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The Alchemist's Door
The Alchemist's Door
The Alchemist's Door
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The Alchemist's Door

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Scientist, mathematician, and court astrologer to Queen Elizabeth I, John Dee is also one of the sixteenth-century's most renowned alchemists, driven by a passion to fathom the elemental secrets of the cosmos. But when his reckless assistant, Edward Kelley, succeeds in using a crystal sphere to summon angels, Dee is catapulted into an awesome struggle that may extinguish the light of reason forever.

One of the spirits invoked is a cunning demon who takes possession of Dee's young daughter, Katherine, and shows Dee a frightening vision of his own future. Terrified by what has been foretold, Dee abruptly decides to close his house in London and flee to Europe with his long-suffering wife, Jane, and their two young children.

Their desperate flight brings them at last to the city of Prague--a center of culture, knowledge, and learning, both sacred and profane, a gateway between the Eastern and Western worlds, and also, it is whispered, a door between our world and the world of the spirits.

There, in the city's ancient streets, Dee encounters the mystic Rabbi Judah Loew, who enlists his aid in the creation of a Golem--a man fashioned from the clay--to defend the city's Jewish Quarter from persecution. And he asks Dee's help to avert a impending crisis that threatens to engulf the world. For ancient legends say that the fate of the world rests on shoulders of thirty-six righteous men. And if one of those righteous men dies before his time, the world will end and dark spirits will remake it in their own image.



At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateApr 1, 2003
ISBN9781429974349
The Alchemist's Door
Author

Lisa Goldstein

Lisa Goldstein has published ten novels and dozens of short stories under her own name and two fantasy novels under the pseudonym Isabel Glass. Her most recent novel is The Uncertain Places, which won the Mythopoeic Award. Goldstein received the National Book Award for The Red Magician and the Sidewise Award for her short story “Paradise Is a Walled Garden.” Her work has been nominated for the Hugo, Nebula, and World Fantasy Awards. Some of her stories appear in the collection Travellers in Magic. Goldstein has worked as a proofreader, library aide, bookseller, and reviewer. She lives with her husband and their overexuberant Labrador retriever, Bonnie, in Oakland, California. Her website is www.brazenhussies.net/goldstein. 

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  • Rating: 4 out of 5 stars
    4/5
    This is the real story of John Dee's trip to Cracow and Prague in the 1580s. Dee and his collaborator Edward Kelley are fleeing a demon whose attention they have attracted in their experiments in angel magic. Initially, they travel with Prince Laski, for whom the angels that only Kelley can see have prophesied that he will be king of Poland. When events do not proceed with the speed that Laski had hope for, and it becomes clear that the demon is still with them, Dee finds it desirable to move his family to Prague, and Kelley again accompanies them. Gradually, Dee realizes that Kelley is more interested in the wealth theoretically available from alchemy (if he can create a philosopher's stone and turn base metal into gold) than in higher knowledge. Even more gradually, he realizes that his wife Jane is right--Kelley is not his friend, and is not to be trusted.

    While in Prague, Dee and Kelley are summoned to an audience with Rudolf II, and meets his very first Jew, Rabbi Loew, who has also been summoned for an audience. Dee quickly finds himself in deeper water than he ever imagined, as Rudolf wants both favorable prophecies from the angels, and the wealth that Kelley claims he's on the very point of being able to produce, and further meetings with Loew as well as some of the other seekers of occult knowledge who have gathered in Prague reveal that Dee's demon is merely a symptom of a far greater problem, one that endangers the whole world. There is a door between dimensions, and the door is has swung wide open. If the demons reaching through the door can find one crucial thing and accomplish one crucial task, they can remake this world according to their needs. Dee and Loew, sometimes barely able to communicate across the divide of their beliefs, experience, and prejudices, need to work together to close the door forever.

    Most enjoyable.
  • Rating: 3 out of 5 stars
    3/5
    The Alchemist's Door is a fantasy that incorporates several highly intriguing historical figures: Doctor John Dee, occultist and consultant to Queen Elizabeth, Rabbi Judah Loew Ben Bezalel a scholar and Jewish mystic who, according to legend, created the Golem of Prague, Rudolf II of Austria the Holy Roman Emperor and devotee of the occult, and Elizabeth Bathory, the Hungarian noblewoman who was said to bathe in the blood of virgins to preserve her youth. In Goldstein's story, John Dee travels to Prague to gain the patronage of Rudolf II and escape an evil demon that he accidentally summoned in England. While in Prague, Dee meets Rabbi Judah Loew and the two men become friends, bonding over their shared interest in the mystic arts. But when Dee's assistant turns on them, Dee flees to Hungary to escape Rudolf's wrath and finds himself at the court of Bathory Erszebet, the infamous "blood countess." Meanwhile, Rabbi Loew constructs a golem to protect the Jewish populace from the Emperor's army. Despite the awesome premise, which contains some of the most fascinating historical characters and legends, the story is strangely lacking. John Dee is a nervous bumbler who can cast spells like smashing windows with a wave of his hand, but can't see spirits and is easily taken in by a con-artist. The confrontations with Rudolf and Bathory lack the gruesome atmosphere, or terror, or suspense that they could have. I often had the sense that I was reading a children's or young adult novel - not that that would be a bad thing, but it is marketed as an adult novel and it lacked that depth. I was expecting a more complex look into the ceremonial occult magics and mystical beliefs of the period, or the clash of cultures, or an examination of these really interesting historical figures, but instead the story proves a fun and diverting adventure, but little else.
  • Rating: 4 out of 5 stars
    4/5
    Interesting sort of historical fantasy mashup that works. Some social commentary, some spirituality, and some action add up to something worth reading. No big messages are really brought through but that ends up not distracting from the overall enjoyment.
  • Rating: 4 out of 5 stars
    4/5
    This was an enjoyable quick read.I could not put the book down.This is the second book I've read by Lisa Goldstein and I have to say she may become one of my favorite authors.
  • Rating: 4 out of 5 stars
    4/5
    While it was not all I was hoping for, I started reading it and couldn't put it down. Literally got sucked into the pages, so to speak. I thought it was a cute story, very preposterous, indeed, but a fun read that was well worth the time put into it. I have other books by Lisa Goldstein (walking the labyrinth, the red magician), but this was my first experience with this author. Won't be my last, either!Would I recommend it? Hmmm...that's a toughie. If you want a good supernatural-ish/fantasy yarn, yes. If you're looking for something deeper, no. If you have to have everything believeable in your reading, then don't pick this one up. My advice: if you are looking for a fun way to spend a few hours, this would be a good choice. The story moves fast (in part because it is a little silly), and it will fulfill your non-serious entertainment quotient for the day.A brief look at what's inside (no spoilers)John Dee as you may or may not know, was an astrologist to Queen Elizabeth I, and was a practitioner of the hermetic arts (alchemy if you must). As our story opens, we find Dr. Dee, his family and his bizarre companion, one Edward Kelley, who may or may not have been a necromancer, going off to Poland, where Dr. Dee has been invited by Prince Laski. They had to leave England, it seems, because Kelley & Dee have called a demon into existence and it is tormenting Dr. Dee. His reasoning is that if he goes across water, the demon, who supposedly cannot follow, will remain behind and his life will vastly improve. He is urged on by Kelley, who predicts all types of dire things that will happen to Dee, his home and his family, so off the entourage goes. For a time, all is well, but Dee makes an incredible discovery while he's in Prague. A) the demon is still there, and B) that Prague is somehow the cosmic center of the universe and that there is a door that links the earth and the other plane that is demon riddled. In the meantime, Rabbi Judah Loew has been tasked with finding the 36th righteous man, who according to legend, keep evil at bay. None of these men (of the 36) know that they have this identity until they are on their death bed, and to maintain balance, any one of them dying must name an heir before he dies. The 36th man must be identified in order to be protected, because if he ceases to exist, the world will not only end but will actually start again and will be malleable to whoever can reshape it. Dee and Loew meet and together they take on the task of finding this 36th man. Dee's travels take him many places, none the least of which is Transylvania at the court of King Istvan (Stephen), whose cousin Erzebet Bathory (the heroine of Codrescu's novel "Blood Countess").While Goldstein's message of "the union of opposites" rings through here, as does the true purpose of alchemy, it is as I said a little silly all around. I thought she portrayed Dr. Dee as a kind of bumbler, but it was fun. I'll definitely read more books by this author.

Book preview

The Alchemist's Door - Lisa Goldstein

1

"TELL ME AGAIN, JANE DEE SAID, FOLDING A shirt briskly and setting it in the trunk. Why are we leaving England in such a hurry?"

We’re not hurrying, John Dee said. Prince Laski wants us to go with him to Poland, nothing more.

Then why can’t we leave tomorrow, or a week from now? I have to close up the house and send off the servants, and you should arrange for money to be sent after us—

Dee stopped in the act of folding a pair of hose and looked at his wife, studying her fine reddish blond hair, the small lines at her mouth and eyes that had appeared when their first son, Arthur, was born. Her gray eyes regarded him levelly.

How much could he say to her? He could not tell her the truth, how everything had gone horribly wrong; he could not ask her to share the fear that had weighed on him since that terrible evening.

I heard something from your study a week ago, she said. A deep awful voice. And Katherine was in there—she’s only two. What did she see?

She had read his mind, the way partners in a long marriage do. No harm came to Katherine, I swear, he said, quietly praying that that was true. Kelley and I take all the precautions necessary—

Kelley! Jane said. She spoke softly; his assistant Edward Kelley had been living in a spare room on the ground floor for over a year. Why do you listen to that man?

We have been over and over this. Because he can hear the angels speak, and I cannot.

He can hear your money speak, more like. Why should he be the one to hear them, and not you? You are a good, God-fearing man, and he is—he is a man who has had his ears cut off as punishment for some crime. How can you trust him? You know why the magistrates order a man’s ears clipped. For forgery, or coining. Or for necromancy.

He is no necromancer.

I hope, for the children’s sake, that he is not.

They continued packing, folding and sorting the family’s clothes, moving through the house to collect cookpots and books and pewter plates. Is Kelley coming with us? Jane asked, adding bits of cedar and sprigs of lavender to a trunk.

Yes.

To her credit she did not complain about the other man again. How will we afford all this? she asked.

We have money, Dee said shortly. But Jane knew as well as he did that their money would last a few months, if that. They would have to find a patron. Prince Laski might reward him, God willing … .

You should have the moneys from your lands sent after us, she said once more.

He did not reply. Jane was right, but he could not afford to take the time to arrange it. He placed the bag holding the transparent ball of crystal in the last trunk, nestling it carefully within piles of clothing, and then closed the lid. Bells rang outside, tolling three hours after noon. He had hoped to be away much earlier.

Still, he could not resist a last hurried look around. He walked through the house, taking in everything—the beams blackened from countless hearth-fires, the scuffed wooden floors, the battered furniture—as if for the last time. He had grown up in this house just outside of London; it fit him like a familiar piece of clothing. Finally he climbed the stair to his study, a small room perched precariously above the rest of the house, and looked at his beloved library: the orrery, the astrolabe, the books he had amassed with so much trouble.

He went downstairs and found his wife in the children’s room, holding Rowland, the baby. He took Arthur and Katherine by the hands and called for their servants to carry the trunks and bundles. Kelley joined them silently on the ground floor, a small sack slung over his shoulder.

A servant led the way down to the Thames. At the dock they met Prince Adalbert Laski and his retinue. Dee’s heart sank at the sight of Laski’s escort, which was far too large to travel as quickly as he wanted.

They boarded a boat for Greenwich, which they reached in the dead of night. We take rooms and wait for morning, yes? Laski said in his peculiarly-accented English.

Let’s go now, Dee said.

Why?

Because—because the time is auspicious for traveling.

It is middle of night now.

Let’s wait, Jane said. The children have to sleep.

Katherine and Rowland were already asleep, but Arthur was bright-eyed and awake. Where are we going? Arthur asked, pleased with the sudden notice being taken of him. What is happening?

Dee gave in, knowing that Jane was right, and they found rooms at an inn frequented by travelers and sailors. When everyone was asleep he opened his diary and wrote carefully, 21 Sept., 1583. Saturday. And how long, he wondered, before we get to our destination? But he wrote about the day’s events with a light tone, in case anyone read what he had written.

The next day they boarded a grander ship that would take them to the continent. A gale blew up almost immediately, returning them to shore. The bad weather continued into the night, forcing them back to the inn. Dee cursed the delay and paced in the confined space; they had taken a small room to save money and he was hemmed in by Jane and the children and Kelley and all their luggage. Rain beat irregularly on the roof, adding to his frustration.

Jane bade him to be patient; they would leave when the weather permitted. He could not tell her what he feared: that the thing he tried to escape from would not let them go.

Four days later the storm finally cleared and they were able to cross the channel. On the continent they boarded yet another ship and navigated through the oppressively flat country of the Lowlands on a roundabout route to Poland. They followed the filigree and tracery of rivers and canals and tributaries so small they didn’t even have names; they saw windmills in the distance, and foul-smelling marshes; strange birds shrieked to them as they passed. A chilling wind came off the water, and sometimes an unhealthy mist rose about them, obscuring the river. They passed no one but farmers and an occasional low barge carrying trade goods.

Their ship moved slowly, so slowly. And while they sailed he was forced to be idle, and his mind—used to teasing out puzzles and studying philosophical questions—began to plague him with unwelcome thoughts. He remembered a story he had once heard a Yorkshireman tell, about a kind of mischievous fairy called a Boggart. For years the Boggart had tormented a Yorkshire farmer and his family, had curdled their butter and snarled their knitting and blighted their crops and thrown their things about, until finally the family packed their possessions and made ready to move away. So you’re leaving the old house at last? a neighbor said, and the head of the family replied, Heigh, Johnny, I’m forced to it, for that damned Boggart torments us so. He had scarce uttered the words when a voice came from the butter churn, packed with the rest of the household goods in the cart—Aye, aye, here I am. Oh, damn thee, the farmer said. It’s no use. And he pulled on the reins of his cart-horse and said to his wife, We may as well turn back to the old house as be tormented in another that’s not so convenient.

Odd how the story came back to him. He even remembered the Yorkshireman’s broad dialect—t’ould hoose, he had said. Not so odd, really. But he had left the—the thing, whatever it was—behind him.

He and Kelley dealt with kindly angels only. That was what he believed, and what he held to despite everything. Kelley saw them in the crystal, and Dee asked them questions. The unkindly angels, the evil angels, that is to say the demons …

No. He had left it behind. It could not come to torment him in another house. If it did, he had uprooted his family and sent them on a mad chase through Europe, all for nothing.

Why we go this way? Prince Laski asked once. Travel over land is better, yes?

This way is just as good, Dee said. He did not mention to Laski his forlorn hope, the tale the old wives told, that demons could not pass running water.

Unlike Jane and Laski, Kelley did not question him at all. Kelley argued, as he always did, his speech a continuous litany of complaints: they should never have left England, he should not be forced to use the scrying glass so often, they should continue their search for the Philosopher’s Stone instead.

Dee knew, of course, of Kelley’s obsession with the Philosopher’s Stone. The Stone, the goal of every alchemist, was made by the forging of opposites to create something whole, something perfect and incorruptible. Whatever the Stone touched would become perfect as well: mortal men would become immortal, impure metals would change to gold. It was for gold that Kelley pursued his experiments with potions and elixirs. He had no time for theories of perfection and imperfection; he wanted, simply and wholeheartedly, to be rich.

From the beginning Kelley had made no secret of his desires. He had first come to Dee over a year ago, in March of 1582, in the company of a friend of Dee’s, a Master Clerkson. It was the day after the aurora borealis, and ever since then Dee would wonder, fancifully, if the man had blown in on the unearthly blood red lights.

Kelley called himself Talbot then; Dee never discovered why. He had a down-turned mustache, and although he was young compared to Dee, only thirty, his yellow beard was already turning gray; the streaks made it look as if his beard were rusting. He seemed to have two expressions, one jaded and worldly-wise, with drooping eyelids, and another more forceful and alert.

Yet Kelley could see angels in the ball of crystal, and Dee could not. Dee did not know why this should be so: it seemed grossly unfair, almost—though he shied away from the thought—a mistake on the part of God. Kelley was sometimes recalcitrant or bad-tempered or blasphemous, or all three. But Dee’s place, so far, had been only to ask the angels questions and record their answers in the book he called the Liber Mysteriorum, or the Book of Mysteries.

At Dee’s urging Kelley joined their household. As the months passed, though, Dee noticed oddities about the other man, things that made him uncomfortable. And Jane, who was so level-headed, had been suspicious of Kelley from the first.

For one thing, Kelley always wore a close-fitting black cap, even inside the house. Then one day he came to breakfast without it and Dee saw, shocked, that there were ragged stumps where his ears should be, that his ears had been cropped. And ten months after he moved in with them he mentioned casually, as though it was a detail of not much importance, that his name was really Kelley, not Talbot.

Once Dee opened his diary to see that Kelley had crossed out whole sections, most of them concerning Dee’s secret doubts about the other man. Kelley had also added fulsome paragraphs praising his own scrying ability, paragraphs that mimicked Dee’s hand perfectly. Dee remembered Kelley’s clipped ears—which, as Jane never ceased to remind him, was a punishment meted out to forgers—and he wondered. This is Mr. Talbot’s writing in my book, he wrote, hoping to avoid confusion later, and he began to write in other languages besides English.

By this time, though, he had traveled too far along the road Kelley showed him. Kelley could see more in the glass than anyone Dee had ever known. At every session they had together Dee felt as if he traveled to another world, a wondrous world filled with angels and spirits and color and rare knowledge. Sometimes he thought that he was speaking directly to God, that he was on the verge of learning God’s plan for the world. Kelley satisfied his hunger for this knowledge; it did not matter if the man had a hundred names.

On October seventeenth Arthur and Rowland became ill from the cold and they were forced to go ashore in Emden. Laski stopped at an inn that looked far too expensive for Dee’s taste, and he and his family continued on until they found something smaller.

The innkeeper led Dee and his family upstairs and through a narrow hallway, then opened a door and ushered them inside. The room beyond was tiny, with peeling whitewash; it smelled of mold and congealed candlewax. Wind rattled the shutters and sent gusts of freezing air through cracks in the windows. The fire in the stone hearth was out and dust eddied in the corners.

The innkeeper showed Dee into the other two rooms, each as small and cold and musty as the first. Both contained a lumpy narrow bed, a chest and a chamberpot. Dee thanked the innkeeper and showed him out.

When the man had gone Dee spoke a few words. A candle on the mantelpiece blazed into light. He used it to build up the fire and kindle the other lamps. As he walked he felt as if he were still moving, still swaying to the motion of the boat.

Jane stripped the filthy linen off the beds, then sorted through their trunks until she found sheets and blankets. As she drew them out Dee smelled the cedar and lavender she had packed them in, and for a moment he was transported back to their home in England.

They settled the children in bed. Dee studied Arthur and Rowland carefully, feeling their foreheads, lifting their lids to peer into their eyes. They need a good warm broth, he said to Jane. And some feverfew, if you can find it.

She nodded doubtfully and left to find the kitchen. Dee went back to the front room and stood before the fire.

A moment later the door opened and he looked up, expecting Jane. Prince Laski stood there. One of the shutters flew open and banged loudly against the wall; Dee jumped at the noise and looked at the window. The forest began a mere few yards from the inn, he saw, the serrated edges of the pine trees cutting at the sky.

The angels speak to us tonight, yes? Laski asked in his outlandish Polish accent. Kelley’s angels had promised Laski that he would become king of Poland, and the prince was eager to learn more about his fate.

Dee went to the window, staring out at the darkness of the forest. What was he looking for? The thing he feared would not show itself; he almost wished it would, wished he had something tangible to fight. No, he said slowly. We must not summon the angels in such a godforsaken place as this.

The minute the words were out of his mouth he wanted to call them back. The place was not godforsaken; surely God would not forsake any of them. One of his children cried from the next room and he excused himself and hurried toward the sound. Dreadful imaginings filled his mind, and he prayed under his breath as he went. Prayed quietly, so Laski would not hear him and guess that anything was wrong.

Nothing is wrong, he told himself fiercely. Their first attempt across the channel, when they had been driven back to shore—that had been perfectly natural and not the action of some supernatural force. The shadows he sometimes saw leap upward when there was no fire to make them dance—that was his imagination. And the children’s illness … He shook his head. No, they had left the thing behind. He was certain of it.

The child was Katherine, crying in her sleep. He hurried toward her and held her. Poor Katherine, he thought. The scars on her palms had not yet healed. He studied her as she fell back to sleep; she looked peaceful enough.

Jane came into the room. The innkeeper’s wife nearly ordered me out of her kitchen, she said. I had to beg her, to tell her our children were sick. And then she thought we carried some contagion and wanted us to leave the inn entirely. She woke Arthur gently and lifted the broth to his mouth.

Three days later the children were recovered enough to continue on. At Hamburg, on November sixth, they parted company with Laski and his retinue; Laski needed to attend to some business. Borrowing money, probably, Dee thought. He had learned on the journey that the prince was nearly penniless; it was no wonder he wanted the kingship so badly. They hired wagons and drivers and transferred their household goods, and pushed on by coach to Lübeck.

There were hills now, and villages nestling among them, nearly hidden by the trees. Churches thrust up steeples sharp as daggers. The roads grew more crowded. They passed soldiers, pilgrims, wandering scholars, merchants with packtrains. Peasants dragged their two-wheeled carts to market. Twice they shared the road with a group of monks, and Dee looked at them in wonder; there had been no monks in England since bloody Queen Mary’s time.

In the outskirts of Lübeck they passed an orchard, its few leaves flaring gold in the setting sun. Oh, please, stop the coach! Jane called out suddenly.

The driver stopped. What is it? Dee asked.

There’s an inn behind those trees, she said. Let’s stay there tonight.

Now he could see a spacious whitewashed building sprouting all manner of turrets and chimneys and gables. Roses climbed trellises halfway up the walls. It was the kind of inn, he knew, that would strain his meager budget. But it would be good for the family to stay somewhere pleasant for a change; they all looked pinched, anxious, even the children. He nodded and they stepped down from the coach, then began the laborious task of carrying the trunks and bundles inside.

The innkeeper, a widow, led them upstairs to a group of clean, freshly-aired rooms. Jane unpacked a bit and sat down, looking with satisfaction at the plump featherbeds. But Dee’s fears had not left him, not even here. They should be moving, he thought, hurrying without ceasing until they reached their destination.

They went downstairs to a supper of very good fish pie cooked with ginger, pepper, and cinnamon. May I speak with you? Kelley whispered to him.

Certainly, Dee said.

I’m sorry I was so angry earlier, he said. He was always penitent after an argument; it was as if two angels struggled for his soul, one good and one evil. I will look in the glass again for you. Tonight might be an auspicious time.

They might be able to risk it, Dee thought. He could not imagine a demon haunting them here, in this place that seemed so ordinary, so good. Perhaps if Kelley was truly repentant the good angels would return. And Laski would expect them to resume the experiments sometime; if they started tonight, with Laski gone, at least the prince would not be there if they failed.

They went up to their rooms after supper, and he saw Jane and the children to bed. Then he took out the red silk cloth embroidered with powerful signs—the Seal of Solomon, the names of angels, some of the hidden names of God—and spread it on the table. On top of that he set the wax tablet, inscribed with stars and pentagrams and the symbols of the planets, and the stand for the showstone. He moved carefully, aware that one misstep might bring disaster on them all.

Finally he reached into the gray velvet bag for the showstone, a perfect sphere of transparent crystal about the size of a baby’s head. He peered into the glass, still hoping after all this time to see something. There was only his reflection, upside-down, as though he had drowned. He looked older than he remembered, older than he felt. Others had found wisdom in his long face, his piercing eyes, and Jane, he knew, thought him handsome. But he saw only the harsh lines scouring his cheeks and forehead, saw that his beard and his neat cap of hair had become almost completely white. He set the ball carefully on its stand.

The two men prayed, and then Kelley bent over the glass. I see—it is Madimi who comes to me, he said. The child-angel Madimi was one of their most frequent visitors. She says—she is dancing now, she is very pleased with something.

Kelley raised his head. Look, he said, pointing to one of the chairs. Dee looked, though he knew he would see nothing. There she is, dancing on the back of the chair. She is wearing a gown of changeable silk, red and green.

Dee wondered for perhaps the hundredth time what it would be like to see angels everywhere. If it was true that everything in the world had its own angel—every person and clock and book and stone—then whatever you looked at would be incredibly alive, a constant shift and play of colors and motion. And he wondered again why this sight had been given to Kelley and not to him.

Kelley stopped. The silence in the room grew. Something moved in a dark corner. It is the fire, Dee thought. The fire is making the shadows dance.

There is no fire.

His heart kicked at his ribs. He looked quickly at Kelley. Kelley was bent over the crystal once more; he had noticed nothing. Because there is nothing to notice, Dee thought. It is your imagination, it is nothing … .

Suddenly he realized how cold he was, how the cold permeated every part of him. A powerful shiver shook him like a seizure. What—what do you see for me? he asked, breaking the silence.

I see eleven noblemen in rich sable, Kelley said. One man wears a sable cap and sits on a chair inlaid with precious stones. ‘Pluck up your heart,’ he says to you. ‘You will become rich, and you will be able to enrich kings and help those who are needy. Were you not born to use the commodities of this world? Were not all things made for man’s use?’

Dee forced himself to relax. Most of the angels Kelley summoned spoke in convoluted metaphors and parables; this one was far more forthcoming. And he would not mind being wealthy, not for Kelley’s reasons but because, with enough money, he would finally be free to pursue his studies without worry.

What about Laski? Dee asked. What do you see for him?

He will become king. He will triumph over the Turks. His name will be spoken in every capital in Europe.

Suddenly one of the shadows seemed to detach itself from the rest. A change came over Kelley. He laughed harshly. All gone, he said. All gone. No hope.

Dee clutched one hand tightly with the other, only dimly aware that he was hurting himself. What is gone?

Castles, swords, kingdoms, crowns, Kelley said. His name will be spoken in every capital in Europe.

I—I don’t understand.

All gone. Your books. Your library. What you value most in this world.

What happened to my books?

Kelley laughed gleefully. Fire, flood, destruction, he said. Your library is gone.

Master Kelley! Dee said desperately. Master Kelley, stop! Look at me.

The queen is your enemy, Kelley said. In England they condemn your doings and say you are a renegade because you left without the queen’s permission. They say you despise your prince.

Edward Kelley!

Kelley looked up from the glass, his face showing confusion. All gone, he said softly.

Dee felt hopeless, defeated even before he began. Dread weakened him like an illness. Something was about to go terribly wrong, some force was building that would destroy him and his family as easily as he crushed an insect, and he was powerless to stop it. Worse—it had already happened, had already been set in motion, like a wave building out in the sea. He would find out what it was only when it came to shore, and by then it would be too late. By then his ill fortune would have overtaken

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