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The Janissary Tree: A Novel
The Janissary Tree: A Novel
The Janissary Tree: A Novel
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The Janissary Tree: A Novel

Rating: 3.5 out of 5 stars

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Be on the lookout for Investigator Yashim’s next adventure, AN EVIL EYE, on sale March 29th!   When Jason Goodwin explored the Ottoman Empire in Lords of the Horizons, The New York Times Book Review hailed it as “a work of dazzling beauty…the rare coming together of historical scholarship…with luminous writing.” Now he returns to Istanbul, with a delicious mystery—The Janissary Tree.

It is 1836. Europe is modernizing, and the Ottoman Empire must follow suit. But just before the Sultan announces sweeping changes, a wave of murders threatens the fragile balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim Lastname, a man both brilliant and near-invisible in this world. You see, Yashim is a eunuch.

He leads us into the palace’s luxurious seraglios and Istanbul's teeming streets, and leans on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and a Creole-born queen mother. And he introduces us to the Janissaries. For 400 years, they were the empire's elite soldiers, but they grew too powerful, and ten years ago, the Sultan had them crushed. Are the Janissaries staging a brutal comeback?

The Janissary Tree is the first in a series featuring the most enchanting detective since Precious Ramotswe of The No. 1 Ladies Detective Agency. Splendidly paced and illuminating, it belongs beside Caleb Carr's The Alienist and the historical thrillers of Arturo Perez-Reverte.

LanguageEnglish
Release dateApr 1, 2010
ISBN9781429934374
Author

Jason Goodwin

JASON GOODWIN is the Edgar Award–winning author of the Investigator Yashim series. The first five books—The Janissary Tree, The Snake Stone, The Bellini Card, An Evil Eye, and The Baklava Club—have been published to international acclaim, alongside Yashim Cooks Istanbul, a cookbook of Ottoman Turkish recipes inspired by the series. Goodwin studied Byzantine history at Cambridge and is the author of Lords of the Horizons: A History of the Ottoman Empire, among other award-winning nonfiction. He lives with his wife and children in England.

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Reviews for The Janissary Tree

Rating: 3.4750566893424035 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    It's the last days of the Ottoman Empire and Yashim is tasked to uncover a complex series of murders that lead him to suspect that the powerful Janissaries who were suppressed ten years earlier will attempt a coup. The mystery is fair and holds together. I like Yashim quite a bit as a character and would like to read more in the series, though I thought this first outing was a bit "too clever by half" in resolving the coup(s).

  • Rating: 4 out of 5 stars
    4/5
    This is a messy, cluttered book. It is set in Istanbul in 1836 as the Ottoman Empire is dying. Yashim is a eunech and is called in to solve 2 separate mysteries. The book does pursue both mysteries but not necessarily diligently. There are a lot of secondary characters introduced and many of them are very vivid characters. Istanbul is perhaps the most vivid character in the book. Yashim follows multiple clues into dark alleys and finds information in interesting places. When it is time to solve the cases it is done quickly, somewhat out of left field and messily. In fact two of the main things Yashim has been trying to find - where the old Jannissary religious churches were at and where are the soldiers that have been kidnapped - don't really have that much to do with the ending of the stories. In fact he has spent most of the book looking for these things only to solve the mysteries without needing that information. Like I said this is a very messy, clutterd book. But in many ways it mirrors Istanbul in 1836, a crossroads city with all kinds of religious and political influences jocking for power. The city itself has dead end streets, running this way and that, with bazaars in oddly shaped spaces with fires rezoning property left and right. The messy, clutterd style of the book is very much in keeping with the city itself. In short, the book is actually more interesting than the mysteries are. The Janissary Tree won the Edgar Award for best novel of 2007. I read all the nominees and agree that by a very thin margin it is the best of the 6 books nominated. Gentlemen and Players by Joanne Harris was also a good book and was worthy of winning the award as well. The other book nominated that year that is worth mentioning is The Dead Hour by Denise Mina. I really liked the main character in the book and liked reading about her personal story though the mystery was much less compelling.
  • Rating: 3 out of 5 stars
    3/5
    It is a good thing that I did not read this book first, because otherwise, I might not have continued with the series.

    We meet Yashim, a Eunuch who is free to go about his life, except when needed by the Sultan or one of the Palace officials to investigate.

    The Valide Sultan's jewels (which were a gift from her dear friend, Empress Josephine) have gone missing and a young concubine who is to spend time w/ the Sultan has been found murdered.

    At the same time, outside of the palace, four young military men have gone missing...but one by one their grossly mutilated bodies are turning up around Istanbul. Yashim is called in to investigate.

    The descriptions are lush and evocative of another Romantic time gone by. The descriptions of Yashim's dinner preparations are mouth watering.

    What I didn't like, was all the military stuff.... I didn't really care for the knowledge of the Janissaries and I would have liked to have had more written about the murder in the Oda (Harem).
  • Rating: 4 out of 5 stars
    4/5
    Set in the 1830s, Istanbul seems peaceful with exotic spices perfuming the air. But 4 cadets of the New Guard are missing and their general, the seraskier, seeks the assistance of Yashim lala, the stealthy guardian of security, a trusted eunuch approved by the Sultan and who has access to the harem. When one by one, 3 of the cadets are found dead and in very disturbing circumstances, Yashim realizes that their disappearance and also the methods by which they are killed and where they are found has a greater significance to the country than anyone had initially thought. The Janissaries, the fighting machine of slaves to the Ottoman sultans, thought to have been destroyed and suppressed during a massacre on decree by the Sultan, seem to have resurfaced. But how is this possible? And where are they hiding? In addition to his task of finding these missing cadets, he's also summoned by the Sultan's mother, the Valide at the harem ... her jewels are missing and one of the harem women has been murdered. She has an odd hold over Yashim ... and he is to find her missing jewels.Intrigue abounds in this book, and nothing is as it seems. Woven through Yashim's investigations, is a colorful history of the Ottoman empire, the foreign forces that shaped her and the traditional practices that keep them a community. As Yashim starts to uncover secrets that have been shrouded for over 10 years, he becomes the target of sinister attempts on his life in unexpected places and in unexpected circumstances.
  • Rating: 4 out of 5 stars
    4/5
    Well paced and well written mystery located in Istanbul, Turkey during the Napoleonic age. Intersection of Europe and Asia, this is an amazing & exotic setting for a mystery. In one of the worlds largest cities at the time, just about anyone can pop up and anything can happen. Inspector Yashim, the *lala*, can go just about anywhere, which makes for an even better story. Goodwin also scored points with me by including a visit to the Imperial Archives and the sexy archivist!
  • Rating: 4 out of 5 stars
    4/5
    I really enjoyed this murder mystery set in 19th century Istanbul. The world’s culture is changing, and the effects of modernization have swept across Europe. The sultan of the Ottoman Empire feels he must go along, but just as he’s about to announce sweeping political change, a grisly murder occurs within the court. So he calls for Yashim – a eunuch and a special detective . Goodwin treats us to an exotic locale - luxurious seraglios, noisy market places, and filthy tanneries. And he populates this world with a colorful cast of characters, including a dyspeptic Polish ambassador, a transsexual dancer, the Creole-born queen mother, and even a 300-lb wrestling deaf-mute.I listened to the audio book, performed by Stephen Hoye. This is the second time I’ve listened to Hoye narrate an audio book. I was really turned off by his delivery on the first book, but he is perfect for this. He hits just the right tone for the carefully thoughtful and not easily perturbed Yashim.
  • Rating: 2 out of 5 stars
    2/5
    Audiobook. Best to read this on vacation. Nothing spectacular. But I have a soft spot for historical fiction--especially of the nineteenth century. And so how could I resist Byzantium, intrigue. Can't even remember why I bought this book. Probably not the best use of reading time. But fun overall. Okay. I'm easy.
  • Rating: 3 out of 5 stars
    3/5
    Historical mystery set in the fading days of the ottoman empire with a enuch as a detective. This one got excellent reviews when it came out, but I wasn’t that impressed. People say Goodwin really captures Turkey, but to me, it seemed poorly constructed. Saving grace – excellent descriptions of food.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book very much. It is an historical mystery set in Istanbul, Turkey in 1836 as the Ottoman Empire is dying. The POV character is Yashim, an investigator who is also a eunuch. His mutilation allows him to enter the harem where the imperial women live.There are two mysteries, first there are 4 military officer cadets who have been taken. Yashim is asked by the general to find the cadets. As the story progresses their dead and brutally murdered bodies are appearing one at a time in various public places in the city. Yashim also must find who has created the plot, and for what purpose.The second mystery is the murder of a young slave girl in the harem. She was to take her first turn in the Sultan's bed, but is found strangled. The Sultan's mother, the Valide also has jewels taken. Yashim must also solve these mysteries for the Sultan and his mother.The characters are interesting, and believable. There are also some wonderful quirky side characters whom you come to care about.The setting is done very well, and you get the feel of life in the city, of the fear of fire, of mobs, and of Yashim's cooking (I have a horror of foreign food in general and Turkish food in particular).I love historical mysteries that are done well. That are meaty and have good character development and great detailed settings. This book delivers on all counts.I want a good story and the feeling that the characters live before and after the story, not just cardboard cutouts that are airbrushed for a short stint in the book and then folded away. The only issue I have with the book is at the end. Yashim and the badie are on the roof and there is mayhem in the streets. The plan on the street doesn't work and the badie runs away, and eventually falls off the roof and dies. I don't understand why the plot didn't work. It wasn't explained that I could tell.Still I enjoyed the book and look forward to the next book in the series.
  • Rating: 5 out of 5 stars
    5/5
    Great mysteries in an exotic setting with an intriguing protagonist. Delicious.
  • Rating: 4 out of 5 stars
    4/5
    "The Janissary Tree" is set in the dangerous, exotic world of 1800's Istanbul, Turkey. The country is doing its best to shift into a new, modern, more Western way of doing things, which is met with mixed opinions. The Janissary warriors, who have protected the city for 400 years, were executed by their own people ten years ago, and now may be re-surfacing, hunting for revenge. This is the setting for our mystery - being investigated by our detective, Inspector Yashim Togalu, a young eunuch.He is asked to look into a couple of cadets in the new modern army who have disappeared - and then turned up, murdered.The sultan himself also requests that Yashim investigate the murder of a girl in his harem.This was a great mystery! I am admittedly not normally that interested in mysteries, but this one may be the beginning of a new love for them. If this is what mysteries are like, I want to read more of them!Thankfully, this is only the first of Yashim's adventures.In these pages, Istanbul becomes a living, breathing, exciting place that you feel you've sunken into. The author not only gives you the history and the culture of the city, but the feeling of it as well. There is an atmosphere, which changes slightly in different sections of the city, but ever-present is that spicy, colorful flavor that you would expect from an Arabic setting.I love when authors are able to bring a different world to you, all contained in the pages of a book. I liked the character of Yashim, even though he did not seem very different from other detective characters like Poirot. He was a eunuch (that's different!), but the author has him sleep with a woman in the story. What is the point of him being a eunuch if he is going to also be running about having affairs? I felt a bit distant from Yashim in the story, but I'm hoping that we'll get to know him better in the other books of the series.Also, it wasn't the characters that the author focused on, but rather on events and the mystery itself.This mystery takes some thinking - and not in the 'figure-it-out' way, because you won't figure it out.It is a very complex story. I just love complicated tales you have to read with your mind whirling, trying to keep up.But here, I just wanted to be entertained. The author adds in quite a few lighthearted little scenes and bits of dialogue, but the majority of the story is probably too complicated.There are many, many, many characters. You are expected to remember the names of all of them - even minor people with long names who aren't really important to the story. Too many characters was definitely a flaw in this book.Also, expect to learn a lot in this historical mystery. Jason Goodwin has studied the Ottoman Empire extensively, and he wants you to know it. He also wants you to know as much about 19th Century Istanbul as he does, and he constantly throws details at you. To truly understand the full depth of this story, you must know the politics, the history, the customs, and the culture of this time period, and it's a lot.I feel that if I had already known about the time period before I started this book, I would have enjoyed it a lot more.Then again, I do love learning things when I read historical fiction, and I certainly did in this one.This is a great read, always exciting with short chapters and a steady stream of events and action. The setting was marvelous, and even though made overly complicated, the plot and the mystery were very enjoyable to read about.I will certainly be looking for the next book in this series.
  • Rating: 5 out of 5 stars
    5/5
    Let me start by saying this is a jolly good read - and a great book to take on holiday to a Turkish beach, especially if you are off on a trip to Istanbul as part of your visit.I read it within three days of starting it - I was quickly dragged into the story and the pace builds up to a nice `want to know' ending.If you are 'into' the Historical detective story, this is almost as good as it gets. Plenty of historically accurate detail - the sort of `everyday detail' needed to spice up the story - food, clothing, buildings.And the essential characters are there: The not quite accepted by anyone `detective'; the manipulative bad-guy; an exotic beautiful temptress; and a tart-with-a-heart with a difference (one of my favourite characters I have to say).What this is is firmly `escapist' - but with a slightly educational twist - I did get a sense of what Istanbul must have been like, and a sense of the origins of the modern Turkish dilemma between secularism and tradition. If at times the writing felt too worthy, it only lasted a short time and we were soon back chasing fire-raisers through the seedy streets.This is not Orhan Pamuk - but it isn't meant to be.
  • Rating: 3 out of 5 stars
    3/5
    It's difficult to pinpoint why I did not like this more. All the ingredients are there for a romping read: a clue-by-clue detective story, thriller-like action and twists, and even a (somewhat uncomfortable) passionate eunuch affair. But maybe the characters, lacking depth, were formed around the plot, rather than vice versa. Maybe there was more fat that could be cut from the story-telling. Whatever the reason, I found the book ultimately less than satisfying.
  • Rating: 4 out of 5 stars
    4/5
    This is a fairly entertaining mystery set in 1830s Istanbul. Yashim Togalu is a eunuch bound to service to the Sublime Porte. His special talents mean that he is called in to investiaget two seperate mysteries - a murder in the Sultan's harem and the murder of an officer of the New Guard - the new army created along western lines that replaced the traditional Jannisaries. As Yashim investiagtes we get a flavour of Istanbul and its patchwork of different religions, ethnicities and histories. Along the way we meet some well-drawn and engaging characters including the Sultan's French mother (a childhood friend of Napoleon's wife Josephine!), the Polish ambassador to the Sultan's court, who represents a country that no longer exists, a transvestite and so on. The mystery itself is fairly engaging, though one is able to figure out who are the principle instigators of the mayhem without a great deal of trouble. Still, the characters, the well-realized setting and the wonderfully warm sense of humour make this an entertainment well worth reading.
  • Rating: 4 out of 5 stars
    4/5
    This is the first in a mystery series introducing Inspector Yashim, a eunuch in service to the Sultan of the Ottoman Empire in the early 19th century. After the fall of Napoleon there's plenty of diplomatic intrigue and Istanbul is right in the center of where east meets west. Yashim is called upon to investigate multiple mysteries at the same time -- the theft of the Valide's jewels (the Sultan's mother), the murder of a girl in the harem and the quadruple murder of four young soldiers in a very gruesome manner. Could it all be tied to the Janissaries who were suppressed ten years before? Could be. There's arsonists afoot too. Yashim is a thoughtful and clever man who leads the reader through all walks of life in his investigations from dancing girls who just might not be girls, to the workings of the tannery industry, to the inner sanctum of the harem. A good adventure except for those unfortunates who got offed in the telling.
  • Rating: 4 out of 5 stars
    4/5
    Jason Goodwin sets 'The Janissary Tree: A Novel' in 1836 Istanbul, just ten years after Sultan Mahmud II destroyed the Janissaries in what was known euphemistically as The Auspicious Incident. The Sultan is now modernizing his army, but four of them have disappeared and begin to turn up dead. Simultaneously, one of the Sultan's harem is murdered. The 'detective' Yashim is called in to investigate both crimes. Yashim is unusual in literary history; for one, he's an Ottoman detective and for two, he's a eunuch. Believe it or not, Turkish detectives (see Graveyard Eyes and even eunuch detectives Four for a Boy (John the Eunuch Mysteries) can be found elsewhere. Nonetheless, Yashim's character is certainly an attention-grabber. The Janissaries had been the Sultan's household army for some 450 years including playing a key role in the final defeat of the Byzantine Empire at Constantinople (Istanbul) in 1453. Are they behind the disappearance of the four soldiers of the new army? Is the murder in the harem related? As Yashim pursues answers he takes the reader through 19th century Istanbul, a teeming cosmos at the juncture of Europe and Asia inhabited by peoples from around the Meditarrean and beyond, but still tradition bound - dominated by Islam but claimed Jews and Orthodox Christian as well. Goodwin brings to bear his formidable knowledge of the region's history (see his Lords of the Horizons: A History of the Ottoman Empireand On Foot to the Golden Horn: A Walk to Istanbul) to create a lively sense of this wondrous city as rich in human history as any place on earth. His descriptions bring the sights and smells, - especially the smells of cooking - to life. He plays on the possibility that the Sultan's mother, the Valide Sultan, may have been the cousin of Josephine Bonaparte. And, Godwin's Yashim will almost certainly change your opinion about eunuchs. The major shortcomings of 'The Janissary Tree: A Novel' are the introduction of too many characters that are not developed and a couple superfluous side stories. A strong first novel by Jason Goodwin with more to come. A fun, engaging, and dare I say educational tale. Highly recommended.
  • Rating: 3 out of 5 stars
    3/5
    In "The Janissary Tree" Jason Goodwin gives us an engaging murder mystery set in 1836 Istanbul. In the imperial capital, the sultan faces pressure from shrinking territory and waning influence, and when a young houri is his harem is murdered, he sighs and says, "Summon Yashim." Thus are we introduced to the intrepid and resourceful investigator who must solve not only the mystery of the harem murder, but also the apparent murder of four of the sultan's young officers. Are they related?We have major international intrigue, treason, stealthy murder, and our hero in and out of hot water. I love when an author puts a mystery in an ancient setting (see Steven Saylor and Ellis Peters for the two best), and I'd hoped to learn about and feel immersed in (late) medieval Istanbul. I got this, but it seemed like "Istanbul Lite." The mystery and intrigue work satisfactorily, but I would have liked a little more basic info and flavor. Mr. Goodwin paces his story pretty well, and hides the identity of whodunit well, too.If you're in the market for a medium-duty mystery with an exotic setting, give this a try.
  • Rating: 3 out of 5 stars
    3/5
    This was a decent historical mystery, but it was lacking in some areas for me. I loved the colorful backdrop that the setting held, but I wish Goodwin would have given more information about the Harem murder. He focused so much on the military murders and running around after Janissaries that he almost forgot to connect the end resolution to the original murder. But, I did like the characters and he gave me a good enough taste of the setting that I'll definitely check out another in the series.
  • Rating: 3 out of 5 stars
    3/5
    READ IN DUTCH

    I'm not completely familiar with Turkey or the Ottoman Empire or books about one of them. But I thought it was an interesting book, I don't know how accurate the book was exactly in the way it described it, but I feel like I've found out several new things. Something I always liked. Set back in the 19th century, it of course it slightly different from the thrillers that are most common, but I really liked this for a change. Still planning on reading the second book as will, but still so many other books to read, so it is possible it will take some more time...
  • Rating: 5 out of 5 stars
    5/5
    Another example (like The Pale Blue Eye, for instance) of choosing an underutilized time and place (unlike Victorian England, for instance) to set a well-plotted mystery that lines up with the specific history very well. I'm not sure #s 2,3,4 can be as satisfying in the same setting, but I'll read them to find out.
  • Rating: 4 out of 5 stars
    4/5
    This is the first in Jason Goodwin’s mystery series set in Istanbul in 1836, the waning days of the Ottoman Empire. It features Yashim Togalu, a eunuch in the sultan’s service, who is called upon to solve a series of murders of Army officers, as well as the murder of a harem girl.Very soon, he is drawn into what appears to be a resurgence of the Janissaries. Founded in the 14th century, these elite soldiers had carved out an empire for the Turks. Over time, however, they had fallen into decay, extorting pay from the government and murdering sultans who attempted to reform them, until their brutal suppression in 1826.The mystery component of this book is average. It proceeds in a fairly straight line with only few twists and turns. The real strength of this book lies in the vivid portrayal of life in Istanbul, of the intrigues of Topkapi Palace, of the tensions and fractures as Turkey struggles to become a modern country and stave off the European powers anxious to extend their influence.Goodwin gives us a rich cast of supporting characters. I found myself wanting to know more about some of them and, hopefully, future books in the series will let us see a bit more of them.Those who enjoy historical mysteries will probably enjoy this book.
  • Rating: 3 out of 5 stars
    3/5
    This book kicks of a series about Yashim, a eunuch detective living in late 19th century Istanbul. In this book, a series of young navy officers go missing in a plot for the Janissaries (an older, powerful shadowy group) to come back to power. The historical details were good, but the book still dragged. It has none of the intricacy of David Liss' historical thrillers. One book with Investigator Yashim was quite enough.
  • Rating: 4 out of 5 stars
    4/5
    A good historical mystery where Istanbul of 1836 brought alive by Goodwin's excellent writing..
  • Rating: 4 out of 5 stars
    4/5
    Janissary TreeA detective novel where the investigator is a Eunuch, Yashim, who is investigating a murder in the Harem and four young cadets in the new army who have replaced the Janissaries. When the Janissaries were disbanded they weren't unsatisfied by the situation. All clues point at their involvement. However as he digs into the mystery he finds more questions than answers.It's an interesting look at Istanbul in 1836, a time of great change and social upheaval all throughout the western world. Istanbul continues to straddle the world of the West and the Middle East. I felt that the ending was a little rushed and really left me somewhat unsatisfied. However it was an interesting read and I look forward to reading more from this series.
  • Rating: 3 out of 5 stars
    3/5
    A historical mystery set in mid-19th century Istanbul. Yashim Ogalu is a eunuch in the service of the Sultan, called upon to find out who is murdering members of the New Guard, and incidentally, who strangled one of the harem girls just as she was about to be presented to her master. The setting is irresistible, and offers plenty of opportunity for little lessons in Ottoman history, food, art and culture. The premise is that the ousted Janissary Corps may be plotting a military coup to return to power and depose the current Sultan. There are many layers of intrigue, and the pages practically turn themselves. As so often happens with one of these high action tales, there are bits that don't bear too much thought and examination afterward, but who cares? A great escape.
  • Rating: 3 out of 5 stars
    3/5
    Listened to this on audio, which occasionally left me confused about which Turkish word referred to which character. That small difficulty aside, this was an enjoyable tale full of interesting characters and fascinating historic detail. I enjoyed it at least as much as a portrait of 19th century Istanbul as I did as a mystery.

    The one thing I could not figure out was what the HECK happened with Yashim and the Russian Princess? And how? That seemed rather gratuitous and completely inexplicable.
  • Rating: 3 out of 5 stars
    3/5
    This was an interesting take on murder mystery novels. The characters and the time setting made it that more intriguing, for me at least, and although the mystery part was a bit slow at times, I learned more about the Ottoman empire and what it meant being a eunuch for these people. I also learned what it was like to live in Istanbul during the 19th century. Even though this book wasn't quite a page-turner, I thought it was pretty good, and quite a feat for the author who isn't from Turkey.
  • Rating: 4 out of 5 stars
    4/5
    A reader can divide historical fiction into two kinds: the kind where you know the general outline of what happens historically, and the kind where you don't. The Janissary Tree was the second kind for me. I know almost nothing about the Ottoman Empire -- a few names, a smattering about the Crimean War and the empire's part in WWI, and the phrase "The Sick Man of Europe." That's about it. In addition, 1836, when the book is set, is a time even in European history about which I knew little. Well, I know a little more now. I enjoyed Goodwin's book possibly more for the characters and setting than for the plot. Goodwin had already written a history of the Ottoman Empire (as well as four other non-fiction books) before this, his first novel. (It appears he's British, thus not eligible for the Best First Novel Edgar, which is limited to American authors.)Yashim, the protagonist, is a eunuch, but although he is a trusted adviser to the Sultan and the Sultan's mother, he does not live in the Palace, but moves freely around Istanbul. He is called in on two separate investigations, or perhaps three: the death of one of the Sultan's harem; the theft of some of the Valide Sultan's (Queen Mother's) jewels, once owned by Napoleon; and the disappearance of four young officers in the New Guard. Soon the officers' bodies begin turning up, each killed in a peculiarly horrible way. With the help of his two best friends, Panewski, the Polish Ambassador (at a time when Poland as a country had ceased to exist) and Preen, a eunuch who works as a transvestite dancer and prostitute, Yashim eventually solves all the crimes, undergoing some fairly terrifying experiences along the way.At just under 300 pages, The Janissary Tree was not exceptionally long, but it took me quite a while to read, partly because of other commitments, but also because the plot was not that engaging to me. What kept me reading (besides my vow to read every Edgar Best Novel winner)was the immersion in another world that Goodwin provided. Istanbul in the 1830s was a cosmopolitan city at the heart of a vast and diverse empire, yet it could hardly have been more different from London, Vienna or St. Petersburg. Goodwin brings Istanbul to life; the mystery seems just a device, the plot merely a framework on which to display the characters and setting. Had I been on that Edgar jury, I think it unlikely I would have voted for this work (I'll have to read the other nominees to be sure, and that's another challenge!) But it was certainly good enough to deserve some kind of recognition, and I'll be interested to read the later books in the series. If you like to learn something with your mystery reading and can bear with a rather slow pace, I wouldn't hesitate to recommend The Janissary Tree.
  • Rating: 4 out of 5 stars
    4/5
    This book is the first in a series I believe and I found it interesting enough to want to read more of the series.Yashim is a eunuch attached to the Sultan's household although I'm not sure what his exact job description is. Probably it is whatever the Sultan wishes him to do is what he does. At the beginning of the book a concubine in the harem is killed just before she is due to head to the Sultan's bed the first time. Yashim is asked to investigate the murder. Then 4 officers from the New Guard disappear and their bodies start appearing in unusual places having suffered unusual and disturbing deaths. While visiting the Russian ambassador's residence to question an embassy employee who was last seen in the company of the missing officers Yashim notices an old map of Istanbul. Convinced that the map could help him solve the puzzle of the places where the bodies were left he returns to the Embassy to have a look at it. Although he is not admitted by the butler he manages to get in but while hiding he ends up in the ambassador's wife's bedroom. Rather than screaming the wife is delighted to have Yashim visit. Between decoding the map the pair make love (apparently eunuchs can achieve erections but cannot ejaculate). Yashim believes that the Janissaries, the former guard who were let go after rioting, are behind the murders. The more he learns the more he believes that a coup is coming. As a loyal servant of the Sultan Yashim must do all he can to prevent this but is it enough?The narrator was a delight.
  • Rating: 2 out of 5 stars
    2/5
    Like other reviewers, I came into this expecting to like it so much, and it's difficult for me to explain why I didn't. All the elements of an intriguing mystery novel are there: fascinating history, neat events, exotic and mysterious locale. But I only pushed through this because we read it for my book club. I slogged through each chapter with almost zero interest in what was happening. The storytelling in this novel feels so distant: we never get close to Yashim, never care about him, never get into his head or anyone else's. I never felt engaged by the book, which means that when I finished it, I had zero interest in reading any of its sequels.

Book preview

The Janissary Tree - Jason Goodwin

1

common

YASHIM flicked at a speck of dust on his cuff.

One other thing, Marquise, he murmured.

She gazed at him levelly.

The papers.

The Marquise de Merteuil gave a little laugh.

"Flûte! Monsieur Yashim, depravity is not a word we recognize in the Académie. Her fan played; from behind it she almost hissed, It is a condition of mind."

Yashim was already beginning to sense that this dream was falling apart.

The marquise had fished out a paper from her décolletage and was tapping it on the table like a little hammer. He took a closer look. It was a little hammer.

Tap tap tap.

He opened his eyes and stared around. The Château de Merteuil dissolved in the candlelight. Shadows leered from under the book-lined shelves, and from the corners of the room—a room and a half, you might say, where Yashim lived alone in a tenement in Istanbul. The leather-bound edition of Les Liaisons Dangereuses had slipped onto his lap.

Tap tap tap.

Evet, evet, he grumbled. I’m coming. He slipped a cloak around his shoulders and his feet into a pair of yellow slippers, and shuffled to the door. Who is it?

Page boy.

Hardly a boy, Yashim considered, as he let the spindly old man into the darkened room. The single candle guttered in the sudden draft. It threw their shadows around the walls, boxing with one another before the page’s shadow stabbed Yashim’s with a flickering dagger. Yashim took the paper scroll and glanced at the seal. Yellow wax.

He rubbed his finger and thumb across his eyes. Just hours ago he’d been scanning a dark horizon, peering through the drizzle for lights and the sight of land. The lurching candlelight took his mind back to another lamp that had swayed in a cabin far out at sea, riding the winter storms. The captain was a barrel-chested Greek with one white eye and the air of a pirate, and the Black Sea was treacherous at this time of year. But he’d been lucky to find a ship at all. Even at the worst moments of the voyage, when the wind screamed in the rigging, waves pounded on the foredeck, and Yashim tossed and vomited in his narrow bunk, he had told himself that anything was better than seeing out the winter in that shattered palace in the Crimea, surrounded by the ghosts of fearless riders, eaten away by the cold and the gloom. He had needed to come home.

With a flick of his thumb he broke the seal.

With the scent of the sea in his nostrils and the floor still moving beneath his feet, he tried to concentrate on the ornate script.

He sighed and laid the paper aside. There was a lamp screwed to the wall and he lit it with the candle. The blue flames trickled slowly round the charred cloth. Yashim replaced the glass and trimmed the wick until the fitful light turned yellow and firm. Gradually the lamplight filled the room.

He picked up the scroll the page had given him and smoothed it out.

Greetings, et cetera. At the bottom he read the signature of the seraskier, city commander of the New Guard, the imperial Ottoman army. Felicitations, et cetera. He scanned upward. From practice he could fillet a letter like this in seconds. There it was, wedged into the politesse: an immediate summons.

Well?

The old man stood to attention. I have orders to return with you to barracks immediately. He glanced uncertainly at Yashim’s cloak. Yashim smiled, picked up a length of cloth, and wound it around his head. I’m dressed, he said. Let us go.

Yashim knew that it hardly mattered what he wore. He was a tall, well-built man in his late thirties, with a thick mop of black curls, a few white hairs, no beard, but a curly black mustache. He had the high cheekbones of the Turks, and the slanting gray eyes of a people who had lived on the great Eurasian steppe for thousands of years. In European trousers, perhaps, he would be noticeable, but in a brown cloak—no. Nobody noticed him very much. That was his special talent, if it was a talent at all. More likely, as the marquise had been saying, it was a condition of mind. A condition of the body.

Yashim had many things—innate charm, a gift for languages, and the ability to open those gray eyes suddenly wide. Both men and women had found themselves strangely hypnotized by his voice, before they had even noticed who was speaking. But he lacked balls.

Not in the vulgar sense: Yashim was reasonably brave.

But he was that creature rare even in nineteenth-century Istanbul.

Yashim was a eunuch.

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IN the Abode of Felicity, in the deepest, most forbidden district of Topkapi Palace, the sultan lay back on his pillows and picked fretfully at the satin coverlet, trying to imagine what could amuse him in the coming hours. A song, he thought, let it be a song. One of those sweet, rollicking Circassian melodies: the sadder the song, the brighter the melody.

He had wondered if he could just pretend to be asleep. Why not? Ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss, sultan and padishah, he had to sleep sometimes, did he not? Especially if he was ever to reclaim his sovereignty over Greece.

But he knew what would happen if he tried to pretend. He’d done it before, dashing all the hopes and ambitions of the lovely gözde, the girl selected to share his bed that night. It would mean listening to her sighs, followed by timid little scratches against his thighs or his chest, and finally tears; the whole harem would throw him reproachful glances for a month.

Soon she’d be here. He’d better have a plan. Riding the rooster was probably safest: he was quite fat, frankly, and he didn’t want anyone hurt. If only he could be lying in bed with Hadice instead, who was almost as cuddly as himself, having his feet rubbed!

His feet! On a reflex, he pulled his knees up slightly under the coverlet. Ancestral tradition was all very well, but Sultan Mahmut II had no intention of letting any fragrant Circassian girl lift the covers and start crawling up toward him from the foot of his bed.

He heard a slight commotion in the corridor outside. A sense of duty brought him up on one elbow, arranging his features into a smile of welcome. He could hear whispers. Last-minute nerves, perhaps? The swooning slave suddenly resistant? Well, it wasn’t likely. She’d got this far: almost to the moment she’d been trained toward, the event she had given her life to attend. A jealous squabble was more likely: those are my pearls!

The door opened. But it wasn’t a bangled slave girl with swaying hip and full breasts who entered. It was an old man with rouged cheeks and a big waist who bowed and loped into the room on bare feet. Catching sight of his master, he sank to his knees and began to crawl until he reached the edge of the bed, where he prostrated himself on the ground. He lay there, mute and quivering, like a big jelly.

Well? Sultan Mahmut frowned.

Out of the enormous body there came at length a voice, piping and high. Your magnifithenth, my lord, my mathter, the slave finally began to lisp. The sultan shifted uncomfortably.

It hath pleathed God to catht a mantle of death over the body of one daughter of felithity whothe dreams were about to be fulfilled by your magnifithenth, my mathter.

The sultan frowned.

She died? His tone was incredulous. Also he was taken aback: was he so very fearsome?

Thire, I do not know what to thay. But God made another the inthtwument of her detheathe.

The eunuch paused, groping for the proper form of words. It was awfully hard.

My mathter, he said at last. She hath been stwangled.

The sultan flopped back onto the pillows. There, he said to himself, he was right. Not nerves at all. Just jealousy.

Everything was normal.

Send for Yashim, the sultan said wearily. I want to sleep.

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ASLEEP or awake, the sultan was the Commander of the Faithful, chief of the Ottoman armed forces, but it was many years since he had unfurled the standard of the Prophet and put himself at the head of his soldiery, securing his throne by a single act of nerve. His navy was commanded by the kapudan pasha, and his troops controlled by the seraskier. The seraskier did not rise for Yashim, but merely motioned him with dabbling fingers to a corner of the divan. Yashim slipped off his shoes and sat down cross-legged, his cloak settling around him like a lily pad. He inclined his head and murmured the polite greeting.

Clean-shaven, in the new fashion, with tired brown eyes set in a face the color of old linen, the seraskier lay awkwardly on one hip, in uniform, as though he had received a wound. His steel-gray hair was cut close to his skull, and the red fez perched on the back of his head emphasized the weight of his jaws. Yashim thought he would be passable in a turban, but Frankish practice had instead dictated a buttoned tunic, with blue trousers piped in red and a shoal of braid and epaulettes: modern uniform for modern war. In the same spirit he had also been issued a solid walnut table and eight stiff-looking upholstered chairs, which stood in the middle of the room and were lit by candelabra suspended from the coffered ceiling.

He sat up and crossed his trousered legs so that the seams bulged. Perhaps you would rather we moved to a table, he suggested irritably.

As you wish.

But the seraskier evidently preferred the indignity of sitting on the divan in his trousers to the unpleasant exposure of the central table. Like Yashim himself, he found sitting on a chair with his back to the room faintly disquieting. So instead he drew a long sigh, folding and unfolding his stubby fingers.

I was told you were in the Crimea.

Yashim blinked. I found a ship. There was nothing to detain me.

The seraskier cocked an eyebrow. You failed there, then?

Yashim leaned forward. We failed there many years ago, efendi. There is little that can be done. He held the seraskier’s gaze. That little, I did. I worked fast. Then I came back.

There was nothing else to be said. The Tartar khans of the Crimea no longer ruled the southern steppe, like little brothers to the Ottoman state. Yashim had been shaken to see Russian Cossacks riding through Crimean villages, bearing guns. Disarmed, defeated, the Tartars drank, sitting about the doors of their huts and staring listlessly at the Cossacks while their women worked in the fields. The khan himself fretted in exile, tormented by a dream of lost gold. He had sent others to recover it, before he heard about Yashim—Yashim the guardian, the lala. In spite of Yashim’s efforts, the khan’s gold remained a dream. Perhaps there was none.

The seraskier grunted. The Tartars were good fighters, he said, in their day. But horsemen without discipline have no place on the modern battlefield. Today we need disciplined infantry, with muskets and bayonets. Artillery. You saw Russians?

I saw Russians, efendi. Cossacks.

That’s the kind we’re up against. The reason we need men like the men of the New Guard.

The seraskier stood up. He was a bear of a man, well over six feet tall. He stood with his back to Yashim, staring at a row of books, while Yashim glanced involuntarily at the curtain through which he had entered. The groom who had ushered him in was nowhere to be seen. By all the laws of hospitality, the seraskier should have offered the preliminary pipe and coffee; Yashim wondered if the rudeness was deliberate. A great man like the seraskier had attendants to bring him refreshment, as well as a pipe-bearer to select his tobacco, keep the equipment in good, clean working order, accompany his master on outings with the pipe in a cloth and the tobacco pouch in his shirt, and ensure the proper lighting and draw of the pipe. Rich men who vied with one another to present their guests with the finest leaf and the most elegant pipes—amber for the mouthpiece, Persian cherry for the stem—would no more think of functioning without a pipe-bearer than an English milord could dispense with the services of a valet. But the room was empty.

Less than two weeks from today, the sultan is to review the troops. Marches, drills, gunnery displays. The sultan will not be the only one watching. It will be— the seraskier stopped, and his head snapped up. Yashim wondered what he had been about to say. That the review would be the most important moment of his career, perhaps. We are a young troop, as you know. The New Guard has only been in existence for ten years. Like a young colt, we startle easily. We have not had, ah, all the care and training we might have wished for.

Nor always quite the success that was promised.

Yashim saw the seraskier stiffen. In their newfangled European jackets and trousers, the New Guard had been put through their paces by a succession of foreign instructors, ferenghi from Europe who taught them drilling, marching, presenting arms. What could you say? In spite of it all the Egyptians—the Egyptians!—had dealt them humiliating reverses in Palestine and Syria, and the Russians were closer to Istanbul than at any time in living memory. Perhaps their victories were to have been expected, for they were formidable opponents with up-to-date equipment and modern armies; yet there remained, too, the debacle in Greece. No more than peasants in pantaloons, led by quarrelsome windbags, even the Greeks had proved to be more than a match for the New Guard.

All this left the New Guard with a single sanguinary triumph. It was a victory achieved not on the battlefield but right here, on the streets of Istanbul; not against foreign enemies but against their own military predecessors, the dangerously overweening Janissary Corps. The Ottoman Empire’s crack troops in the sixteenth century, the Janissaries had long since degenerated—or evolved, if you liked—into an armed mafia, terrorizing sultans, swaggering through the streets of Istanbul, rioting, fire-raising, thieving, and extorting with impunity.

The New Guard had finally settled the account. Ten years ago, on the night of June 16, 1826, New Guard gunners had pounded the Janissaries to pieces in their barracks, bringing four centuries of terror and triumph to a well-deserved end.

The review will be a success, the seraskier growled. People will see the backbone of this empire, unbreakable, unshakable. He swung around, sawing the air with the edge of his hand. Accurate fire. Precise drill. Obedience. Our enemies, as well as our friends, will draw their own conclusions. Do you understand?

Yashim shrugged slightly. The seraskier tilted his chin and snorted through his nose. But we have a problem, he said. Yashim continued to gaze at him: it was a long time since he had been woken in the dead of night and summoned to the palace. Or to the barracks. He glanced out the window: it was still dark, the sky cold and overcast. Everything begins in darkness. Well, it was his job to shed light.

And what, exactly, does your problem consist of?

"Yashim efendi. They call you the lala, do they not? Yashim lala, the guardian."

Yashim inclined his head. Lala was an honorific, a title of respect given to certain trusted eunuchs who attended on rich and powerful families, chaperoning their women, watching over their children, supervising the household. An ordinary lala was something between a butler and a housekeeper, a nanny and the head of security: a guardian. Yashim felt the title suited him.

But as far as I understand it, the seraskier said slowly, you are without attachment. Yes, you have links to the palace. Also to the streets. So tonight I invite you into our family, the family of the New Guard. For ten days, at most.

The family, you mean, of which you are the head?

In a manner of speaking. But do not think I am setting myself up as the father of this family. I would like you to think of me, rather, as a kind of, of— The seraskier looked uneasy: the word did not seem to come easily to him. Distaste for eunuchs, Yashim knew, was as ingrained among Ottoman men as their suspicion of tables and chairs. Think of me—as an older brother. I protect you. You confide in me. He paused, wiped his forehead. Do you, ah, have any family yourself?

Yashim was used to this: disgust, tempered with curiosity. He made a motion with his hand, ambiguous: let the man wonder; it was none of his business.

The New Guard must earn the confidence of the people, and of the sultan, too, the seraskier continued. That is the purpose of the review. But something has happened which might wreck the process.

It was Yashim’s turn to be curious, and he felt it like a ripple up the back of his neck.

This morning, the seraskier explained, I was informed that four of our officers had failed to report for morning drill. He stopped, frowned. You must understand that the New Guard are not like any other army the empire has seen. Discipline. Hard work, fair pay, and obedience to a superior officer. We turn up for drill. I know what you are thinking, but these officers were particularly fine young gentlemen. I would say that they were the flower of our corps, as well as being our best gunnery officers. They spoke French, he added, as if that concluded it. Perhaps it did.

So they had attended the engineering university?

They passed with top marks. They were the best.

Were?

Please, a moment. The seraskier raised a hand to his forehead. At first, in spite of everything, I thought like you. I supposed they had had some adventure and would reappear later, very shamefaced and sorry. I, of course, was ready to tear them into strips: the whole corps look up to those young men, do you see? They set, as the French say, the tone.

You speak French?

Oh, only a very little. Enough.

Most of the foreign instructors in the New Guard, Yashim knew, were Frenchmen, or others—Italians, Poles—who had been swept into the enormous armies the Emperor Napoleon had raised to carry out his dreams of universal conquest. A decade since, with the Napoleonic Wars finally at an end, some of the more indigent remnants of the Grande Armée had found their way to Istanbul, to take the sultan’s sequin. But learning French was a business for the young, and the seraskier was pushing fifty.

Go on.

"Four good men vanished from their barracks last night. When they did not appear this morning, I asked one of the temizlik, the cleaners, and found out that they had not slept in their dormitory."

And they’re still missing?

No. Not exactly.

What do you mean, not exactly?

One of them was found tonight. About four hours ago.

That’s good.

He was found dead in an iron pot.

An iron pot?

Yes, yes. A cauldron.

Yashim blinked. Do I understand, he said slowly, that the soldier was being cooked?

The seraskier’s eyes nearly bulged out of his head. Cooked? he echoed weakly. It was a refinement he had not considered. I think, he said, that you should just come and take a look.

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TWO hours later, Yashim had seen just about all that he wanted to see for one morning. For any number of mornings.

Summoning a lantern bearer, the seraskier had walked him eastward through the empty streets, following the city’s spine toward the imperial stables. Outside the Beyazit Mosque, torches flickered in the dark; they passed the Burnt Column close to the entrance to the Grand Bazaar, now shuttered and still, holding its breath as it guarded its treasures through the night. Farther on, near the Şehzade Mosque above the Roman aqueduct, they ran across the night watch, who let them go when he saw who it was. Eventually, they reached the stables. The stables, like the Guard itself, were new. They had been erected close below the ridge, on the southern side, on an area of ground that had been vacant since the suppression of the Janissaries ten years before, when their vast and rambling barracks had succumbed to bombardment and conflagration.

Yashim had found the cauldron, just as the seraskier had described. It stood in a corner of one of the new stables, surrounded by bedding straw and lit by large, globular oil lamps suspended on heavy chains from the tie beam way overhead. The horses, the seraskier explained, had been removed.

It was the horses’ disturbance that brought the matter to light, he added. They do not like the smell of dead men.

Yashim had not realized when the seraskier described it that the cauldron was so very big. It had three short legs and two metal loops on either side for handles; even so, Yashim could barely see over the top. The seraskier brought him a mounting stool, and Yashim climbed it to look inside.

The dead soldier was still in his uniform. He was coiled in a fetal position at the bottom of the pot, just covering the base: his arms, which were tied at the wrist, were drawn up over his head, making it impossible to see his face. Yashim stepped down and brushed his hands automatically, though the rim of the pot was perfectly clean.

Do you know who he is?

The seraskier nodded. Osman Berek. I took his pocketbook. You see—

He hesitated.

Well? Yashim prodded.

I am sorry to say, the body has no face.

Yashim felt a chill of disgust. No face?

I—I climbed in. I turned him just a little. I thought I would recognize him, but—that’s all. His face has been hacked off. From below the chin to above the eyebrows. It was done, I think, at a single blow.

Yashim wondered what force was needed to sever a man’s face from his body at a blow. He turned around. The cauldron is always here? It seems an odd place for it.

No, no. The cauldron came with the body.

Yashim stared. Please, efendi. Too many surprises. Unless you have more?

The seraskier considered. The cauldron simply appeared in the night.

And nobody heard or saw anything?

The grooms heard nothing. They were asleep in the lofts.

The doors are barred?

Not usually. In the event of a fire . . .

Quite. According to an old saying, Istanbul suffered three evils—plague, fire, and Greek interpreters. There were so many old wooden buildings in the city, too closely packed: it took only a careless spark to reduce whole sections of the city to ashes. The unlamented Janissaries had been the city’s firemen, too: it was typical of their degeneration that they had combined their fire duty with the more profitable occupation of fire raising, demanding bribes to put out fires they themselves had started. Yashim vaguely remembered that the Janissaries had manned an important fire tower on the edge of their old barracks here, which ironically collapsed in the conflagration of 1826. Subsequently, the sultan had ordered the construction of an extraordinary new fire tower at Beyazit, a 260-foot-high pillar of stone, topped with an overhanging gallery for the fire watchers. Many people thought that the Beyazit Tower was the ugliest building in Istanbul; it was certainly the tallest, standing as it did on the Third Hill of the city. It was noticeable, all the same, that there were fewer fire alarms these days.

And who found the body, then?

I did. No, this is not a surprise. I was called because of the cauldron, and because the grooms were unhappy about the state of the horses. I was the first one to look inside. I am a military man, I’ve seen dead men before. And—he hesitated—I had already begun to suspect what I might see.

Yashim said nothing.

I gave nothing away. I ordered the horses out and had the doors barred. That’s all.

Yashim pinged the cauldron with his fingernail. It gave a tinny sound. He pinged again.

The seraskier and he looked at each other.

It’s very light, Yashim remarked. They were silent for a moment. What do you think?

I think, said the seraskier, that we do not have much time. Today is Thursday.

The review?

Ten days. To find out what is happening to my men.

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IT had been a difficult morning. Yashim went to the baths, was soaped and pummeled, and lay for a long time in the hot room before returning home in his freshly laundered clothes. Finally, having explored the matter in his mind in every way he could think of in an effort to draw a lead, he turned to what he always considered the next best thing.

How do you find three men in a decaying, medieval, mist-benighted city of two million people?

You don’t even try.

You cook.

Getting up, he moved slowly over to the other side of the room, which lay in darkness. He struck a lucifer and lit the lamp, trimming the wick until the light burned steadily and bright. It fell on a neat arrangement of stove, high table, and a row of very sharp-looking knives, suspended in midair by a splice of wood.

There was a basket in the corner and from it Yashim selected several small, firm onions. He peeled and sliced them on the block, first one way and then the other. He set a pot on the stove and slipped enough olive oil into it to brown the onions. When they were turning, he tossed in a couple of handfuls of rice that he drew from an earthenware crock.

Long ago he’d discovered what it was to cook. It was at about the same time that he’d grown disgusted with his own efforts to achieve a cruder sensual gratification and resigned himself to more stylized pleasures. It was not that, until then, he had always considered cooking as a woman’s work: cooks in the empire could be of either sex. But he had thought of it, perhaps, as a task for the poor.

The rice had gone clear, so he threw in a handful of currants and another of pine nuts, a lump of sugar, and a big pinch of salt. He took down a jar from the shelf and helped himself to a spoonful of oily tomato paste, which he mixed into a tea glass of water. He drained the glass into the rice, with a hiss and a plume of steam. He added a pinch of dried mint and ground some pepper into the pot and stirred the rice, then clamped on a lid and moved the pot to the back of the

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