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    The Midnight Charter
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    The Midnight Charter
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    The Midnight Charter
    Ebook351 pages6 hours

    The Midnight Charter

    By David Whitley

    3/5

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    About this ebook

    In a society based on trade, where everything can be bought and sold, the future rests on the secrets of a single document-and the lives of two children whose destiny it is to discover its secrets. In this spellbinding novel, newcomer David Whitley has imagined a nation at a crossroads: misshaped by materialism and facing a choice about its future. He has brought to life two children who will test the nation's values-and crafted a spellbinding adventure story that will keep readers turning the pages until the very end.

    For readers who love Philip Pullman, THE MIDNIGHT CHARTER combines great storytelling with a compelling vision - a many layered adventure with powerful and timely implications.

    LanguageEnglish
    PublisherMacmillan Publishers
    Release dateSep 1, 2009
    ISBN9781429988797
    Author

    David Whitley

    David Whitley was born in Chester in 1984 and graduated from the University of Oxford with a double First in English Literature and a passion for writing Children’s fiction.  At age 17 his first children’s novel was shortlisted for the Kathleen Fidler Award and at 20 he won the Cheshire Prize for Literature for a children’s short story, the youngest writer ever to win this prestigious award. Presented by Children’s Laureate Michael Morpurgo, who said some very complimentary words, the award was sponsored by Maryland Bank of North America and the £2000 prize helped David to spend a postgraduate year writing The Midnight Charter.  Whilst his first and overriding aim is to write fiction, David is also a scholar, particularly interested in the works of Jonathan Swift and his contemporaries; he had just received an offer of a place at Oxford to study for a Master’s Degree when his book was picked up by Puffin and Roaring Brook Press.  Although David’s primary medium is the written word, he is no stranger to performance. As well as straight acting, he is an in-demand bass-baritone having taken several leading roles in musical theatre. David’s numerous ‘serious’ music credits include Masetto in Mozart’s Don Giovanni for Carte Blanche Opera and concert performances of Tosca, Tannhauser and Peter Grimes under the baton of the late Richard Hickox, musical director of Opera Australia. As well as appearing on stage himself, he has also enjoyed directing youth drama. In his home town he has worked with The King’s Players to direct and produce two musicals and a play between 2006 and 2009, including Sondheim’s Assassins and Into the Woods. David loves giving readings of his stories, to audiences of all ages.

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    Reviews for The Midnight Charter

    3/5

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    • 3/5
      I read it although I didn't like it, it was full of sadness and misery, nothing happy happens.
    • 5/5
      I won the sequel to this book in a goodreads giveaway, and whether by fortunate mistake, or fortunate kindness, the publisher sent me a copy of this one. Now, I am itching to receive the sequel in the mail because to say this book was amazing is a complete understatement!This book follows Mark and Lily through a series of coincidences that are just to coincidental to not be fate. I enjoyed the writing style very much, and I loved seeing the way everything was so perfectly tied together. I was gripped by the story from the first paragraph of the very first page, and I was never let down as I continued. You can trade your emotions in this book, and while reading it, I felt I would gladly trade mine for more time to read it. The author, David Whitley, writes such a compelling and gripping tale, with just enough action, emotion, and fate to keep readers wanting more. The world he created was beautiful and terrible, but above all other things, this story was very original. I definitely recommend it as a good read!
    • 4/5
      Reason for Reading: I was actually under the impression the story was dystopian however the plot itself was intriguing, dystopian or not.While this book is labeled as dystopian on many book sites, there is no indication that this world is our future earth at all. In fact, it is almost certain to be an alternate world somewhere, unless revelations are made in the following books I would label the story as fantasy or science fantasy. Agora is a walled-in city, people are told that beyond Agora there is nothing and this is the excepted truth. Agora is run on the barter and trade system where everything is available for trade including people's emotions and people themselves. Upon ones' 12th birthday one becomes a free person and must sell themselves into service, marriage, etc. to whatever advantage this may bring. This is a society that cannot run well as since everything is available for trade, everything is only worth what someone is willing to trade for it and an artist's work can be fashionable one day, worthless the next. Keeping one's best appearance in society is very important so as not to loose favour and thus your status. Wealthy merchant one day could easily become worthless pauper the next. The book features two young 12 year old's who have gone out into the world. Mark was sold by his father to a doctor as the boy had the stone plague and the father thought he might have a chance with the doctor. Lily, an orphan, was sold to a book binder's but tossed out on her 12th birthday. Since she had been working in the astrology section she managed to secure a place for herself as servant to a well-know astrologer in the city. The doctor is the son of the astrologer and this is how they meet.The book was a bit slow to get into, but once it got going I was quite intrigued with the unusual storyline. The two teens end up being thought as possibly the ones mentioned in an ancient prophecy, the Antagonist and the Protagonist, who will eventually either bring about the ruin of the city or prove the city's worth. Lily is obviously watched closely as she starts a charity house looking after all the poor debtors who roam the streets homeless and starving. Charity and compassion are something never heard of before in Agora and both she and the rising astrologer Mark bring great attention to themselves by the unseen Director himself.Lily and Mark are both well-flesh, faulty characters who one likes right away. Though on opposite sides politically, they are friends and the reader roots for both of them. The story is quite compelling with certain unexpected twists and turns. The only let down is the cliff-hanger ending which leaves one anxious for the second book which fortunately at this time has already been published.
    • 3/5
      "Charity is nothing to do with buying the feeling of virtue; compassion is not something you can measure. It's there when we don't check that we're always getting the best deal, when we stop seeing others as traders or merchandise, and see them as people, as those who deserve to live. Charity knows that humanity is worth more than the market price."The City of Agora is divided into districts, each named for a sign of the zodiac. Each district has it's distinct quality and nature, each one different from the one next to it. The people and the city are governed by one central government and director located within the city's glorious Directory of Receipts. Mark and Lily are two orphaned children growing up in this world where emotions are bottled and sold as drugs, where skills are traded, bartered, and exchanged as commodities, where the value of a human life is based solely on what they personally have to offer. Mark and Lily discover that being orphans is not the only thing they have in common and that the government is more connected to them than they had ever imagined. Together, they will uncover a secret that may threaten the very existence of the City of Agora, it's people, and the only place they've ever called home.Reading this book felt like I was dropped off in the middle of nowhere and told to find my way to nowhere. It felt like reading the middle of a book, in the middle of a series, with no knowledge of the beginning and no clue of the ending. Halfway through the book I was so disoriented that I had to double check to ensure that I hadn't actually been reading the first book in the series. The most frustrating part of it all was that I really, really enjoyed the story since the concept was incredibly creative and intriguing, the characters interesting and fascinating, but I was left feeling very confused from the first to the last page. In the end, I really don't know what to make of the entire experience except that now I realized that I can like a book that seems to be missing context, I can get lost and still arrive, I can give a 2.5 star rating and still want to read the next book in the series.
    • 2/5
      I finished this book, but I didn't much like it. I didn't like the characters, especially Mark. I didn't find the world particularly well-built, and I thought the ending was more than a little cheesy. I found the emotion addicts intriguing, and the storefront paved with little bits of colored glass is a lovely image that sticks with me.
    • 2/5
      I seriously considered not reviewing this book. Because, to put it bluntly, I just didn’t get it. But, I read it, I took time and care to read it, I’ve thought about it for 4 days now and maybe I am not the only one who just wouldn’t get this book. So my apologies to the author.I chose this book because the summary mentioned that it was for readers of Philip Pullman. I very much enjoyed Pullman’s books and plan to read them again someday. His books had magic, adventure and danger, and a strong underlying message. They can be enjoyed by children and adults.I didn’t find anything magical in “The Midnight Charter”. There was certainly danger…but no real adventure (until the last page of the book or so)…and the underlying message wasn’t very underlying. It was beat you over the head obvious and made the story incredibly depressing.None of the characters were compelling to me, I didn’t feel that I knew enough about either of them to believe in their words or actions. And even Lily, the heroine of the book, couldn’t arouse much interest. I didn’t feel the passion behind her words, behind her obsession.Again and again, I looked at the glowing reviews on the back cover. They mention being inspired, they mention amazing twists and turns…and not being able to put the book down.For those readers, I am very glad. Because I agree with the book’s message that greed is destructive and that caring for others should matter as much, if not sometimes more, than caring for oneself. But – to use a line from the book, “Truth is never more addictive than when it comes to you in the tiniest grains.” But to which I would add, the truths in this book would be far more addictive were they delivered with a spoonful of hope.One thing I can agree with from the back of my copy? This book does have a GREAT first sentence.
    • 4/5
      Agora is a city state surrounded by a circle of unclimbable walls; divided into the twelve signs of the zodiac, each section with its own set of goals, people and cultural quirks, all ruled by the Director, all influenced by astrological predictions, with the Midnight Charter hanging a dire prophecy over it. This is a society corrupted by materialism and built on the idea that everyone, everything, has a value, everything can be bought and sold...NOTHING is free! Two of the young children, meet, form a strange friendship and grow into totally different young citizens. Dreams and desires, good luck and ill fortune, friends and enemies all come together to weave a well written story that holds all the tension of a good fable.
    • 4/5
      I couldn't put the book down once I started reading. The characters were fun to read about, and the setting was very different then anything I have ever read. The beginning was really good but towards the end it slowed down. I loved the characters, and how the author switched their stories every other chapter. The story plot and setting were amazingly unique. The ending was very surprising and left you wondering if there would be a sequel. The only complaints I have with the book is at points it was a little confusing, and I wish the ending was as good as the beginning. It's not for sure but I have read that this book will be the first of the trilogy. The Midnight Charter is David Whitley's first book, and I look forward to read other things by him.
    • 3/5
      "The Midnight Charter" is the story of two older children living in a dystopian society, one which is based on trade. In Agora, children can be sold to masters and debtors can be erased forever. It's a society which values goods over lives. The two children, Lily and Mark, find their lives intersecting and then diverging as each copes with life in Agora in very different ways.The idea of such a society is an interesting one. A flaw of the novel is that there was not sufficient explanation of how the society works or how it became that way. It felt a bit like visiting a foreign country without a tour guide who speaks the language: fascinating, but also potentially frustrating. The characters were somewhat unevenly developed; I found myself drawn into the chapters about Lily and bored by the chapters about Mark.The story, however, did maintain my interest. The plot picked up a more even pace and became much more compelling in the last quarter of the novel. The ending did not provide much resolution; however the book is the first in a series and it did succeed in leaving me wanting to find out what happens next.
    • 3/5
      Mark, who has been sold by his father, and Lily, an orphan, meet at the tower of Count Stelli who makes his living by reading the future. When Count Stelli has an arguement with his grandson, the doctor Theophilus, Lily leaves with Theophilus to set up a practice elsewhere, and Mark becomes the count's manservant and learns the count's future telling trade. However, he soon realises he is being groomed like a puppet to further the Count's own plans, and Lily finds a world that buys and sells everything, even emotions. When Lily decides to set up a charity she sets in motion a philosophy that will shake the society around her and Marks life as well. This is a book that questions the beliefs and values that build society. It is set in an almost Victorian fantasy setting. Well written and gripping.
    • 2/5
      I tried to like this book. In fact, I tried to like it for nearly two months, and I never could. The book tells the story of two young adults in a Greek mythology-inspired world in which literally everything is for sale. No money? Sell your emotions. There's a machine for extracting them. Rough divorce settlement? You might have to give up your voice. Your ex husband can keep it in a vial around his neck. While this world sounds intriguing, the main characters are not. Their moral conflicts develop predictably, and they feel like wooden puppets of the plot. The author added some business with chosen ones and secret destinies, but the whole thing was too trite to really create suspense. I quit halfway through, and I'm not sorry.
    • 2/5
      Everything about THE MIDNIGHT CHARTER - the plot, the characters, and the setting - is engineered to deliver the author's anti-greed philosophy. It's simplistic, obvious, and exaggerated. As a result, the novel is no fun at all.

      Marketing materials compare THE MIDNIGHT CHARTER to Philip Pullman's HIS DARK MATERIALS trilogy. The comparison is pure wishful thinking. Pullman created a rich, varied world, and he drew on a very complex theology (with frequent excursions to the deep literary well of John Milton's PARADISE LOST). Whitley's book is thin gruel in comparison. There's no spoonful of sugar to make the medicine go down - no whizzing spoon masquerading as an airplane heading for the hanger - just Whitley's dogged determination to tell us over and over again how brutal trade is, how antithetical to generosity and compassion, how inhumane.

      I wasn't politically opposed to the message. I'd love to read a book that made the same point with more grace and subtlety. However, THE MIDNIGHT CHARTER has neither.

      For anyone looking for something along these lines - a great book with a mildly industrial setting, maybe featuring an orphan - I suggest the MONSTER BLOOD TATTOO series by D.M. Cornish, starting with FOUNDLING.