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The High King: The Chronicles of Prydain, Book 5 (Newbery Medal Winner)
The High King: The Chronicles of Prydain, Book 5 (Newbery Medal Winner)
The High King: The Chronicles of Prydain, Book 5 (Newbery Medal Winner)
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The High King: The Chronicles of Prydain, Book 5 (Newbery Medal Winner)

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The High King by Lloyd Alexander

When the most powerful weapon in the land of Prydain falls into the hands of Arawn, Lord of the Land of Death, Taran and Prince Gwydion rally an army to stand up to the dark forces.

The companions' last and greatest quest is also their most perilous. The biting cold of winter is upon them, adding to the danger they already face. Their journey, fraught with battle and bloodshed, ends at the very portal of Arawn's stronghold. There, Taran is faced with the most crucial decision of his life.

In this breathtaking Newbery Medal-winning conclusion to The Chronicles of Prydain, the faithful friends face the ultimate war between good and evil.

LanguageEnglish
Release dateMay 16, 2006
ISBN9781429961981
The High King: The Chronicles of Prydain, Book 5 (Newbery Medal Winner)
Author

Lloyd Alexander

Lloyd Alexander (1924-2007) was the author of more than forty books for children and adults, including the beloved children's fantasy series, the Chronicles of Prydain, one of the most widely read series in the history of fantasy and the inspiration for the animated Disney film, The Black Cauldron. His books have won numerous awards, including the Newbery Medal, the Newbery Honor, and the National Book Award for Juvenile Literature.

Read more from Lloyd Alexander

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Rating: 4.2745098039215685 out of 5 stars
4.5/5

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  • Rating: 4 out of 5 stars
    4/5
    So Taran comes back like Neo from the Matrix--significantly, this is the only book of the series that doesn't begin with him at Caer Dallben waiting to enter fairyland, but out in it waiting to come home. He demonstrates his dialogism, his new facility turning aside the programmatic patter of the princess Eilonwy. And the road is paved for a good popcorn-fantasy romp, with all the troublesome issues about what is this world and who are we that read it laid to rest. And for a good while it works--there is fellowship, sacrifice, betrayal, heartbreak, horror, &c. (I still don't get why they brought the former giant Glew along at all, but) everyone gets their chance to show their mettle, and when Prince Rhun and Llonio son of Llonwen and Coll son of Collfrewr pay their price you gnash your teeth in sorrow, of course; and you thrill at the adventures underground just as you play high-fantasy tourist at picturesque locales like the Red Fallows. The discovery of the sword Dyrnwyn, the victory on top of the mountain over the Cauldron-born, the inevitable fulfillment of the prophecy, these are played skilfully if predictably, but there are also moments of real pathos--Fflewddur Fflam's sacrifice of his harp comes so suddenly and painfully--and quirky puzzlesolving triumph, like when Doli figures out how to use his invisibility cannily to avoid the enchantment that makes him sick unto death in Annuvin, that kind of make you want to cheer (as well as screaming "D&D").But the ending turns it all into cardboard. Lord Arawn makes his big creepy play and fails and runs, and then everybody's standing around in the wreckage and Gurgi runs out of the treasure-house (saving the scrolls with the ancient knowledge of the craftsmen, an idiosyncrasy of Alexander's being his love of the working man, for which I appreciate him), and then at the least dramatic possible moment Arawn pops up again as a serpent, and Taran dispatches him with dispatch, and he takes Queen Achren down with him for no reason other than to give his death a spurious weightiness--playing up, again, the derivativeness of this fantasy world, when the whole last chapter is just a rushed and embarrassed through-the-motions aping of the passing of the Elves Sons of Don into Westernesse the Summer Country. And sure, Taran stays, and you can do a reading where the sudden flat dimness of Prydain at the very end is a token of the end of fantasy and the beginning of the age of man, his lost craft returned to him, but the ending doesn't leave you wanting to extend that kind of charity. Still, prior to that there's a lot of cast-of-thousands battling, brilliant set pieces, fantasy melodrama, and in that sense this is not an unworthy end to a not-unworthy series.
  • Rating: 3 out of 5 stars
    3/5
    I thought this one started out much stronger than earlier books in the series. It seemed like Alexander was finally going balls-out, willing to put the characters in actual peril and making use of plot points from previous books that had seemed inconsequential at the time.

    But I wasn't as thrilled with the resolution. First of all, after this protracted, epic battle to save Prydain from Arawn, in which countless people were killed, the majority of the principals immediately faff off to the Summer Country. Seriously, why bother if all the cool people get to escape to a perfect timeless land afterward? Why is useless, worthless Glew rewarded with eternal life, while Coll has to die far from home? And I thought Achren was wasted as a character--I think she could have been a lot more interesting than she was.
  • Rating: 3 out of 5 stars
    3/5
    I enjoyed the book. There was a lot of similarities to the Lord of the Rings. Glad I finished the series.
  • Rating: 5 out of 5 stars
    5/5
    One of my favorite series of all time. I love the characters and I am always sad to say goodbye to them when I finish reading.
  • Rating: 4 out of 5 stars
    4/5
    The final book in the Chronicles of Prydain series, the High King is the most comparable with the Lord of the Rings series, but I feel can faithfully stand on its own. I think it's hard to write a book of this nature without comparing it to Tolkien's series. Alexander wraps up his series quite nicely, giving each main character their due in this book. Sometimes predictable, but again most books of this nature are, the plot still provides some nice twists and turns right up to the final battle. In the end, a fun series to read for both kids and adults.
  • Rating: 5 out of 5 stars
    5/5
    Recently re-read this one. It's definitely, I think, the best in the series, but you need to read the rest of the series for it to feel as good and complete as it does. Everything in the other books basically comes to fruition here; everyone fulfills their destiny, so to speak, in a manner that is wonderfully written and characterized. Classic.
  • Rating: 5 out of 5 stars
    5/5
    This is the final book in Lloyd Alexander’s Young Adult fantasy series, the Prydain Chronicles. In this, the final battle, a desperate war is waged against Arawn, the lord of death. The hero, Taran, has traveled from being an assistant pig-keeper to being a self-aware and mature leader. This is one of the few Young Adult fantasy books that have won the Newbery Medal. The characters are more complex, and the plot more intricate than A Wrinkle in Time by Madeleine L’engle which won the Newbery Medal in 1962. The themes of mercy, sacrifice, and redemption creates a novel of deep power akin to Crispin The Cross of Lead by Avi.
  • Rating: 5 out of 5 stars
    5/5
    Great ending to a fantastic series. I bit like Lord of the Rings for a younger audience.
  • Rating: 3 out of 5 stars
    3/5
    The conclusion of the Prydain cycle; fairly satisfactiory ending, though to me not as good as Black Cauldron and Castle of Llyr, the middle books. For some reason what sticks in my mind is the three women who appeared to be fates earlier in the series rather awkwardly explaining that they aren't.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this last of the Prydain books, but I still have a hard time getting past the similarities to The Lord of the RIngs. This book had a lot more action than the previous 4 and had more a the flavor of an adult book than a YA book. There was, after all, a lot of fighting and dying, even of some characters readers surely had grown to love. I was pleased with the ending, actually, although I know that some readers don't care for it. Overall, a nice series.
  • Rating: 4 out of 5 stars
    4/5
    Prince Gwydion arrives at Caer Dallben with the news that Arawn's servants have managed to steal the magical black sword, Dyrnwyn, and Taran and his friends set out to retrieve it and to make a stand at the last battle for Prydain. The final installment is mainly a culmination of all the other books and all the great and funny characters come back for at least cameos. The stakes are as high as can be and the finale is heart-warming and heart-breaking at the same time. This series works very well for me now, but I would have given a lot to have read them as a kid.
  • Rating: 5 out of 5 stars
    5/5
    I almost, surprisingly, gave this book only four stars. Every other book in the series gets right into something interesting after about 40 pages or so of introduction. This one took 150 pages for me to really feel moved. Before that, it felt like battle after battle after battle. Some significant things happened, but they didn't feel meaningfully told in comparison with the other four books I had just read.But everything changed so abruptly at the end, and the author once again pulled out the unexpected twists he is so good at creating. I simply could not believe the conclusion, but it was better than anything I could have imagined. Not only do you realise how attached you are to these characters, but you actually believe that their world was once part of your own. This series has easily climbed its way up into my top ten favourite books, and the fact that I can still appreciate it as much as a child would as a cynical adult makes it all the more special.
  • Rating: 5 out of 5 stars
    5/5
    Hmmm, Iread this a number of months ago and jotted down a note to give this five stars when i got around to writing a review. Oh, well. I don't remember much about the book, save that it finishes the overall tale of Taran and his friends that started in "The Book of Three". Heh. Go ahead and read it. It'll be fun.--J.
  • Rating: 3 out of 5 stars
    3/5
    Climax of the series. Quite fun, and I love the ending -- if Taran left the world after all of this, it'd feel like a cop-out. And Eilonwy's decision is wonderful too. As in the previous book, lots of things from as early as the first book come together and are used now.

    Satisfying end to the series.
  • Rating: 5 out of 5 stars
    5/5
    I’ve tried to read this series a dozen times and I’ve always given up until now. This time I started with the last book in the series and I couldn’t put the book down. The author assures the reader in the introduction that though this is the final book in his series it is a stand alone; I found this to be so. The characters are slowly led on the stage, with their past exploits clearly delineated. I never felt unclear or confused. I grew to love all the characters, even the whiny Glew and the shifty Achren. The author, without revealing any of the clever twists of the plot, brings everything to a firm, though not always happy, conclusion.
  • Rating: 4 out of 5 stars
    4/5
    The end of the road for Taran the Wanderer. Piggy prophecies coming to pass, even though they seem impossible. Friends reunited and separated. I really enjoyed this book. For me, the biggest problem was the way things were all wrapped up in a bow. I guess I prefer that things end up slightly messier. I'm totally fine with Taran's role at the end, I'm just not happy with the way it was given to him all on the last day.
  • Rating: 3 out of 5 stars
    3/5
    The is the last book in The Chronicles of Prydain and it is my least favorite, I think because it's the most epic. Don't get me wrong - this book is wonderful and this entire series is an amazing and wonderful read, no matter what age you are. For me, however, the power of these books lies in the personal, in the smaller journeys and the finding of friendships, in the scary moments, but also in the really funny ones.The High King takes the fellowship to a new level. This is the story of the final battle against the dark, of sacrifices made, of defeats, victories and choices. Its scope is sweeping and its story is haunting. It's a wonderful series. You should read them all!
  • Rating: 4 out of 5 stars
    4/5
    Overall a satisfying ending to a good adventure series, even if it is highly reminiscent of Tolkein's ending for The Lord of the Rings series. Taran and Eilonwy have grown into their roles, and you sense that Prydain's going to be just fine - a good place to leave everything.
  • Rating: 4 out of 5 stars
    4/5
    The High King was an excellent finish to a story of how a boy can grow into a man. While I am a reader drawn to characterization rather than plot (and therefore loved books 3 and 4 over all), I have to admit that 5 was a nice mix of action and development.All women with boys (or adult male geeks) in her life should read these books.
  • Rating: 5 out of 5 stars
    5/5
    I wish Lloyd Alexander could come back and lecture today's crop of YA fantasy writers on how to write a cohesive, satisfying fantasy series in under 300 pages per book. He accomplished more in this short series, and especially in this final book, than many do in thousands of pointless detail.
  • Rating: 3 out of 5 stars
    3/5
    This book lacks the appeal of the rest. Most likely it suffers from being the ending, the very last book in the series, and endings are difficult to do well. The major defect, a defect that is shared by "The Lord of the Rings" is that there are too many ill-described battles. The various good folk muster a little too happily to the war which is pending. We often encounter Gwydion travelling alone in previous books and we've learned to accept it, but the way he loses his sword in the beginning of this book makes him seem kind of foolish. The ending, when everybody gets on their boats and travels to the Summer Lands smacks of Tolkien as well.Nonetheless this has many excellent parts and is at its best when the companions get cut off from the war host and have to do their thing on their own as in the previous books.Alexander's efforts to make Eilonwy more than a pretty thing are much appreciated, but she's still a girl, and hence inferior by convention. However, the narratives of her capture and escape near the end of the novel or her rescue of the companions near the beginning are really some of the best in the novel.Prince Rhun is an archetypal nerd, well-meaning, not physically adept, perceptive in some ways, curious about much, but always an outsider. I was sorry to see him die.
  • Rating: 4 out of 5 stars
    4/5
    Solid conclusion to this series, though not my favorite installment. There's definitely less humor and character development, as a lot of the plot consists of Taran and company slogging through battle after battle. And there's an accompanying sadness in tone, especially with the deaths of so many beloved supporting characters. Thank heavens that Alexander's characterizations are as strong and quirky as ever, particularly with the plucky and hilarious Eilonwy. More than anything, it's the companions (minus the annoying and useless Glew) that make the Chronicles of Prydain worth reading and re-reading.
  • Rating: 5 out of 5 stars
    5/5
    The High King (HK) is one of my favorite youth novels and one of my favorite fantasy books. It is a far better read than the Narnia books and as a whole contains more complex messages and doesn’t contain racist tints or negative views of women. For those seeking an in road to this genre for their kids I would recommend this book (and the series which comes before) hands down over Narnia. HK is not a better book because it presents more realist views of groups of people, but also because the characters actually read and feel like real people. The Narnia characters have always read as very flat and lifeless. HK’s characters by contrast struggle with what it means to be good. They don’t always come out on top of this issue, but in the end they learn from mistakes and grow and change. They don’t become great people. They just become better people than they were before the story started. Oh, this growth doesn’t always make them happy. They worry about themselves and feel badly for who they have been at times.All these comparisons aside, this book is a great read. The story is intense, scary, and suspenseful (even for adults) and the end leaves you wishing there were more books to follow (always a good sign).I give it an A+
  • Rating: 2 out of 5 stars
    2/5
    Meh. It's not a good sign when I'm thinking that I can run a war better than you can. I did like getting the alternate viewpoints for the first time instead of just living in Taran's head, but I need a little more leavening in my fantasy. This was entirely too earnest for me.

    Listening to Listening Library audio narrated by James Langton. Previously read for Children's Lit course Spring 2007.
  • Rating: 4 out of 5 stars
    4/5
    Difficult to get into if you haven't read the previous four books. For me, that detracted from its effectiveness as a Newbery winner. I had to reread many sections and didn't emotionally connect to the character or to the stories. Enjoyable enough, but not fantastic.
  • Rating: 4 out of 5 stars
    4/5
    Finally, books I remember enjoying as a kid that still stand up to re-reading as an adult!
  • Rating: 3 out of 5 stars
    3/5
    The series might have been strongest in books 3 and 4 which forced Alexander out of the familar realm and away from teh normal antagonists. This books is a conclusion to all the tales and is certainly the most ambitious in that regard. The prose flows comfortably but it should as it has been the same material, for the most part, since the first. Amny plot lines are ended, some rather haphazardly and some deftly. The conclusion itself is quick and somewhat intuiative though not befitting the buildup of the previous four books. A decent fantasy series for young readers, the chroncile as a whole suffers from borrowed plot ideas, awkward plot advancement, and questionable character development. The tapestry of Welsh myth would be better suited to more colorful writing.
  • Rating: 4 out of 5 stars
    4/5
    In the fifth, and final, novel in the Chronicles of Prydain, the final battle with the Death Lord takes place—and all the old buddies from previous books come out to play war. In many ways, this book is darker than the earlier ones. Although it is still appropriate for any child who is capable of reading it (fourth or fifth grade), it may be scary for very young kids who are being read to. Despite this, The High King was the best of the Prydain books. It taught good moral values, was cute and sweet, and never crossed the level of violence that some more recent children’s books achieve. Definitely a classic of children’s fantasy!
  • Rating: 4 out of 5 stars
    4/5
    The last of the Chronicles of Prydain. In this finale, many loose ends are tied up and we finally see what Taran is really made of. Lots of excitement, many battles, too many disappointing deaths. Still, a fun series and I'm glad I've read them.
  • Rating: 4 out of 5 stars
    4/5
    Prydain is once more wracked by shivers of war as the evil Arawn's henchman spread across the Caers. Prince Gwydion and Taran rally the forces of good, but will it be enough? Bloody battle and death, and ultimately? Of course a happy ending.

Book preview

The High King - Lloyd Alexander

CHAPTER ONE

Homecomings

Under a chill, gray sky, two riders jogged across the turf. Taran, the taller horseman, set his face against the wind and leaned forward in the saddle, his eyes on the distant hills. At his belt hung a sword, and from his shoulder a silver-bound battle horn. His companion Gurgi, shaggier than the pony he rode, pulled his weathered cloak around him, rubbed his frost-nipped ears, and began groaning so wretchedly that Taran at last reined up the stallion.

No, no! Gurgi cried. Faithful Gurgi will keep on! He follows kindly master, oh yes, as he has always done. Never mind his shakings and achings! Never mind the droopings of his poor tender head!

Taran smiled, seeing that Gurgi, despite his bold words, was eyeing a sheltering grove of ash trees. There is time to spare, he answered. I long to be home, but not at the cost of that poor tender head of yours. We camp here and go no farther until morning.

They tethered their mounts and built a small fire in a ring of stones. Gurgi curled up and was snoring almost before he had finished swallowing his food. Though as weary as his companion, Taran set about mending the harness leathers. Suddenly he stopped and jumped to his feet. Overhead, a winged shape plunged swiftly toward him.

Look! Taran cried, as Gurgi, still heavy with sleep, sat up and blinked. It’s Kaw! Dallben must have sent him to find us.

The crow beat his wings, clacked his beak, and began squawking loudly even before he landed on Taran’s outstretched wrist.

Eilonwy! Kaw croaked at the top of his voice. Eilonwy! Princess! Home!

Taran’s weariness fell from him like a cloak. Gurgi, wide awake and shouting joyfully, scurried to unloose the steeds. Taran leaped astride Melynlas, spun the gray stallion about, and galloped from the grove, with Kaw perched on his shoulder and Gurgi and the pony pounding at his heels.

Day and night they rode, hardly halting for a mouthful of food or a moment of sleep, urging all speed and strength from their mounts and from themselves, ever southward, down from the mountain valley and across Great Avren until, on a bright morning, the fields of Caer Dallben lay before them once again.

From the instant Taran set foot across the threshold, such a commotion filled the cottage that he scarcely knew which way to turn. Kaw had immediately begun jabbering and flapping his wings; Coll, whose great bald crown and broad face shone with delight, was clapping Taran on the back; while Gurgi shouted in glee and leaped up and down in a cloud of shedding hair. Even the ancient enchanter Dallben, who seldom let anything disturb his meditations, hobbled out of his chamber to observe the welcomings. In the midst of it all, Taran could hardly glimpse Eilonwy, though he heard the voice of the Princess very clearly above the din.

Taran of Caer Dallben, she cried, as he strove to draw near her, I’ve been waiting to see you for days! After all the time I’ve been away learning to be a young lady—as if I weren’t one before I left—when I’m home at last, you’re not even here!

In another moment he was at her side. The slender Princess still wore at her throat the crescent moon of silver, and on her finger the ring crafted by the Fair Folk. But now a band of gold circled her brow, and the richness of her apparel made Taran suddenly aware of his travel-stained cloak and muddy boots.

And if you think living in a castle is pleasant, Eilonwy went on, without a pause for breath, I can tell you it isn’t. It’s weary and dreary! They’ve made me sleep in beds with goosefeather pillows enough to stifle you; I’m sure the geese needed them more than I did—the feathers, that is, not the pillows. And servitors to bring you exactly what you don’t want to eat. And washing your hair whether it needs it or not. And sewing and weaving and curtsying and all such I don’t even want to think about. I’ve not drawn a sword for I don’t know how long …

Eilonwy stopped abruptly and looked curiously at Taran. That’s odd, she said. There’s something different about you. It’s not your hair, though it does look as if you’d cropped it yourself with your eyes shut. It’s—well, I can’t quite say. I mean, unless you told someone they’d never guess you were an Assistant Pig-Keeper.

Taran laughed fondly at Eilonwy’s puzzled frown. Alas, it’s been long since last I tended Hen Wen. Indeed, when we journeyed among the folk of the Free Commots, Gurgi and I toiled at nearly everything but pig-keeping. This cloak I wove at the loom of Dwyvach the Weaver-Woman; this sword—Hevydd the Smith taught me the forging of it. And this, he said with a trace of sadness, drawing an earthen bowl from his jacket, such as it is, I made at the wheel of Annlaw Clay-Shaper. He put the bowl in her hands. If it pleases you, it is yours.

It’s lovely, answered Eilonwy. Yes, I shall treasure it. But that’s what I mean, too. I’m not saying you aren’t a good Assistant Pig-Keeper, because I’m sure you’re the best in Prydain, but there’s something more—

You speak truth, Princess, put in Coll. He left us a pig-keeper and comes back looking as if he could do all he set his hand to, whatever.

Taran shook his head. I learned I was neither swordsmith nor weaver. Nor, alas, a shaper of clay. Gurgi and I were already homeward bound when Kaw found us, and here shall we stay.

I’m glad of that, replied Eilonwy. All anyone knew about you was that you were wandering every which where. Dallben told me you were seeking your parents. Then you met someone you thought was your father but wasn’t. Or was it the other way round? I didn’t altogether understand it.

There is little to understand, Taran said. What I sought, I found. Though it was not what I had hoped.

No, it was not, murmured Dallben, who had been watching Taran closely. You found more than you sought, and gained perhaps more than you know.

I still don’t see why you wanted to leave Caer Dallben, Eilonwy began.

Taran had no chance to reply, for now his hand was seized and shaken vigorously.

Hullo, hullo! cried a young man with pale blue eyes and straw-colored hair. His handsomely embroidered cloak looked as though it had been water-soaked, then wrung out to dry. His bootlacings, broken in several places, had been retied in large, straggling knots.

Prince Rhun! Taran had almost failed to recognize him. Rhun had grown taller and leaner, though his grin was as broad as it had ever been.

King Rhun, actually, the young man answered, since my father died last summer. That’s one of the reasons why Princess Eilonwy is here now. My mother wanted to keep her with us on Mona to finish her education. And you know my mother! She’d never have left off with it, even though Dallben had sent word Eilonwy was to come home. And so, he proudly added, "I finally put my foot down. I ordered a ship fitted out, and off we sailed from Mona Haven. Amazing what a king can do when he sets his mind to it!

We’ve brought someone else along, too, Rhun continued, gesturing toward the fireside where Taran for the first time noticed a pudgy little man sitting with a cook-pot between his knees. The stranger licked his fingers and wrinkled a flabby nose at Taran. He made no attempt to rise, but only nodded curtly while the scraggly fringe of hair around his bulbous head stirred like weeds under water.

Taran stared, not believing what he saw. The little man drew himself up and sniffed with a mixture of haughtiness and wounded feelings.

One should have no trouble remembering a giant, he said testily.

Remember you? replied Taran. How could I not! The cavern on Mona! Last time I saw you, though, you were—bigger, to say the least. But it is you, nevertheless. It is, indeed! Glew!

When I was a giant, Glew said, few would have forgotten me so quickly. Unfortunate that things worked out as they did. Now, in the cavern—

You’ve started him off again, Eilonwy whispered to Taran. He’ll go on like that until you’re fairly wilted, about the glorious days when he used to be a giant. He’ll only stop talking to eat, and only stop eating to talk. I can understand his eating, since he lived on nothing but mushrooms for so long. But he must have been wretched as a giant, and you’d think he’d want to forget it.

I knew Dallben sent Kaw with a potion to shrink Glew back to size, Taran answered. Of what happened to him since then, I’ve had no word.

"That’s what happened to him, said Eilonwy. As soon as he got free of the cavern, he made his way to Rhun’s castle. No one had the heart to turn him away, though he bored us all to tears with those endless pointless tales of his. We took him with us when we sailed, thinking he’d be grateful to Dallben and want to thank him properly. Not a bit of it! We almost had to twist his ears to get him aboard. Now that he’s here, I wish we’d left him where he was."

But three of our companions are missing, Taran said, glancing around the cottage. Good old Doli, and Fflewddur Fflam. And I had hoped Prince Gwydion might have come to welcome Eilonwy.

Doli sends his best wishes, said Coll, but we shall have to do without his company. Our dwarf friend is harder to root out of the Fair Folk realm than a stump out of a field. He’ll not budge. As for Fflewddur Fflam, nothing can keep him and his harp from any merrymaking, whatever. He should have been here long since.

Prince Gwydion as well, Dallben added. He and I have matters to discuss. Though you young people may doubt it, some of them are even weightier than the homecomings of a Princess and an Assistant Pig-Keeper.

Well, I shall put this on again when Fflewddur and Prince Gwydion arrive, said Eilonwy, taking the golden circlet from her brow, just so they can see how it looks. But I won’t wear it a moment longer. It’s rubbed a blister and it makes my head ache—like someone squeezing your neck, only higher up.

Ah, Princess, Dallben said, with a furrowed smile, a crown is more discomfort than adornment. If you have learned that, you have already learned much.

Learning! Eilonwy declared. I’ve been up to my ears in learning. It doesn’t show, so it’s hard to believe it’s there. Wait, that’s not quite true, either. Here, I’ve learned this. From her cloak she drew a large square of folded cloth and almost shyly handed it to Taran. I embroidered it for you. It’s not finished yet, but I wanted you to have it, even so. Though I admit it’s not as handsome as the things you’ve made.

Taran spread out the fabric. As broad as his outstretched arms, the somewhat straggle-threaded embroidery showed a white, blue-eyed pig against a field of green.

It’s meant to be Hen Wen, Eilonwy explained as Rhun and Gurgi pressed forward to study the handiwork more closely.

At first, I tried to embroider you into it, too, Eilonwy said to Taran. Because you’re so fond of Hen and because—because I was thinking of you. But you came out looking like sticks with a bird’s nest on top, not yourself at all. So I had to start over with Hen alone. You’ll just have to make believe you’re standing beside her, a little to the left. Otherwise, I’d never have got this much done, and I did work the summer on it.

If I was in your thoughts then, Taran said, your work gladdens me all the more. No matter that Hen’s eyes are really brown.

Eilonwy looked at him in sudden dismay. You don’t like it.

I do, in all truth, Taran assured her. Brown or blue makes no difference. It will be useful—

Useful! cried Eilonwy. Useful’s not the point! It’s a keepsake, not a horse blanket! Taran of Caer Dallben, you don’t understand anything at all.

At least, Taran replied, with a good-natured grin, I know the color of Hen Wen’s eyes.

Eilonwy tossed her red-gold hair and put her chin in the air. Humph! she said. And very likely forgotten the color of mine.

Not so, Princess, Taran answered quietly. Nor have I forgotten when you gave me this, he added, taking up the battle horn. "Its powers were greater than either of us knew. They are gone now, but I treasure it still because it came from your hands.

You asked why I sought to know my parentage, Taran went on. Because I hoped it would prove noble, and give me the right to ask what I dared not ask before. My hope was mistaken. Yet even without it—

Taran hesitated, searching for the most fitting words. Before he could speak again, the cottage door burst open, and Taran cried out in alarm.

At the threshold stood Fflewddur Fflam. The bard’s face was ashen, his ragged yellow hair clung to his forehead. On his shoulder he bore the limp body of a man.

Taran, with Rhun behind him, sprang to help. Gurgi and Eilonwy followed as they lowered the still figure to the ground. Glew, his pudgy cheeks quivering, stared speechless. At the first instant, Taran had nearly staggered at the shock. Now his hands worked quickly, almost of themselves, to unclasp the cloak and loosen the torn jacket. Before him, on the hard-packed earth, lay Gwydion Prince of Don.

Blood crusted the warrior’s wolf-gray hair and stained his weathered face. His lips were drawn back, his teeth set in battle rage. Gwydion’s cloak muffled one arm as though at the last he had sought to defend himself with this alone.

Lord Gwydion is slain! Eilonwy cried.

He lives—though barely, Taran said. Fetch medicines, he ordered Gurgi. The healing herbs from my saddlebags— He stopped short and turned to Dallben. Forgive me. It is not for me to command under my master’s roof. But the herbs are of great power. Adaon Son of Taliesin gave them to me long ago. They are yours if you wish them.

I know their nature and have none that will serve better, Dallben answered. Nor should you fear to command under any roof, since you have learned to command yourself. I trust your skill as I see you trust it. Do as you see fit.

Coll was already hurrying from the scullery with water in a basin. Dallben, who had knelt at Gwydion’s side, rose and turned to the bard.

What evil deed is this? The old enchanter spoke hardly above a whisper, yet his voice rang through the cottage and his eyes blazed in anger. Whose hand dared strike him?

The Huntsmen of Annuvin, replied Fflewddur. Two lives they almost claimed. How did you fare? he urgently asked Taran. How did you outride them so quickly? Be thankful it went no worse for you.

Taran, puzzled, glanced up at the distraught bard. Your words have no meaning, Fflewddur.

Meaning? answered the bard. They mean what they say. Gwydion would have traded his life for yours when the Huntsmen set upon you not an hour ago.

Set upon me? Taran’s perplexity grew. How can that be? Gurgi and I saw no Huntsmen. And we have been at Caer Dallben this hour past.

Great Belin, a Fflam sees what he sees! cried Fflewddur.

A fever is working in you, Taran said. You, too, may be wounded more grievously than you know. Rest easy. We shall give you all the help we can. He turned again to Gwydion, opened the packet of herbs which Gurgi had brought, and set them to steep in the basin.

Dallben’s face was clouded. Let the bard speak, he said. There is much in his words that troubles me.

Lord Gwydion and I rode together from the northern lands, Fflewddur began. We’d crossed Avren and were well on our way here. A little distance ahead of us, in a clearing … The bard paused and looked directly at Taran. "I saw you with my own eyes! You were hard pressed. You shouted to us for help and waved us onward.

Gwydion outdistanced me, Fflewddur went on. You’d already galloped beyond the clearing. Gwydion rode after you like the wind. Llyan carried me swiftly, but by the time I caught up there was no sign of you at all, yet Huntsmen a-plenty. They had dragged Gwydion from his saddle. They would have paid with their own lives had they stood against me, cried Fflewddur. But they fled when I rode up. Gwydion was close to death and I dared not leave him.

Fflewddur bowed his head. His hurt was beyond my skill to treat. I could do no more than bring him here as you see him.

You saved his life, my friend, Taran said.

And lost what Gwydion would have given his life to keep! cried the bard. The Huntsmen failed to slay him, but a greater evil has befallen him. They’ve stripped him of his sword—blade and scabbard!

Taran caught his breath. Concerned only for his companion’s wounds, he had not seen that Dyrnwyn, the black sword, hung no longer at Gwydion’s side. Terror filled him. Dyrnwyn, the enchanted blade, the flaming weapon of ancient power, was in the Huntsmen’s hands. They would bear it to their master: to Arawn Death-Lord, in the dark realm of Annuvin.

Fflewddur sank to the ground and put his head in his hands. And my own wits are lost, since you tell me it was not yourself who called out to us.

What you saw I cannot judge, Taran said. Gwydion’s life is our first care. We will talk of these things when your memory is clearer.

The harper’s memory is clear enough. A black-robed woman moved from the dark corner where she had been silently listening, and stepped slowly into the midst of the company. Her long, unbound hair glittered like pale silver; the deadly beauty of her face had not altogether vanished, though now it seemed shadowy, worn away, lingering as a dream only half-recalled.

Ill fortune mars our meeting, Assistant Pig-Keeper, Achren said. But welcome, nonetheless. What, then, do you still fear me? she added, seeing Taran’s uneasy glance. She smiled. Her teeth were sharp. Neither has Eilonwy Daughter of Angharad forgotten my powers, though it was she who destroyed them at the Castle of Llyr. Yet, since I have dwelt here, have I not served Dallben as well as any of you?

Achren strode to the outstretched form of Gwydion. Taran saw a look almost of pity in her cold eyes. Lord Gwydion will live, she said. But he may find life a crueler fate than death. She bent and with her fingertips lightly touched the warrior’s brow, then drew her hand away and faced the

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