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The Lotus Eaters: A Novel
The Lotus Eaters: A Novel
The Lotus Eaters: A Novel
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The Lotus Eaters: A Novel

Rating: 4.5 out of 5 stars

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A New York Times Best Seller! A New York Times Notable Book!

A unique and sweeping debut novel of an American female combat photographer in the Vietnam War, as she captures the wrenching chaos and finds herself torn between the love of two men.

On a stifling day in 1975, the North Vietnamese army is poised to roll into Saigon. As the fall of the city begins, two lovers make their way through the streets to escape to a new life. Helen Adams, an American photojournalist, must take leave of a war she is addicted to and a devastated country she has come to love. Linh, the Vietnamese man who loves her, must grapple with his own conflicted loyalties of heart and homeland. As they race to leave, they play out a drama of devotion and betrayal that spins them back through twelve war-torn years, beginning in the splendor of Angkor Wat, with their mentor, larger-than-life war correspondent Sam Darrow, once Helen's infuriating love and fiercest competitor, and Linh's secret keeper, boss and truest friend.
Tatjana Soli paints a searing portrait of an American woman's struggle and triumph in Vietnam, a stirring canvas contrasting the wrenching horror of war and the treacherous narcotic of obsession with the redemptive power of love. Readers will be transfixed by this stunning novel of passion, duty and ambition among the ruins of war.

LanguageEnglish
Release dateMar 30, 2010
ISBN9781429934411
The Lotus Eaters: A Novel
Author

Tatjana Soli

Tatjana Soli is the bestselling author of The Lotus Eaters, The Forgetting Tree, and The Last Good Paradise. Her work has been awarded the UK’s James Tait Black Prize and been a finalist for the Los Angeles Times Book Award. Her books have also been twice listed as a New York Times Notable Book. She lives on the Monterey Peninsula of California.

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  • Rating: 4 out of 5 stars
    4/5
    This was a great book about a female reporter in Vietnam from 1965-1975. It was fictionalized but I recognized a lot of the places and events that I have previously studied. This was Soli's debut novel and the writing was languid, flowing, and soulful. My only complaint was the last page--the ending was abrupt and tied up with a neat little bow--as I don't think any wars are. 386 pages
  • Rating: 4 out of 5 stars
    4/5
    Loved this book! A beautifully emotional and thought provoking story of a female American photographer in Vietnam during the war. She starts as a fairly naive and inexperienced chronicler of the tragedies of war, but along the way becomes a "brick in the wall", an impressive photographer, and one who seeks out the small instances of humanity in the horrific experience of the war. The personal relationships, the evolution of her reason for staying in Vietnam, and the gentle character development along with writing that integrates all of our senses into the experience make this a wonderful read. Everyone in my bookgroup loved it... some even thought it the best book in a long while.
  • Rating: 5 out of 5 stars
    5/5
    I found this a difficult read, not because of the writing, which was extraordinary, but because of the subject matter. I am of the Vietnam generation, and the subject matter is still, after almost 40 years, difficult to confront. The book opens at the end of the war, a devise I often dislike, but it works well in this story. After the first chapter, we return to the beginning of the war, where the main character, Helen Adams, arrives in Vietnam to work as a novice free lance press photographer, eager to find out more about a war that has killed her brother and a country that no one seems to know much about.As Helen moves through her days, she finds a solid job with a news magazine, and falls in love not only with another member of the press, but with the country and the people of Vietnam. Helen's story is Vietnam's story, and Soli presents it in stunning, action-packed, but slow-paced prose, allowing us to drink in the scenery, the mind-set, the culture and the history.We are able to see some of the background of the French occupation of the country and the origins of the the war, the treacheries wrought by each participant in the conflict upon the other sides, and upon the long-suffering people of the villages. It is here, in the descriptions of village life, that the book really shines. By focusing on the impact of military actions on the villagers who are the victims, as well as the soldiers participating in them, we are given a mind-searing picture of what war is.Helen's personal story--the love affairs, as well as the mental and physical anguish she endures-- is the framework on which Soli hangs the well researched story of troop maneuvers and military strategies: the life and death moments that emerge as photos in Helen's dark room, blooming as the picture bursts forth in our minds like toner in developing pans. They are pictures that still haunt those who really participated in the conflict.In addition to the print edition which I received from the publisher, I was able to listen to the audio version of this beautiful novel. I am a reader who much prefers the audio format due to some physical limitations. This one is superbly done in audio, read with exquisite insight by Kirsten Potter. In both versions, the reader is able to experience the beauty, the horror, the sounds, the sights, the smells of a country and a conflict known simply as Vietnam.The ending to Helen's story is one that, like the war, was not totally acceptable to any of the participants, but did provide a framework that allowed everyone to stumble forward with life.
  • Rating: 5 out of 5 stars
    5/5
    In the year of 1975 North Vietnam is still pushing towards Saigon. It's the end of the Vietnam war (or American war, depending on who you ask). The Lotus Eaters opens with the city's demise being eminent and the panic to escape, mounting. Caught in this frenzy is Helen Adams, a seasoned American photojournalist, and her Vietnamese lover, Lihn. Stepping back in time, we learn that Helen is following in the footsteps of her soldier brother, killed in action earlier in the war. She has come to Vietnam to research his death and ultimately falls in love with the war. As we follow Helen from her first arriving in Saigon, we witness her naivete and her desperate need to belong. Quickly, she attaches herself to Sam Darrow, a fellow photojournalist who has been around the block a few times. He is supposed to be a hard-nosed, loner of a photographer, but he and Helen soon develop a romantic relationship that defies logic and marriage vows. Sam's assistant, Lihn complicates things when he too falls in love with Helen. In the midst of well-worn war, emerges a not-so obvious love triangle.In other reviews I have read the complaint is Soli takes the story too far, drags it out too long. I disagree. Each phase of Helen's time in Vietnam, as well as her time away, builds a layer of her personality and adds to the complexity of her emotions. I am of two minds about the beginning, though. Soli reveals upfront that Lihn is Helen's lover and they are desperate to get out of Saigon. That information nagged at me throughout the rest of the telling because I knew it was coming. For example, I expected something to happen to Darrow because the shift in Helen's relationship with Lihn. It was a matter of when this something would happen that kept me guessing.
  • Rating: 4 out of 5 stars
    4/5
    My true score is closer to a 4.5. Soli channels the hard edginess of Hemingway and the sensuality of Lahiri in this novel. The characters were complex, and I loved them and all their imperfections. Soli created vivid scenes that caused my heart to alternately stop and melt. The final chapter seemed cursory to me, especially after the penultimate chapter (through which I gasped, held my hand over my heart, and aggressively chewed my nails), but other than that I loved this book, and I hope Soli writes many more.
  • Rating: 4 out of 5 stars
    4/5
    The tragedy of the Vietnam War never ceases to stagger--this novel spans ten years, flashing back from the American surrender of Saigon in April 1975 to explore the intertwined fates of two Americans and their Vietnamese interpreter. Comprising a romantic triangle are Sam Darrow, a glamorous, jaded, 40ish photographer; Helen Adams, an aspiring neophyte photographer in her early twenties when she arrives to cover the war; and Linh, the son of intelligentsia from the North, whose initial goal is to cease being a soldier. I almost didn't read this book. After browsing through the first few chapters, I was initially doubtful that it would be worth the effort, but I am glad that I kept going. This is such a visceral work: there are constant references to the heat, the smells, the rain, the mud, the colors. The characters' role as members of the press is to try to bear witness to the violent, unpredictable consequences of the war as observers, not participants. Naturally, this is an impossible proposition--they are all both victims of and active protagonists within the conflict. There are no answers here, but a beautifully written evocation of the simultaneously horrific and spellbinding realities of the war.
  • Rating: 3 out of 5 stars
    3/5
    I so wanted to love this book, and I think the writing is really good. But the characters are made of cardboard, and the plot is so predictable. So I felt kind of meh by the end.
  • Rating: 5 out of 5 stars
    5/5
    This was a terrific read, which came through despite my not reading it in the usual way. I tend to be a fast, voracious reader. I'd have ordinarily made my way through this book in a few days, not a few weeks, but lately I've been forced to put my spare time and energy elsewhere. I'm not sure if that was to the benefit or detriment of the book.The book is set during the Vietnam War and is centered on Helen, an American woman photojournalist and her two lovers--Darrow, an American, Linh, a Vietnamese. (Not a spoiler--you learn that early on.) I love books like this--one that can open up to you another world, and in these cases two, or rather three: Vietnam. The Vietnam War. Photojournalism. The book starts with a ferocious overture--like Private Ryan's D-Day landing--though in this case the Fall of Saigon, as we watch Helen stay for one more story and try to get out alive. By the time that beginning ended, and we then go back to her days as a tyro journalist in the early days of American involvement in the war, I was thoroughly hooked--and that part I read fast. The prose is strong, by turns visceral and lyrical--painting a picture of Vietnam beautiful, horrifying and mesmerizing. And I certainly cared about the central characters. In a way, my slow reading of the rest built on that, as I took time to get to know the characters, let them sink in.The end did feel a bit to me like an anticlimax--or at least not enough--too abrupt after all this time spent with the characters. (Here is where the loss of momentum with a quick read might have hurt.) I do have another problem with the book--even if for me a minor one--but one that, for instance, would keep me from gifting this to a friend of mine for which it's a pet peeve: holding point of view. Soli doesn't. Now, yes, I know there's such a thing as omniscient. But well-done omniscient has certain hallmarks and quirks that ground you in that point of view. A certain narrative attitude, a bit intrusive in voice and opinion, statements about the future, and of course shifting points of view. When instead what you have in essentials a limited viewpoint mostly told through one character, but then you suddenly abruptly shift to a statement or thought or sight that couldn't come from that character, it feels jarring--worse I feel it's a violation of a contract with the reader. In this case, what was strong in the book--the characters, the sense of place and time--meant I found this a minor point I could overlook--but certainly did notice. But yes, I would recommend this to anyone for whom the subject appeals. As you might guess from the setting and theme this is not a light, happy book--but it does take you on a journey--one I was happy I made.
  • Rating: 3 out of 5 stars
    3/5
    This won the James Tait Black Memorial fiction prize for 2010 and is the 28th such winner I have read. Helen is a news photographer in Vietnam and the novel seems to portray Vietnam war events pretty realistically. She meets up with a pretty cynical photojournaist, Sam Darrow, and in short order becomes his mistress, though Sam is a married man. There is a lot of realistic-seeming action, and Helen feels a great affection for the war! In fact, she leaves Vietnam and then returns, to become enamored with a Vietnamese man. The novel ends excitingly but in a way that I at least was glad to read. It may seem hard to believe any woman could like the War, but no doubt that is a condition which affected a few people who went to Vietnam.
  • Rating: 2 out of 5 stars
    2/5
    Story about the last days of America in Vietnam, told from the perspective of a female war correspondent. Details the life of both her male mentor, and her Vietnam guide. Hard to read at times, but gave a good understanding of the risks a war correspondent is exposed to.
  • Rating: 5 out of 5 stars
    5/5
    I listened to the Audible version of this book, and was carried in my mind's eye to Vietnam during the Vietnam war. The entire story pulled me in, entrancing, believable, very emotional, fully historical and accurate. I highly recommend it!
  • Rating: 4 out of 5 stars
    4/5
    Beautiful writing, wonderful characters. The story spans ten years and there are a lot of characters to keep track of but Soli does a terrific job of combining love stories with a story about the effects of war on a land and people.
  • Rating: 3 out of 5 stars
    3/5
    An interesting insight into the Vietnam war, plus the view of war from a woman's perspective. However, the book was far too slow for me & there were too many undefined acronyms.
  • Rating: 5 out of 5 stars
    5/5
    I started reading The Lotus Eaters at around 10 o'clock one night after I settled into bed figuring I'd wind down my day with about 20 minutes of reading, instead I read for the next two hours unable to put down this intriguing book.The Lotus Eaters opens up with thirty something American journalist and photographer Helen Adams living in Vietnam. It is 1975 and a war torn Saigon is falling.Linh is the Vietnamese man who is the love of Helen's life, he too is a photographer.Sam Darrow is an American photographer, whose passion for his work Helen can relate to. All three of these peoples lives are intertwined. Author Tatjana Soli captures the setting perfectly, I felt like I was walking the streets in Saigon, witness to the sights and sounds she described.I liked Helen's character right away, it was easy to imagine her drive and passion. The story had everything I enjoy in a book, interesting plot, passionate well-written characters and beautiful prose.As the story unfolds you get a glimpse into a warn torn Vietnam. Helen uses her camera to capture the beauty and violence of this country. She has come to love Vietnam and its people, her nickname being 'Helen of Saigon' among her fellow journalists. Helen is also struggling to make it in a dangerous and male dominated line of work. The death of her own brother in the line of duty drives her even more. In the midst of all this chaos, she does not want to leave the country she has grown to love. I highly recommend The Lotus Eaters. I really enjoyed this one and was captivated from start to finish. This will be on my top favorite reads for 2011.
  • Rating: 5 out of 5 stars
    5/5
    Having studied Vietnam in depth in the course of my undergraduate degree, having traveled extensively through the country and having lived in the Asia Pacific region for many years, I have read a lot of books related to Vietnam. This is one of the best fiction accounts I have read and there are a number of reasons for that to be the case.

    The story is told primarily from the viewpoint of a woman photographer who initially comes to Vietnam in 1965 to discover the truth of her brothers death and ends up staying for a variety of reasons and in doing so covers the war from beginning to end. On arrival she is a naive and derided by the male war correspondents, photographers and soldiers. She is considered a distraction, a potential demoralization for the troops in the event that she is killed in combat and not up to the macho standards of her male colleagues.

    She forges ahead and in doing so, develops contacts that only a woman would be able to make and sees the war from a viewpoint that only a woman could have. The interactions are believable. The relationships make sense - anyone who has forged relationships in adversity understands the heightened sense of passion of magnitude these take on. Likewise, those that have spent time in heightened adversity understand that a break from that atmosphere can leave one flattened with difficulty readjusting to the "real world".

    What made this book most compelling for me though, was the way Vietnam jumped off the page. There are certain sights and smells that for those that have been, understand. The book captures all of that atmosphere - from the cramped streets of Saigon; the smells of street vendors cooking; the fruits, vegetables and the particular smell of vegetation. She captures the storms that roll in every afternoon that create a steamy, humid evening. The taste of cognac and the salt on your lips and body after bathing in ocean water warmer than body temperature.

    She is also able to capture the beauty of the countryside and the sense of mystic that is part of the Buddhist tradition and the Vietnamese people. What was the most refreshing though was that the story was not the typical American in Vietnam- democracy defeated by the evil VC/Charlie/Uncle Ho Marine crap that usually populates these types of novels. It is about a people who have endured French, American and Communist occupation in order to evolve into what they really want to be - independent Vietnamese. This feeling is captured well through the characters of Linh, Mr. Bao, Grandmother and even Annick.

    If this is Tatjana Soli's first novel, I look forward to the rest of her output. This novel does not read like a first novel. There are some beautiful turns of phrase and crisp descriptions. The hell that is war is handled well - the descriptions of injury and death are well done as are the descriptions of humanity and life. She is also extremely well read and researched on her subject. I recommend this book for both book club and pleasure reading and have already passed copies to others. Buy the book. It is money well spent.
  • Rating: 4 out of 5 stars
    4/5
    The sappy cover and back blurb put my off this book club offering so badly that I didn't bother fetching it from the library until just 5 or so days before we were to meet. They do not do the text justice. Intense, gritty and beautiful/ugly, the story of a photo journalist in 60s-70s Vietnam convincingly takes the reader through her own confusion over what motivates her, the ambiguity of those motives, while also effectively telling the story of the country and the war which ravages it, providing a stunning and engrossing backdrop for the personal conflict motif. The romance/s are almost secondary, thank heavens. I'm not one for 400+ page romance novels. Back when I was 12, yes, but thankfully my tastes have altered a tad since then!I did find the ending rather anti-climactic, but for the most part this was very difficult to put down.
  • Rating: 5 out of 5 stars
    5/5
    My goodness I love this book so much. It’s a historical fiction novel about a female photographer in Vietnam during the war. As much as I’ve read about World War I and II I know very little about that war. Soli paints an intense picture of the horror of battle and the beauty of the country. The novel is full of beautifully drawn characters trying to come to terms with the contradiction of reporting what’s happening and the inevitability of becoming part of the story of the war. At first you think the book is a love story, but the story that unfolds is not the one you’re expecting. We begin at the end and then trace our way back to the beginning to better understand the characters of Helen and Linh. Structuring the novel in this way makes the whole thing more powerful. Seeing the long journey that our main characters take to get to each other is just enthralling. Yes it's a love story, but it's also story of loss and grief and coping with the trauma of war and the return to the banality of civilian life. It’s about the complicated nature of war and the adrenalin rush that comes from being in danger. It’s about the inevitable impact an invading nation has on the society it’s attempting to “save” Helen’s conflicting feelings about getting the perfect shot and exploiting the people felt so real and relatable. It’s something that all journalists in extreme situations must come to tussle with. She struggles with the potent mix of fear and excitement as she becomes entrenched in the world of Vietnam. **SPOILER**The book has two very complex love stories. Usually when that happens it’s difficult to make the reader connect with both without making one feel unimportant. I felt like the author did a wonderful job with that. She included a crucial time period when Helen is back in the states with neither man. When she returns to Vietnam and reconnects with Lihn while he is helping her recover from her wounds their relationship feels very natural. There is also a stark difference between her relationship with Darrow and the relationship with Linh. Darrow doesn’t coddle her, he challenges her. Linh tries to protect her, not because he sees her as incapable or weak, but because he’s already lost the woman he loved and he doesn’t want it to happen again. **SPOILERS OVER**BOTTOM LINE: This novel, the writing, the characters, the story, was all just gorgeous. I was completely enraptured by the way it evoked the scenes of a foreign war zone and the people affected by it so vividly. The end did feel a bit rushed, like it deviated from the feel of the rest of the book, but it didn’t bother me too much and it certainly didn’t take away from my enjoyment of the book overall. “The possibility of time going on, her memories growing dim, the photographs of the battles turning from life into history, terrified her.”“She thought of the rolls of film in the car, the images cradled in emulsion, areas of darkness and light like the beginnings of the universe.”
  • Rating: 2 out of 5 stars
    2/5
    I had such high hopes for this book. Basically it’s the story of a young woman combat photographer in Vietnam towards the end of the war, Helen Adams, and the two men she loves – Sam Darrow (a seasoned photographer who has a reputation), and Linh (the Vietnamese man who is Darrow’s and then Helen’s assistant).

    I didn’t find anything about the relationships believable. I didn’t feel the passion or tenderness or compassion or love between any of them. The mark of good writing is that the author will show, not tell; Soli tells the reader over and over that these people love one another, but she doesn’t show us this. In fact, she shows us the opposite. Each of them seems closed off emotionally from anyone else; each follows his/her own agenda without regard to the feelings of anyone else; each of them behaves poorly (to say the least) in relation to the others. I thought they took foolish chances and I really didn’t care what happened to any of them; I just wanted it to be over with so I could get on with another book.

    So why did I give it 2 stars? Soli includes a long bibliography of works she used to research Vietnam and Southeast Asia during the time period portrayed in the book. I don’t know if she ever actually visited the country, but if she has not, then kudos to her for managing to convey such a sense of the atmosphere of the place. I could smell the tropical jungle, feel the torpidity brought on by heat and fatigue, and hear the din of traffic and busy city streets. I give her 2 stars for creating this atmosphere, but I really don’t recommend the book.
  • Rating: 5 out of 5 stars
    5/5
    The Vietnam War was the single most turbulent issue during a period when we were dealing with subjects as important as civil rights, sexual freedom, and drug use. I turned eighteen in 1968, so this was my time. Vietnam was constantly on my mind, as it was with most Americans. I find books that cover this period fascinating.The Lotus Eaters presents a side of the war that is apart from both the protestors and the warriors. It looks at the journalists, specifically at one photojournalist, Helen Adams. She goes to Vietnam because her brother died in the conflict. That tragedy drives her to learn more about the conflict and the specifics of his death.Western women were rare among both the soldiers and the journalists, so Helen finds herself encountering sexism. She has to struggle for permission to go out with the troops due to concerns about bathroom facilities and the reactions of the soldiers in her proximity, among other things. When it turns out she has a knack for framing photos and finding the best shots, her photos catch on. Because she's a woman succeeding in a horrible situation, the story becomes about her as well as her subjects and because of this, doors are opened. So her gender presents both barriers and opportunities. Once, when Helen came back to the states for a brief time, she encountered a young woman protesting the war. She called this woman “brave” in a way that made it clear she was using sarcasm. This section bothered me somewhat. Helen seemed very perceptive about the other people she encountered throughout the novel, especially the Vietnamese, but here she seemed to look down on the protestor. The woman's way of standing up for her beliefs didn't involve risking her life and therefore she wasn't as brave as the soldiers. This was the one section when Helen seemed arrogant. It made her more human which I suppose was the goal, but it made me like her less.Helen has two love interests during the novel: Sam Darrow, a photojournalist who becomes her mentor as well as her lover, and Linh, a Vietnamese man who advances from assistant to photojournalist while falling in love with Helen. Having people who care about Helen gives the story its tension, but the real strength of this book is what it says about the war and the country. Here are some of Linh's thoughts late in the book which demonstrate this. (This was transcribed from the audio version, so it may have some differences from the actual text.)During the last year all Linh saw was his country being destroyed, faster and faster, in larger and larger bites. He couldn't explain to Helen the sense of physical sickness it gave him, the sense of despair, the desperate idea that anything that stopped this destruction was better than its continuing. What she didn't understand was that both sides were willing to destroy the country to gain their own ends. Whose side was he on? Whoever's side saved men, women, animals, trees, grass, hillsides, and rice patties. The side that saved villages and children, that got rid of the poisons that lay in the earth. But he did not know whose side that was.Steve Lindahl – author of Motherless Soul and White Horse Regressions
  • Rating: 5 out of 5 stars
    5/5
    The most difficult part of reviewing my thoughts on The Lotus Eaters is condensing them enough
    to speak with simplicity.
    I checked the average reader's review (usually 3* to 5*)
    My question was: You were how old during the Vietnam conflict?

    As in any conflict, I feel your personal interpretation varies with your proximity to the war.
    The title is apropos.
    From Homer's Odyssey ----
    After leaving Troy and miles from the original course, Odysseus sends 3 brave men as scouts
    to the strange land they approached.
    They were introduced to the lotus and "Odysseus says: the native fruit made my soldiers forget everything they had ever know; where they were from, where they were going, everything......
    Minus three, we sailed in the direction of our original course."

    Our story begins in April 1975, in the final days of a falling Saigon.
    The following quotation says it best:
    Entering the setting, we'll meet, in retrospect, "three remarkable photographers brought together under the impossible umbrella of war:
    Helen Adams, a once-naïve ingénue whose ambition conflicts with her desire over the course of the fighting;
    Linh, the mysterious Vietnamese man who loves her, but is torn between conflicting loyalties to his homeland and his heart;
    and Sam Darrow, a man addicted to the narcotic of violence, to his intoxicating affair with Helen and to the ever-increasing danger of his job.
    All three become transformed by the conflict they have risked everything to record."

    Tatjana Soli walks with us through heavily chronicled times with decisive realism.
    The author notes --- " because a woman was naturally an outsider in the Vietnam conflict, she will see things that might be otherwise overlooked."
    and "unlike now, journalists had complete access, which is probably why we ultimately got the real story from there."
    war....betrayal....obsession....courage....fear...love lost...the redemptive power of love.

    As the author explores her characters with physical, mental emotional and spiritual clarity,
    I witnessed their evolution and felt my own.

    It's fiction...but reads as nonfiction.
    Hope you enjoy the read (listen, in my case) as much as I did.
  • Rating: 4 out of 5 stars
    4/5
    The story is about Helen, a girl who arrives in Vietnam as a novice photographer, ostensibly choosing Vietnam because she wants to discover more about the circumstances of her brother’s death as a soldier. It becomes clear however, that Helen’s own nature has led her there and, now that she is in Vietnam, is intrigued by the land and people. But the overarching theme of the novel is really the addictions that war junkies (the hard core soldiers, the correspondents and photographers who stay on and, the civilians who remain) both relish and suffer despite common sense and the relationships that would otherwise temper risky choices.


    The book opens with the fall of Saigon. The listener becomes a voyeur of events that unfold during that day in April 1975 when the crush of people motivated by fear and desperation struggle to escape the approaching conquering armies. The listener follows Helen, the veteran female war photographer as she negotiates the physical and psychological detritus of the city. It becomes clear that this is not your musical, Miss Saigon. Images of the day imprint upon the mind’s eye as much as a newspaper photograph would, a clever literary technique given the protagonist’s profession. This photograph-as-prose approach is subtle in the beginning and more obvious later when certain scenes are literally framed.


    Kirsten Potter’s voice is very cool, calm and detached and, appropriate for the novel. Her voice is clear and transparent enough to tell the story and very subtle changes in her tone convey a shift in mood and/or speaker and, accents are used sparingly. The listener is relegated to the third person omniscient POV from the onset of the book and remains there as the author intends. And therein lies my quibble. I don’t want distance from the events. I want to feel them. And I don’t. Still, the highly descriptive prose and the writing technique make this a worthwhile listen.

    Redacted from the original blog review at dog eared copy, The Lotus Eaters; 09/29/2010
  • Rating: 3 out of 5 stars
    3/5
    The Lotus Eaters tells the story of Helen, a photojournalist who travels across the world to cover the Vietnam War. While in Vietnam, she becomes obsessed and consumed by the war and the country, all the while making a name for herself as a renowned combat photographer. Along the way, she develops relationships with two men: Darrow, a fellow photojournalist and Linh, a Vietnamese man. With help from Darrow, Linh and the war itself, Helen transforms from a naive young girl into an ambitious woman wrestling with the complexities of a harrowing war.I gave this book three stars. At times, I found it captivating and interesting. At times, I was really bored. When I put this book down, it was really hard to find the motivation to pick it back up again. After I started reading this book, I read three other books before I got around to finishing this one. I enjoyed the story, but the story was never calling my name to come back and read it. I definitely felt like this book could have been edited and made shorter. It was just too long.It was obvious that Soli did her research on Vietnam. Her descriptions of the people and places, along with attitudes about the war, felt truly authentic. I also liked the idea of writing about female combat photographer, which I am guessing was (is) not very common. I just wish this story would have done more to grab my attention and keep it all the way to the end.
  • Rating: 4 out of 5 stars
    4/5
    The Lotus Eaters by Tatjana Soli tells the story of Helen, a young American woman who arrives in Viet Nam in 1965 totally innocent as to the effects this country will have on her, but by 1975, after 10 years of working as a photojournalist, the war, the soldiers, the people and the country have changed her forever. This is both a story of war and of love, both evolving and changing throughout the book. The author captures the essence of this time period effectively and paints many vivid and graphic pictures of this war that headlined throughout the sixties and early seventies. I was carried away and totally lost myself in the characters and descriptions of this exotic country. Being the author’s first book there were a few things that I could quibble about. The main character felt a little remote and the relationships seemed to hold very little passion. I think the book would have been more powerful with a different ending but overall The Lotus Eaters was both gripping and interesting and there was no doubt over the author’s love for this country.
  • Rating: 3 out of 5 stars
    3/5
    I am going to agree with the few reviewers below who have mixed feelings about The Lotus Eaters. The book is a well written story about a female photographer covering the Vietnam War. The topic is very interesting, the language is at times quite beautiful, but the book didn't capture me at all. The most important reason for that, I think, is that I couldn't relate to the main character. Helen goes to Vietnam and stays there for reasons I just cannot grasp. One of the things I find important in reading a novel is that I can relate to or understand the decisions a character makes. With Helen, that never worked out for me. Still, I would recommend reading this novel if the topics appeal to you, because you may not have the same issue as I did and love the novel.
  • Rating: 5 out of 5 stars
    5/5
    Only my second five star rating to date. A book that had to be enormously difficult to make believable - but succeded.
  • Rating: 4 out of 5 stars
    4/5
    A gripping novel set during the Vietnam War, chronicling the struggles of the photojournalist Helen, her mentor Sam Darrow, and her Vietnamese lover Linh. The Lotus Eaters manages to capture a sense of the war, the horror, the sense early on that it would soon be over, and the addiction of the journalists to covering the story. Helen, Sam, and Linh emerge and develop into unique characters who struggle with their roles and actions, sometimes with serious consequences. While rarely addressing the political realities which surrounded the war, The Lotus Eaters is nevertheless an excellent novel, a good work of historical fiction.
  • Rating: 4 out of 5 stars
    4/5
    Helen's brother has died in Viet Nam, and she wants to go there and find out the truth behind his death. She goes as a novice photographer and soon finds herself trapped in the horror of the Viet Nam War and the love of a country and its people whose hold on her keep her in the miidst of the terror and uncertainty of life there.
  • Rating: 4 out of 5 stars
    4/5
    The Vietnam war is a strong memory and a great sadness for many of us that lived through those times and this book gave us a wide view of the events and effects of this war. “The Lotus Eaters” is the story of a Vietnamese photographer named Sam Darrow and Helen Adams, a photojournalist from America who is covering the war. Their relationship is a complicated one and causes Helen to question her return to the states. It is full of the details of people’s lives, beautiful landscapes, the horrors of war and it’s aftermath. The book reflects the ‘forever effects’ on the lives of people on both sides of this war. The war is brought back to life in it’s telling of the horror of war, the brutality of some individuals and the kindness and courage of others. A vivid portrayal of what war does to all those involved and the innocent bystanders who are forever changed by it, this book tells an important story of history. There are some gentle moments but they are few and I will long remember the pictures this book has painted in my mind. Having taught “boat children” arriving from Vietnam, Laos and Cambodia in California in the early 80’s and having personally heard some of their stories and those of their families, this book had an even greater impact on me than it would have if it had just been another novel. If you were glad you read this book and want to read more about the families of this time, I would also recommend “The Latehomecomer: A Hmong Family Memoir” by Kao Kaila Yang. I gave “The Lotus Eaters” four stars and recommend it.
  • Rating: 4 out of 5 stars
    4/5
    I usually don't read war stories but this caught my imagination and I can't get it out of my mind. A nice combination of the feel of a country and a fast moving story. Our female protagonist struggles to be courageous and challenges herself in situations a normal person would never consider. She falls in love with the beauty of the countryside, and even the seediness of Saigon. I also identified with the male, Vietnamese, protagonist, who lived through loss and some awful dilemmas. I'm left with a feeling of curiosity and appreciation. Great read.
  • Rating: 5 out of 5 stars
    5/5
    Lotus eaters is a phenomenal study of a woman in a man's job as a war photographer. The author give a realistic look at the motivations of why one would put oneself in danger.

Book preview

The Lotus Eaters - Tatjana Soli

ONE

The Fall

April 28, 1975

The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out. A long-handled barber’s razor, cradled in the nest of its strop, lay on the ground, the blade’s metal grabbing the sun. Unable to resist, she leaned down to pick it up, afraid someone would split his foot open running across it. A crashing noise down the street distracted her—dogs overturning garbage cans—and she snatched blindly at the razor. Drawing her hand back, she saw a bright pinprick of blood swelling on her finger. She cursed at her stupidity and kicked the razor, strop and all, to the side of the road and hurried on.

The unnatural silence allowed Helen to hear the wailing of the girl. The child’s howl was high and breathless, defiant, rising, alone and forlorn against the buildings, threading its way through the air, a long, plaintive note spreading its complaint. Helen crossed the alley and went around a corner to see a small child of three or four, hard to tell with the unrelenting malnourishment, standing against the padlocked doorway of a bar. Her face and hair were drenched with the effort of her crying. She wore a dirty yellow cotton shirt sizes too large, bottom bare, no shoes. Dirt circled between her toes.

The pitiful scene begged a photo. Helen hesitated, hoping an adult would come out of a doorway to rescue the child. She had only days or hours left in-country. Breathless, the girl staggered a few steps forward to the curb, eyes flooded in tears, when a man on a bicycle flew around the corner, pedaling at a furious speed, clipping the curb and almost running her down. Helen lurched forward without thinking, grabbed the girl’s arm and pulled her back, speaking quickly in fluent Vietnamese: Little girl, where is Mama?

The child hardly looked at her, the small body wracked with sobs. Helen’s throat constricted. A mistake, stopping. A pact made to herself that at this late date she wouldn’t get involved. The street rolled away in each direction, empty. No woman approached them.

Tired, Helen knelt down so she was at eye level to the child. In a headlong lunge, the girl wrapped both arms around Helen’s neck. Her cries quieted to soft cooing.

What’s your name, honey?

No answer.

Should I take you home? Home? To Mama? Where do you live?

Rested, the girl began to sob again with more energy, fresh tears.

No good deed goes unpunished. The camera bag pulled, heavy and bulky. As she held the girl, walking up and down the street to flag attention, it knocked against her hip. She slipped the shoulder strap off and set it down on the ground, all the while talking under her breath to herself: What are you doing? What are you doing? What are you doing? The child was surprisingly heavy, although Helen could feel ribs and the sharp, pinionlike bones of shoulder blades. The legs that wrapped viselike around Helen’s waist were sticky, a strong scent of urine filling her nostrils.

A stab of impatience. I’ve got to go, sweetie. Where is Mama?

She bounced the girl to quiet her and paced back and forth. Her mind wasn’t clear; why was she losing her precious hours, involving herself now, when she had passed hundreds of desperate children before? But she had heard this one’s cries so clearly. A sign? A sign she was losing it was more like it, Linh would say.

A young woman hurried across the intersection, glanced at Helen and the child, then looked away.

The orphanage was overflowing. Should she take the girl home with her? Once they abandoned this corner, she would be Helen’s responsibility. Could she take her out of the country with Linh? What had she been thinking to stop? Was it a trap? By whom? Was it a test? By what?

Helen stroked the girl’s hair, irritated. She had a heart-shaped face, ears like perfect small shells. A bath and a nice dress would make her quite lovely.

Ten, fifteen minutes passed. The idea of this being a sign seemed more stupid by the minute. Not a soul came, nothing except the tinny, popping sound of guns far away. Helen toyed with the idea of putting the girl back down. Surely the family was close by, was searching for her. No harm done in keeping the girl company for a few minutes. Not her responsibility, after all. When she began to kneel to deposit her back on the ground, the girl’s arms tightened to a choke hold around her neck, and Helen, resigned, strained back up. All wrong; a terrible mistake. A proof that she was failing. Linh would be worrying by now, might even try to go out to find her.

Helen bent and fished for the strap of her camera bag, putting it on the other shoulder to balance the weight. Maybe it was a sign. Insane, but what else could she do but take the child with her?

Halfway down the street, a woman’s voice yelled from behind them. Helen turned to see a plain, moonfaced woman with thin, cracked lips stride toward them.

Are you her mother? Helen asked, guilt welling up. I wasn’t trying to take her—

The woman yanked the girl out of Helen’s arms, eyes pinched hard. The girl whimpered as the mother swatted her on the leg and scolded her.

She couldn’t tell me where she lived, Helen said.

But the mother had already turned without another glance and stalked away. The girl looked over the mother’s shoulder, dark eyes expressionless. In a few more steps, they disappeared around the corner.

For the briefest moment Helen felt wronged, missed the weight on her hip and the sticky legs, but then the feeling was gone. How had the mother been so neglectful anyway? It rankled that she had not been thanked or even acknowledged for her effort. But with the shedding of that temporary burden, the old excitement buoyed up in her again. The possibility of the girl disappeared into the past. She’d better pull herself together. She picked up her bag, checked her watch, and ran.

On a normal day the activity in the streets so filled her eye that she hardly knew where to turn, torn whether to focus her camera on the intricate tableaus of open-air barbers on the sidewalk cutting their customers’ hair, or tea vendors sweating over their fires and flame-blackened pots, or ink-haired boys selling everything from noodles to live chickens to cigarettes, or old men with whisk beards as peaceful as Buddhas playing their endless games of co tuong. And, too, there was the endless flotsam and jetsam of the war: beggars and amputees thronging everyplace where foreigners were likely to drop money.

But today streets were vacant, the broken windows and smashed doors like gouged-out features of a face once familiar. The people gone, or rather hidden, the streets deformed by their absence.

Helen’s Saigon had always been about selling—chickens, information, or lovely young women, it didn’t matter. It had once been called the Pearl of the Orient, but by people who had not been there in a very long time. Saigon had never been Paris, but now it was a garrison town, unlovely, a stinking refugee shantyville filled with the angry, the betrayed, the dispossessed, but she had made it her home, and she couldn’t bear that soon she would have to leave.

Closer to the center of town, there was activity. Gangs of looters ranged through the city like gusts of wind, citizens and defeated soldiers who now in their despair became outlaws, breaking into stores they had walked past every day for years, stores whose goods they coveted.

Helen hurried, sucking on the drop of blood at her fingertip, but couldn’t help her excitement, stopping to look, framing the composition in her mind’s eye: teenage boys, some in jeans, some in rags, breaking a plate-glass window; a crowd inside a ransacked grocery, gorging themselves on crates of guava and jackfruit; a young girl with pink juice running down her face and onto her white blouse. It had always fascinated her—what happens when things break down, what are the basic units of life?

Hours late. Helen walked faster, touching the letters in the top of her bag, letters that she had wasted the whole morning begging for, that undid the last bit of her foolishness, her wanting to stay for the handover. She hoped that Linh would have taken his antibiotic and morphine in her absence but guessed he had not. His little rebellion against her. He had forgiven her and forgiven her again, but now he was drawing a line.

At the central market, unable to stop herself, she held up the camera to her eye, shooting off a quick series—a group of men arguing, then carrying away sacks of polished rice, bolts of cloth, electric fans, transistor radios, televisions, tape players, wristwatches, and carton after carton of French cognac and American cigarettes. She was so broke she could have used a few of the watches herself to resell stateside.

Wind blew from the east, a tired, rancid breath carrying across the city the smells of rotting garbage and unburied corpses. The rumbling to the north might have been the prelude to a rainstorm, but the Saigonese knew it was the thunder of artillery, rockets, and mortar rounds from the approaching Communist armies. Her brain hot and buzzing, all she could think was, What will happen next?

The looters, figuring they would probably be dead within hours, were careless. They fought over goods in the stores, then minutes later dropped them in the street outside as they decided to go elsewhere for better stuff. Even the want-stricken poor seemed to realize: What good is a gold watch on a corpse?

Helen walked through the torn streets unharmed as if she weren’t a foreigner, a woman; instead she moved through the city with the confidence of one who belonged. Ten years before, she had been dubbed Helen of Saigon by the men journalists. She had laughed, the only woman from home the men had seen in too long. But now she did belong to the ravaged city—her frame grown gaunt, her shoulders hunched from tiredness, the bone-sharp jawline that had lost the padded baby fat of pretty, her blue gaze dark and inward.

Ten years ago it had seemed the war would never end, and now all she could think was, More time, give us more time. She would continue till the end although she had lost faith in the power of pictures, because the work had become an end in itself, untethered to results or outcomes.

_______

She stopped on Tu Do, the old Rue Catinat, shaken at the gaping hole of the French milliner’s store. The one place that had always seemed impregnable, a fortress against the disasters that regularly fell upon the city, Annick guarding the doorway with her flyswatter in hand. But the doorway was deserted, the plate-glass window shattered. Inside, crushed boxes, flung drawers, but not until she turned and saw the two rush-bottomed chairs, empty and overturned, did she believe the ruin in front of her.

When life in Saigon grew particularly hard, Helen would go to the store, enjoying the company of Annick, the Parisian owner, her perfectly coifed dark blond hair, her penciled eyebrows and powdered cheeks, the seams of the silk stockings she insisted on wearing despite the heat. She had been the only female friend Helen had all these years.

At first Helen had not understood the Frenchwoman’s talents, did not understand that the experiénce coloniale made her a breed apart. Annick was an old hand at Indochina, having thrived in Saigon for two decades, coming as a young bride. When her husband died she had confounded her family in France by staying on alone.

The two women would retire to the corner café and drink espressos. Helen sat and endured Annick’s scolding about neglecting her hair and skin when only hours before she had been out in the field, working under fire. Helen smiled as the Frenchwoman pressed on her jars of scented lotions, remedies so small and innocuous that they made Helen love her more. Had Annick finally gotten scared enough to leave everything behind and evacuate?

In the smashed display window, the red silk embroidered kimono Helen had been bargaining for was untouched, although the cheaper French handbags and shoes had been stolen. The Vietnamese always valued foreign goods over Asian ones. Helen hadn’t worked a paying project in a while; her bank account was empty. Her last batch of freelance pictures had been returned a month ago with an apology: Sad story, but same old story. But that would be changing soon. The silk slid heavy and smooth between her fingers.

She had worn down Annick on the price, but the kimono was still extravagant. This was the game they played—haggling over the price of a piece of clothing for months until finally Helen gave in and bought it. Annick refusing to sell the piece to anyone else. Feeling like a thief, Helen undraped it from the mannequin, making a mental note of the last price in piastres that they had negotiated; she would pay her when she saw her again. In Paris? New York? She couldn’t imagine because Annick did not belong in any other place but Saigon.

The whole city was on guard. Even the children who usually clamored for treats were quiet and stood with their backs against the walls of buildings. Even they seemed to understand the Americans had lost in the worst possible way. The smallest ones sucked their fingers while their eyes followed Helen down the street. When her back was to them, she heard the soft clatter of pebbles thrown after her, falling short.

Helen picked her way back home using the less traveled streets and alleys, avoiding the larger thoroughfares such as Nguyen Hue, where trouble was likely. When she first came to Saigon, full of the country’s history from books, it had struck her how little any of the Americans knew or cared about the country, how they traveled the same streets day after day—Nguyen Hue, Hai Ba Trung, Le Loi—with no idea that these were the names of Vietnamese war heroes who rose up against foreign invaders. That was the experience of Vietnam: things in plain view, their meaning visible only to the initiated.

The city had ballooned in size, overwhelmed by refugee slums, the small historical district with the charming colonial facades hiding miles and miles of tin sheds and cardboard shacks, threats of cholera and plague so frequent hotels swabbed the sidewalks in front with ammonia or burned incense, both remedies equally ineffectual. Garbage collection, always sporadic, had been done away with entirely the last few weeks. In some alleys Helen had to wade ankle-deep through a soupy refuse, banging a stick in front of her to scare away rats.

A dark scarf covered her hair so she would attract less attention, but now she also wore a black cotton smock over her T-shirt to hide her camera. Soldiers had beaten up a few reporters already. Paranoia running wild. A camera a magnet for anger. The South Vietnamese soldiers, especially, were bitter against the press, blaming the constant articles on corruption for stopping their gravy train of American money. Not an exhibitionist people, they didn’t want evidence of their looting, their faces splashed across world papers, ruining chances of promotion at home or immigration abroad. Helen pitied them as much as she feared them. They were mostly poor men who had been betrayed along with everyone else abandoned in Saigon. If one was rich or powerful, one was already gone. Only the losers of history remained.

At the alley that led to her building, Helen folded the kimono into her lap and bent down into the stall as she did most days. She lifted a camera and took a quick shot, already thinking in terms of mementos. "Chao ba. Ba manh khoe khong?" Hello, Grandmother Suong, how are you?

The old woman stirred her pot, barely looking up, poured a small cup of tea, and handed it to Helen. She felt deceived, tricked into loving this Westerner, this crazy one. People gossiped that she was a ma, a ghost, that that was why she was unable to go home. Why waste film on such an ugly old woman?

Oh, I only take pictures of movie stars. Grandmother smiled, and Helen sipped her tea. Read the leaves for me.

Grandmother studied the cup, shook her head, and threw the contents out. Doesn’t matter. You don’t believe. These are old Vietnam beliefs.

But if I did, what does it say?

Grandmother studied her, wondering if the truth would turn her heart. It’s all blackness. No more luck.

Helen nodded. It’s good I don’t believe, then, huh?

The old woman shook her head, her face grim. Gossips said they saw the Westerner walking through the streets alone, hair blowing in the wind, eyes blind, talking to herself. Heard of her taking the pipe.

What’s wrong, Grandmother? They had been friends since the time Helen was sick and too weak to come down for food. People walked over from other neighborhoods just to sit at these four low stools and eat pho, because Grandmother Suong’s had the reputation as the best in Cholon. During Helen’s illness, the old woman had closed her stall and climbed the long flight of stairs to bring her hot bowls of soup.

The street says the soldiers will be here tomorrow. Whoever doesn’t hang a Communist or a Buddhist flag, the people in that house will be killed.

Oh, I don’t know. I’ve heard those rumors—

Grandmother gave her a hard look. I don’t have a flag.

Helen sipped tea in silence, watching the leaves floating through the liquid, imagined them settling into her doomed pattern again and again against the curved bottom of the cup. The future made her weary.

The way it works, from what I know of what happened in Hue and Nha Trang, is that the women scouts come in before the soldiers. They go through the streets and hand out the flags. Then you hang them. Welcome the victors and sell them soup.

The old woman nodded, the furrows in her face relaxing as if an iron had passed over a piece of wrinkled cloth. They season very differently in Hanoi than we do. She rapped her knuckles lightly on the back of Helen’s hand. Listen to my words. They are killing the Americans, even the ones without guns and uniforms. Their soldiers and our own. All the Americans leave, but you stay.

Helen shook her head as if she could dislodge an annoying thought. Linh is hungry.

I took him soup hours ago. You are too late. War is men’s disease.

Helen finished her tea and set the cup on the crate that served as table. The old woman filled a large bowl with soup and handed it to her as she stood up. You eat to stay strong.

Did you read for Linh?

The old woman’s face spread into a smile. Of course. He pretends he doesn’t believe. That he is too Western for such notions. For him there is only light and long life. Fate doesn’t care if he believes or not.

Helen dropped lime and chilies in her soup.

"Da, cam on ba. Thank you. I’ll bring the bowl back in the morning."

Smash it. I won’t be open again after today.

Why, Mother?

"Chao chi. Toi di. I’m going to the other side of town so maybe they forget who I am. Not only Americans but ones who worked for Americans are in danger. No one is safe. Not even the ones who sold them soup."

_______

Helen stood in the stairwell, a cold, tight weight in her chest making it hard to breathe. She was afraid. Not so afraid of death—that fear had been taken from her years ago—but of leaving, having failed. Time to go home, and the thing that had eluded her escaped. Always it had felt just around the corner, always tomorrow, but now there would be no more tomorrows. Grandmother’s words of doom had spooked her. More time, give us more time.

Her reputation had waxed and waned with the course of the war. Never a household name synonymous with Vietnam the way Bourke-White and Higgins were in their wars. Or the way Darrow had been. At thirty-two already middle-aged in a young man’s profession, but there was nothing else she was prepared for but war. Her ambition in the larger world had faded until there was only her and the camera and the war. She knew this war better than anyone—had been one of the few to live in-country continuously, out in the field, taking every risk. She wanted to stay for the end, cover the biggest story of her career, especially now since the news services and the embassy were insisting that all Americans leave. The holy grail, an exclusive that would fill both her depleted reputation and her bank account. But what if the promised bloodbath did happen? There was Linh. She would not endanger him.

Chuong, the boy who lived under the stairs, was again nowhere in sight. Helen paid him daily in food and piastres to guard the apartment and do errands. Mostly she paid him so the landlord would allow the boy to sleep in the stairwell, so Helen could be sure he ate. The small networks of connection falling apart. His absence was unusual, and Helen climbed the stairs, trying to ignore her sense of dread. No one is safe. Not even the ones who sold them soup. The old woman was usually accurate about the manic mood swings of the city. What if the city itself turned against her? Rumor swirled through the streets like burning ash, igniting whatever it settled on. She could still feel the bony rap of Grandmother’s knuckles on her skin.

Inside her apartment, Helen put the bowl on the floor, slipped out of her shoes at the door, and set them next to Linh’s. She threw off the smock, pulled the neckband of her camera over her head, and laid the equipment on a chair. The camera was caked in dust. She would have to spend most of the evening cleaning the lenses and the viewfinder. The shutter was capping exposures, so she’d have to take it apart. A long, tedious evening when already she was dead tired.

She pulled off her T-shirt and pants, the clothing stiff with sweat and dirt. The laundry woman had stopped coming a week ago, so she would have to use a precious bottle of Woolite from the PX and wash her undergarments herself in the small basin in her bathroom. She tugged off the black scarf and shook out her hair, standing naked in the dim room for a moment, enjoying the feeling of coolness, the air touching her skin. Outside, she had to protect herself, had to become invisible. No hair, bared throat, absolutely no hint of cleavage or breasts, no hips or buttocks or bared calves were permissible. When she had first gone into the field, a veteran female reporter, happy to be on her way out, advised her to use an elastic bandage wrapped over her bra to flatten the outline of her breasts. Even in the cities it was advisable to wear pants with a sturdy belt, the woman said, because it was harder to rape a woman in pants.

It had all come down to this. Losing the war and going home. Her heart beat hard and fast, a rounding thump of protest. Would she go home, missing what she had come for?

Helen picked up the kimono and quickly slipped it on. In the darkened mirror, she tried to see the effect of the robe without looking herself in the face. The war had made her old and ugly, much too late for any of Annick’s lotions to make a difference. She pulled a comb through her hair and started to take out the hoop earrings in her ears but decided against it.

Is that you? Linh called.

She heard both the petulance in his voice and his effort to conceal it. I’m coming. Tying the sash of her kimono, she went to a cabinet for a spoon and picked up the bowl of soup.

In the bedroom doorway, she stood with a grinning smile that felt false. Lying in bed, staring out the window, he did not turn his head. The soft purple dusk blurred the outline of the flamboyant tree that had just come into bloom. Impossible to capture on film the moment of dusk, the effect of shadow on shadow, the small moment before pure darkness came.

I brought soup, but Grandmother said she already fed you.

I worried.

She could tell despite his hidden face that his words were true, but what she didn’t know was that since he had become house bound, he spent the hours while she was away imagining her whereabouts, visualizing dire scenarios. Each time he heard her walk through the door, he said a quick prayer of gratitude, as if torturing himself in this way saved her. Too close to the end to take such risks, and yet he was helpless to stop her.

I was trying to get home, but things kept catching my attention.

She came forward in the dim room and sat on the edge of the bed to eat. She bent over him and kissed him gently on the lips. No matter that they had been together years, always a feeling of formality when they first saw each other again, even if the separation had been only hours. It had something to do with the attention Linh paid to her, the fact that he never took anyone’s return for granted. The feeling disappeared with his quick smile, the way he always reached out a hand to establish touch. He wore old pajama bottoms, stomach and chest swaddled in gauze that had a dull glow in the room.

He was unhappy, and she was the cause of his unhappiness, and yet she was perfectly willing to bull herself through the conversation as if the feelings underneath their words didn’t exist. Why did someone fall in love with you because you are one thing and then want you to be something else?

I had many things to do today, my love.

The old crone read my fortune. Always the same—plenty of luck and a big family. The remark made to sting.

When Linh turned to look at her, she noticed how sharp his cheekbones were, how his eyes were unfocused by pain. She caressed the half-moon scar on his cheek with her fingers. Whenever she asked how he got it, he changed the subject.

You didn’t take your shots? she said.

Forgot.

With his infection, unsafe even to be still in the country. When Linh reached out his hand, she saw a belt twisted around his wrist. What happened? She held his hand and unwound it, feeling the cold heaviness of the flesh underneath, the welts left behind. She rubbed briskly, willing the disappointment from her face.

I was just bored, fooling around. Eat your soup.

She looked at him. But this wasn’t the time to confront. Just shrug it off, move on. I’ll change the dressings and give you a shot. Then I’ll front you a game of Oklahoma gin. Linh was tall, slender, with the finely etched features of the warrior princes of Vietnamese legend, perfect until one’s eyes traveled to the scar that formed a half moon on his cheek and the ribboned skin on the wrist that he couldn’t leave alone, an ache. Both of them full of scars.

Sit with me a minute. Tempting me with cards? He fingered the sleeve of the kimono. You couldn’t resist? Equally appalled and in love with the fact that she could think of a kimono while their world was about to be lost.

She buried her face in his neck for a moment. Her only rest anymore when her eyes were closed, the images stopped. His skin felt hot and damp against her cheek. Fever. Annick is gone. They were both still for a moment. A day, two at the most. Then I’ll achieve my goal—‘Last American Woman Reporter in Vietnam.’

We should leave now. While there is time.

Martin is still promising the city will never go, she said. There might be more time. The American ambassador had lost a son in the war, and the end would force him, too, to face things he didn’t want to face. Better anything than that. You distracted me, Helen said, jumping up and going through the room to her film bag. She fumbled inside it and held up a thick envelope. Guess what this is?

Then we’re ready. Let’s go now.

Linh swung his legs to the floor and sat doubled over, hands gripping the bed frame.

Yes. Your ‘Get Out of Vietnam Free’ card. Now you have two letters, Gary’s and the embassy’s. Insurance. But I had to sit through a two-hour lunch listening to how the press are tools of Hanoi. No wonder we lost. She stood at the side of the bed, bouncing up and down on the balls of her feet, shaking her arms, trying to release tension.

And what did you reply?

That photographs can’t lie. I said, ‘Make sure Nguyen Pran Linh gets to America, and as a bonus, I’ll leave.’ The country is going to disappear, be hidden behind a wall, and then the real stuff will start. All they want to talk about is identity cards, jumbled paperwork. How they have five different names on file for you.

We need to leave now, Linh repeated.

Not a moment past ‘The temperature is 115 degrees and rising,’ and the playing of ‘White Christmas.’ This was the clumsy radio signal for the beginning of the evacuation. She ran her fingers over his forehead, trying to brush away furrows of fever.

Linh smiled. Does it strike you as an obvious signal? I predict the whole of the NVA Army is bent over radios waiting for it. A great cheer will go up.

Soon.

If you want to stay, we’ll stay. He touched her hand. You’re shaking.

Tired.

He understood that this was an untruth, that she was afraid and running, and if he made the wrong move he would lose her. Lie down.

First things first. She readied the needle, gave him the injection.

Reluctant, knowing she had hours of camera repair work, she stretched out against him, shivering despite the heat.

After Linh had fallen into a drugged sleep, she got up and counted the ampoules of antibiotic and morphine left. A day’s supply, bought at triple the normal going rate on the black market. But there was no more bargaining. By next week, there wouldn’t be a black market for medicine at any cost.

Two days ago at the French hospital, the doctors had cleaned out Linh’s wound while he sat on a rough wood bench in the hallway, the rooms all filled to capacity, no drugs available. The doctor told Helen she was on her own finding penicillin and gave her a list of what would work in a pinch. The bullet had gone in at an angle and torn tissue on its way. The doctor left the young nurse with a needle and told her to suture him up. She was inexperienced, and the stitches were wide and irregular.

Take him home if you want him to recover. We have no medicine, no food. They are abandoning patients, she whispered.

Helen nodded, hired a cyclo on the street while two orderlies dressed in rags helped Linh out the door and down the stairs. His arms were outstretched, one on the shoulder of each man at his side, cruciform.

On a regular schedule, Helen swabbed out Linh’s wound, relieved that it had finally stopped draining. The skin was swollen and red around the bullet entrance and exit wounds. It had taken her a full day of scouring the city to get untampered-with antibiotic in sealed bottles. From her days in the field, she had learned the signs that things were starting to go bad—the pallor of the skin, the sticking sweat that didn’t dry. Linh was okay so far, although the fever troubled her. It was her fault he was wounded in the first place.

They had driven to the outskirts of the city to photograph what President Thieu was officially denying: that three million people had taken to the roads, refugees flooding into Saigon, that the South Vietnamese army was blocking entrance, trying to quarantine the city like a ship at sea. Thieu was blaming everyone else for his decision to abandon the Highlands. The mob scenes up the coast in Danang—airports overrun, people hanging on to the outsides of planes, weighing them down so they could not take off, women and children trampled—made everyone paranoid about the same disaster happening in Saigon.

From Martin down to her own contact at the embassy, the Americans were dazed by their impending loss and again forgot the Vietnamese. Negotiation was still considered an option, although the North Vietnamese made it clear they weren’t interested. Helen had been trying to sell pictures about the plight of the demoralized SVA, but Gary had told her bluntly that after’73, when the American soldiers pulled out, Asian against Asian didn’t make the front page. The world was bored by the long, brutal, stupid war. Until a few months ago, there had been only a skeleton press in the whole country, but now reporters flooded in, waiting for the handover so they could write up the finale and fly back out.

Linh had been angry the last few months, angry at the government’s ineptitude, and, Helen suspected, angry at America’s coming betrayal. A fait accompli that the North had won, the least the government should do was facilitate a peaceful handover, avoid a panic where more of the population would be hurt. The government paid lip service to preserving peace and order even as the authorities scrambled like rats to abandon the city. Linh’s usual gentle temper gone, he insisted on proving Thieu’s lies. Turning soldiers’ guns against their own people.

The cab had dropped Linh and Helen blocks from the barricades, and they slowly walked through the alleys to come up behind the SVA soldiers, the last vestiges of the government’s power, armed and facing a sea of refugees. Men, women, and children dying from lack of food and water, and many, having nothing to lose, tried to break through the blockades of concertina wire and bullets.

They had been warned that no one could help them if they got in trouble. Linh flaunted the danger, and Helen got caught up in his anger as well. She was taking pictures of the crowd when there was a surge of people to the left of them. A young soldier who looked no older than fifteen panicked and unloaded a clip from his automatic rifle into the crowd. The recoil shook him like a giant shaking him by the shoulders, and he turned sideways in his effort to hold on to the gun. A bullet ricocheted off the wall of a building.

Linh kept walking, stumbled, walked on. This is the way one survived. The mind shuts down. He kept walking, swatting at the smudge of blood that was growing on his shirt, walking on as if he would die walking.

Linh! Helen cried. She saw the blood and pulled him down on the sidewalk, lifted his shirt. The wound was at the side of his abdomen. She pressed her finger against the hole and could feel metal as he grimaced. Relief that it hadn’t gone in deep. Helen used his shirt to bandage it. She rubbed her bloodied hand against her pants. Ironic, given all the times they had gone on far more dangerous runs, but Helen, now as superstitious as the Vietnamese, knew there was only a certain quantity of luck in each person’s life, and they had remained past theirs.

_______

Now Helen woke up on the apartment floor, her hand rubbing against her leg, shaken by yet another nightmare. She got to her feet, stiff, and walked to the map hanging on the wall. After all this time the idea of Vietnam was still as distant now as it had been to her as a young girl when her father studied maps of French Indochina. She barely recalled his face, confused if her memories were her own or pictures of him, but she did remember him letting her trace the outlines of countries with her fingertip, and from that gesture, she had felt the conqueror’s feeling of possession. Now she had spent ten years in a country, South Vietnam, that had not existed on his maps, yet none of it was hers. Within a very short time—days, weeks, months?—it would disappear once more.

She had not imagined herself outliving this war. The country deep inside her idea of who she was; she would tear out a part of herself in leaving it. Darrow had seen to that. He said she would never survive the way she had been, and she changed, gladly. The girl she had been lost in the Annamese Cordillera, the untamed mountains that rose up behind the Central Highlands and folded themselves all the way back into Laos.

They had been out photographing a Special Forces reconnaissance mission when he woke her before dawn. The patrol was still out, and they watched the sun rise up out of the east and color the western mountains from a dull blackish purple to green. So many shades of green, Darrow said, that Vietnamese legend told that every shade of green in the world originated in this mountain range. The emerald backbone of the dragon from which the people of Vietnam sprang. Until then she had been blind, but when she saw those mountains, she slipped beneath the surface of the war and found the country.

Linh sighed in his sleep, and Helen laid a hand on the thin, strong muscle of his arm, willing away bad dreams. The way his dark eyes followed her the last few days made her nervous. As if he suspected her heart. Long ago she had become more ambitious than feeling. She had fallen in love with images instead of living things. Except for Linh.

He moaned, and her nails cut red half-moons in her palm.

Her brother’s death brought her to the war, but why had she stayed? Wanting an experience that wasn’t supposed to be hers? Join a fraternity that her father and brother firmly shut her out of? What did all the pictures in the intervening years mean? The only thing in her power now was to save Linh. It angered her, his refusal to leave without her. An emotional blackmail. But she supposed that finally the last picture would get taken, even if it wasn’t by her.

She picked up the camera and saw her face in the dusty lens, her features convexed. Was she to be trusted? She would kill for him, but would she also stay alive for him? An hour before dawn, her equipment clean and ready to go, her insides buzzed, a cocktail of lack of sleep and nerves. She fell asleep on the floor beside the bed.

They woke to the crumping sound of mortars on the edge of the city. She rose and was in motion, a prickling of adrenaline that she recognized when an operation was about to take place. Heating water for tea, swallowing a handful of amphetamines, she sponged herself off and packed a small carrying bag. Next to the door, she set down two battered black cases filled with film she had taken over the last week.

The last three years no one was much interested in pictures of a destroyed Vietnam. So Linh and she did humanitarian aid stories and began covering the ensuing crisis in Cambodia for extra money. Now Cambodia was off the list with the Khmer Rouge takeover. But when the actual fall of South Vietnam came, a photo essay recording the event would be very much in demand.

She had photographed the stacks of blackened corpses in Xuan Loc, had gone all over the city getting shots of the major players in the Saigon government, Thieu and returned Vice President Ky, who swore to stay and fight this time, while at their personal residences movers stacked valuable antiques—blue-and-white porcelain vases, peaceful gilded Buddhas, translucent coral and green jade statues carved into the shapes of fish and turtles—in the yard for shipment out of the country. And, of course, she had roll upon roll of the doomed people who had no special privilege, no ticket out. Looking at those faces, she felt a premonition like a dull toothache. Maybe inside these two cases she had finally pinned it down. Maybe these two cases would redeem her part in the war.

She stood by the window drinking tea, looking at the overcast sky, roiling clouds in varying shades from light pewter to the muddy, brownish gray of scorched earth. The breeze had turned sharp, the smell of rain and thunder promising a strong monsoon shower. Saigon was loved precisely because it was so unlovable—its squalor, its biblical, Job-like misfortune, its imminent, hovering doom.

At the sound of a creaking bedspring, she turned and saw Linh awake.

What are you thinking? he said.

Time to go to the airport. Our bags are here. Your papers are on top.

We agreed you would go to the docks, get shots of the boat evacuation. Then the airport.

Does one more shot matter? She spoke so faintly he could hardly hear her.

Either they all matter or none of them did.

She nodded, unconvinced. I have a bad feeling.

We have plenty of time. He was reeling her back, gently, from wherever she had been.

Jittery, she moved over to the bed and unwrapped Linh’s dressings. Skin puffy and inflamed, hot to the touch. It puckered over the nurse’s crude stitches like yeasted dough. Helen bit down hard on her lip as she rewrapped him. A new hollowness around his eyes.

Another shot of antibiotic even though it’s early, she said. I’ll be back by noon. Leave the radio on. Listen.

Linh nodded but seemed distracted, and Helen feared he was getting worse. She helped him up to the bathroom and then back to bed. She would have to hire a cab or cyclo to move him. She placed a pot of tea and a cup in a chair next to the

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