether jus civile, jus divinum, jus gentium, not to mention post liminium—he had ever formerly maintained or thought of maintaining. But certainly it was his most eloquent and persuasive speech, which (while rendering yet more untrue that sentence we read in the novel on our grandmother’s shelf: Seldom can a proposal of marriage have veiled itself in terms calculated to seem less attractive to a beautiful young girl) was no doubt more illogical under the circumstances than anything in it, and, as it proved for him, certainly his most important.

Ethan, are you saying you love me?

Am I—I—

Would you do that for me?

…Would I do what—?

If we were driven out of our home into a forest with everything gang agley, and all our plans turned round in mid-air and thrown away in an old boot, and there we were with sweet damn all in the world, and everyone against us and nowhere to go, would you still look at the moon like that with me and say, ‘Isn’t Life Wonderful?’

Ethan looked up at the moon through the trees which the ratepayers of this district had recently petitioned to have removed as a menace to life, and as old-fashioned eyesores not in keeping with the modern development of this fine section. It was the first time he had so passionately sided with the trees, even though he did not know what kind they were.

Is that what you feel, Jacqueline? Ethan, still looking up at the trees under a sky like an illuminated eiderdown, felt suddenly sorrowful and hopeless. But I’m too old for you.

Jacqueline put her arms around his neck and kissed him. Aye, you’re a sad disappointment to me, with all your sorrow and gloom.

It’s because I’m so terribly in love with you.

Huh. I’ve known that for ages.

They stood with their arms about one another. Oh, I can see we’re going to be a terrible comfort to each other, Jacqueline said wryly.

Chapter 5

A Devilishe Pastime

IT WAS SPRING AND they walked down the sidestreets toward a field where a game of English rugger was in progress and where, along its edge by the pavilion, near which Ethan had parked his car, trees were already in bloom. Bluebells and crocus and little wildflowers were blowing in the grasses here, and above the sun was shining. Grim Toronto was still a little town called York in this place. Ethan asked what sort of trees these were but Jacqueline seemed still in a strange mood induced by the film they had just seen, Wuthering Heights.

I asked you about the trees?

Ah yes, the trees, Jacqueline, who had been gazing, deeply abstracted, at the wildflowers, woke up again, and turning to him suddenly flung out her arm in a graceful dramatic gesture. "Cherry, peach, pear, my God, don’t you know that? Don’t you see anything? Except hildy-wildy films with me. And don’t you do anything, besides defend people charged with horrible crimes? I mean. Belong to any clubs, or anything? Don’t you know anyone?"

Yes, I belong to a club, composed of other people who defend people charged with horrible crimes.

They were watching the rugger game, Jacqueline rather listlessly, Ethan intermittently, and with some sardonic relish passing such un-Canadian judgments as Jolly well tackled, sir. Or Drop a goal, why don’t you? Or Heel it out of that scrum.

If it matters, very few people outside my work. And if you want to know too, he glanced about him at the gently tremulous pink-and-white snow of blooms on the trees among which the ball, the consequence of a wildly aimed drop-kick, was bounding erratically, and now, fielded by one of the dozen or so spectators at their end was returned with a heavily expert air, "this is the first time I’ve ever really seen a spring, this time with you, in my whole goddam life. And if you want to know why, it’s partly because I was blind, or almost blind, from the age of eight or nine to thirteen or thereabouts, so I never acquired the habit of looking at things, trees and flowers you see, or understanding what nature was about, and anyhow there was no one who cared to teach me…But perhaps you’d feel better if I told you I got sidetracked from an important brief last week reading those bits of Hardy and Burns you suggested…Wonderful. But it’s almost all a revelation to me. Almost all new…Back we go into touch—another line out!"

Ethan, my poor darling!

I only told you partly to explain why I still have difficulty in reading, and understanding certain things. I just didn’t acquire the habit. Later, he said, at the University, he took to law enthusiastically, I think I can say because a lot depends on memory, and he’d acquired an encyclopaedic memory of a narrow kind. Otherwise he’d also inherited from his childhood a capacity for concentration and wandering attention about equally extreme. "Anyhow, the way it’s worked out—though I won’t say I wasn’t read to, even my father read to me when he felt in a mood to listen to his own voice—and though I must have crashed through heaven knows how many libraries of law books by now, and even have some philosophical training—I’ve only read about half a dozen serious novels right through without skipping. Crime and Punishment…I read all that, including the epilogue…And I know something about music, and can even pretend to tootle on the clarinet like Mr. Goodman." He said all this quite seriously, looking down at Jacqueline, who made sounds both soothing and admiring.

But poetry, ancient and modern, was almost absolutely a dead issue with me till I met you, and art, in the sense of painting, is totally beyond my knowledge. I secretly believe the world is flat, and have such godawful difficulty working out my income tax it’s come to be a standing joke with the income tax department…Well, I’m partly joking now…Take a breathah, you fellows! Or let that bloody ball out to the threes— He turned back to her. "At least this isn’t illegal any more, or considered a ‘devilishe pastime which led to brawling, murther, homicide, and great effusion of blood.’ Though can’t you just see a Toronto Leet Roll ban after the pattern of the Manchester one three centuries ago ‘because of great disorder and the inhabitants charged with makynge and amendynge of their glass windows broken by lewd and disordered persons playing with the foote-ball…’ I have a lot of apparently useless knowledge like this. I find it invaluable in court."

Jacqueline was laughing. But you seem to know a lot about this game.

"…that bit was cheating, really. It sounds as if I’d been making esoteric legal researches but actually I got it out of the Manchester Guardian. Besides, it strictly pertains to soccer. I played rugger for three and a half years at an English public school and got to like it a lot, though I never was much good. I had plenty of time to transcend it all, but maybe the damage was done."

You mean your eyes? But you recovered, didn’t you?

No. I didn’t. I mean from the cruelty. The bloody obscene cruelty of those fiendish little bastards of children when they had somebody helpless like me at their mercy. Pardon me. With suddenly trembling fingers he relit his pipe, then proffered her a crumpled Sweet Caporal from a flattened package. But Jacqueline shook her head abruptly and took out of her bag a small leatherbound case in which lay tightly packed about seven yellowish-brown cigarettes; she selected one and Ethan shielded the match for her, his hands still trembling.

Caucasian cigarettes, she said. A gift from a Scottish admirer—they were sent him from Constantinople by a Russian exile. There was no one looking and she kissed him, looking long into his eyes. But you don’t wear glasses.

"It wasn’t that kind of trouble. It was simply corneal ulceration, and it can be cured these

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