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How to Become a Scandal: Adventures in Bad Behavior
How to Become a Scandal: Adventures in Bad Behavior
How to Become a Scandal: Adventures in Bad Behavior
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How to Become a Scandal: Adventures in Bad Behavior

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We all relish a good scandal—the larger the figure (governor, judge) and more shocking the particulars (diapers, cigars)—the better. But why do people feel compelled to act out their tangled psychodramas on the national stage, and why do we so enjoy watching them, hurling our condemnations while savoring every lurid detail?

With "pointed daggers of prose" (The New Yorker), Laura Kipnis examines contemporary downfall sagas to lay bare the American psyche: what we desire, what we punish, and what we disavow. She delivers virtuoso analyses of four paradigmatic cases: a lovelorn astronaut, an unhinged judge, a venomous whistleblower, and an over-imaginative memoirist. The motifs are classic—revenge, betrayal, ambition, madness—though the pitfalls are ones we all negotiate daily. After all, every one of us is a potential scandal in the making: failed self-knowledge and colossal self-deception—the necessary ingredients—are our collective plight. In How to Become a Scandal, bad behavior is the entry point for a brilliant cultural romp as well as an anti-civics lesson. "Shove your rules," says scandal, and no doubt every upright citizen, deep within, cheers the transgression—as long as it's someone else's head on the block.

LanguageEnglish
Release dateAug 31, 2010
ISBN9781429930659
How to Become a Scandal: Adventures in Bad Behavior
Author

Laura Kipnis

Laura Kipnis is a cultural critic and a professor at Northwestern University, where she teaches filmmaking. She is the author of six previous books, including Against Love: A Polemic and Men: Notes from an Ongoing Investigation. She has received fellowships from the Guggenheim Foundation and Yaddo, among others, and has written for Slate, Harper’s, the New York Times Magazine, the New York Times Book Review, and Bookforum. Her essay “Sexual Paranoia Strikes Academe” was included in The Best American Essays 2016, edited by Jonathan Franzen. She lives in New York and Chicago.

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  • Rating: 4 out of 5 stars
    4/5
    I am assuming that the reader of the review can read the description of the book, so I won't spend too much time on that. The main subjects of the book are four: Lisa Kowak, the astronaut famous for her confrontation with a romantic rival; Sol Wachtler, former Chief Justice of the New York State Court of Appeals who harassed a former lover; Linda Tripp who manipulated Monica Lewinsky and revealed her affair; and James Frey, fantasist memoir writer. I don't think this quite deserves blurber Jacob Weisberg's description as cultural criticism of the highest order, but with one cavil, I enjoyed the book and found it thought-provoking. Reading about the self-destruction of most of the people cited herein, I couldn't help thinking about my own self-destructive and foolish impulses, one's inability to see oneself as others see us, and the fragility of self-insight. The scandals are explored in some detail, which is much more satisfying that reading about bits and pieces, especially since some of these unfolded over a fairly lengthy period of time. The information is also sourced, which raises the reliability above the scandal magazines, or someone just trying to throw together a quickie book that sells. Kipnis makes some interesting points along the way, she is witty, insightful, and sometimes compassionate. I personally love this sort of tragi-comedy, which is not going to be to everyone's taste. Someone who enjoys it might also like Jennifer Wright's It Ended Badly : Thirteen of the Worst Breakups in History.

    Criticism tends to get longer than praise, so I don't want the following to detract too much from my praise of the book. I thought Kipnis got a bit off-track with her section on James Frey and Oprah Winfrey. Let me say that I have a bit of a soft spot for Winfrey since I remember her from when she was on WJZ, so I've always been happy that she did well. I wouldn't consider myself to be a fan, since I've seen her show perhaps three times and we don't exactly share a world-view. I tend to assume that if Oprah recommends a book, I am NOT going to enjoy it, though I admire her for promoting reading. Hence I never read James Frey's so-called memoir until it became a scandal and I wondered what the shouting was about. And if I had read it, I wouldn't have understood what was so redemptive about an addicted obnoxious jerk becoming, at least briefly and quite possibly temporarily, a clean obnoxious jerk.In this section of the book, Kipnis mostly abandons her stance as observer to become an advocate: "I may be the only American who felt bad for him ..." Well, no, as comments on The Smoking Gun and Amazon show, but the "everybody's doing it" schtick that runs through the chapter is a feeble justification. I don't think that the use of literary techniques in writing it is a sufficient tipoff either. I will accept that even conversations in quotes are reconstructions, but the author is walking a fine line and needs to be careful about putting words in other people's mouths. If something is billed as a memoir, I will be suspicious that there are may be self-serving omissions, but I don't accept outright lies. After reading it, and reading about it, I am inclined to think that it isn't 95% true as Frey claims, but more like 5% true. If he got away with behaving anything like he claims at the rehab center, it can't be a well-run place, not to mention all the lies that The Smoking Gun found. Other people write "memoirs," but admit that they have novelized the material, and I don't have a problem with that if they have a disclaimer. Jacob Tomsky's (Thomas Jacobs's) Heads in Beds : a Reckless Memoir of Hotels, Hustles, and So-called Hospitality includes the disclaimer:"To protect the guilty and the innocent alike, I have deconstructed all hotels and rebuilt them into personal properties, changed all names, and shredded all personalities and reattached them to shreds from other personalities, creating a book of amalgams that, working together, establish, essentially a world of truth. I mean, damn, I even change me own name."I feel like I learned a lot more about the hotel business from Tomsky, than I learned about anything from Frey.Kipnis's reluctance to hold Frey responsible for his deceptions gives me pause about her own work, although it least she has some documentation, and it sure makes me wonder about Nan Talese's operation. It brings up a point that I don't think Kipnis considers in her work: sure, you can do what you want and break the rules, but at your own risk. If you decide that you don't take into consideration what other people think, don't be surprised if they decide that they don't think well of you.To counter the criticism of Frey, Kipnis presents Oprah as another "self-mythologizer," but I think it misfires. Winfrey, as far as I know doesn't present actual lies about herself, and if Kipnis knows any different, she doesn't say so. She is funny when she describes Oprah, in her second encounter with Frey on her show, as a wrathful demi-goddess, but her discussion of Oprah's weight issues really doesn't work as a counterpart to Frey's fictitious memoir. That isn't a real scandal, although the scandal rags that claim that Jennifer Anniston has been pregnant multiple times or that George W. Bush was going to leave his wife for Condoleezza Rice may try to make it one. Even if one disapproves of Oprah's talk show, indiscreet confessions aren't the same as lying. I thought the whole approach is represented by Kipnis's discussion of Oprah's first name, which was supposed to be Orpah. She has a footnote telling us that Orpah was an obscure Old Testament character, sister of Ruth, daughter-in-law to Naomi, mother to Goliath, promiscuous woman, etc. What sort of parents would saddle their child with such a name? What were they thinking? she asks. Wait a minute, I thought. I remember the Ruth and Naomi part, but I certainly couldn't remember the rest of the wild tale. That's because it's not in the Bible, it's in rabbinic literature, which I doubt Oprah's parents were familiar with, so that whole analysis is silly.As I said, the criticism got a bit long, but I really did enjoy the book as a whole, and it is interesting to think about the points Kipnis made, so I recommend it to readers who find such things interesting.
  • Rating: 4 out of 5 stars
    4/5
    I am assuming that the reader of the review can read the description of the book, so I won't spend too much time on that. The main subjects of the book are four: Lisa Kowak, the astronaut famous for her confrontation with a romantic rival; Sol Wachtler, former Chief Justice of the New York State Court of Appeals who harassed a former lover; Linda Tripp who manipulated Monica Lewinsky and revealed her affair; and James Frey, fantasist memoir writer. I don't think this quite deserves blurber Jacob Weisberg's description as cultural criticism of the highest order, but with one cavil, I enjoyed the book and found it thought-provoking. Reading about the self-destruction of most of the people cited herein, I couldn't help thinking about my own self-destructive and foolish impulses, one's inability to see oneself as others see us, and the fragility of self-insight. The scandals are explored in some detail, which is much more satisfying that reading about bits and pieces, especially since some of these unfolded over a fairly lengthy period of time. The information is also sourced, which raises the reliability above the scandal magazines, or someone just trying to throw together a quickie book that sells. Kipnis makes some interesting points along the way, she is witty, insightful, and sometimes compassionate. I personally love this sort of tragi-comedy, which is not going to be to everyone's taste. Someone who enjoys it might also like Jennifer Wright's It Ended Badly : Thirteen of the Worst Breakups in History.

    Criticism tends to get longer than praise, so I don't want the following to detract too much from my praise of the book. I thought Kipnis got a bit off-track with her section on James Frey and Oprah Winfrey. Let me say that I have a bit of a soft spot for Winfrey since I remember her from when she was on WJZ, so I've always been happy that she did well. I wouldn't consider myself to be a fan, since I've seen her show perhaps three times and we don't exactly share a world-view. I tend to assume that if Oprah recommends a book, I am NOT going to enjoy it, though I admire her for promoting reading. Hence I never read James Frey's so-called memoir until it became a scandal and I wondered what the shouting was about. And if I had read it, I wouldn't have understood what was so redemptive about an addicted obnoxious jerk becoming, at least briefly and quite possibly temporarily, a clean obnoxious jerk.In this section of the book, Kipnis mostly abandons her stance as observer to become an advocate: "I may be the only American who felt bad for him ..." Well, no, as comments on The Smoking Gun and Amazon show, but the "everybody's doing it" schtick that runs through the chapter is a feeble justification. I don't think that the use of literary techniques in writing it is a sufficient tipoff either. I will accept that even conversations in quotes are reconstructions, but the author is walking a fine line and needs to be careful about putting words in other people's mouths. If something is billed as a memoir, I will be suspicious that there are may be self-serving omissions, but I don't accept outright lies. After reading it, and reading about it, I am inclined to think that it isn't 95% true as Frey claims, but more like 5% true. If he got away with behaving anything like he claims at the rehab center, it can't be a well-run place, not to mention all the lies that The Smoking Gun found. Other people write "memoirs," but admit that they have novelized the material, and I don't have a problem with that if they have a disclaimer. Jacob Tomsky's (Thomas Jacobs's) Heads in Beds : a Reckless Memoir of Hotels, Hustles, and So-called Hospitality includes the disclaimer:"To protect the guilty and the innocent alike, I have deconstructed all hotels and rebuilt them into personal properties, changed all names, and shredded all personalities and reattached them to shreds from other personalities, creating a book of amalgams that, working together, establish, essentially a world of truth. I mean, damn, I even change me own name."I feel like I learned a lot more about the hotel business from Tomsky, than I learned about anything from Frey.Kipnis's reluctance to hold Frey responsible for his deceptions gives me pause about her own work, although it least she has some documentation, and it sure makes me wonder about Nan Talese's operation. It brings up a point that I don't think Kipnis considers in her work: sure, you can do what you want and break the rules, but at your own risk. If you decide that you don't take into consideration what other people think, don't be surprised if they decide that they don't think well of you.To counter the criticism of Frey, Kipnis presents Oprah as another "self-mythologizer," but I think it misfires. Winfrey, as far as I know doesn't present actual lies about herself, and if Kipnis knows any different, she doesn't say so. She is funny when she describes Oprah, in her second encounter with Frey on her show, as a wrathful demi-goddess, but her discussion of Oprah's weight issues really doesn't work as a counterpart to Frey's fictitious memoir. That isn't a real scandal, although the scandal rags that claim that Jennifer Anniston has been pregnant multiple times or that George W. Bush was going to leave his wife for Condoleezza Rice may try to make it one. Even if one disapproves of Oprah's talk show, indiscreet confessions aren't the same as lying. I thought the whole approach is represented by Kipnis's discussion of Oprah's first name, which was supposed to be Orpah. She has a footnote telling us that Orpah was an obscure Old Testament character, sister of Ruth, daughter-in-law to Naomi, mother to Goliath, promiscuous woman, etc. What sort of parents would saddle their child with such a name? What were they thinking? she asks. Wait a minute, I thought. I remember the Ruth and Naomi part, but I certainly couldn't remember the rest of the wild tale. That's because it's not in the Bible, it's in rabbinic literature, which I doubt Oprah's parents were familiar with, so that whole analysis is silly.As I said, the criticism got a bit long, but I really did enjoy the book as a whole, and it is interesting to think about the points Kipnis made, so I recommend it to readers who find such things interesting.
  • Rating: 4 out of 5 stars
    4/5
    Written by a professor at Northwestern University, this is a look at the bad behavior and life-altering decisions that people make on a level that garners them national attention.Kipnis covers many national scandals that were recent as of the book's 2010 printing, but primarily focuses on four cases as a jumping-off point to discuss possible reasons why the person behaved as they did and why society reacted as it did. Though this is a book of pop psychology masking as sociology (Kipnis has no medical degree), the author has a way of getting to the root of why the public turns on certain people so viciously.
  • Rating: 4 out of 5 stars
    4/5
    Fun, topical. I was too busy to get into it at present, but I'll return, if for no other reason than a review of the silly things famous people did within my lifetime to screw themselves up.
  • Rating: 2 out of 5 stars
    2/5
    A creative, contemporary review of scandals from the US news. Destined to become outdated quickly (as in a year later, or less) but fun to read if you have an interest in American tabloids. Kipnis is witty and sharp and easy to read, while her material may seem already out of date. I liked her style, even while the general feel seemed like an E-TV entertainment faux news special or a Lifestyle survey of sad quasi-famous ladies' stories.
  • Rating: 4 out of 5 stars
    4/5
    Reading Kipnis' detailed analysis of four fairly recent scandals in American society made me feel like an intellectual and fed my longing for squeamishly juicy details.
  • Rating: 3 out of 5 stars
    3/5
    Kipnis makes some good points about the self-contradictions inherent in human nature, but she is definitely at her best when riffing off a specific incident and much less readable in her her more philosophical introduction and epilogue. Parts of this book feel thrown together right before publication, and some of her connections are pretty tenuous, but overall it is worth reading if you are interested in scandal or reliving these scandalous gems from the past.
  • Rating: 4 out of 5 stars
    4/5
    This was a delicious read-I only wished there could have been more of it! Though I understand why Laura Kipnis, despite the "unending barrage of material", kept it short, I kept thinking of other scandals I would have enjoyed reading her opinions about. The author is very witty & her take on the topic was fascinating to me. I found myself unable to put this book down, & I'm trying to think of which of my friends I might get to read it, because I would love to discuss it with someone.
  • Rating: 4 out of 5 stars
    4/5
    Enjoyably diverting, but I wish Kipnis had given her subject a somewhat longer and fuller treatment (but I think, perhaps, I'm simply looking for a colourful and dishy history of scandal, which isn't, of course, her intention). The chapter on Frey and Oprah was fascinating and Schadenfreude-inducing, but certainly made a James Frey partisan of me (although he still seems quite a wanker). And although I'm a contemporary of Kipnis (I think), I must admit, shamefacedly, that, while I remember most of the scandals addressed (apart from Wachtler's inspired self-destruction), I didn't give them the attention they deserved when they occurred. So I learned a fair bit that's sordid and grotesque and simply bizarre. What more can one ask?
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book quite a lot. The style is breezy but not shallow, slightly silly but still thoughtful. It feels like perfect summer reading for people like me, who enjoy both thoughtful, academic discussion and “trashy” pop-culture. It probably helped that I have a bit of a background in literary theory--especially psychoanalytic theory--and that I was not already familiar with any of the scandals described, with the exception of the Lewinsky/Tripp/Clinton scandal, which was (coincidentally?) my least favorite part of the book. The final chapter, about “An Over-Imaginative Writer” is completely delicious, especially in Kipnis’s reflections on the purposes of writing about oneself, and reading what other people have written about themselves. I also really enjoyed Kipnis’s "Against Love", which is similar in tone and erudition, although it feels more personal. In her blending of theory, popular culture and personal reflection, Kipnis’s writing and style remind me of Roland Barthes or Susan Sontag when they wrote for popular audiences--and that is a very good thing.
  • Rating: 3 out of 5 stars
    3/5
    With LibraryThing's Early Reviewer's program, you pays your time (no money, since the books are free), and you takes your chances. Some are great; some are busts. This is a bust.This book has several problems. The title is inaccurate; it is not about how to become a scandal, or even how scandals come to be. It's really an effort at 'thick description' of four scandals -- hence Clifford Geertz is listed in the bibliography for the introduction. Unfortunately, it is written in the breezy style of a blog post. The writing probably took a lot of work, but much of the thinking is lazy, particularly in the first half of the book, dealing with the astronaut who drove all night to ambush a love rival, and a judge who harassed a former lover. The most interesting parts of the book are in the second half -- especially, a thoughtful discussion of how our social construction of ugliness informed popular reactions to Linda Tripp, a key figure in the scandal that led to Bill Clinton's impeachment. But, Tripp herself was more unpleasant than scandalous, making this focus an odd fit (though I'm guessing it was the original nucleus of the book). The final segment, on the differences and similarities between Oprah Winfrey and James Frey (the author of the partially fictitious 'memoir' A Million Little Pieces) could stand on its own as a short essay. The aspect of the book that I found most frustrating was its lack of compassion for the generators of scandal and those suffering collateral damage. Better, I suppose, for the author to have omitted this honestly than to fake it, if she didn't feel it. But, the periodic resort to snarky schadenfreude undermines the author's efforts to examine seriously why people set themselves up for scandal, and what it means for the rest of us enact it with them. You can't casually describe a severely depressed person as having 'lost their marbles' and then expect readers to take your psychological analysis seriously, even if you've read hours and hours of transcripts of police interviews. The acknowledgments note that the author stopped for several years in the middle of writing this book; her determination to finish it off may be admirable, but I can't imagine she'll look back on this as one of her better works.

Book preview

How to Become a Scandal - Laura Kipnis

INTRODUCTION

I have become a problem to myself.

ST. AUGUSTINE, Confessions

Leakiness

Around the time the married governor of a populous northeastern state resigned following humiliating revelations about high-priced call girls and secret wire transfers to offshore accounts to pay for them, a man I was having dinner with, an intellectual type who writes earnestly about political and cultural matters of the day in highbrow journals and erudite op-eds, said with much certainty, apropos these recent events, that any man who claimed he’d never been to a prostitute was lying. Really? I said, adjusting my expression into studied neutrality while speculating inwardly about what special services were required that he couldn’t find anyone willing to perform gratis—after all, he wasn’t bad-looking (though one also hears it said that men aren’t actually paying prostitutes for the sex, they’re paying them to leave afterward). While I can’t claim to be someone who musters vast outrage about the existence of prostitution (the issue should be unionization), this admission still took me aback: for one thing, I barely knew the man; also the contention that everyone does it seemed miscalculated, since even if they do, they’re not routinely confessing it to their female dining companions. Maybe he mistook me for the nonjudgmental type as I’ve occasionally written on what might be called transgressive subjects, which does sometimes lead people to share such things with me unbidden. This is clearly a mistake on their parts since I can be a bit of a gossip, not to mention the fact that I habitually stash revealing sociological tidbits like this one away in a mental filing drawer for possible use in as yet notional articles or books that I may eventually write, not being one of those scandalous nonfiction writers you keep hearing about who just make things up (or not usually), a subject we’ll be getting to.

Presumably my dinner companion hadn’t paused to consider the potential transmission routes of the implied self-revelation before dropping it into the conversation; most likely he wasn’t thinking much at all, it just came out—after all, the amount of sheer unconsciousness on display in the average social interaction would definitely overload the capacities of any device invented to quantify it. In the absence of such a device, we have our internal cringe meters, which shrill more and more frequently these days, given people’s predilection for confessing their grubby secrets to passing acquaintances or even complete strangers: on talk shows, in their umpteenth memoir, at twelve-step meetings—it’s like a national compulsion. Which brings me to why I mention this conversation. Scandal and compulsive unbosoming have a distinct family resemblance when you think about it: people driven to publicize their secret desires, for shadowy reasons and regardless of their own best interests.

No mortal can keep a secret. If his lips are silent, he chatters with his fingertips; betrayal oozes out of him at every pore. The author (no surprise) was Sigmund Freud, the world’s great exponent on the art of self-betrayal, a topic that will prove relevant to our investigations. Notice how viscous he makes the whole thing sound: betrayal doesn’t trickle or drip or bleed, it oozes, mucuslike (or worse). His point is that humans can’t seem to help spilling unwitting clues all over the place about the mess of embarrassing conflicts and metaphysical anguishes lodged within, though the viscosity of the substance in question will interest anyone who’s ever struggled to quash some delinquent libidinal urge—presumably this would be everyone. The fact is that people are leaky vessels in every sense, which seems like a good starting point for a book on the subject of scandals, or, more specifically, certain people’s proclivity for getting into them.

Of course, it’s not like they’re getting into them alone. Other people’s massive public self-immolations are their problem, obviously, but we all live in society together and the boundaries between people are spongy, with the messy needs and inner lives of complete strangers colliding and intermingling in the murky intervenient space that scandal opens up. Someone decides to act out his weird psychodramas and tangled furtive longings on a nationwide scale, playing out his deepest, most lurid impulses, flamboyantly detonating his life—it’s like free public theater. The curtain opens on a bizarre private world of breached taboos, chaos, and misjudgment; through some brew of inadvertency or compulsion or recklessness, an unspeakable blunder is brought to light. And who’s the audience for these performances? All the rest of us: commenting on the action like a Greek chorus, dissecting motives like amateur psychoanalysts, maybe nervously pondering our own susceptibilities to life-wrecking inchoateness, at least that’s where my mind instantly goes.

Take the abovementioned governor. Previously a crusading attorney general with a reputation for sanctimony and moral fervor—including prosecuting prostitution rings, including signing a landmark anti-sex-trade bill raising penalties for men caught patronizing prostitutes (as he himself would soon be)—he’d reportedly forked over some $80,000 on secret trysts at upward of $3,000 a pop. The resignation came amid threats of prosecution and impeachment, announced at a mortifying press conference during which he admitted to private failings, accompanied by a miserable-looking wife draped in Hermès, valiantly bent on keeping up appearances though that ship had clearly sailed. It was a pretty gruesome scene, like watching someone swallow a hand grenade in real time, which obviously didn’t impede anyone’s enjoyment of the event. Speculation abounded regarding the couple’s sleeping arrangements, past, present, and future. A right-wing radio host blasted the wife for not seeing to the governor’s needs, earnest op-ed columnists speculated about the governor’s inability to really connect with another person, the late-night comedians had a field day (To be fair, he did bring prostitution to its knees—one girl at a time), a magazine cover displayed him in a full-length photo, an arrow pointing to his crotch labeled Brain . . . The projections flew like shrapnel.

My point is this. Scandals aren’t just fiascoes other people get themselves embroiled in while the rest of us go innocently about our business; we all have crucial roles to play. Here is the scandal psychodynamic in a nutshell: scandalizers screw things up in showy, provocative ways and the rest of us throw stones, luxuriating in the warm glow of imaginary imperviousness that other people’s life-destroying stupidities invariably provide. In other words, we need them as much as they need us. And speaking of that warm glow: if dancing on the grave of someone’s shattered life and reputation weren’t quite so gratifying, this would bode badly for the continuation of scandal, so it’s lucky from scandal’s point of view that other people’s downfalls are as perversely fascinating as they are.

Please note that I speak as a scandal fan myself. I confess, I love these stories: the voyeuristic glimpses into the detritus of other people’s lives, the quirky plot twists and emotional carnage . . . Who doesn’t love them—as long as you’re not the one stuck explaining to your spouse why you won’t be going to work the next day and federal marshals are in the den seizing the home computer. Yes, I understand these people have done bad things, injured those who love them and torpedoed their lives in lavishly stupid ways, but clearly such impulses aren’t their problem alone. It’s the universal ailment if, as appears to be the case, beneath the thin camouflage of social niceties lies a raging maelstrom, some unspeakable inner bedlam. Scandals are like an anti-civics lesson—there to remind us of that smidge of ungovernability lodged deep at the human core which periodically breaks loose and throws everything into havoc, leading to grisly forms of ritual humiliation and social ignominy, or these days worse, since once the media get into the act, some of these poor chumps start looking more like bleeding open sores than actual humans, as gouged and disfigured as Old Testament lepers. Let’s not forget, all joking aside, that society can get vengeful when you spit on its rules, otherwise known as the Reality Principle. Also that a certain amount of nasty glee on our parts is an indispensible element of scandal.

Blind Spots

Scandal watching may be our national spectator sport (or addiction), but despite the vast amount of cultural real estate it occupies, we lack any real theory of scandal. There’s no scandal philosophy or psychology or ethnography: intellectually speaking it’s pretty much virgin terrain when it comes to the meaning of scandal. In fact, the paucity of scandal theory is itself one of the interesting characteristics of the subject, whose structure and function it will be our task to reveal, like latter-day Darwins in the Galapagos of human peccadillo, wading into the muck, specimen jars in hand.

Certain subjects resist the interpretation they necessitate, it’s sometimes said; especially when unconsciousness lies at the heart of things, there’s an inherent slipperiness in the process. Nevertheless, theorizers begin by observing patterns, so let’s start with the basics. Who are these scandal protagonists? Actually, it turns out you don’t have to be a celebrity or in politics, contrary to general assumptions: even the most previously nonnoteworthy member of society can bring his life crashing down like the Hindenburg or a ton of substandard bricks with a little effort—less effort than ever in these fast-moving digitally driven times when anyone’s innocent or not-so-innocent misstep can be beamed to computer and cell phone screens across the planet in a matter of seconds. I’m not saying that social position is entirely irrelevant for purposes of scandal-making; obviously the higher placed you are on the social ladder the longer the fall and the more likely the media will be camped out on your lawn when you land: scandal is always a complicated algorithm of prior social status, the particulars of the violation involved, and what else is happening in the news cycle at the time. If you’re a celebrity in a murder case, hope that war breaks out the same day your trial begins; similarly, if you’re a small-town mayor laboring under the impression that those lusty thirteen-year-old girls on the Web dying to meet you for ice cream sundaes and share naked pictures of themselves aren’t undercover cops, here’s some free advice: try not to get arrested on a slow news day.

Eminence and scandal are both locations on the social hierarchy, though inversely related: eminence is the social movement upward, scandal the trip back down. Recall Lytton Strachey’s deliciously acerbic Eminent Victorians, a dissection of the era’s hypocrisies, seen through the lives of the illustrious. Of course, the lives of the scandalous can be just as instructive, just as revealing of a cultural moment. Among the reasons Strachey comes to mind, one is that eminence and scandal are something of a closeted couple though, with all deference to the sublime Strachey, eminence is clearly the pantywaist of the two, as scandal is always delighted to reveal. Eminence only exists at scandal’s mercy, forever haunted by its threat, since there lurks scandal sniffing at the back door, nosing around for cracks in the façade. Find one and splat, down goes another eminence, crashing to social ruin.

Speaking of closeted couples, this brings us to the exposer-exposee dynamic, which occupies a place of honor in the story of scandal. As you’d expect, Freud himself had a thing or two to say about the pleasure in uncovering other people’s secrets, though it hardly takes the inventor of psychoanalysis to point out that the dedication of the exposé-minded to their endeavors can have a suspiciously driven quality.* Exposé is obviously a necessary component in the scandal-formation process, hinging as it does on dirty laundry aired and things coming out, though tread carefully here, since exposers risk contamination themselves—note that no one really uses the word scandalmonger admiringly. Which may be another reason there’s been so little written on the scandal dynamic to date: the risk of pollution by association.

It’s not as though the pleasures of exposé aren’t frequently cloaked in lofty-sounding motives, but that doesn’t necessarily change the complexion of the enterprise. Let’s say I went around exposing my previously mentioned dinner companion’s name, on my blog (if I had one) or in a national magazine, to make an example of him. I suspect this might cause a minor ripple—not just his veiled self-revelations but the combination of malice and moral self-righteousness that my exposing him would inadvertently expose about me. Needless to say, the public sphere is awash in such unexamined motives, in fact it’s a veritable lagoon of them. A few years ago, a well-known feminist writer caused a mini-scandal by publishing a lengthy diatribe in a national magazine accusing a particularly high-minded and much-revered literary critic of having groped her thigh some twenty years earlier when she’d been his student; she definitely came off worse than he did, despite claiming only the loftiest of intentions. Had she not foreseen that this would be the case? Apparently not: so consumed was she with the zeal to right an ancient injury that she was oblivious to everything else, from the ambiguity of her motives to the likelihood of ensuing ridicule. Which brings us to the blind spot, a location of particular interest to the scandal theorist.

Blind spots are the rabbit holes of scandal. They come in a range of models, from mini to deluxe, and we all have them, a little existential joke on humankind (or in some cases, a ticking time bomb) nestled at the core of every lonely consciousness. Compounding the situation, it’s impossible to know precisely where they are, or other relevant data—diameter, fallout potential—since how can you see what you’re blind to in yourself? If you could, it wouldn’t be a blind spot and wouldn’t trigger the various episodes of distorted logic and failed self-knowledge that occasionally snowball into the tortured little episodes we call scandals. You’d think it would require a rather sizable pair of mental blinkers to blot out the fundamental tenets of social existence and voluntarily transform yourself into a national laughingstock, exploding your life like a piñata for everyone else’s amusement, yet despite the glaring disincentives, a sufficient number of people seem to keep managing it on a regular basis, thus keeping the scandal enterprise afloat

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