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Half Life: A Novel
Half Life: A Novel
Half Life: A Novel
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Half Life: A Novel

Rating: 3.5 out of 5 stars

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On the morning that changes everything, Aruna Ahmed Jones walks out of her ground-floor Victorian apartment in London wearing only jeans and a t-shirt, carrying nothing more substantial than a handbag, and keeps on walking. Leaving behind the handsome Dr. Patrick Jones, her husband of less than a year, Aruna heads to Heathrow, where she boards a plane bound for Singapore and her old life. Educated and beautiful, Aruna has a desperate need to risk it all. But why? Waiting for her is a messy past and a perfect past lover she had once abandoned without even saying goodbye – a story left unfinished – until now.

Aruna is not running away from home, she is running back to the home she always had, before it became impossible for her to stay. Before her father, the only family she'd ever known, passed away. Before she tried, and failed, to create a life and a family with her best friend and lover, Jazz. Before her doctor delivered a complicated psychological diagnosis she'd rather forget. After years of fleeing the ghosts that continue to haunt her, Aruna is about to discover that running away is really the easy part; it is coming home—making peace with her past, with Jazz and those they have loved—that is hard. Spanning the world from London to Singapore to India and back again, Half Life is a richly layered tale of love and conflict, friendship and sacrifice, the luminous story of a young woman who risks everything in order to find where she truly belongs.

LanguageEnglish
Release dateApr 27, 2010
ISBN9781429924696
Half Life: A Novel
Author

Roopa Farooki

Roopa Farooki was born in Pakistan, and brought up in London. She is the author of the Double Detective mystery series and is an NHS doctor.

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Reviews for Half Life

Rating: 3.439655172413793 out of 5 stars
3.5/5

58 ratings17 reviews

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  • Rating: 3 out of 5 stars
    3/5
    It was an easy read despite three different settings and frequent flashbacks. I read this book at the time I was contemplating about bipolar disorder, love and sexuality. Book pretty much covered all three - though it was far from my state of mind - it made an impression on me as to how people deal with love and sexuality. It was an interesting insight into some of the most passionate/wilful people I identify with.
  • Rating: 4 out of 5 stars
    4/5
    'It's time to stop fighting and go home'.I listened to the Audible version of this book, read, rather excessively slowly, by Tania Rodrigues. I think in this instance I'd have preferred to have read the book as I seemed to lose the thread from time to time and it's hard to check back with an audio version. This was especially the case as the relationship between Aruna and Jazz was unravelled.Aruna has been living in London, married to a doctor but still fighting addictions to drugs, alcohol and sex. She had lived for many years in Singapore but left suddenly when her relationship with her childhood friend, Jazz, came crashing to the ground. She suffers from bipolar disorder but is apathetic about the medication. In general, her life is a mess.The one stable thing is her marriage, until she suddenly walks out on it and buys a ticket on a plane back to Singapore.This move, prompted by the words from a poem that fall out of a book, 'It's time to stop fighting and go home', takes her back to face even more mess.Gradually we learn of the background to her first relationship, with Jazz, and why she had felt the need to escape. Jazz's father was once a poet but he is eldely now and is ending his days, lonely, in a Singapore hospital. It seems he holds the answer to the many questions that have confused Aruna for many years and driven her to hide behind her addictions.Aruna is really not at all likeable and I felt for the two men whom she had abandoned. There was no real satisfactory way to end this story once we had all the facts and I was frustrated with the decision that Aruna makes at the end.An author that I will read again, though not as an audiobook.3 1/2 stars.
  • Rating: 3 out of 5 stars
    3/5
    As the cover blurb says, this is the story of a woman "finding herself"--but I have to disagree with the claim that it resembles The Namesake and Slumdog Millionaire. I loved both of those books, and there's no way this one has any connection to them, aside from the fact that the main character is Bengali and learns some family secrets. The main secret is, in fact, pretty far-fetched. (I'd tell you what it is, but I don't want to spoil the reading for anyone interested.) And Aruna, the main character, never really engaged my sympathy: she's moody, impulsive, and downright mean to those who love her. The author tries to explain this away by giving her bipolar disorder, but then Aruna refuses to take her medication, primarily because she LIKES being moody, impulsive, and mean.The narration shifts among three characters: Aruna; Jazz, the young man who has been her protector since they were 10 and the lover who she abandoned with no explanation; and Hassan, Jazz's estranged father, a poet who is wasting away in a hospital. I tend to like stories that have multiple narrators/POVs, as it gives greater insight into their hearts and minds, and Farooki does it well here. The setting jumps back and forth, from London to the Bengali community of Singapore to Kuala Lampur, and the novel jumps from preset to past just as erratically (which makes some sense as the characters reflect on their lives and try to unravel the big secret).As a reader with an interest in Indian culture, I was rather disappointed in Half Life, and I can only recommend it to others who enjoy angst-ridden novels of self-discovery.
  • Rating: 4 out of 5 stars
    4/5
    'It's time to stop fighting and go home', the line Aruna finds in a book that draws her back to Singapore to try and sort out the life she left behind.Intertwining the story of the life she has made for herself in running away, and the twists of the life she left behind, Aruna and Jazz seek the truth - and to lay the past to rest.An interesting, at times heart-wrenching, read.
  • Rating: 4 out of 5 stars
    4/5
    I really enjoyed reading this entertaining book. It is a poignant story of friendship and love. I loved all the characters especiallyHari who was totaly misunderstood by the person he loved best-his son. the characters were well rounded and I like the way the story was told from all their points of view.
  • Rating: 4 out of 5 stars
    4/5
    Half Life follows Rooney, a thirty something Pakistani woman who was raised in Singapore but now lives in London. Rooney is in a marriage where she purposefully keeps herself emotionally unavailable, and self medicates with alcohol and drugs. Slowly, the author uncovers that Rooney's strange behavior is tied to her past in Singapore, where she was in love with Jazz, a man who turned out to be a lot closer than she thought. As Rooney unravels her past, she must come to terms with who she really is. Half Life was a hard book to get into, it did not grab me right away. But once Rooney leaves London and arrives in Singapore to settle up with her past, the book had me. The author does a wonderful job of slowly unfolding Rooney's history, with both flashbacks to her childhood, her earlier, happier life with Jazz, and her troubled marriage in London. The characters in Half Life are much deeper than the shallow people they seem upon first impression, and in the end their interactions really made me think about how hard it is to recover when your life is shattered. If you're a fan of literary fiction, this is a good book to check out.
  • Rating: 5 out of 5 stars
    5/5
    "It's time to stop fighting, and go home," reads Aruna, so she walks out the front door, barely stopping to dress, put on shoes, and grab her purse. She heads immediately to the London airport and catches a flight to Singapore to face her past. There is a simplicity to the story and the style of this book. The writing is very lyrical, but it doesn't try to hard, instead the use of metaphor pulls you down into the room to sit beside each character as you read. She handles several challenging subjects, the kind of things that could jerk you out of the story with disgust in the hands of another writer. However, Farooki manages to approach the subject with a sense of loving forgiveness for her characters. She presents a world in which life is both brutal and beautiful, and even though perfect resolution is not always found, there is hope and the possibility of joy.
  • Rating: 4 out of 5 stars
    4/5
    Just moments ago finished Half Life by Roopa Farooki, the story of young Aruna Ahmed Jones who, just days before her first wedding anniversary, walks out of the London flat she shares with her husband one morning with nothing but the clothes on her back, and her bag containing cell phone, credit card and passport and boards a plane to Singapore, returning to the life she had walked away from just as abruptly two years before. The story of that life and her reasons for leaving -- running away -- are told in alternating chapters focusng on the Aruna (also known as Rooney), her oldest friend and former lover, Jazz, and Jazz's dying father. And what a story it is! I really liked this book so much better than I thought I would as is evidenced by the fact that I gobbled the whole thing down this afternoon and evening. Simply but stunningly told this is a story I could recommend to just about anyone. ***1/2 stars.
  • Rating: 4 out of 5 stars
    4/5
    "It's time to stop fighting and go home." After reading these words by a Bengali poet, Aruna Ahmed Jones decides to leave her husband Patrick and life in London to return to Singapore and her best friend Jazz.I don't want to give away too much of the plot - there are so many little surprising reveals throughout the book and it would ruin it to say much more. I was totally engrossed in this book from start to finish. Just when I thought I had a character or where the plot where the plot was going figured out, another layer unexpected layer was revealed. The author managed to do this in a very authentic way. The book goes back and forth from flashbacks to present day but is never confusing.This is Roopa Farooki's newest book and the first I've read by her. I'm looking forward to reading some of her earlier work now.(Thank you to the publisher and the FirstReads programs at GoodReads for providing me a copy of this book.)
  • Rating: 4 out of 5 stars
    4/5
    Pain. I certainly felt pain for the main heroine of "Half Life". And for that - for making me feel that - credit goes to the writer. Roopa Farooki describes with poignancy the perils of being bipolar. And at the end, I felt relief - relief for at least the probability of the right direction Aruna's life might take. The other characters, besides Aruna, are no less complicated in their life stories, all intertwined in unexpected ways. I must say, I did feel some melodrama being enacted at times, but only to an extent. I got the book through LibraryThing Early Reviewers, and it really aroused my curiosity about the author, so that I already have on my desk her debut novel "Bitter Sweets" to be read at the earliest.--
  • Rating: 3 out of 5 stars
    3/5
    I was prepared not to like this book simply because of the cover. As an Indian-American, I get irritated at the Indian lit books that have similar covers of a beautifully traditionally dressed Indian woman putting on jewelry or whatever. Also, the back cover says that it has "shades of Slumdog Millionare and The Namesake." Whatever. Marketing of non mainstream books is ridiculous. This has nothing to do with Slumdog or The Namesake. At any rate, once I got past my cranky prejudices, I read this book pretty quickly. Like most of the reviewers, I enjoyed Hari's character the best. Aruna was very frustrating but I understood that I was not really supposed to like her. I don't understand why she does go back to Patrick in the end--nothing in the book really made me think she liked to spend any time with him (apart from bed).I liked reading about the split of East and West Pakistan, and I don't think Aruna would really be happy in London, but in general, an engrossing, occasionally funny, and mostly well-written story.
  • Rating: 3 out of 5 stars
    3/5
    The book begins with Aruna walking out of her flat in London, and getting on a plane to Singapore to go home. At first, I liked her. I liked the idea of having the courage to get up and leave a situation you don't like. However, as the story developed, I liked her less, and I began to have misgivings about the story altogether. She wasn't acting out of courage or leaving a bad situation, and that was frustrating.Aruna is a young woman with bipolar disorder whose parents are dead. She is self-medicating with drugs, alcohol and sex, and is married to a nice British man. She is very confused. Also in the story is a lonely young man, Aruna's best friend and ex-boyfriend Jazz who also turns out to be a half-brother of some sort (one thing never clearly resolved in the story). Jazz's mother is dead and his father is dying of ALS (I think - never actually labeled as ALS, but all the symptoms are there).I have a family member with bipolar disorder, and my grandfather died of ALS, so until 3/4 of the way through the book, I was thinking I did not like it at all. It can be difficult to read books that reflect difficult things we've experienced.It's hard to say whether I think her going back to her nice English husband was a good or a bad thing. It's good to have someone who loves you, and it's better if you can love them back. I don't feel like we got to know him well enough. He's kind of a background character who turns out to be very important.When the author finally began to resolve all of her threads, I started feeling better. I really liked the ending (and I won't spoil it). Overall, despite the feelings stirred up by this story, I liked it.
  • Rating: 3 out of 5 stars
    3/5
    I like how the book is sinuous; the transitions between the characters' points-of-view are smooth. Within those sections, however, the writing can get very choppy and inconsistent. Furthermore, although I feel like I understand the characters of Hari Hassan, Jazz, and even Zaida, I do not understand Rooney's motivations at all, and, by extension, any part of any other character's life that overlaps hers. She just seems to do things just to do them and there is no explanation as to why she behaves so deplorably aside from "it's the bipolar disorder!" People with bipolar disorder have motivations, just exaggerated ones.I enjoyed the conclusion to one of the plotlines but not the other. I like how the mystery about the siblings' relationship feels like it is solved but remains a fluid, incomprehensible thing, but I did not understand why Aruna would return to Patrick. The novel is spent describing how she uses him for comforting, unemotional sex, and then she suddenly wants to return to him? It would have made more sense if she had only returned to him with the hopes of resuming their old life, but the ending seemed to hint at them ending up truly happy -- how would that be possible?
  • Rating: 3 out of 5 stars
    3/5
    This book starts promisingly. Aruna, a young PhD, reads a line from a poem and suddenly needs to abandon her husband in London and return to Singapore -- that very day. Through flashbacks, and skipping from one character's perspective to another -- all deftly handled -- Roopa Farooki sets out to answer many intriquing questions -- not the least: what is the matter with Aruna who seems to be addicted to everything (drugs, alchohol, cigarettes, sex) and only married her loving, doctor husband because, as she says, he asked her. Does she suffer because her mother died when Aruna was only three, because she loved her distant father, because of her long but mysteriously unsatisfying relationship with her childhood friend Jazz -- or has she some mental disorder?Along the way we receive a small dose of Indian and Pakistani history, and meet the most interesting person in the novel, Jazz's dying father. Unfortunately, the writing is uneven, sometimes lovely and flowing, but often abrupt, reading like the stage instructions in a play. In addition, about half way through we feel we've got the answers to all the questions (even though we don't quite) and what reason to go on? Aruna is not a sympathetic character; she treats her husband and Jazz terribly and there's no understanding why they put up with her, particularly the husband.The story wraps up neatly, not quite convincingly. The question lingers: does Aruna choose half a life?
  • Rating: 5 out of 5 stars
    5/5
    This story changes settings and characters very often, yet I was never once confused over time, place, or character. Just as the story’s context changes rapidly, so too did my emotions. I felt like I was on an emotional roller coaster reading this book (in a good way)! I felt the characters’ joy and pain right along with them. I sympathized with Aruna even though I was also frustrated with her at times (at the same time, I would feel guilty for feeling angry at her because she suffers from a mental issue). The plot takes an unexpected turn at one point, and from then on, you are drawn in, trying to figure out what will happen next. You don’t know whether to cringe or to smile.Overall, I recommend it! It's well written, but still an easy read. I will definitely check out more books by Roopa Farooki.
  • Rating: 5 out of 5 stars
    5/5
    I sat down with this book yesterday, intending to read just a few pages, and found myself unable to put it down. Though at first I was uncertain about Roooney and Jazz, as the novel progressed I grew to understand them and their unique and troubling situation. I thought the author's handling of the sensitive subject matter was masterful, and appreciated that she let the truth build slowly, revealing itself only gradually (both to the reader and to the main characters).The prose flowed freely, and did an excellent job of capturing the essence of the shifting locales. Both Rooney and Jazz grew emotionally throughout the novel, and I found the ending quite satisfying and realistic. This book was not what I expected, but quickly became more than I could have hoped. Highly recommended!
  • Rating: 3 out of 5 stars
    3/5
    I got the AR copy yesterday and read it in one sitting. The story is like a weave of multicolored threads and it keeps going back forth in time and place but never loses the reader. The transition between places and time is very smooth. The characters in the story are Pakistanis and Bangladeshis and are very dense and complicated. I couldn't relate much to the main character though, nothing she did seemed 'normal' and she couldn't gain any sympathy or apathy from me as a reader. That said, Farooki, has made good use of words this time and I liked the style of writing. Won't ask anyone to run to buy it but if you get it....it's a good read.

Book preview

Half Life - Roopa Farooki

Aruna

King Edward’s Road, Bethnal Green, London

It’s time to stop fighting, and go home. Those were the words which finally persuaded Aruna to walk out of her ground-floor Victorian flat in Bethnal Green, and keep on walking. One step at a time, one foot, and then the other, her inappropriately flimsy sandals flip-flopping on the damp east London streets; she avoids the dank, brown puddles, the foil glint of the takeaway containers glistening with the vibrant slime of sweet and sour sauce, the mottled banana skin left on the pavement like a practical joke, but otherwise walks in a straight line. One foot, and then the other. Toe to heel to toe to heel. Flip-flop. She knows exactly where she is going, and even though she could have carried everything she needs in her dressing-gown pocket – her credit card, her passport, her phone – she has taken her handbag instead, and she has paused in her escape long enough to dress in jeans, a T-shirt and even a jacket. Just for show. So that people won’t think that she is a madwoman who has walked out on her marriage and her marital home in the middle of breakfast, with her half-eaten porridge congealing in the bowl, with her tea cooling on the counter top. So that she won’t think so either. So she can turn up at the airport looking like anyone else, hand over her credit card, and run back to the city she had run away from in the first place.

It’s time to stop fighting, and go home. She hasn’t left a note. It’s not as though she is planning to kill herself, like last time. Then she had left a note, thinking it only polite, to exonerate her husband from any blame or self-reproach, to apologize and excuse herself, as though she were a schoolgirl asking to be let off gym class, instead of the rest of her life. When she had returned, having not gone through with it after all, her hair damp and reedy-smelling, as though she had simply been swimming in the Hampstead Heath Ponds instead of trying to drown herself there, the note was still on the counter. Patrick had been working late. She wasn’t sure if she had failed to end her life because she was too lazy and noncommittal – she hadn’t tried hard enough; the gentle, shallow water hadn’t tried hard enough either, it had bobbed her back up again and offered no helpful current. Perhaps, like the water, she was just too kind – it was kinder for everyone if she lived, wasn’t it? All life, even a life as unimportant as hers, performed some kindness to those it touched; wouldn’t her husband, if no one else, appreciate this kindness? Or perhaps that was just vanity – she hadn’t destroyed the note, but had smoothed it into their diary on the kitchen table, as one might a shopping list, or a love letter, or a poem; but Patrick had never noticed it, because he didn’t make appointments, she supposed. She eventually screwed it up and put it into the recycling box, which Patrick did take care of, judiciously separating paper, glass and plastic. He still didn’t see it – or if he did, he saw it as just another piece of paper. Patrick, ironically for a medical professional whose job is to observe, seems to see very little indeed, at least when it comes to her. He persistently mistakes her for someone better than she is, as though his gaze stops just short of her. He frequently expresses his love for her, but the truth is that he doesn’t know her very well, and she is sure that should he need to fill out a missing persons form, he would be distressed to realize that he doesn’t know her height, her weight, her dress size. He would possibly even be unsure of her exact age and birthday. Although he would probably get her hair and eyes right, as she has the same hair and eyes as almost every woman of Bengali descent. She imagines him filling out this part of the form with confidence, with relief, even; hair: black, eyes: brown.

She didn’t leave a note this time, as she has no idea what she would have put in it; apart from saying that she had left, but her absence would do this anyway. Wouldn’t it? Was it possible that Patrick would come home and go to work and come home and go to work and not notice until the weekend that she was missing, assuming that she was out shopping or working late in the faculty library, especially as she has recently been in the business of avoiding him in order to steer clear of the difficult conversation about babies that he seems so intent on pursuing. Was she wrong in assuming that her absence would be more noticeable than her presence? They live parallel, independent lives, and have always done so; he complains that even when she’s in, she’s out. When at home she supposes that she is not much more than a small creature curled indifferently on the sofa or in the bath or in the corner of the bed, scrawling in her notebooks with a quiet persistent scratching, working on her laptop with a quiet persistent tapping, but otherwise barely there, without a height or a weight or a dress size worth recalling.

She supposes that such a note should say the truth about why she is leaving, but there is no larger truth. There is nothing significant. There is no Big Important Question to be answered. She has not had an affair, she is not in trouble with the law or in debt, she does not hate him or dislike him at all: like most couples, they fight and bicker all the time, about the ridiculous minutiae of their shared life; who last loaded the dishwasher, and where the toilet roll should be stored. They argue about her refusal, thus far, to consider pregnancy and whether to spend Christmas with the in-laws. There is really nothing but the trivial problems of the everyday, and to other people she looks like nothing so much as an ordinary woman, recently married, as yet childless, with ordinary cares. She looks like this even to herself, on occasion; an ordinary woman, in an ordinary life, wondering why she has striven to be ordinary above everything else. Perhaps she expected it would bring her peace of mind, bringing together the pieces of mind that still inhabit her, their little voices whining inside like shards of glass waiting to pierce through her skin and reveal how sliced up and fragmented she has secretly been within herself, for such a long time. The only thing that currently makes her more than ordinary, extraordinary even, is that she has written and recycled a suicide note, without anyone in the world noticing, and that she has decided to stop fighting, and go home.

The funny thing, laugh-out-loud funny when she dwells on it, is that she didn’t say those words in an earnest discussion with her husband, they weren’t advised her by a mother or a friend or a therapist or a lover. The words simply fell out of a book she had been skim-reading over breakfast that had some relevance to her research; fell out almost as casually as a child’s gift from a cereal packet, or junk mail from her morning newspaper. It was a comment between one prodigal son and another, unwilling opponents in a bloody conflict. And as she read it, she thought, OK then. Like a switch had been gently flicked in her head, and she had finally been prompted into action; leaving the breakfast table, dressing carelessly and rather too lightly for the British weather, and taking her handbag. She had put her passport in and taken her keys out, feeling a weight fall from her as she let them tumble onto the glass table in the hall with a musical tinkle. She had breathed a sigh of relief at the sight of them as she shut the door behind her. How easy it was, ridiculously easy, to leave. She suddenly felt so free that she really did laugh out loud, and stopped herself abruptly in case the neighbours heard. It was important to her that she didn’t seem mad, that she didn’t leave the house in her dressing gown, that she wasn’t seen laughing or muttering to herself or crying in the streets; she felt that if she ever let her little bit of insanity out, she might never contain it again, like a wild thing set free. She hadn’t laughed because she was mad, she had laughed because some random words written long ago by a stranger had spoken to her, and she had unaccountably given them the importance of a prophecy. Her keys left on the table were her proof – she wouldn’t be coming back this time.

Aruna only makes it as far as the cafe on the corner, when she starts to have doubts. It is her reflection in the glass that stops her; she sees herself in her summer jacket and sandals, on a blustery spring day, dressed for the weather of the place she is going to, rather than the place she is leaving. She realizes that although she has dressed, she has not washed her face, brushed her teeth, or combed her hair, which crackles with artless tangles and stands away from her face. She has a feverish flush, and she is sure that she can see that bright glint of madness in her eyes that she has worked so hard to suppress. Her disguise of jeans and a T-shirt isn’t working as well as it might – instead of having the invisibility of a Gap ad, she feels as transparently out of place as a bag lady in a ball gown. Perhaps she should have just gone out in her dressing gown after all, because then someone kind would have seen her for what she is, seen her glassy eyes and wild hair, and escorted her back to her flat (not to her home, she never calls the flat home, she just calls it the flat, or occasionally, when she is speaking to American colleagues at her faculty, the apartment). Perhaps this good Samaritan whom she will now never meet, whom she unaccountably regrets not meeting, would have made her a fresh cup of tea, and then tucked her back in bed like an invalid. Her reflection nods at her knowingly – she is acting irresponsibly again. The reflection seems a little too knowing in fact, as though it is no longer connected to her, and imitates her gestures in mockery rather than by necessity; she waves at it tentatively to check that it will wave too. She is taken aback when a figure inside the cafe comes up to the glass, and waves back instead. ‘Hi Aruna, nice of you to stop by,’ says Syed, the cafe owner, coming across to his open doorway, sipping from a cup of coffee that lets off little wisps of steam into the cool air. Aruna says nothing for a moment, stunned at how easily real life has invaded her again, someone waving to her and naming her, mistakenly thinking that she was greeting them from outside their window. She is unsure whether there is an edge to his voice, a criticism, something that implies she doesn’t stop by often enough.

‘Hi Sy,’ she says eventually, hiding her hostility behind apologetic guilt, as though she really has failed to fulfil some mysterious etiquette regarding the acceptable frequency of attending one’s local cafe. Everything makes her feel vaguely on guard, even a casual greeting from a shopkeeper she barely knows.

‘Your hubby stopped by this morning too. Picked up his coffee on the way to work. He told me that I was drinking too much of the stuff, can you believe? I said to him, I said, Patrick, mate, I wouldn’t trust a bald hair-dresser, I wouldn’t trust a skinny chef, and I wouldn’t trust a cafe owner who doesn’t drink his own coffee.

Aruna says nothing; her eyes have drifted back to her reflection, and Syed, who is old enough to be her father, asks almost kindly, ‘Are you coming in then?’ There is no edge to his voice after all, just a touch of impatience, as though she is a dawdling child in need of a little push. Aruna is unable to say no, as that would involve explaining why, and so she nods and drifts in, and takes the seat near the window.

‘So, coffee?’ suggests Syed, ‘I’ve got the fair trade stuff that you guys like. Americano for you, isn’t it?’

‘OK,’ says Aruna, aware as she says it how ungracious she sounds, as though she is doing him a favour. ‘I mean, please.’ She sips the coffee when he brings it over, making an appreciative noise at odds with how she really feels.

‘And how’s the family?’ asks Syed politely. Aruna smiles back, just as politely; she has no family, apart from Patrick, and it strikes her as funny that Syed doesn’t know this. She is relieved that he doesn’t know that much about her after all, perhaps her disguise is still intact.

‘Oh, we’re all fine. How about yours?’ she asks.

‘Fine too. My wife went away for the weekend with her girlfriends. Went to Madrid, and complained about how some overpriced restaurant she went to was run by Pakistanis rather than Spaniards. As though we weren’t Pakis ourselves. Funny how bigoted she gets when she goes abroad. She expects London to be cosmopolitan but the rest of Europe to be lily

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