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Dark Jenny
Dark Jenny
Dark Jenny
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Dark Jenny

Rating: 4 out of 5 stars

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Alex Bledsoe's novels featuring detective Eddie LaCrosse have drawn rave reviews for their ingenious blend of classic fantasy and hard-boiled detective fiction. Now with Dark Jenny, Bledsoe returns with an all-new tale of intrigue and murder. . . .

For twenty-five gold pieces a day, plus expenses, Eddie LaCrosse will take on most any case. But the unexpected delivery of a coffin in the dead of winter forces LaCrosse to look back at a bygone chapter in his past—and the premeditated murder of a dream.

Ruled by the noble King Marcus Drake, the island kingdom of Grand Braun is an oasis of peace and justice in an imperfect world. At least until the beautiful Queen Jennifer is accused of adultery and murder. In the wrong castle at the wrong time, Eddie finds himself drafted at sword's point to solve the mystery. With time running out, and powerful nobles all too eager to pin the murder on Eddie himself, he must untangle a tangled web of palace intrigues, buried secrets, and bewitching women—before the entire kingdom erupts into civil war.

Murder, mystery, and magic—just another day on the job for Eddie LaCrosse.


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateMar 29, 2011
ISBN9781429954167
Dark Jenny
Author

Alex Bledsoe

ALEX BLEDSOE is the author of the Eddie LaCrosse novels (The Sword-Edged Blonde, Burn Me Deadly, Dark Jenny, and Wake of the Bloody Angel), the novels of the Tufa (The Hum and Shiver, Wisp of a Thing, Long Black Curl, and Chapel of Ease), and the Memphis Vampires (Blood Groove and Girls with Games of Blood). Bledsoe grew up in Memphis, Tennessee. He now lives in Madison, Wisconsin.

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Rating: 3.775 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Hard-boiled detective story set in a fantasy which draws heavily on the Arthurian legend.
    Eddie LaCrosse, is a mercenary who gets caught up in a power play in a foreign kingdom. Instead of playing out the way the plotters had planned, Eddie gets involved and accused of murder in the royal court. He has to try and find out who committed the murder and also try to stay alive.
    Story OK, but the plot device it hung on was too far-fetched to make you suspend belief (heck, even the hero found it hard to believe.)
  • Rating: 4 out of 5 stars
    4/5
    A bit of arthurian legend spin in this one. Excellent again.
  • Rating: 4 out of 5 stars
    4/5
    This originally appeared at The Irresponsible Reader.---WHAT DID I SAY ABOUT DARK JENNY THE FIRST TIME I READ IT?I have only the vaguest of memory of what actually happened in the first Eddie LaCrosse novel (The Sword-Edged Blonde), and only somewhat better recall about the second (Burn Me Deadly). That's a reflection on the amount of stuff I've read in that time, and is in no way a reflection on Bledsoe. I do have a very clear recollection about what both books told me about Alex Bledsoe's talent and that I enjoyed them a lot. I'm equally certain that Dark Jenny won't suffer from that same fading from memory/excuse to reread them. This one is gonna stay with me for a while.Essentially, this book is a variation of an Arthurian story—ideal king, queen rumored to be less than ideal, noble knight corps with a few rotten apples thrown in, a wizard figure, wicked half-sister, and a whole lotta intrigue—with a few unique twists of Bledsoe's own thrown in for good measure. Not a sour note to be found here—some notes that were hard to listen to, sure, but...okay, there's a metaphor that went awry. I was trying to say that yes, there were things that were less pleasant than others—this book goes to some dark, nasty places--but it all worked well.We get this Arthurian tale via an extended flashback—in the middle of a nasty winter storm, with nothing else to occupy the attention of his neighbors, Eddie receives an interesting package. One so interesting, there has to be a great tale that goes along with it—which he ends up telling to the crowd at his favorite tavern (with only the tiniest of breaks to remind us that this is all in Eddie's past). By making this all an extended flashback, Bledsoe is able to give us a slightly different version of Eddie—one on the way to being the guy we've seen in the last two books. It also gives him the excuse to have a great femme fatale to grab Eddie's attention without having to write around his lovely lady.A great, riveting fantasy noir. Can't wait for the next one already. A decent jumping on point for those new to the series, and a great third installment for those who've been around for awhile.THOUGHTS THIS TIME THROUGHIn the nine years or so since I read Dark Jenny I held on to a vague recollection of the plot, I remembered it was a clever twist on an Authurian Legend, and that it knocked me for a loop. But that's really all I remembered.So when I started it on my Eddie LaCrosse re-listen, I was excited. And spent a lot of time pretty disappointed. I couldn't see why it knocked me for a loop.It was a very clever way to tell an Authurian story while critiquing the Authorian stories. Bledsoe got the best of both worlds there, he got the utopia, the glory, the all the trappings. And he got to show the inherent problems with them, how short lived the utopia was (and if that's the case, just how "eu" was the topia?)And it was a fun story about a younger Eddie LaCrosse, sword jockey at large. I wasn't blown away, but I was having a good time.And then I got to the part that I must've been thinking about when I wrote my original post about it years ago. It's not long after we learn why the book is called Dark Jenny, if you're curious. And then I remembered exactly what I felt in 2011 and why the impression lingered even if the details had faded.WHAT ABOUT DARK JENNY AS AN AUDIOBOOK?Once again, Stefan Rudnicki, isn't who I'd have guessed was a good fit for LaCrosse. But I'd have been wrong, he's a great voice for this series and I can't imagine anyone else doing it now. I can't put my finger on why, but I think this novel works better in print than in audio (which is not a reflection on Rudnicki, it's something about the story)—but I have no complaints about this as an audiobook.SO, WHAT DID I THINK ABOUT DARK jENNY?I guess I kind of gave it away earlier. At this point in the series, Bledsoe has locked it in. He knows who Eddie is and how to tell his stories. There's the right mix of fantasy elements (including the Arthurian material) and hard-boiled PI elements; humor and grit; violence and sympathy.I don't know if this is that much better than it's predecessors—but it is somewhat, at least. And it resonates on an emotional level for me far more than they did. I'm completely sold on it.
  • Rating: 4 out of 5 stars
    4/5
    Catching a cheating husband wasn't any big thing. At least not until sword for hire Eddie LaCrosse made the mistake of standing over a freshly poisoned knight. Now he has a castle full of suspects and a very real need to clear his own name before he ends up blamed. King Arthur and the Knights of the Round Table re-envisioned - King Marcus Drake, Queen Jennifer and the Knights of the Double Tarn, and all of them with some interesting secrets. Not sure I would have picked this up had I realized it was another take on the King Arthur legend, but I'm glad I did.
  • Rating: 4 out of 5 stars
    4/5
    Very enjoyable fantasy. I will be looking for the others in the series.
  • Rating: 4 out of 5 stars
    4/5
    The third book in the Eddie LaCrosse series is a prequel of sorts with Eddie telling the story of events set before the first two books. This book brought the series back to the detective style of the first book and was better for it. Eddie once again on a proper, paid job to discover the truth through his unique methods.

    It brought the mystery and intrigue back the previous book was missing. Here Eddie working his way around the land in his youth is in an unfortunate place at an unfortunate time and his only way out is to solve the murder and the conspiracy surrounding it.

    Sharp, witty, mysterious and surprising this book hit all the right points. Not quite a 5-star book but a very strong 4. I've really enjoyed this series and will have to try Alex Bledsoe's other books while waiting for the next Eddie LaCrosse adventure.
  • Rating: 3 out of 5 stars
    3/5
    nother fun new Eddie LaCrosse novel - one that combines fantasy, mystery and mythic fiction when it and the erstwhile mercenary now-sword jockey take on the tale of King Arthur. Much like how the first two were constructed, Dark Jenny begins with an original setup and then whisks the reader into an alternate but familiar world, this time peopled with renamed versions from one of the world's best loved stories. With a favorite noir character of the femme fatale entering the fray to entertain and lead men - and Eddie himself! - astray, and other assorted fantasy staples (witches! secret religions! magic!), immersing myself into this third novel was as easy as ever. Dark Jenny comes loaded with the same trademark humor and sarcastic sense of irony shown so often in the first two books in this genre-blending series, and it doesn't hurt to have level-headed and skilled investigator Eddie unravel a new mystery in his familiar, intelligent, often bloody, way. Without doubt, this is another solid effort from Alex Bledsoe, if one that lacks the unpredictability of the first two in the Eddie LaCrosse series.Whereas I firmly love The Sword-Edged Blonde and (my favorite so far) Burn Me Deadly, I found myself a tad dismayed by how simple and obvious I found the mystery to be here in Dark Jenny. Bledsoe throws in several red herrings, but as someone that loves the King Arthur legend and reads many retellings of the story, I was never diverted or distracted, as was the writer's intention. Anyone overtly familiar with that tale of love, loyalty, honor, and betrayal will see through to the overall antagonist quite easily, despite any and all attempts to occlude the reader. The adaptations and changes to the characters names are simple to spot (Grand Bruan = Great Britain, Marcus Drake = Arthur Pendragon, Belzcrux = Excalibur, Knights of the Double Tarn = Knights of the Round Table, and so on and so forth) and keep the atmosphere redolent of that often-told and well-loved source material. What Dark Jenny lacks in unpredictablity, it makes up for in humor ("I suppose you all wonder why I've asked you all here" make me seriously lol.)All that isn't to say that Bledsoe doesn't come up with a few twists and surprises all his own - and which helped this stand on its own as clearly the author's own creation/interpretation - but the big reveal at the end... wasn't. For me, at least. This is the first time in three tries that I've figured it all out before Eddie, and I am strangely proud of that fact. Whatever my issues with this latest novel, these have been great, and fun novels and it's a series I eagerly anticipate continuing. Main character Eddie remains the greatest credit to the series - he's likeable despite his checkered past (I especially liked this description of him: [He has] a large sense of fairness, a real taste for violence, and a weakness for lost causes.") and his inner monologue is often wry, humorous, self-deprecating as the occasion calls for it. All in all, he's easy to read, easy to root for, and my affection for him grows steadily more with each subsequent adventure.I had fun with this but besides my dismay over the obvious nature of the big bad, for the first time I find myself closing an Eddie LaCrosse novel with more questions than the novel started with. This is a bit SPOILERY so stay away if you don't want some of the mystery resolved before you even start. #1. How did Megan escape from whatever jail she was thrown in by the king? #2. How did she subsequently get her hands on Belacrux? #3. Why would she take the sword of the island, and bring it all the way to Eddie, only to have him bring it back to Grand Bruan and put it where it belongs? It just seemed... illogical, though it gave Eddie a great segue to tell his tale of knights, betrayal, double identities and more. A little disappointing, but I still had a lot of fun and was vastly entertained for the whole 348 pages. END SPOILERS.Dark Jenny is a solid three star book; another fun and interesting novel from a very imaginative author. It, like Burn Me Deadly, works equally well as a sequel or a standalone novel, and while I liked it, it just wasn't as strong or creative as its two predecessors. Fans will enjoy it, but I'd suggest starting the series at the beginning and working your way through to this one. I'm definitely a fan of this author, this series, and most especially of this character - I'm way more than excited to see what's in store in the next mystery-fantasy-adventure with Eddie.
  • Rating: 5 out of 5 stars
    5/5
    This was my first Eddie Lacrosse novel, but I think I'll try to find the others because I really enjoyed this one. I read that this series is basically mysteries in fantasy settings, but I didn't expect it to be set within the King Arthur myth! This novel is Eddie telling his tavern friends the mystery he solved seven years previously on Grand Bruan Island. A Knight of the Double Tarn (ie Round Table) eats a poisoned apple and dies. Queen Jennifer is the prime suspect, but thankfully Eddie is there to solve the case. Bledsoe skirts around the familiar Arthur myth, changing names (Merlin becomes Cameron; Lancelot becomes Elliott...) and keeping things fresh with Eddie's amusing voice. I was truly kept guessing until the end. There were moments when it would have been nice to have read the other Eddie Lacrosse books (allusions to other escapades, etc.), but overall, this novel stood well on its own. Recommended.
  • Rating: 4 out of 5 stars
    4/5
    Every once in a while I go out to the mailbox and discover a book in the mail that I wasn't expecting. A lot of those books end up sitting on my review shelf, but some of those books intrigue me enough to dig my eyes into them. Such books tend to be quite good. Dark Jenny is one of those books.Dark Jenny follows Eddie LaCrosse, a witty sword for hire who'll solve any case for a reasonable price. But Eddie also has a history that most people don't know about, and it involves the fall of the kingdom of Grand Bruan, a feudal utopia with an Arthurian legend at its core. When a mysterious coffin is left in the snow outside his place of business -- i.e., a tavern -- Eddie begins to weave a tale about murder, dark family secrets, unscrupulous and vengeful characters, and a version of Grand Bruan's fall that nobody has ever heard before.Dark Jenny is a lot like the movie Clue on a twisted date with The Princess Bride. Bledsoe's novel is one part dark comedy and one part social critique. As a dark comedy, it benefits from having a strong protagonist and a solid cast of secondary characters. Eddie is sarcastic, witty, and clever, but he is also a farcry from the antiheroes of many popular fantasy series, despite his attempts to avoid involvement in anything other than his business. The result was a character I enjoyed reading about and a character whose motivations I could understand, even if I might have disagreed with him. This feeling is helped by the fact that Dark Jenny is a first person narrative, the result of which is a thorough understanding of Eddie's thought processes and a lack self-referentiality -- that is that the novel doesn't suffer from requiring some familiarity with Bledsoe's other works, however minute. Instead, the novel is made internally consistent by a character who feels fully-developed from the outset (the novel opens in a tavern and does a fantastic job of creating a sense of familiarity through Eddie's interactions with the various minor characters around him) and whose development is then displayed full-force by a flashback narrative (one which shows that development morally through his interactions with the people of Grand Bruan, in which his aggressive nature is challenged by -- and challenges -- people above his stature; we then get to see how his personality functions and why he is who he is). Eddie's voice is perhaps the strongest aspect of the novel next to the genre critiques, without which I think Bledsoe's tale would falter.The core of Dark Jenny is an Arthurian legend twisted on its head, in part because the kingdom has descended into barbarism, which the opening of the novel indicates, but also because Bledsoe doesn't avoid breaking down the utopianism of feudal myths (often through humor) in order to show the dark inner workings of societies which are served by those myths. To put it another way: Bledsoe's novel, despite presenting itself as a fun, but dark comedy, is one which critically engages with the mythologies societies give to their citizens, showing the tenuous balance between maintaining order and manipulating one's subjects. (Bledsoe is engaging with the fundamental unknowability of utopia, which Fredric Jameson discusses throughout his writing, but specifically in Archaeologies of the Future). Bledsoe relays these critiques largely through humor, which is refreshing when one considers how many fantasy novels deconstruct the feudal utopia through elaborate political or metaphysical pessimisms.Dark Jenny does have some issues, though, some of which will be the result of the reader's taste. While the novel contains within it a heavy social critique, its outer skin -- that of its comedic nature -- sometimes falls short from a language perspective. Eddie frequently uses euphemisms which are far too modern for the world he is playing with. Though Dark Jenny is set in a secondary world, I felt myself being drawn away from the story when phrases like "she's a knockout" appeared in the text. Many readers may not be bothered by such things, but I find that the language can only be modernized so much before the story's medieval settings starts to feel strained against an encroaching modernity.There are also issues related to the Bledsoe's use of sexual relationships. I never got the sense that certain characters were reasonably attracted to one another (though there is a twist which explains why some characters are that way). In Eddie's case, there is a love interest, but it felt somewhat strained to me. I tend to prefer romantic relationships which develop realistically. Eddie's "charm," while usually evident in other avenues (such as his interactions with Kay), wasn't given enough space in the romantic subplot. There needed to be more interaction, because without it, I got the sense that the relationship did not contain the depth that Eddie frequently announced in the text (the relationship seemed to be about sex rather than some kind of attraction beyond the physical; the novel suggested that the relationship wasn't just physical).The novel's structure is also interesting to note. I feel that some readers will have issues with Dark Jenny's jumps between the world's present and its distant past (at about the same frequency as The Princess Bride), but I found the structure enjoyable and fascinating. This means that the novel doesn't present itself in a straight way. Some details are revealed from the start, while others are left to be discovered -- by the Eddie's past self and by the reader. The structure works well with the mystery plot that begins the novel's present and past, and will certainly please fans of other genres than fantasy (mystery fans might find Dark Jenny enjoyable).Overall, however, I greatly enjoyed the book. It's a dark comedy/fantasy romp with a strong lead character, plenty of mystery and twists, and a solid plot. I've been inundated with too many epic fantasy stories; receiving this book in the mail was a welcome shift from what I usually read in the genre. You should definitely give it a whirl.

Book preview

Dark Jenny - Alex Bledsoe

chapter

ONE

Gary Bunson, Neceda’s slightly-honest-but-mostly-not magistrate, came into Angelina’s Tavern accompanied by a blast of winter air. Immediately an irate chorus erupted, some with language that implied Gary had carnal relations with livestock. Gary was used to that sort of response so he paid it no mind, and it stopped when he closed the door behind him. He shook snow from his long coat and looked around until he spotted me sitting with Liz at the bar.

LaCrosse, he said. There’s somebody outside looking for you.

Me? Must be a mistake.

No mistake. He knew your name, and knew to find you here.

As a private sword jockey who either helped find the skeletons or made sure they stayed in the closet, I got my share of visitors, but not on a day like this. It was the worst winter in Muscodian history, and Neceda had it harder than most, being right on the frozen Gusay River where the wind had room for a running start.

Liz Dumont, my girlfriend, said, Expecting someone?

I shook my head and asked Gary, Who is it?

What am I, your secretary? Gary snapped. He straddled the empty barstool on the other side of Liz. He’s outside, go find out for yourself. Angie, get me something hot to drink, will you?

Angelina, the tavern’s owner as well as its main hostess, said to me, You must owe someone a lot of money if they’d come out in this weather.

I owe you more than I do anyone, I pointed out.

That’s true. But I always know where to find you.

Maybe it’s someone coming to hire you, Callie the waitress said. Even dressed in winter clothes that covered her from chin to ankle, Callie’s beauty could melt icicles at ten paces. It was a shame those same icicles could probably outthink her.

Gary put both hands around the mug of hot tea Angelina placed in front of him. I watched the door expectantly. When nothing happened, I asked Gary, So is he coming in?

Hell, I don’t know, the snow’s blowing so hard I could barely see him. He’s got some kind of box with him.

Box?

Yeah, you know, a box. Like a coffin or something.

He was wrong, though. It wasn’t like a coffin, it was a coffin. It rested in the middle of the snowbound street. The horse that pulled it stood knee-deep in a drift. The animal had a thick winter coat and a heavy blanket draped over it from neck to tail, but still looked pretty put-out.

The blizzard had subsided to a steady flurry of flakes by the time I went outside. The figure seated expectantly atop the coffin was a small old man with a white beard, huddled beneath a cloak and heavy cap. His bright eyes peered from under the brim. He seemed unconcerned with the weather, puffing serenely on a long-stemmed pipe. The smoke vanished in the wind as soon as it appeared.

You looking for me? I said.

The old man looked me up and down. Depends. Eddie LaCrosse?

Yeah.

He hopped to his feet, slogged to me, and reached inside his clothes. Beneath my own coat I closed my hand around my sword’s hilt; a single twist would make a hidden dagger spring into my hand. To any opponent, I’d look as if I were idly scratching myself.

But the old man withdrew only a folded document with a red wax seal. This is the paperwork. His voice was high-pitched, almost girlish, and this close his eyes looked a lot younger than his white beard implied. He gestured at the coffin. And this is the delivery.

I tucked the document inside my coat. Who’s in there?

He shrugged. Beats me, pal. I was just told to deliver it.

Skids were nailed to the bottom of the coffin to ease its passage through the snow. As the man unhitched this sled of the dead from his horse, I examined it for a sign of its origin.

The first clue was its size: whoever was inside would be well over six feet tall. I’d crossed paths with a lot of big men over the years and mentally went down the list. I couldn’t imagine any of them sending me their mortal remains.

When the old man finished, I dug out what seemed like a respectable tip, but he declined. I got paid enough already. Keep your money. He swung easily into the saddle, looking even tinier on the huge horse. Tell me, is there a whorehouse in this town?

Closed until the blizzard passes. Being seductive in this weather is heavy going.

Being horny in this weather ain’t that easy, either, but I’m doing my part. He looked around as if determining which way to proceed. Oh, well. Best of luck to you, Mr. LaCrosse.

I watched him disappear into the snow. A few Necedans, bundled up so that only their eyes showed, had emerged to see what the commotion was about. It only then occurred to me that the old man had left the coffin in the middle of the street. I got behind it and, once I broke it free of the latest snow, pushed it with surprising ease over to the tavern. I left it outside the door and went back in.

*   *   *

"A coffin? Callie said as I waited for my fingers to warm up. Who would send you a coffin?"

I think the point is who’s inside it, Liz said.

So who is it? Gary asked.

I withdrew the document. Don’t know. Supposedly this will tell me.

Liz, Angelina, Callie, Gary, and at least half a dozen other people gathered around as I broke the seal. I glared at them until they backed off enough for me to read the message in private. It was brief, explained the coffin’s contents, and made it perfectly clear why it had come to me.

It also opened a pit in my stomach big enough to swallow the coffin, the tavern, and most of the town.

I put away the document and took a long drink of my ale. Everyone watched me expectantly. At last I said, I’m not reading it to you.

The air filled with their moans and complaints.

I held up one hand. "But I will tell you about it. I just need to go up to my office for a minute."

Why? Angelina asked.

I need to find a file. Refresh my memory on some things. I’ll be right back. I kissed Liz on the cheek and went up the short flight of stairs.

My office was in the attic above the tavern’s kitchen. I hadn’t used it in a month because it had no independent source of heat and the kitchen’s warmth didn’t rise that far in this kind of weather. The shutters were closed, and ice around the edges assured me they’d stay that way until spring.

I lit a lamp, then bolted the door behind me. It felt a little weird locking Liz out with everyone else, but this had nothing to do with her. It started long before she and I met.

My files consisted of rolled-up vellum sheets kept in a large freestanding cupboard beside my sword rack. They contained details about cases that I suspected might one day come back to bite me. They weren’t the kind of notes the Society of Scribes kept; these were brief accounts designed to jog my memory. To anyone else they’d be mostly gibberish.

I opened the cabinet and searched through the scrolls. They were organized, but not so anyone else could tell it. I knew the pattern and quickly retrieved what I sought. I took it to my desk, untied the ribbon, and unrolled it. I used four rocks to hold down the corners.

There they were, the names I hadn’t thought about in months, in some cases years. I’d sketched a map of my travels as well, since geography had been so crucial to this case. But none of the words or drawings captured the scale of what happened during those long-ago days. In the blink of an eye the mightiest king in the world had lost everything. And I was there.

I didn’t need the scroll to remind me about it, though. What I needed was time to choke down the emotions it brought up. I knew I’d have to tell the folks downstairs something, and it might as well be the truth. There was no one left to benefit from secrecy now. But some things always felt immediate, and some wounds, while they healed, nevertheless always ached.

At last I replaced the scroll, relocked my office, and returned to the tavern. By then even more people waited for me. Not much happened in Neceda on its best day, and there had been little entertainment during this brutal winter. The coffin made me the main attraction.

As I settled back onto my stool, Liz leaned close and said, You don’t have to tell anyone, you know. Not even me.

I know. But what the hell, it beats more talk about the weather. To Angelina I said loudly, A round for the house first, Angie. On me.

A grateful cheer went up. Angelina scowled, knowing she’d have to add it to my already-lengthy tab. But she poured the drinks, and Callie distributed them.

I faced the room with my back against the bar. I said, This all happened seven years ago, before I came to Neceda. Before, I said to Liz, I met you.

Oho, Angelina said knowingly. "So there’s a girl in this story."

"I knew somebody had to teach him what he knows, Liz said teasingly. He’s not a natural talent."

I winked at her, then continued, I hadn’t officially been a sword jockey for very long, so I was still building my reputation. I’d go somewhere for a client, and when I finished, I’d look around for another one that would take me somewhere else. That’s how I got word that my services were needed in Grand Bruan.

My listeners exchanged looks. These days the island kingdom of Grand Bruan was primarily known as the site of the most vicious ongoing civil war in the world. Unofficial estimates said more than half its population had fled or been killed, and the land was overrun with invaders, mercenaries, and pirates. But it hadn’t always been that way, and they knew the story behind that, too. Hell, everyone did.

The tale of King Marcus Drake and the Knights of the Double Tarn had passed into legend almost before the great ruler’s corpse was cold. Thirty years earlier the island of Grand Bruan, a chaotic place of warring petty kingdoms, was on the verge of total chaos when a young boy did something no grown man had ever been able to do: he withdrew the magical sword Belacrux from the ancient tree where it was embedded. This signified that he was the true, rightful ruler of all the land.

Naturally there were those who disagreed, but they hadn’t reckoned with young Marcus’s determination, and his core allies: the wise adviser Cameron Kern, the great knight Elliot Spears, and the brotherhood of warriors known as the Knights of the Double Tarn. Every child could recite their great deeds of arms in unifying the island.

Then came the golden time, when Drake and his queen, Jennifer, naturally the most beautiful woman who ever lived, ruled in fairness and grace. Laws were passed to protect the common folk, and peace reigned for a generation.

But the brightest light casts the darkest shadow, and in that shade dwelled Ted Medraft, bitter knight and jealous nephew of the king. He fomented a rebellion and forced a final great battle. Drake killed him, but Medraft mortally wounded the king. Drake died, the land returned to chaos, and the great sword Belacrux disappeared, awaiting the hand of the next destined ruler, who had so far not appeared.

The ballads and broadsheets kept coming, though, embellishing the tale until it was an epic of how hubris and fate brought down even the loftiest men. In the seven years since Drake’s death, he’d become such a literary figure that some people believed he’d never existed. In another ten years, he’d be a full-fledged myth.

But he had existed, and the truth was a little different from how the ballads told it. I might be the last man living who knew it.

I continued, My client was a Grand Bruan noblewoman named Fiona, and she had connections. As a result I found myself at a party given by Queen Jennifer Drake at Nodlon Castle on the island’s west coast.

I paused long enough to take a long draft of my own ale. A lot of things in my past had grown hazy with the passage of time, but not this. The details all came back in a rush, from the odor of the banquet hall to the unmistakable coppery smell of blood thick on the wind. And the look on a king’s face as a woman rose from the dead before him.…

chapter

TWO

Nodlon Castle was built so close to the edge of the cliff overlooking the western ocean that first-time observers always wondered why it didn’t just fall off. Most assumed this precarious-looking position was due to erosion, but in truth it was entirely on purpose: the king’s former adviser Cameron Kern had designed it as a psychological ploy to prevent enemy troops from trying to scale those same cliffs in an attack.

That had been in the old days, during the wars of unification. And by old, I meant twenty years from the summer I arrived. That might not sound like much time, but the changes in Grand Bruan were so significant that its prior incarnation might as well have been a century ago.

Nodlon Castle’s big central hall was freshly and thoroughly scrubbed. Flowers, banners, and tablecloths tarted it up in anticipation of its royal guest, Queen Jennifer Drake. Chauncey DeGrandis, the castle’s current lord, lumbered about greeting people as if he were doing the queen a favor by allowing her to visit. I moved away whenever I saw his three-hundred-pound bulk approach, which was easy since his outfit was done entirely in shades of yellow.

At that moment I hid among a group of puffy-sleeved lords and ladies in pointy hats, all of us laughing at some story whose beginning I’d already forgotten. I hoped they didn’t laugh too hard: they had on so much makeup that if they cried, they might erode. And that included some of the men.

I wore no makeup, but in my new suit, fresh haircut, neatly trimmed beard, and expensive manicure, I blended right in; that was the point of a disguise, after all. Since I had no visible female escort, I was set upon like a ham bone tossed among starving dogs. There wasn’t a woman present who didn’t look me over as thoroughly as the weight guesser at a fair, as either a potential son-in-law or possible bedmate when her husband was away. This wasn’t because I was particularly handsome or noticeably wealthy; all that counted was that I was new meat. For those who never suffer from hunger, the only variety comes from taste.

And that was the source of the delicious irony. Long before I decided to become a private sword jockey, I’d grown up in an atmosphere identical to this. The court politics in far-off Arentia might be different in detail, but ass-kissers and sycophants were the same all over. Although I’d left behind that world of pomp and suck-uppery, I now relied on my memories of it to complete my current job. Oh, the delightful paradox.

It was hard not to tease these soft-bellied, overpainted glowworms. Heck, even the men wore too much eye shadow. A lot of them weren’t native to the island; they’d swarmed here from other kingdoms after the end of the wars, bringing gold to shore up the economy in return for status they could never achieve in their home countries. They taught the Grand Bruan nobles all the arts of courtliness, as well as its subdisciplines of gossip, polite treachery, and smiling through your fangs.

I took another drink of the free wine, top-barrel stuff only kings and high priests could afford. My head felt it a bit, and I knew I should slow down, but this wasn’t a dangerous assignment, or a complex one.

So, Baron Rosselac, what do you think?

I blinked. I had picked my alias, an anagram of my real name, without too much forethought and kept forgetting to respond to it. I used the arch, proper tone of someone showing off his education and said to the matronly woman, Oh, I’m sorry, my lady. My thoughts must have been distracted by your overwhelming beauty. What were we discussing?

In response, she made a noise I assumed was laughter. It sounded more like the defensive chatter of some small rodent. Oh, Baron Rosselac, you’re making me blush.

It was hard to tell; she wore enough white face powder to ballast a frigate. More color to those cheeks will only add to your loveliness, I said with a slight bow. Were we still debating the necessity of adequate leisure time for serfs and vassals?

Why, no, we finished that discussion ages ago. I asked if you thought Queen Jennifer would wear her crown jewels tonight.

Oh, of course she will, I responded with faux certainty. "Why, just today I heard from my friend Lord Huckleberry—you all know him, don’t you?"

They quickly affirmed they, too, were intimately acquainted with my oddly named and entirely fictional best pal.

Well, he told me in confidence that the queen would be wearing a whole new set of jewelry tonight, some… I stopped, looked around in mock discretion, and motioned them all in close. The tips of the women’s tall hats tapped against each other above me. Some of the jewels worn in places where they can’t even be seen by anyone other than the king!

Handkerchiefs flew to cover heavily painted mouths, and eyes widened beneath eyebrows plucked away and redrawn as thin arches. The men couldn’t repress lascivious grins and brow waggles. Now, don’t spread it around, I cautioned. I wouldn’t want dear Huckleberry to think I’d broken confidence with him.

Oh, of course not, a thin woman assured me.

Won’t breathe a word, added a corpulent fellow with bulbous, lavender trousers. Naturally, I knew my little rumor would be spread all over the hall before they tapped the next wine cask. Eventually someone would point out that there was no Lord Huckleberry, and a reverse wave of social reprisal would travel back along the gossip channel, with any luck crashing down on the very powder puffs around me. I’d be off the island by then, so I’d miss the ultimate punch line, but I got a warm feeling from setting it in motion.

My eye fell on the big Drake family banner stretched across the wall behind the throne Queen Jennifer would soon occupy. The red dragon emblazoned on it was not snarling or breathing fire, but instead held the island of Grand Bruan protectively in one claw and looked over the room with the steady, even gaze of a concerned but supremely self-confident nanny. The other claw held a sword with distinctive dragon designs along the blade: this was Belacrux, King Marcus Drake’s royal talisman, supposedly unbreakable and invincible. It was probably the best-known single weapon in the world.

Fame had come hard and sudden to Marcus Drake. He’d claimed the crown at fifteen, winning over the other warlords with both charm and force, and used this alliance to drive the mainland invaders back across (or into) the sea. Now Grand Bruan stood as a shining example of the way a kingdom ought to be run, and rulers the world over were being held to Drake’s considerable standard. He’d set the bar pretty high, especially with his insistence on a rule of law that applied to nobles as well as citizens, a clear path to justice for the peasantry, and over a decade of peaceful relationships with the island’s offshore neighbors. Even when they fought each other, they left Grand Bruan alone, because no one wanted Drake breathing fire down his neck.

That titter that made my teeth gnash broke my train of thought as someone else amused my rotund lady friend. It reminded me of the ways Grand Bruan was exactly like every other kingdom: no matter how noble the man at the top or how loyal the citizens at the bottom, those in the middle would always serve their own interests first. Every king learned that truth eventually, even Marcus Drake; and that same truth kept guys like me in business.

It was also the reason for the party I’d crashed. Given that Drake’s reign depended on a network of internal alliances, it made sense that he occasionally gathered his landed-gentry supporters for some free booze and a pep talk. With no legitimate complaint against him, any rebellion would be driven by purely personal malice, and he knew that no one stayed mad at a guy who regularly fed them and got them drunk. The pageantry on such occasions also let him show off his power and warned any potential insurgents that they’d have quite a fight.

Even the great King Marc couldn’t be everywhere at once, though, so today Queen Jennifer would take up the slack. Her grand entrance would mark the beginning of the festivities and mean we could finally get something to eat. I looked forward to her arrival not just because I needed something in my stomach to pad out the wine, but because Jennifer Drake was, by conservative estimate, one of the two or three most beautiful women in the world. I wanted to verify that for myself.

I also kept my eye on the far side of the room, tracking the skulking form of the man who’d brought me here. Kenneth Spinkley, aka the Lord Astamore, leaned against the stone wall. His gaze flitted around the room. Astamore was a skinny, pasty-faced guy with the twitchy demeanor of a ferret. He wore ritzy clothes in the latest Bruanian style, something that did not accent his best qualities. A huge tapestry hung beside him, its life-size depiction of warriors in battle making him look as if he were fleeing the carnage. I could’ve quietly confronted him at any time and done what I was hired to do, but I held off to see who approached him. My client would definitely want to know.

I heard, said the spindly man beside me, that dear Marc never lets Jennifer take her real jewels on these jaunts. He doesn’t trust his subjects in these outlying castles, even this one, which trains all his knights.

Does your friend Huckleberry have any insight on that? the blushing woman asked me.

I imagine Jennifer does what Jennifer wants, I pooh-poohed, and batted my eyes for emphasis. When I turned away from the smug chuckles, Astamore had vanished. That figured; the instant I take my eye off the little dung beetle, he finally makes his move. You’ll excuse me, I said with a bow, but I must find the nearest water closet.

Do return, the matron said. "We have so much more to

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