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Bitter Sweets: A Novel
Bitter Sweets: A Novel
Bitter Sweets: A Novel
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Bitter Sweets: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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With this spellbinding first novel about the destructive lies three immigrant generations of a Pakistani/Bangladeshi family tell each other, Roopa Farooki adds a fresh new voice to the company of Zadie Smith, Jhumpa Lahiri and Arudhati Roy.
Henna Rub is a precocious teenager whose wheeler-dealer father never misses a business opportunity and whose sumptuous Calcutta marriage to wealthy romantic Ricky-Rashid Karim is achieved by an audacious network of lies. Ricky will learn the truth about his seductive bride, but the way is already paved for a future of double lives and deception--family traits that will filter naturally through the generations, forming an instinctive and unspoken tradition. Even as a child, their daughter Shona, herself conceived on a lie and born in a liar's house, finds telling fibs as easy as ABC. But years later, living above a sweatshop in South London's Tooting Bec, it is Shona who is forced to discover unspeakable truths about her loved ones and come to terms with what superficially holds her family together--and also keeps them apart--across geographical, emotional and cultural distance.
Roopa Farooki has crafted an intelligent, engrossing and emotionally powerful Indian family saga that will stay with you long after you've read the last page.

LanguageEnglish
Release dateNov 13, 2007
ISBN9781429928151
Bitter Sweets: A Novel
Author

Roopa Farooki

Roopa Farooki was born in Pakistan, and brought up in London. She is the author of the Double Detective mystery series and is an NHS doctor.

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Reviews for Bitter Sweets

Rating: 3.321428606493506 out of 5 stars
3.5/5

154 ratings31 reviews

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  • Rating: 4 out of 5 stars
    4/5
    This was a light, enjoyable read about families and deception, and I was very interested to see where Farooki was going to take her characters next and how it would all come crashing down as their secrets were found out. The pace and narrative style are pleasing and surprisingly light for a book about such a dark, heavy topic, but the ending was too neat and easy and really ruined the book for me.Full review at The Book Lady's Blog.
  • Rating: 4 out of 5 stars
    4/5
    An interesting book, not so much for it's look at Pakistani & Indian culture, as it is an exploration of the way in which human beings lie to and deceive each other and the consequences that can occur. This was not a difficult book to read and did hold my attention throughout. I had thought about halfway through that I 'knew' the ending but then there was a twist or two to the story. This is a story of three generations of a family and the ties that keep them together. A story of keeping up appearances even when we are aware that everything is not quite what it appears to be. It is also a story of discovery in which the characters learn not only of the secrets each are hiding from each other, but also of the ones they hide from themselves. I enjoyed this first novel by Roopa Farooki, and would definitely be interested in reading her future work. Bitter Sweets is colourful and full of characters one can both like and dislike. I recommend it to anyone who enjoys light reading.
  • Rating: 3 out of 5 stars
    3/5
    I started and finished Bitter Sweets by Roopa Farooki in one night. I really, really wanted to like this book. I picked it up at the store because the blurb on the back cover sounded intriguing, but the content of the book was not what I expected at all. The story focuses mainly on Shona, the product of a relationship built on lies. Shona's father was tricked into marrying her mother, and Shona's mother spends her entire life manipulating people. Shona herself elopes to London with an 'unsuitable' boy and starts a life there with her husband, telling little white lies along the way. In the meantime, her father begins working in London and begins to lead a double life, further complicating things with more deception. Things eventually come to a head and all of the worlds collide shortly before a series of ridiculous and unbelievable happy endings.I think Roopa Farooki certainly has the potential to be a good writer. This novel, though, could have been so much more. The characters lacked any kind of depth, and I found myself wanting to know more about them but being disappointed. The story is sweet but not nearly substantial enough -- good for a quick fluffy read, but not much more.
  • Rating: 4 out of 5 stars
    4/5
    Roopa Farooki’s delightful confection of a book tells the story of three generations of a family of deceivers. Despite their many peccadilloes – sloth, dishonesty, infidelity and bigamy chief among them – Farooki has created a colourful and loveable bunch of characters that are a complete joy to get to know. The novel starts with the marriage, under false pretenses, of Henna Rub, an underaged Bengladeshi shopkeeper’s daughter, into the established landowning family of Ricky-Rashid and ends (some fifty years later) with an extended family gathering in a London park for a performance by her grandson’s rock band. In between these two events we follow the family of Henna and her erstwhile husband to London where their only daughter, Shona, elopes in a “love marriage” to Parvez, a penniless Pakistani. Shona and Parvez give birth to twin sons – timid, bookish Omar and rakish, womanizing Sharif. These six characters spend the entire novel deceiving one another and, just as often, themselves, in their quest for fulfillment. While the book has no shortage of light moments, it’s essentially a drama and, as such, I was surprised at how deceptively light and easy it is to read. It has a touch of Moliere about it, with its myriad misshaps, misunderstandings and just misses. As they say, Oh what a tangled web we weave...It’s one of those rare books that I couldn’t wait to get back to each night, to see what twists the story would take. The author lets the reader see into the thoughts of all the main characters, jumping from person to person, often within one scene. The technique is effective in creating tension, since the reader always knows when two characters are at cross purposes. This comes particularly useful in a story about a group of liars. But it also creates empathy. Even the least likeable characters are allowed to tell their side of the story and Farooki trusts her readers to formulate their own judgments about them. Even the lazy, narcissistic Henna.My only complaint is that the resolution happens too suddenly and all seems a bit too pat. Almost as if Farooki ran out of steam. I found the story so enjoyable, the writing style so effortless and breezy and the characters so appealing, which probably explains my disappointment that the whole thing ended a tad too abruptly. All in all, a sparkling debut. I will definitely check out her future work.
  • Rating: 1 out of 5 stars
    1/5
    “Dark clouds of depression, they leak from every pore, Our loved ones’ lies and repression, can’t protect us anymore” The quote above is meant to be a lyric in a song written by a heartbroken teenager upon discovering a nauseating secret about his true love. Does this sound like the voice of a teenager? Not to me. To me it sounds like the voice of every other character in this somewhat tedious book. To me it sounds like a bad creative writing project rather than a genuinely anxious kid. The characters were not distinctive, interesting, likeable, engaging or humorous. The plot’s absurd twists and turns were predictable and tiresome. Halfway through this book I expected to like it against my better judgment, the setting and the potential for the characters intrigued me. However, it became truly ridiculous in the second half and though I wanted to, I could not like this story. There are glimmers here and I look forward to a less contrived, more original, and more genuine work from Roopa Farooki in the future.
  • Rating: 3 out of 5 stars
    3/5
    Review-draft in Process... I am currently reading this novel, which I received as an Early Reviewers ARC. So far, Farooki reminds me a bit of the writer Meera Syal. (Only, to this point, I like Syal's work better.) For instance, there's tons of heavy family/friends/love-related drama... descriptions of people's flats and clothes and and eating/drinking regularly come up, which gives the story a slightly 'popular literature' or 'mass market' feel to it. I'm looking forward to finding out how gracefully Farooki's characters will resolve their conflicts. That'll give me a final sense of how much I enjoyed reading it.
  • Rating: 4 out of 5 stars
    4/5
    I just finished reading my ARC of Bitter Sweets, a multi-generational tale of deception and love. I was not drawn into the book immediately, feeling that the introduction to the story seemed abrupt. As the book progressed, I became engrossed in the characters and enjoyed the story as a good, quick read. Overall, I enjoyed the book, but felt that the themes were a bit over-simplified, or just plain spelled out for the reader in black and white. The ending was a bit tidy, but doesn't detract from my overall enjoyment of the book.
  • Rating: 3 out of 5 stars
    3/5
    I got this book as an Advance Reader's Edition - requested as the author was compared to Jhumpa Lahiri. After reading it, I don't think this comparison is very appropriate. The writing styles are very different. This book is very readable and pleasant, though not necessarily engrossing. Roopa Farooki has written a light, breezy book that, rather than capture the detail and emotion of a particular time or character, covers decades within a few pages. The book's theme, the lasting effects of untruths and deceit, are hammered home with multiple instances snowballing together. Three generations of a family, all learning from their parents to hide the unpleasantness of their lives, eventually collide. This story covers almost too many of typical familial tensions: infidelity, cultural boundaries, ... (not to give it all away). Many of these story lines evolve fairly transparently removing the surprise of the anticipated "twists". The one similarity that I found with Lahiri's work is that while this story is about an Indian family, the theme is universal. This may be (in Farooki's book) because the cultural aspects are handled rather lightly given the breadth (both time and topical) vs. depth of the story.Overall, I enjoyed the book as a light beach/airplane read (fortunately that's where I was), but wouldn't recommend it as a "must read" book.
  • Rating: 4 out of 5 stars
    4/5
    I greatly enjoyed this aptly titled multigenerational saga. The story is intricately woven and transcends nationality and locale. The ending was a little too perfectly tied up but did have a decent twist. I look forward to future books by Farooki.
  • Rating: 4 out of 5 stars
    4/5
    I received this book as part of the Early Reviewer group here at Library Thing and from St. Martin's Griffin Publishers. My copy is an Advanced Readers' Edition Trade Paperback that will be published in October 2008. The book also includes a Reading Group Gold Section in the back of the book that includes: -An Interview with the author Roopa Farooki-Food For Thought-Reading Group QuestionsRoopa Farooki's debut novel is a richly woven tale of three generations of a family with Indian, Pakistani and English backgrounds. The author was able to tell the story through the viewpoints of many characters in the book very smoothly. The main character that stood out for me in the story was Shona, the daughter of Henna and Ricky-Rashid who were brought together through an arranged marriage filled with deception. Shona, their only child, married Parvez a young man of Pakistani descent that her parents did not approve of as they were of Bangladeshi descent. They had twin boys who grew up to be very different in nature and personality. The main theme of the book is on the impact that lies and deception can have on a family. At one point, near the end of the story, Shona comes across a quote in a book that makes her question if deception is something she could change. She made a decision that would change the dynamics of her family. I liked Shona's character in the story and how her character along with other characters grew and matured. I disliked Henna, as she appeared to be a very selfish woman who rarely showed love or attention to her husband or daughter unless it was for her own personal gain. The author commented in an interview in the back of the book that explains much about the characters "...in Bitter Sweets the moral conflicts of the characters which lead them to deceive are not a result of religious dilemmas or culture clashes, but rather due to their very personal and ambiguous emotions." Forbidden love as well as faith and fidelity are other strong themes in the book. There were surprises and twists and turns all through the story. I enjoyed reading each creative chapter title as it was a glimpse ahead to the next storyline and it made me want to keep on reading. I was pleased with the ending of the book and where each character ended up in their stage of life. I can imagine a sequel to this book as it would be very interesting to see what happens to the characters next and how their choices may efffect the next generation. I look forward to reading more books by this author and from information from the authors blog a new book will be out in the US next year in 2009.
  • Rating: 4 out of 5 stars
    4/5
    Bitter Sweets is the story of three generations of a Pakistani family. Beginning with Ricky-Rashid and his marriage to the duplicitous Henna, the story then jumps to their daughter Shona, who elopes to England. She eventually has two sons, Omar and Sharif. All the major characters engage in lies, lies, and more lies: cheating, adultery, plagiarism, etc. It gets to the point that the characters can't tell the difference between what is real and what is not. Everything comes to a climax when Ricky-Rashid has a heart attack, and the characters are forced to face their deceptions head-on.The book is excellently written, with an eye for minute detail. Roopa Farooki's writing style reminds me a lot of Zadie Smith, especially with regards to the plot. It was maybe for this reason that I really liked this novel. I really look forward to reading more of Farooki's writing in the future.
  • Rating: 4 out of 5 stars
    4/5
    Excellent book! I had never heard of this author, and a friend of mine recommended it. The characters are so full and genuine. This book really shows the complexity of relationships within a culture that still has arranged marriages but also gives a rich story about struggles to fit in when moving to a new country. It also speaks honestly about how India-born parents struggle when their children are born in a westernized country. A really wonderful read!
  • Rating: 4 out of 5 stars
    4/5
    Roopa Farooki's first novel is quite the achievement. It starts with a wondrously complex story about a Bengali family, and draws the reader into the complex relationships the family members have forged. The main disappointment, to me, at least, is the too-neat wrap-up at the end; for a book that has made a point of saying that life is neither simple nor pure, it seems a bit disingenuous to provide us with a conclusion that is both.
  • Rating: 4 out of 5 stars
    4/5
    This was a fast paced enjoyable read. The story followed the lives of 3 generations. There were some twists to the story, some I found to be predictable. Overall, I liked this book and would recommend it to others. I look forward to more from Roopa Farooki.
  • Rating: 3 out of 5 stars
    3/5
    This is a wonderful first novel and a quick read. The characters were well developed, the stories were weaved into one another nicely, and the ending was full of hope and enough happiness to go all around. However, I think the book would have been even better had it not ended so hastily. I wanted to know how the conflicts were resolved - the ends were tied up too easily - I wanted more drama. The characters had been built up to have these strong emotions and then it felt like the balloon was deflated too quickly. Overall a good read.
  • Rating: 3 out of 5 stars
    3/5
    I got this book as an Early Reviewer. I had big expectations after I saw people comapring this work with Jhumpa Lahiri's and that let me down! i would call it a good first atttempt at becoming a writer but i cannot say this would lead the author to become a blockbuster writer. Her style lacks depth, she tends to explaing each and every bit as if you are giving a physics lesson to a kid, nothing is left for imagination of the reader. the content of the story doesn't carry much weight and is one of those which you read and forget about.
  • Rating: 2 out of 5 stars
    2/5
    I was so excited to read this book - especially since its cover boasted similarities to Jhumpa Lahiri as well as Zadie Smith. Marketing based on name-dropping can be seductive; however, in this case it backfires tremendously since the product is so inferior to its proposed company. First-time author, Roopa Farooki, seems to be constantly trying to convince us that she really is a serious writer in "Bitter Sweets"; however, the one-dimensional characters, artificial situations, and over-explanatory grad-student language can't disguise the banality of it all. The theme of the novel is supposed to be deception, or as it is spelled out on the back cover: "Why is deception so delicious?"The story involves female trickery to get married, mothers who are either too busy for their children or who constantly burn the dinner, secret fertility treatments that turn out "startling" results towards the end of the story, spouses who cheat or become bigamists (but always for justifiable reasons), incestuous (or not?) relationships and, of course, the predictable gay surprise. All in all, it is at times quite entertaining, however, it seems manufactured to appear similar to the current popularity of Indian/Muslim/Culture Clash literature - chick lit light style...And then there is the language...It is mostly straight-forward and most everything is tediously explained to bits, but then there are the sprinklings of achingly bad similes and descriptions. I just have to quote some of my favorites:"His caramel-colored chest was smooth and hairless, and the muscles in his back moved like poetry as he pulled on a pair of casual trousers". (poetry...?)"The engagement thus confirmed, Ricky truly was the happiest man on earth" "...(she) was gaining weight at an alarming rate..." "He kissed her on the forehead again, holding her temples gently on either side. This is what I like about you, right here, in your head. It's like the British Museum, with hidden gifts in hidden rooms. I want to wander in it with you and roam around""Ricky felt an icy hand close around his heart - it was too much, it felt like his heart was breaking""But he knew that nothing but utter oblivion could take away the pain he felt in the deep pit of his stomach, in the throbbing chambers of his heart which was thumping so loudly he thought the treacherous organ might explode out of his chest and fly after Candida, falling in a bloody, irresolute heap at her terrified feet" (whew...)In conclusion, this quick-read novel has a tempting premise; however, it is just so painfully trite, including the Disney ending. Try again, Farooki.
  • Rating: 2 out of 5 stars
    2/5
    Roopa Farooki's debut novel Bitter Sweets is an endearing little ball of fluff that follows three generations of an Indian/Bangladeshi family. We follow Ricky-Rashid Karim as grows from son to father to grandfather, moves to his beloved England, leaving his wife Henna behind in Dhaka, and begins a double-life of deception. The whole family gets in the spirit of lying and deceit - but only to one another and only about relationships. The penultimate moment comes when the deceptions collide with nearly tragic results. A regrettably far-too-happy ending ensues. Bitter Sweets is not really my cup of tea and I only read it because it was an Amazon Vine selection and because of its supposed South Asian setting. The book turned out to be mostly set in London and neither the characters nor the story were distinctly Indian or Pakistani. Bitter Sweets is basically series of superficial falling-in-love and falling-out-of-love stories. Farooki overreaches by trying to tell too many stories and doesn't do any of them in depth. Nonetheless, I did polish the book off in near record time and found it hard to put down.
  • Rating: 5 out of 5 stars
    5/5
    Farooki's wry tone makes an otherwise serious tale funny and affecting in this debut novel. She manages to make adultery and deceit humorous and even necessary as she chronicles an Indian family's multi-generational struggle with deception. The saga is told more than described and the author's pitch is perfect in capturing the human conundrum of trying to be happy while still living within an institution, be it a family or a country.
  • Rating: 3 out of 5 stars
    3/5
    I really wanted to love this book more than I ended up loving this book. It reminded me much of Jhumpa Lahiri’s works (whom I wrote my master thesis on the collective works of), but I found it lacking in refinement that I think some time and more writing will help this author flourish brilliant with in the future.I very much love that it was a general tale, told across multiple families for playing with postcolonial themes, and I’ll be keeping an eye on this author in the future.
  • Rating: 2 out of 5 stars
    2/5
    A disappointment. While I rather liked the author's fourth novel ("Half Life") - to the extent that it got me curious and made me go back to read her debut work - I was disappointed in "Bitter Sweets". To me, it seemed as if this book was written by another person. Strange as it may seem, in this book the plot is much better than the writing itself. So I rather struggled through the novel, losing interest. On the other hand, if we think of writing as a process of gaining experience and getting better, in my humble opinion this is what is happening with this author: the fourth novel being much better than the first. Thus, I am not discouraged and will probably look for R.Farooki's 2nd and 3rd novels.
  • Rating: 4 out of 5 stars
    4/5
    The book started off quite slowly, and it felt like it was going to be a chore to read. However, as is often the case, once I'd got about a third of the way through the book I started to really get into it and struggled to put it down. The story is well woven together and is about deception and its consequences. It was actually very thought-provoking.
  • Rating: 3 out of 5 stars
    3/5
    A surprisingly good first novel. The author explores the role of family secrets and deception in the lives of her characters, as well as the common theme of children repeating the patterns of their parents. The characters in this book aren't fully realized and their lives intersect and replicate in ways that are slightly too contrived and convenient. Nonetheless, the book was highly readable and enjoyable and managed to wrap up the tale in a relatively satisfying way without falling too deeply into the trap of writing an epilogue that describes everything that happens to the characters for the next two decades. This strikes me as an author to watch -- I wouldn't rush to recommend this book, but the author definitely shows promise.
  • Rating: 3 out of 5 stars
    3/5
    I was disappointed in the first few chapters of Bitter Sweets. Blowing through some forty years of family history, it read like a failed attempt to imitate a Salman Rushdie style multi-generational family saga (think Midnight's Children). I was tempted to put the book down and stop reading, but I'm glad I didn't. Once the action moved from Bangladesh and Pakistan to England, it felt as if the author finally came into her own, especially in the depictions of the two teenage sons. I also found myself annoyed with the ending, everything ended up being wrapped up much too neatly, with a giant bow on top. Overall however, I felt Bitter Sweets showed some definite promise, and was an enjoyable, engaging read.
  • Rating: 3 out of 5 stars
    3/5
    Farooki presents a unique balance of the light-hearted and elements of a soap opera in this epic tale that centers on the damage that can be done through deception. This story won't be for everyone and I personally prefer some other books I have read that evoke a similar story or themes (such as Jhumpa Lahiri's work), but it is worth a try for someone seeking something with a little family-focused weight that's not "heavy."
  • Rating: 3 out of 5 stars
    3/5
    If, as Keats says, 'Beauty is truth, truth beauty - that is all ye know on earth, and all ye need to know,' then the world created by Roopa Farooki is ugly. The plot hinges upon a series of lies told told by and to family members, and how those lies seep into the characters' very core. While the plot was interesting, much of it was, well, unbelievable. This was a LibraryThing Early reviewers book that I put off reading for months. I never really connected with it, but appreciated the glimpses into Indian, Pakistani and Bengali culture.
  • Rating: 3 out of 5 stars
    3/5
    While we may all be guilty of a few convenient lies, this is the story of a family who seems to smooth their way through life with numerous Biggies. The result, of course, is a tangled web. And watching them fall apart gives the reader a certain macabre satisfaction. That said, the majority of the characters are likeable, the author's style is fluid and easy to read, and the outcome is satisfying.
  • Rating: 4 out of 5 stars
    4/5
    A tale of a family who's only facts are interwoven with deceit and false pretensions. Starting out with the lies told in order to become an actress, the grandmother in this story filles her lips with words that are not true in order to capture he ticket out of the country. Once this one ancestor allows lies to be such a central aspect of her life, she not only impacts her own life, but the life of her deceived husband and passes it on in different forms to the generations that follow. A history of falseness is all that the future generations have to live up to. Love, loss, change and growth are themes of Roopa Farooki's Bitter Sweets novel. A family's story through three generations of learned deception and what it takes to break free from the expectation to cover-up and pretend-- to lie.No matter how much lying the characters are doing to eachother, the truth stood stronger and spoke louder than any lie. This was a great interesting, fun read and was so good. I have read some reviews that said it was superficial, I don't agree. I felt the author did an excellent work with her characters, settings and working in beautiful and timeless themes. This is the story of an Indian family, that is split between two nations but could be the story of so many as the daily lives they lead are very easy to relate to. I did enjoy this book throughly.Roopa Farooki brings up questions of love, true love and arraigned marriages, however in this book truth is the strongest theme. Where would your family be without truth? She brings up and interesting concept, that truth can sometimes be told at the expense of hurting our loved one only to selfishly clear our own conscience. I loved reading Bitter Sweets, it was interesting to see how things took place.What do you think? Is it truth at all costs or does it depend? It seems to me that truth may hurt for an instant, but mending is on its way....while lies form a web of guilt and pain that smothers love. What are your thoughts? Farooki portrays the Indian culture as valuing appearance over honesty, I would say the same is true in many parts of America (if not all). What do you think, does our culture value appearance over truth? Which wins here politeness or honesty?
  • Rating: 3 out of 5 stars
    3/5
    I received Bitter Sweets from a Shelf Awareness advertisement with the agreement that I’d read and review it. Frankly, it took great effort to get through the first 50 or 60 pages. What bothered me most were the characters. They were one-sided and implausible. First, there was Henna’s father, who was greedy and dishonest, with absolutely no redeeming characteristics. Then there was Henna herself, dishonest, lazy and illiterate, her only good quality a pretty face. Ricky falls for her charade and his entire family grows to care for her more than Ricky himself. Why? I can’t figure that one out. As I read a little further, the story gained some momentum so that it was not quite as much of a chore to finish. It had a breezy, soap-opera quality to it. It’s partly the story of a man with separate families in two countries, which he strives to keep secret from one another. It is also a story of a boy who unknowingly falls in love with his mother’s sister, but not really. The convolutions in the plot go on and on. I expected the novel to include a little of the culture of India or Bangladesh, but most of the characters were bland enough that they could have been anyone, anywhere. No, actually, they couldn’t. This is a story about people who never could have been, with a plot that never could have happened. Except on a soap opera
  • Rating: 3 out of 5 stars
    3/5
    "Bitter Sweets" is a charming novel from a promising new writer. Roopa Farooki asks of her reader only that they enjoy themselves, while she leads them through a surprisingly light-hearted chronicle of the secrets and lies that both bind and threaten to destroy a family for three generations. Unnecessary narrative shifts in point of view overly-complicate an otherwise simple book, and detract from the story rather than add dimension (and the author's reliance on this tactic at times distracts from the actual plot). Though the story may at times seem familiar, Farooki will surprise readers before that familiarity turns into monotony, leading them to a satisfying conclusion.

Book preview

Bitter Sweets - Roopa Farooki

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Table of Contents

Title Page

Nadim Rub’s Most Magnificent Deception

The Alchemic Conception of Shona Kiran Karim

The Puppy Love of Parvez Khan and Shona Karim

The Crushed Rose Petals of a Tooting Confectioner

The Relative Cost of Gold

The Beginning of the Double Life of Ricky-Rashid

The Triumphant Return of Ricky the Conqueror

Of Sunflowers and Sunny Side Ups

A Glorious Spring Wedding for Verity Trueman

The Importance of Not Forgetting to Check Under the Bed

The Middle-Naming of the Sons of Parvez and Shona Khan

The Married Life of Ricky Karim and Verity Trueman

The Musical Memories of Sharif Khan

The Balti Ballads of Tooting Broadway

Parvez Khan Mourns the Loss of Love

Shona Khan Discovers Photos from the Past

The Octopus in the Garage

The Academic Pursuits of Omar Khan

Between Greek Tragedy and Courtly Romance

The Balti Ballads Play Brick Lane

The Trouble with December Evenings

Châteauneuf du Pape in a Clapham Common Flat

Burnt Cookies and Driving Lessons

Becoming Accustomed to a Face

Ricky-Rashid Makes a Damning Discovery

Shona Khan Makes a Damning Discovery

Sharif Khan Meets an Angel in Tennis Shoes

The Romantic Memories of Sharif Khan

Omar Khan Celebrates May Day in Oxford

Mrs Henna Karim Extends a Cordial Invitation

The Dhaka Tea Party

A Performance, a Bookmark and a Drastic Decision

Sharif Khan and the Terrifying Truth

Won’t Let Us Have a Breakdown

Confessions Across a Hospital Bed

The Mother and Child Reunion

Party in the Park

Acknowledgements

AN INTERVIEW WITH ROOPA FAROOKI

Copyright Page

For my mother, my husband and my son,

because they are all funny, kind and beautiful

– although not necessarily in that order.

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Nadim Rub’s Most Magnificent Deception

HENNA WAS THIRTEEN when she was gleefully married off to the eldest son of one of the best families in Calcutta, and her marriage was achieved by an audacious network of lies as elaborate and brazen as the golden embroidery on her scarlet wedding sari. Henna’s paternal family were liars by trade, shopkeepers from the Bengal who had made their money by secretly selling powders and pastes of suspect origin, to alleviate the boredom and fatigue of the British expats serving out their purgatory in local government in pre-Independence India. Those glory days had fled with the British some ten years previously, but Henna’s father was still never one to miss a business opportunity – when he heard that the wealthy, landed and unusually fair-skinned Karim family from Calcutta would be visiting their farms around Dhaka, he wasted no time in undertaking an effective reconnaissance.

His initial modest plot had been to nurture a business alliance, but he became more ambitious when he discovered that a rather more lucrative and permanent alliance might be up for grabs. He learned that their son Rashid, who preferred to be called Ricky, was of marriageable age, but was so bizarre in his preferences that his frustrated family had not yet managed to find him a wife. He had been educated abroad, and insisted that his wife be someone he could ‘love’, an educated, literate girl with the same interests as him.

Nadim Rub looked at his wilful, precocious daughter, who constantly missed school and cheeked her tutors, who stole her aunts’ film magazines to pore over the photographs of the movie stars in thrilled girlish detail. She was athletic enough to avoid him whenever he tried to beat her for these misdeeds, sometimes nimbly running away over the neighbours’ rooftops where he couldn’t follow. His daughter had inherited his cunning, and her dead mother’s looks. She still had an adolescent slimness but had suddenly developed enough of a bosom to pass for a woman, rather than a girl. He formulated his plan.

A shopkeeper is also a salesman, and Nadim knew exactly how to persuade his daughter to go along with him. He caught her hiding at the bottom of their overgrown garden one school day, lying flat on her stomach behind the coconut palms, while she nonchalantly studied magazines instead of her books. When Henna saw her father approach, she leaped up and prepared to run, but he appeased her with an unusually jovial smile, and offered her a paper bag of dusty sweets, which she took warily.

‘Henna moni, I know you hate school. And you’re too good for this provincial backwater. You should be somewhere better, like Calcutta, the honoured daughter of a wealthy family who could buy you all the sweets and magazines you could ever desire. It’s what your mother would have wanted for you.’

Henna listened with interest – Calcutta was glamorous, the sort of place where the movie stars came from. And for once, her fat, ignorant Baba was right – she did hate school.

Enlisting the help of his sisters, Nadim made sure that Henna learned to carry herself in a sari with rather more elegance that she had hitherto shown, and with careful application of kohl, rouge and powder, managed to make her look older than her years, and almost as pale as the Karims. He had her tutors teach her to play tennis, Ricky-Rashid’s favourite sport, which with her natural athleticism she picked up quickly. He found out through bribing the Karims’ servants which books were to be found in Ricky-Rashid’s room, and bought cheap copies for his daughter to read. He discovered she was still illiterate, and almost beat her again – all his dedicated preparation ruined because his lazy harami of a daughter had wilfully chosen to waste her expensive schooling. He stormed impotently at her while she pranced elegantly on her aunt’s makeshift tennis court during one of her lessons, her precise strokes cruelly making her plump teacher race breathlessly from one side to another.

‘Baba, you’re being silly. Just get one of these monkeys to read out some bits to me, and I’ll memorize them. It’s easy,’ Henna said calmly, swinging her backhand return dangerously close to his ear; ‘monkeys’ was the disrespectful term which she used for her long-suffering gaggle of tutors. She was enjoying the charade, the pretty new clothes, the make-up, the dissembling; she even looked forward to the prospect of learning lines from the Shakespearean sonnets her Baba had brought. It was like she was an actress already.

Nadim pulled strings, and used bribes of his suspect poppy powder to insinuate himself into Mr Karim’s presence at a club gathering. He made sure he dressed well enough to look like landowning gentry himself, and in better clothes his generous rolls of fat could be mistaken for prosperity rather than greed. He pretended that the shop was his sister-in-law’s family business, and that he oversaw it out of loyalty to his dead spouse. He told them about his sorrowful burden – he had a daughter so lovely and gifted that no suitable boy would dare make an appropriate offer for her; he confessed humbly that he had been guilty of over-educating her. He was worried that she would be an old maid, as she was already seventeen years old. Intrigued, Mr Karim arranged for his own reconnaissance, and saw the beautiful Henna as she visited her aunt’s house in a rickshaw, demurely holding her tennis racket and appearing to be engrossed by a volume of English poetry. He was satisfied with her paleness and her beauty, although less so by her slim hips. Deciding that the worst that could happen is that she might die in childbirth giving him a beautifully pale grandson, he arranged for a meeting.

‘My friends call me Henrietta,’ Henna lied charmingly, offering tea to Ricky-Rashid’s parents, discreetly not looking at Ricky-Rashid at all.

‘And mine call me Ricky,’ Ricky-Rashid answered quickly, directly addressing her delicate, painted profile, hoping he might have fallen in love at first sight with this sonnet-reading, tennis-playing beauty. She was nothing like the moneyed nincompoops he had been introduced to before. Flouting the traditional etiquette of the meeting, he instead displayed the manners of an English gentleman, and got up to relieve Henna of her heavily laden tray. He looked defiantly at his stern parents, and for once saw them beaming back at him with approval.

The Calcutta wedding was a glorious affair, Henna’s premature curves barely filling out her gold and scarlet wedding sari; her thin wrists, slender neck and dainty nose weighed down with gold. Due to the generous concession of Nadim Rub in allowing all the celebrations to take place in Calcutta, despite his fervent protested wish that it had been his life’s dream to give his daughter a magnificent wedding in Dhaka, the Karims matched his generosity of spirit by offering to pay for all the festivities. Ricky-Rashid had even dismissed the idea of a dowry as barbaric, to Nadim Rub’s further joy and Henna’s fury – the deal she had previously brokered with her father was that she would get her dowry directly to keep for herself. Sitting graciously by Ricky-Rashid’s side, her lovely eyes narrowed imperceptibly as she saw her flabby Baba working the room and accepting congratulations. Casting those eyes down demurely, she vowed to keep all the wedding jewellery that her father had borrowed from his sisters; she wasn’t going to let the fat fibber cheat her as well as everyone else.

Following the wedding, Henna lay in Ricky-Rashid’s quarters in her new and sprawling home, eating liquorice sweets while she waited for him. Impressed by the four-poster bed, like the ones she had seen in the films, she had dismissed the maid and jumped up and down on it in her bare feet, still wearing her elaborate sari, before stretching out and trying some poses. When Ricky-Rashid finally entered, looking sheepish and nervous, carrying a book and a flower, she tipped her head up and pouted, expecting a movie-star kiss. She naively did not know that anything further might be expected of her.

Ricky-Rashid, taken by surprise by his new bride’s apparent forwardness and feeling even more nervous, kissed her quickly and, reassured by the softness of her mouth, kissed her again. Something was wrong – she tasted of liquorice, like a child. Liquorice was not what he expected his first night of married love to taste of. He felt a wave of panic that he was woefully unqualified to initiate his confident bride, who was now looking at him with a mixture of curiosity and sympathy. Deciding that faint heart never won fair maiden, and deciding further that the only way out of this sea of troubles was to take arms against it and confidently stride in, he aggressively pulled Henna to him with what he hoped was a manly, passionate gesture, crushing her breasts against his chest and circling the bare skin of her waist with his hands.

Henna, disappointed by the kiss, was wondering whether to offer some of her sweets to Ricky-Rashid, and was taken utterly by surprise when he suddenly pounced on her. She jumped as though stung when she felt his clammy hands on her bare skin beneath her sari blouse, and despite her heavy sari, nimbly slipped away from him and off the bed. Ricky-Rashid was acting like one of the villains in the movies that she’d watched, and was doubtless planning to beat her – perhaps this was how husbands behaved from their wedding night onwards. No wonder her mother was dead and all her aunts such grouchy miseries.

‘I won’t let you,’ she said warningly. She wouldn’t let her big bully of a father beat her, or anyone else who had ever tried, and she certainly wasn’t going to allow this milky-faced academic to succeed where so many others had failed. Her eyes flashed scornfully at him.

Ricky-Rashid’s heart wilted like the drooping rose he was still holding. His attempt at manly domination had gone horribly wrong, and from being surprisingly enthusiastic, Henna now wouldn’t let him near her. And no wonder – he’d acted like a thick-booted oaf. An intelligent, spirited beauty like Henna should be wooed, not tamed. That’s what he’d intended when he came in with his rose and poetry – he was going to proffer her the flower on bended knee and read her the romantic verse that he knew she loved. But her tossed-back head and invitation to a kiss had distracted him, and in the ensuing liquorice-induced confusion he had let his baser instincts take over. Intending to apologize, he walked around the bed towards her, but she simply skipped over to the other side, looking at him warily. Her scorn was dreadfully attractive, and his hand still tingled from the brush with the naked skin of her slim waist.

Defeated, and embarrassed, Ricky-Rashid sat heavily on the bed. ‘I’m so sorry. I wanted this to be a wonderful, romantic night for us. And I’ve already ruined it.’ He turned to face her and held out the flower to her. ‘Look, I brought you a rose.’ He sighed and put it down next to him.

Mollified, Henna sat back on the bed, a little way from Ricky-Rashid, and continued eating her sweets. ‘You are silly,’ she said. ‘How could trying to beat me possibly be wonderful or romantic?’ She picked up the rose and sniffed it disinterestedly. ‘I think it’s dead,’ she said, dropping it dismissively on the floor. She nudged the pink flower head experimentally with her prettily painted toes, separating out the soft wilted petals.

Ricky-Rashid looked at her in astonishment. ‘Beat you? Why on earth would I try to beat you?’ His surprise was so genuine that Henna realized she may have misunderstood his intentions, and perhaps given away her ignorance in some indefinable way.

Distracting him with a truce, she nodded towards the book. ‘So what’s that? More Shakespeare?’

Ricky-Rashid answered with even more genuine surprise. ‘No, it’s Byron.’ The name was very clearly written on the cover; Henna must be terribly short-sighted. ‘I brought it because there’s a poem I wanted to read to you. It reminds me of you.’ Hoping he might yet be able to salvage the evening, he opened it, and started to read,

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes.

He paused and looked at her expectantly.

‘Hmm, that’s pretty,’ Henna answered, hoping he wasn’t expecting her to comment any further.

‘It loses something in translation,’ admitted Ricky-Rashid. ‘Perhaps I should read it to you in English?’

‘No!’ said Henna shortly. In their brief meetings before the wedding, she had only just about been able to keep up the pretence that she had a working knowledge of English, although it had proved much harder than simply pretending to be literate. Despairing of her, her English tutor had eventually given into expediency, and had given her some set phrases to learn, and developed a subtle sign language that indicated to her which phrase to use when. This had worked fine when they were in the large sitting room, with her tutor sitting at a respectful distance, within her sight, and Henna enunciating, ‘I Think It’s Simply Wonderful’ and ‘Good Gracious, No’ and ‘Would You Like Some More?’ when prompted. However, alone with Ricky she doubted that she’d last two minutes of English conversation undetected. Aware that her response had been unnecessarily vehement, she added sweetly, ‘To be honest, I’m a bit too tired to listen to poetry readings.’

Ricky-Rashid had no more weapons in his amorous armoury – his flower was discharged and in pieces on the floor, and his book of Byron’s romantic poetry, which he was sure Henna had said was Simply Wonderful in a previous meeting, was being summarily dismissed. With nothing else coming to mind, he decided to try his luck by pressing on with the book. ‘So why don’t you read the next two lines yourself? They say everything that I think about you.’

He passed the book to Henna, who took it unwillingly. She looked at the incoherent black jumble of text for a couple of moments and knowledgeably nodded, before saying in her little-used English, ‘Ricky, I Think It’s Simply Wonderful.’

‘I knew you’d like it,’ said Ricky-Rashid triumphantly. Perhaps tonight would work out after all; he edged closer to Henna, to take the book out of her hands. But as he saw how she had been holding it, that nagging feeling came back, the feeling that he had felt on their first uncertain kiss.

‘But how could you read it upside down?’ he asked. Something was very wrong, very wrong indeed. Why was she holding the book the wrong way round? Henna could surely not be as short-sighted as all that.

Aware that instant distraction was necessary, Henna smiled as meltingly as the movie stars she’d learned from and, holding out her slender hand to Ricky-Rashid, she said, ‘You can kiss me again if you like.’ When Ricky-Rashid didn’t move, she moved towards him instead, and he couldn’t stop himself kissing her and pulling her nubile body into his arms, while the urgent physical sensation fought with his racing mind. Liquorice again, the taste of liquorice, the supple too-slender too-girlish body, the comment about the beatings, the thickly accented Simply Wonderful, the upside-down book, and again, the unavoidable, intoxicating taste of liquorice sweets … childhood sweets.

Controlling himself and pushing her away, Ricky-Rashid held the breathless Henna at arm’s length as he looked at her closely, her lipstick and powder rubbed off by their embrace, her enormous eyes ludicrously over-made up by comparison. ‘How old are you, Henna?’ he asked quietly.

On his wedding night, Ricky-Rashid slept alone, tormented by the discovery, coaxed from Henna with gentle words, bribes, promises and yet more sweets, that his educated seventeen-year-old bride was actually an illiterate shopkeeper’s daughter, a thirteen-year-old child who had married him as a way to skip school and fulfil a schoolgirl fantasy of becoming an actress. Disturbed by the memory of her body, Ricky-Rashid was disgusted by himself for having wanted her so much – a child, she was just a child, and he had almost … it didn’t bear thinking about. He was no English gentleman, he was practically a pervert.

It was the night that every one of Ricky-Rashid’s hopes and dreams of a life lived in truth and sincerity, of an idyllic western-style marriage, was ground into a red, muddy sludge like the powder from which Henna took her name. She had stained him and blotted all his future aspirations, and he simply couldn’t wash away the marks. He was forced to be complicit in the lie – she would have to remain his wife or everyone would know how he and his family had been tricked and shamed. She would have to be educated privately at his parents’ house, and remain out of society until such time when she would no longer give herself away.

Ricky-Rashid had previously hoped to bring his wife with him when he returned to the varsity for his studies, but his vision of living like an English couple in his student halls had also been shattered. He would return alone, and would no longer pretend that he was the Ricky he had tried to fashion himself into, the cosmopolitan intellectual around town; from this time on, he would call himself Just Rashid. He would not sleep with Henna until she was seventeen and had finished school, but the feelings she had innocently awoken would not go away, and in an attempt to scratch the persistent itch of desire he would spend the next few years having frustrated and unsanitary sex with kind-faced, matronly prostitutes, all the time guiltily thinking about Henna’s unripe, forbidden body.

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The Alchemic Conception of Shona Kiran Karim

FROM BEING A willowy prepubescent, by seventeen Henna had developed into a rather buxom adolescent, with teenage spots and child-bearing hips that no longer had any cause to earn disapproval from her expectant father-in-law, who had patiently waited several years for a grandchild. Despite the pocked skin and the puppy fat, Henna was still very good-looking, and remained a convincing actress. From the unpromising start with her in-laws, who had exploded with anger when Rashid had nervously revealed the truth about her background the day after the wedding, she had managed to win them back with her wiles and charm and studied innocence. She was the victim in all this, after all, a child-bride sold into a marriage under the threat of violence by her vile father, treated like just another one of his grubby business deals. During Rashid’s long absences at university overseas, she made herself indispensable to the Karims, and they disloyally found that they preferred her lively company to that of their stilted son, or even his spoilt younger brother. She eventually became, as her wily father had predicted, the favourite daughter, and by contrast, returning Rashid was treated as the prodigal when he came back for his vacations, with his academic affectations, funny foreign clothes and, worst of all, his funny foreign ideas.

Henna planned and hoped to get pregnant as quickly as possible once Rashid was willing to start marital relations with her. Her attempt at marriage as a way to avoid education had not succeeded; she had been unwillingly forced to continue with her lessons, and although her only interest was in the dramatic arts, she had eventually learned to read and write in both Bangla and Urdu, to converse inefficiently in English, and been given a reluctant grounding in maths and the sciences. Although privately educated by necessity, like any other schoolgirl she was made to take public examinations. She was anxious about the results, not because she might have done badly, but because she was vain enough to worry that she might have done well – although with her committed laziness such fears were ungrounded. She certainly didn’t want sparkling grades, which would doubtless lead to the indefinable horror of further education that Rashid had been undertaking. Henna knew that motherhood would succeed where marriage alone could not. She knew self-interestedly that bearing Rashid’s child would keep her in her cosseted position, and that once she was a mother, there would be no more forcing her to stay at the dull books. She would simply hand the child over to the nanny and then start training for her dramatic career in earnest.

Lying back on the same four-poster bed on which, years before, she had unsuccessfully faked the reading of a poem from an upside-down book, Henna surreptitiously glanced at her wristwatch from over Rashid’s straining shoulders. She decided to try a different sort of faking altogether to encourage her monotonously pumping husband to climax before she died of boredom or, worse, missed her favourite radio drama. This time, at least, Henna’s performance was successful, and she was rewarded with Rashid finishing the job with much greater efficiency than he had hitherto shown, for which she showed a vocal appreciation that although insincere was almost kindly meant. Rashid’s pride in accomplishment, that he had finally managed to make his wife enjoy the act of physical love, was dwarfed a few weeks later by his further pride in achievement, that Henna had conceived and was pregnant with their first, and what she was later to ensure would be their only, child.

Once the pregnancy had been thus dishonestly and enthusiastically achieved, Henna was completely indifferent to both Rashid and the new life growing inside her. Only the heartbeat at Henna’s occasional check-ups reminded her about the child. All she cared about was that she would now be afforded truly special treatment, and was able to loll lazily in the house or on the veranda, flicking through her film magazines, playing her imported Elvis Presley records and shouting occasional orders to the servants to bring her sweets from town, or to make her tea with condensed milk and fried pastry delicacies. In the spirit of the swinging sixties, she cut her hair daringly short, right up to her shoulders, and wore it loose in a shining bob like one of her favourite film idols. Her in-laws looked on indulgently – Henna had become their little princess and could do no wrong. Of course they didn’t mind Henna’s below-average grades in her examinations – she had far more important things to worry about now. Thus pampered to her heart’s content, in pregnancy Henna became beautiful once more, and her skin lost its teenage imperfections and began to glow. Rashid’s vain little brother, Aziz, returned from his English boarding school and developed a thumping crush on her, competing with the servants to fulfil her tiniest requests for the reward of a smile or a patronizing pat.

Rashid, mystified by the shift of power in his family household that had occurred, simply accepted it, in the same way he had always accepted his father’s omnipresent disapproval. This paternal censure was magnified when he finally finished his studies, as he started training for accountancy rather than taking over the running of the family properties. He still nursed a secret hope that he and Henna would be able to move abroad one day, to the green and pleasant lands in which he had been educated, and believed that a professional qualification would pave the way. As it happened, with his father’s death they were forced to move abroad faster than he thought, to a land much greener and wetter than the England of his idyllic student memories.

Everybody had wondered how Mr Karim, a Muslim in India, had managed to hold on to his grand Calcutta property during the troubles of partition in the late forties. When other Muslim families had been forced to hurriedly abandon their homes and belongings as they made for West or East Pakistan, the Karim clan had simply relocated over the border to their property in the Bengal for a few years, with the swiftness and relative safety afforded by wealth, and had returned to Calcutta when the worst of it was over. As the new head of the family, forced to look after his father’s business affairs whether he wanted to or not, Rashid discovered that the key to their dubious Calcutta comfort was a Mephistophelian pact that his father had made with a well-known local businessman. Mr Karim had signed their Calcutta property over to this Hindu acquaintance, on the understanding that the property would remain safe if already in Hindu hands, and had paid a rent for the privilege of returning. The gentleman businessman, on Mr Karim’s death, proved to be more of a businessman than a gentleman – he explained regretfully to Rashid that he had kept the rent low during Mr Karim’s life out of deference to their long-standing friendship, but he could no longer afford to be so generous. He raised the rent so steeply that it would barely be covered by the income from the Bengali farms over the border in East Pakistan. Although the family had the trappings of wealth, Rashid saw that they were on the verge of bankruptcy. How would they continue to manage the house, the servants, or Aziz’s school fees abroad? He took his first bold decision as the head of the household, and moved the entire family over to their estates near Dhaka.

Henna was furious that she was being packaged back to the Bengali backwater she had been persuaded to marry to escape – who had ever heard of an East Pakistani film star? Everyone knew that only Indians made movies. She started working on a new plan, for when things had settled down, of moving with Ricky to Bombay to one of those modern beach-front apartments she

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