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Mathilda Savitch: A Novel
Mathilda Savitch: A Novel
Mathilda Savitch: A Novel
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Mathilda Savitch: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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Now including an excerpt from Victor Lodato's novel, EDGAR AND LUCY, which Lena Dunham praises as "an unusual and intimate epic."

A CHRISTIAN SCIENCE MONITOR BEST BOOK OF 2009
A BOOKLIST BEST BOOK OF 2009
A GLOBE AND MAIL BEST BOOK OF 2009
WINNER OF THE PEN USA AWARD FOR FICTION


A fiercely funny and touching debut novel about a young girl trying to find out the truth behind her sister's death


I have a sister who died. Did I tell you this already? I did but you don't remember, you didn't understand the code . . . She died a year ago, but in my mind sometimes it's five minutes. In the morning sometimes it hasn't even happened yet. For a second I'm confused, but then it all comes back. It happens again.

Fear doesn't come naturally to Mathilda Savitch. She prefers to look right at the things nobody else can bring themselves to mention: for example, the fact that her beloved older sister is dead, pushed in front of a train by a man still on the loose. Her grief-stricken parents have basically been sleepwalking ever since, and it is Mathilda's sworn mission to shock them back to life. Her strategy? Being bad.

Mathilda decides she's going to figure out what lies behind the catastrophe. She starts sleuthing through her sister's most secret possessions—e-mails, clothes, notebooks, whatever her determination and craftiness can ferret out. More troubling, she begins to apply some of her older sister's magical charisma and powers of seduction to the unraveling situations around her. In a storyline that thrums with hints of ancient myth, Mathilda has to risk a great deal—in fact, has to leave behind everything she loves—in order to discover the truth.

Mathilda Savitch bursts with unforgettably imagined details: impossible crushes, devastating humiliations, the way you can hate and love your family at the same moment, the times when you and your best friend are so weak with laughter that you can't breathe. Startling, funny, touching, odd, truthful, page-turning, and, in the end, heartbreaking, Mathilda Savitch is an extraordinary debut. Once you make the acquaintance of Mathilda Savitch, you will never forget her.

LanguageEnglish
Release dateMar 5, 2010
ISBN9781429952699
Author

Victor Lodato

Victor Lodato is the recipient of Guggenheim and NEA fellowships and has won numerous awards for his plays, including an award from the Kennedy Center Fund for New American Plays. This is his first novel. He lives in Tuscon, Arizona and New York.

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Reviews for Mathilda Savitch

Rating: 3.538461571794872 out of 5 stars
3.5/5

156 ratings33 reviews

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  • Rating: 3 out of 5 stars
    3/5
    Of course this was one of those books I picked up because I loved the cover. At first, it was not what I expected... from the cover it looked like it was going to be a quirky little story about a girl. It was. It told a story about a family left behind after the oldest sister dies. A heartbreaking, yet darkly comedic coming of age story of a 13/14 year old trying to come to terms with her sister's death, while trying to shock her parents out of their grief. It was a page-turner. I read it quickly and really did not want to put it down. The end of the story was not anti-climatic, but rather seemed unfinished. The story sort of just ended, leaving me wondering if a chapter had been cut during the editing process. In the story, Mathilda says "grief is an island" and so looking back at the cover again... I think it was perfect.
  • Rating: 4 out of 5 stars
    4/5
    I was an early reviewer for this book and I really enjoyed it! It's amazing that a man wrote this book from a 14 year old girl's standpoint! The book kept pulling me back to see what secret was going to be revealed. I highly recommend this book !
  • Rating: 4 out of 5 stars
    4/5
    Mathilda Savitch was a pretty unusual read. I thought it was going to be completely different from what it turned out to be. The summary in the back of the book states that Mathilda is trying to find the truth of her sister's death. It's less about her finding the truth than it is about her trying to cope with the grief brought on by her sister's death. I've read a couple of reviews that mention that the voice of the Mathilda rang false for them. To me, Mathilda was like any other teen girl who was trying to find her way. She's trying to deal with the death of her sister and with her parents zombie behavior that was brought on by the death the only way she knows how: causing mischief. Due to the fact that Mathilda was the narrator, I was able to get into this story more than I would have had it been written in the third person. If you add the fact that Mathilda is often an unreliable person in which to get your information, then I believe you have a winner. Even though Mathilda Savitch deals with a depressing topic (the death of a family member) and the story is set to a backdrop where acts of terror are part of the norm more than they really are in this current time period, I found that the book did have some humorous parts. Mathilda is just so witty and sarcastic that it's almost impossible not to end up caring for her. She's extremely imaginative and due to this, it's heartbreaking to see her try so hard to get a little bit of attention from her grieving parents. Mathilda Savitch was an enthralling read. Some parts were a bit jumbled and tended to ramble (hence the four star rating and not five stars), but overall it was an enjoyable read. Highly recommended!
  • Rating: 4 out of 5 stars
    4/5
    Sometimes when you see a cover, you come away with an idea that turns out to be completely different from what's hidden inside. Looking at the cover of Mathilda Savitch and scanning the cover blurb containing the word "hilarious", I was expecting a somewhat 'light' novel.Mathilda Savitch is told entirely from Mathilda's point of view and in her voice. She lives with her parents. She had a sister, Helene, but she was killed by a unknown man who was never apprehended."I have a sister who died. Did I tell you this already? I did but you don't remember, you didn't understand the code....She died a year ago, but in my mind sometimes it's five minutes. In the morning sometimes it hasn't even happened yet. For a second I'm confused, but then it all comes back. It happens again."The first anniversary of that death is approaching. Nothing has been the same since Helene's death. Mathilda's mother is fading away, self medicating with alcohol and cigarettes. Her father keeps up appearances, but he too is lost, simply going through the motions."Lately I've noticed Da is starting to disappear. He's basically following Ma, but where is she even going?" "People are funny around us, Ma and Da and me. They don't want to get too close to the curse of the Savitches."Mathilda decides that the solution is to simply catch the murderer.What follows is the heartbreaking story of a young girl trying to put her family back together after an unthinkable tragedy. It is also a coming of age story and much more. This is Victor Lodato's first novel. But what a first novel! Mathilda is by turns a quirky, prickly, angry and yes - funny little girl struggling with feelings and situations bigger than herself. I am amazed by the voice Lodato has given Mathilda. She fairly leapt off the page. Lodato's description of a grief stricken family and their anguish is gut wrenching. A very different novel and highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    A searing coming of age novel narrated by Mathilda.It has been one year since her beautiful, perfect, 16 yr old sister died in a train accident, and Mathilda is coming to terms with it through her stream of consciousness narrative, and her lively imaginative life. Her mother is unbalanced and drinks too much, her father is not really present for her. The book takes place in a future world where terrorism and fear rules people's life.Sad, haunting, beautiful told novel.
  • Rating: 4 out of 5 stars
    4/5
    Mathilda Savitch comes complete with a fresh, insightful voice from our teenage narrator. The book's family dynamic is dysfunctional, as all three remaining members fail to cope with daughter/sister Helene's suicide. This coming of age novel might also be good for the young adult sector, dealing as it does with communication walls between a teenager and adults. We see teenagers expressing loss in complex ways, adults silent with grief. Yet we also see that humor lives on, and that it can sustain us. The novel shows very vividly the differences in suffering, as the book does a good job with characterization. I loved the author's voice and found the novel quite good.
  • Rating: 2 out of 5 stars
    2/5
    Mathilda's older sister is dead and her parents aren't handling it very well. On top of that, terror continues to be the big story across the country. I'd like to be able to give more of the plot, but after finishing this book, I'm still completely unclear as to what exactly the point of it was. Sure, Mathilda learned a little bit about her sister's final days and *seems* to have come to terms with her mother's aloofness, but Mathilda is rather strange and fickle throughout the story and the book ends abruptly. I can see this being a book that could appeal to some people, but the style was not for me. Mathilda grated on my nerves, alternately whiny and self-righteous, intuitive and down -right stupid, I found her to be completely unlikeable. People may argue that it's our flaws that make us human, which is true and I celebrate the authors who can bring a flawed character to life and make us root for them, Lodato could not. I stayed up late to finish this book solely to get it over with, it's done, the review is written and now I can move on to something I hope I will actually enjoy!
  • Rating: 5 out of 5 stars
    5/5
    Mathilda Savitch is the story of a young girl coming to grips with the suicide of her older sister and the subsequent depression of her mother. Mathilda tries every awful trick she can think of to draw her mother's attention to her and acceptance of the family's loss. Along the way, Mathilda comes to accept the real circumstances of her sister's death and a new understanding of the daughter she wants to be. The writing is fresh and intelligent--author Victor Lodato gives his heroine a wonderfully individual voice. I gained a few new insights about the human race while enjoying this emotional drama.
  • Rating: 4 out of 5 stars
    4/5
    An edgy sytle.It doesn't surprise me that the author is a script writer, the prose is edgy and almost conversational, in spite of the fact that the teenage narrator is talking to us (or herself?), thoroughout most of the book. Unfortunately it was this that dropped a point for me as it started to become irritating. However, I am aware that this style is popular amongst young adults and is therefore probably a selling point amongst its target audience.Mathilda Savitch is about 14, her slightly older sister died a year previously and the inevitable fallout has ruptured the family. Mathilda is searching for her niche, causing havoc if that is what it takes. The author has expertly captured the confusion of the teenage mind as puberty starts to grab hold. The death in the family poses just one more problem at a time where the hurdles often seem insurmountable.A lot of the narrative revolves around how Mathilda thinks and feels; surprisingly perceptive from male author. It was, however, a little slow in parts.The ending was a bit open, I'm not sure what we were told there, I guess it's open to interpretatiion.An enjoyable book and possibly an author I'll read again.Your Tags: teenage fiction
  • Rating: 2 out of 5 stars
    2/5
    Mathilda Savitch only knows September 11, 2001, from movies and old television footage. In her world, terrorist attacks are frequent and “wars in desserts” ongoing. Mattie faces her life with a level of fearlessness, speaking openly about the news and practicing what she would do in case of an attack. But Mattie and her parents have been traumatized by their own tragedy - the mysterious death of Mattie’s older sister, Helene, a year ago. With no one to turn to, Mattie obsesses over letters and emails from Helene’s secret boyfriend, determined to discover what really happened to her sister.Unfortunately, Mattie is not the precocious sleuth described on the book’s jacket. She’s a very troubled girl, acting out in dangerous ways. Inexplicably for a girl her age, Mattie is interested not in typical girlish fairy tale romance but in the gritty details and power plays of adult sexual attraction. Her attitude might be explained by a history of sexual abuse but the author reveals only a fairly normal childhood, save for Helen’s manic-depression.Lodato’s writing style effectively conveys Mattie’s nervous energy and scattered thinking. But he frequently divides the speech of a single character into multiple paragraphs, making the narrative confusing and disjointed. The resolution is only slightly redemptive and is unsatisfactorily vague.
  • Rating: 2 out of 5 stars
    2/5
    Very dark. Had promise in a lot of different ways, but ultimately it disappointed. It felt like a first novel.

    Found the sexual stuff disturbing and unpleasant, which isn't always a bad thing, but it was in this case.
  • Rating: 5 out of 5 stars
    5/5
    Mathilda Savitch is an engaging debut novel by Victor Lodato. The protagonist is Mathilda, a young girl in her early teens trying to make sense of, and cope with, the sudden violent death of her older sister Helene the previous year and her withdrawn, grief stricken parents. Described as having an 'artistic temperament', Mathilda decides that it is time her parents stop going through life like zombies and makes it her mission to snap them awake and find out why her sister died. In the process, we follow Mathilda as she tries to exert control over her environment through disruptive behavior, pulling hairs from her head to control errant thoughts, building a bomb shelter in her basement, and hacking into her dead sister's email account to try and make sense of her sister's death.Told through the voice of Mathilda, the story manages to ricochet through a myriad of topics beyond the usual adolescent issues. Mathilda provides her candid, unfiltered and refreshingly unique insights on everything around her, including the war on terror, religion, dream interpretation and my personal favorite, the concept of infinity. At times hilarious, the story contains a lot of thought provoking clarity around guilt, grief and a child's fear of a world that is unpredictable, unreliable and downright irrational. Mathilda's determination to face situations head on, even as she admits she is scared and has her doubts that she is doing the right thing, makes her such a lovable character. A great page turner that I highly recommend.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of Mathilda, a teen girl coming to terms with the death of her older sister. Mathilda narrates her story, and from page to page, it's tricky figuring out just where the truth ends and imagination/self-deception has kicked in. Beautifully written book. Engaging throughout, with lots of poetic turns of phrase.
  • Rating: 4 out of 5 stars
    4/5
    Grief has many faces, and in this book, for our narrarator Mathilda, the face of grief is anger and guilt. Mathilda's older sister Helene died almost a year ago, pushed in front of a train by a stranger who has never been caught and punished for the crime. As Mathilda and her parents work through their own unique stages of grief, some shocking truths come out that Mathilda has to face and deal with and that start her on the path of healing and maturity and forgiveness, including forgiving herself. My heart broke for Mathilda, and I cringed at many of the choices she made, but I also realized by the end of the book how strong Mathilda was and that she would survive. This book is part mystery/part drama and is a real page-turner.
  • Rating: 4 out of 5 stars
    4/5
    Mathilda's older sister died a year ago, and her family has fallen apart. Her father tries to carry on numbly, but is "disappearing," while her mother sinks into drinking and despair. Mathilda grieves for her sister, but is too lively to let life go on as it has become for her family. So she begins to shake things up, wearing her dead sister's clothes, contacting her sister's boyfriend, and sending email messages in her sister's name in a desparate attempt to understand and deal with the situation, as well as perhaps change it.Victor Lodato's beautifully controlled narrative voice carries the story and makes the reader fall completely in love with Mathilda, who is a good and clever girl trying to negotiate her life and grief in a household that's sunk into tragic disorder. Her heartbreaking attempts to attract her parents' attention, and at the same time understand the complexities of growing up form the most poignant moments in the book.As Mathilda begins to deteriorate into disturbing behavior and hurtful bad decisions, she reveals herself to be an unreliable narrator, and the story takes a more directed path in the larger world. Mathilda finally has a concrete, adult quest that she must successfully complete.The book is hysterically funny and desperately sad at once. Lodato captures the normal frustrations and confusion of growing up, with the incredible stresses added to Mathilda and her family. I am a complete sucker for books in the voice of young girls, and Lodato's debut novel is a wonderful addition.
  • Rating: 4 out of 5 stars
    4/5
    i loved this book so much at first i thought it was going to be a 5 star, but i wasn't as happy with the middle and end. i thought mathilda was a delightful narrartor. funny. witty. insightful. just loved her. I just wanted a little something else to happen? overall though, great book!
  • Rating: 3 out of 5 stars
    3/5
    The mystery of a sister's death. While Mathilda copes over her sister's death, she learns new secrets about her seemingly perfect sister.
  • Rating: 5 out of 5 stars
    5/5
    This book had me from the very first line and it did not let me go until the very end. Mathilda is such an engaging character and the "voice" of her narration throughout the book is mesmerizing. I have already recommended this book to a few people and I will continue to do so. It was funny and heartbreaking all at once.
  • Rating: 2 out of 5 stars
    2/5
    sad as it was, I tired of her agony and travails dealing with her sister's death
  • Rating: 4 out of 5 stars
    4/5
    After her older sister, Helene's, untimely death, Mathilda (of unstated age. 13? 14?) is left to navigate her way through her rapidly deteriorating family. Her mother has become a zombie, doing nothing but staring at walls, smoking cigarettes, and avoiding the disasters on the news. Her father spends all of his time trying to placate her mother. Even her dog is old and sickly now. After a year of waiting for some semblance of normalcy, Mathilda feels she has no choice. If she is going to get any attention, she is going to have act out, get noticed, rock the boat. Through various ploys and schemes, some devious, some hilarious, others misguided and mean, Mathilda bumbles her way through adolescence and her own grief, trying to come to terms with life as it has become. I spent a lot of time trying to figure out what this book reminded me of. The writing style, the parents, Mathilda herself. It was all very familiar. It wasn't until the very end of the novel when Mathilda talks about the moonlight, "And the way it floats on top of the hill, I'm telling you, it's blow-your-brains-out beautiful," that it hit me. Of course, to other readers it might have seemed obvious all along but I guess I was in a brain fog. But it struck me, Ah HA!, Holden Caulfield. Yes, she is very Caulfield-esque and that's not necessarily a bad thing. I didn't like Catcher in the Rye when I read it for school. Having enjoyed this novel, I wonder if some age and experience would change my mind. I found the inside of Mathilda's mind, as fashioned by Lodato as very engaging. Yes, we don't get any real resolve, but that's not really the point, is it? It's a journey. Mathilda is growing and we even see some growth in her parents towards the end. I took this down to 3 1/2 stars instead of 4 or more because I found the slight, underdeveloped dystopian element a little awkward. We are given hints that this takes place sometime in the future with more terrorists and terrorist attacks. It also came to me that this fear in some way plays into all of Mathilda's other fears and neurosis and that it was her way of coping with a disaster she could handle, but I couldn't really make sense of it. Maybe I missed it, maybe I wasn't smart enough to get it, but it didn't play for me. Otherwise, a solid B+ book.
  • Rating: 3 out of 5 stars
    3/5
    This book made my heart hurt - and not necessarily in the good way that gives you a sense of understanding and hope through the pain. It was just a whole lot of pain.But don't let me make you think that it wasn't a good book, because it was. It was dark, terrifying, filled with horror, heartache, pain and hurt - everything a coming-of-age story seems to need to reflect the current time. It dealt with heavy issues such as terrorism, suicide, alcoholism, neglect and sexuality, all through the perspective of a young girl who is dealing with the loss of an older sister.Mathilda Savitch is a short book, but don't let its length fool you. It was like chewing a meaty novel, it took time and I had to take several breaks before moving forward again with the story just so I could absorb what was happening. And my heart broke over and over again for Mathilda. This is definitely an adult novel, and not one easily recommended. The subject matter is just so heavy, I hesitate to encourage anyone to just run out and read it. So instead, what I'll say is - if you want to read a novel that will make you think, make you consider how your own actions can affect those closest to you, then take the time out to read this book.
  • Rating: 3 out of 5 stars
    3/5
    Sorry but it wasn't my favorite. I wasn't disappointed that I read it but I don't know if I could recommend it to others. The book vered off of course a few times which just made it more confusing. Mathilda seemed like she could be real, but some of the book was just too much of a stretch for me.
  • Rating: 5 out of 5 stars
    5/5
    From page 1, I was hooked on this book. It is a page turner, and the sort of book that you never want to finish; you just want it to go on forever.The writing style reminded me of ‘The Catcher in the Rye’ J.D. Salinger — the main difference being that the narrator is a teenage girl instead of a teenage boy, but in essence, the way the story is told is very similar, especially as both characters also have issues in regard to their mental health. There are also a couple of references in the book to ‘Anne Frank’s Diary’, and again there are similarities in the way this character views the world, and the way it is written is almost like a diary; a teenager documenting events from her life. So although not an entirely original writing style, I feel the author has drawn from very solid, tried and tested, popular works as an inspiration for the style of this book.The character of Mathilda Savitch is very realistic and the book deals well with how the death of a child affects a family, and in particular how the parents’ grief can affect their other children.Mathilda is a teenager trying to come to terms with the loss of her sixteen year old sister, and in a typical teenage fashion, she has invented stories to make the death easier to deal with. There is also the element of the child trying to find out more about this sister, who since dying has become more of a mystery, shrouded with some type of immortal quality in the younger sister’s mind.It’s an entertaining read, and although it deals with some dark subject matter, the way it is seen through the eyes of a child makes it somehow easier to digest. The author deals well with the the naiveté of youth and touches upon some important social issues, including war, terrorism, racism, and suicide.At a deeper level it appears to be a study into how the world is moving quickly towards an age of intolerance and eventual destruction, and how it could be detrimental to future generations if the danger signs are not picked up in time.
  • Rating: 4 out of 5 stars
    4/5
    I actually had to take a break from this one when I began to fear greatly for Mathilda's sanity. She is such an unreliable narrator that the reader really can't know what actually happened or continues to happen. I believe Mathilda has some sort of rather serious breakdown after her sister's death, and that her mental state continues to be very precarious, although I am not sure her parents are aware of this. Her father is greatly concerned about her mother, but doesn't seem to notice his remaining daughter is not coping well at all. I wanted this book to be like The Lovely Bones, but it's more like an episode of Intervention, if you gave the addict the camera.
  • Rating: 5 out of 5 stars
    5/5
    Mathilda Savitch, the narrator and the book, grabs you from the beginning. Mathilda’s beautiful and willful older sister, Helene, has been dead for a year. Pushed in front of a train, Mathilda believes, at sixteen. Highly observant and intelligent, Mathilda is witness and victim to her parent's, and her own, grief; and her mother’s almost total inability to cope. Mathilda tries to write about it, but “when you have a sister who died, it screws up all your tenses.”Mathilda is both adult-like in her observations, “old women with dogs and no husbands is a pretty serious business when you think about it,” and definitely still a child, “the dead do most of their business at night. They don’t have bedtimes like the rest of us.”As Mathilda gets closer to the truth over Helen’s death she becomes both more frantic and childlike, and more grown up. A stunning story.
  • Rating: 4 out of 5 stars
    4/5
    I liked this book and was hooked after the first line, "I want to be awful." Mathilda is an interesting narrator and the way she plainly explains her feelings and thoughts about her sisters death and her own coming of age are often sad and funny all at the same time.
  • Rating: 4 out of 5 stars
    4/5
    Mathilda's older sister Helene died mysteriously about a year ago and her parents are still having a tough time dealing with it, basically shuffling through life. Mathilda isn't ready to sit still and decides to learn as much as she can about her sister by going through her possessions and e-mails. She wants to shock her parents by being "awful."After finishing the book, I'm not entirely sure what some of the plot points were doing there (the terror stuff especially). It seemed to be more of Mathilda wandering around learning about her sister, her family and herself. In my opinion, the plot is secondary to the voice of Mathilda herself, especially her innermost thoughts. I enjoyed reading her honest thoughts about the world around her and what she thought about her new knowledge about her sister's death. The ending was very abrupt but I enjoyed the strange meandering of Mathilda anyway.
  • Rating: 1 out of 5 stars
    1/5
    A terrible book. A never ending mish mash of uninteresting writing. There was not one character I could relate to or liked. The story was hard to understand and it went all over the place. When I read the first line I was expecting so very much from it, but I was disappointed. This book won the B&N Discover Great New Writers. This does not bode well for other titles they have chosen. A coming-of-age story of the most disconnected, uninspiring kind. This will definately be sold to HPB.
  • Rating: 3 out of 5 stars
    3/5
    This book was entertaining. I wouldn't consider it a great book, but if you're bored it's worth picking up. Mathilda wasn't as terrible as the back of the book made her seem. To see the way that she purposely hurt her family by tormenting them with her sister's death was a bit heart breaking. I didn't find the book funny either, but watching Mathilda grow and finally accept her sister's death made the book worth the read.
  • Rating: 4 out of 5 stars
    4/5
    This is a realistic look at how one particular family dealt with the death of the oldest daughter. It is hard enough being 13 years old and dealing with first loves and changing bodies. But to add to that the grief and guilt experienced when your older sister dies, it is almost too much for Mathilda Savitch. On top of everything, her parents are wrapped up in their own sadness over their loss and seem to be slipping away from their living daughter.Mathilda deals with it, and she doesn't make the best choices. She doesn't even always try to make the best choices - she is just trying to survive and make sense of her senseless world. Because of her poor choices, I wouldn't call her a likable character. There were times when I distinctly did not like her. However, considering her circumstances, she is an extremely sympathetic character. As a reader, I felt sorry for her and I wanted to help her. If only she had someone to look after her! Instead, she has to muddle through and figure it out on her own. This is the story of how she does it. Along the way, she uncovers the painful realities of her sister's life and death.The book is well written and moves quickly. I wanted to keep reading, and as a result, finished rather quickly. The author has a marvelous way of putting us inside Mathilda's head. She is such a realistic character. Some people might call this a YA book because of the themes of growing up and the point of view of a 13 year old, but the lessons in this book are valuable for all ages.

Book preview

Mathilda Savitch - Victor Lodato

PART ONE

1

I want to be awful. I want to do awful things and why not? Dull is dull is dull is my life. Like now, it’s night, not yet time for bed but too late to be outside, and the two of them reading reading reading with their eyes moving like the lights inside a copy machine. When I was helping put the dishes in the washer tonight, I broke a plate. I said sorry Ma it slipped. But it didn’t slip, that’s how I am sometimes, and I want to be worse.

I’ve hurt things, the boys showed me this. Pulling legs off spiders and such. Kevin Ryder next door and his friends, they let me come into their fort. But that was years ago, I was a child, it didn’t matter if I was a boy or a girl. It would be against the law to go into their fort now I suppose. The law of my mother. Why don’t you stay home? she says. Be careful out there, every time I walk out the door. But is it just words I wonder, how much does she really care? Who is she really thinking about when she thinks about me? I have my suspicions. And anyway, do the boys even have a fort anymore? It was probably all destroyed a long time ago. It was a fort in the woods made from sticks and blankets and leaves. Things like that don’t last forever.

And besides, now I know things about my body I didn’t know back then. It’s not the innocence of yesteryear, that’s for sure.

Awful is easy if you make it your one and only. I pinch Luke sometimes. Luke is our dog. You can’t pinch all dogs, some will bite. But Luke is old and he’s a musher, he’s all about love love love and so he’d never bite you. I pet him for a few minutes all nice and cuddly and then all of a sudden I pinch him and he yelps and goes circling around the room looking for the mystery pincher. He doesn’t even suspect me, that’s how blind with love he is. But I suppose if you held a gun to my head—did I love him, didn’t I love him?—I guess I would have to say I loved the stupid dog. He’s been with us forever and he sleeps on my bed.

If you want to know, I was born in this house with this dog and those two, teachers of all things. A blue house. If you look at it from the outside, you’d swear it had a face, the way the windows are. Window eyes, a window nose, and a door for a mouth. Hi house, I say whenever I come home. I’ve said this for as long as I can remember. I have other things I say, better than this, but I don’t tell anyone. I have secrets and I’m going to have more. Once I read a story about a girl who died, and when they opened her up they found a gold locket in her stomach, plus the feathers of a bird. Nobody could understand it. Well, that’s me. That’s my story, except what are they going to find in my stomach, who knows? It’s definitely something to think about.

For a second as I watch them reading, I think Ma and Da have turned to stone. So where is the woman with snakes in her hair, I ask myself. Is it me? Then I see the books moving up and down a little and so I know Ma and Da are breathing thank god. Luke is a big puddle of fur on the carpet, off in dreamland. Out of nowhere he farts and one eye pops open. Oh what’s that? he wonders. Who’s there? Some guard dog, he can’t tell the difference between a fart and a burglar. And he’s too lazy to go investigate. As long as they don’t steal the carpet from under him, what does he care. I can pretty much read his mind. Animal Psychic would be the perfect job for me. The only animals I’m not good at getting inside are birds. Birds are the lunatics of the animal world. Have you ever watched them? Oh my god, they’re insane! Even when they sing I don’t a hundred percent believe them.

I hate how quiet it is. One smelly dog fart and then nothing, you almost think you’ve gone deaf. A person in my position begins to think about things, death even. About death and time and why it is I’m afraid sometimes at night sitting and watching the two of them reading and almost not breathing but for the books moving up and down like something floating on top of the ocean. And is Ma drunk again is the other question, but who’s asking. Shut up and mind your own business, I think. She’s a free man in Paris. Which is a song Ma used to sing when there were songs in the house. Ancient history.

Oh, and infinity! That’s in my head again. That will keep you up all night, the thought of that. Have you tried to do it? Think of infinity? You can’t. It’s worse than the thoughts of birds. You say to yourself: okay, imagine that space ends, the universe ends, and at the very end there’s a wall. But then you go: what’s behind the wall? Even if it were solid it would be a solid wall going on forever, a solid wall into infinity. If I get stuck thinking on this, what I do is pull a few hairs from the top of my head. I pull them out one at a time. It doesn’t hurt. You have to have the fingers of a surgeon, separating the hairs and making sure there’s only one strand between your fingers before you pluck it. You have to concentrate pretty hard on the operation and so it stops you from thinking about other things. It calms you down.

He’s reading a book about China and she’s reading the selected prose of Ezra Pound, that’s the long and the short of it. She’s got her shoes off and he’s got them on. Venus and Mars, if you ask me. And I’m the Earth, though they don’t even know it.

When I get a little bunch of hairs what I usually do is flush some of them down the toilet and then the rest I keep in a jar. I know this is dangerous because if someone found the hair they could use it to make a doll of me and then I would be under their power forever. If they burned the doll I would die, I would disappear. Infinity.

What are you doing? Ma says. Stop picking at yourself. She crosses her legs. Don’t you have something to read?

Books again. I could scream. I mean, I like books just fine but I don’t want to make a career out of it. I’m just thinking, I tell her.

She says I’m making her nervous staring at her like that, why don’t I go to bed.

Ma was beautiful once, before I knew her. She’s got pictures to prove it. She was a beauty nonpareil, my Da says. Now she looks like she’s been crying, but it’s just the reading, and the writing too. Grading papers all the time and scribbling her notes. If she cries I don’t know anything about it, I’m not the person to ask about that. If she wanted to cry I wouldn’t hold it against her. She has plenty of reasons.

What are you writing? I said to her once. The great novel, said she. I didn’t know she was joking. For a long time I thought maybe she really was writing the great novel and I wondered what sort of part I had in it.

Go upstairs, she says. Your hair could use a wash, when was the last time you washed it?

She likes to embarrass me in front of my father, who has managed to keep his beauty, who knows how. He doesn’t care if I have dirty hair or not but still, you don’t want to be pointed out as a grease-ball in front of someone like him. Impeccable is what he is, like a cat.

I washed it yesterday, I say.

Ma turns to me and does that slitty thing with her eyes, which means you’re a big fat liar, Mathilda.

Good night Da, I say, running up the stairs.

Good night, he says, sweet dreams. This is his standard but it’s still nice to hear it. At least it’s something.

And wash that hair is the tail of Ma’s voice following me up the stairs.

Ma is funny, she either says nothing or else she has to get in the last word. You never know which Ma to expect and I can’t decide which one is worse. Lately it’s mostly been the silent Ma. Tomorrow I’m going to break another plate. It’s already planned.

In my room I look in the mirror. It’s amazing how you have the same face every time. Or is it only a trick? Because of course you’re changing, your face and everything. Every second that goes by you’re someone else. It’s unstoppable. The clock ticks, everything is normal, but there’s a feeling of suspense in your stomach. What will happen, who will you become? Sometimes I wish time would speed up so that I could have the face of my future now.

After the mirror I line up a few papers and books on my desk so that they’re even with the edge. I also make sure not one thing touches another thing and that everything is equal distance apart. It’s only an approximation, I don’t use a ruler or anything. I’ve been doing it for about a year now, the lining up of things. It’s like plucking the hair. Basically it’s magic against infinity.

When Da comes in my room I’m sitting on the bed. Maybe I’ve been here for an hour, who knows.

I meant to take a shower, I say. I forgot.

He sits next to me and he tries to look at me, except he’s not so good at it anymore. His eyes go wobbly, almost like he’s afraid of me. He used to pet my hair, but that was practically a million years ago, when I was a baby. Still, it’s a nice moment, just the two of us sitting next to each other. But then all of a sudden she’s there, sticking her head in the door.

I know, I say, without her having to say anything. I know, Ma.

Are you okay? she says. But it’s not even a real question. I wish it was but it’s not.

Da gets up to go and he pats my dirty hair and I suppose I should be ashamed, but what do I care about anything anyway. That’s part of being awful, not caring. And then what’s part of it too is the thought that suddenly jumps into my head. The thought that it could be a person’s own mother who might make a doll with her daughter’s hair and throw it into a fire. She’d watch the flames eat it up and then she’d dance off to bed laughing and having sex and bleeding little drops of perfume all over the sheets as if there was nothing to it. I wouldn’t put it past her.

But don’t get me wrong. I love her. This is another one of my secrets.

The thing is, I can’t love her, not in the real world. Because this would be degrading to me. To love someone who despises you, and she just might. You should see her eyes on me sometimes. Plus she’s not even a mother anymore, she’s just a planet with a face. Da at least has hands.

Good night Ma, I say. Good night Da. And they just leave me like that and they don’t make two bones about it. Walk out, whoosh, and where do they go? All I know is I’m not tired and I’m not taking a lousy shower and I’m not reading a stupid book for school about the King and Queen of Spain. I’m just going to sit on this bed and if I want to pull a few hairs from my head I will, and no one can stop me.

Six hairs. Brown, but when I look close I can see it’s almost red where it comes out of my head. Like the hair of another person. Like another person inside me, and she’s just starting to squirm her way out like a sprout. This is not in the least bit frightening. I’ve actually been expecting her.

I know you can’t see anything from where you are.

You just have to believe me.

2

School started again a week ago and I’m very happy to report that Anna McDougal, my best friend, is in my class. Overall it’s an interesting mix of people this year. No one but Anna has any relevance to the story of my life, but a list is always a good thing. I’ll give it to you with thumbnails.

Libby Harris has a disastrous mole on the tip of her nose. A shame really because she’s very quiet and nice. Her father is a lawyer and so she’ll probably have plastic surgery eventually.

Sal Verazzo is pretty much the fattest person in the school. Black hair, possibly shoe polish. Thinks he’s a rock star. Completely deranged.

Sue Fleishman is tall and has curly hair. She doesn’t walk, she sort of slides across the floor like she’s wearing slippers. A stupid way to move but the boys drool over her.

Barbara Bradley always has snacks. She’s allowed to eat them during class. Supposedly she has a disease.

Jack Delaney is an admirer of mine, but we’ve never spoken. He has a shirt with a rude monkey on it. Sex addict or will be.

Mimi Brockton is crippled! I’m always watching her, I can’t get enough of her. Red hair. I know I’m not supposed to say crippled, but it’s really the best word.

Donna Lavora has thrown up several times since she’s come to this school. Will not do well in life.

Max Overmeyer looks like he lives in a shack. Doesn’t smell right. Probably a victim of poverty.

Eyad Tayssir has perfect white teeth but you hardly ever see them. He’s not a big smiler. Middle Eastern, I’m not sure exactly what country.

Mary Quintas supposedly has a great singing talent but I’ve heard better. She wants to be snob sisters with me but I’m not interested.

Lonnie Tyson still thinks he’s going to be an astronaut. Good muscles.

Carol Benton is the worst. Conceited, big breasted, and loud. Unattractive but worshipped by men. Doesn’t like me apparently.

Bruce Sellars is funny and I hear he knows magic. I’ve seen him speaking to Carol Benton unfortunately.

Chris Bibb, known as Dribble, came back to school with a tan. It doesn’t make sense on him.

The lovely Anna McDougal of course. With whom I have an important but stormy relationship. More on this later.

Kelly Graber has bad teeth. I suspect she’s unloved. Good at sports.

Lisa Mead eats liverwurst. Every day!

Lucas London is very pale but I don’t think albino. When he talks his hands shake. He’s like a lamb. He’s so small you almost want to carry him.

Avi Gosh is the one person smarter than me. He has the eyes of a girl, but he’s very confident. Rich. Sometimes wears sandals.

I’m probably forgetting a few people but if I am there’s probably a reason. Some people are like ghosts, you can’t capture them, or if you do it’s nothing but a blur.

But really it’s amazing to be around so many different kinds of people every day. Sometimes I watch them and it’s like Animal Planet. Everyone’s alive and hungry and sometimes Sal Verazzo is so crazy to tell a story that spit starts flying out of his mouth. And in the morning just before class begins, when everyone’s talking at the same time, it’s like a radio caught between stations. But not two stations, more like a hundred. You can’t make heads or tails of what anyone’s saying. It doesn’t even sound like English, it sounds like bubbles coming up out of boiling mud. If I listen too long, it starts to bother me. It’s probably what hell sounds like. I saw hell once in a movie, and it was pretty incomprehensible. I had to turn it off.

3

I have a sister who died. Did I tell you this already? I did but you don’t remember, you didn’t understand the code.

My sister’s name was Helene. Helene and Mathilda. Everyone always said we were the opposite of each other. Night and Day was the famous expression. I’m the younger one, but it still feels backwards that Helene died first.

She died a year ago, but in my mind sometimes it’s five minutes. In the morning sometimes it hasn’t even happened yet. For a second I’m confused, but then it all comes back. It happens again.

She was sixteen at the end. Practically seventeen, just a few months to go. But sometimes, the way she dressed, you’d think she was even older. Plus she had an excellent way of moving. A person who didn’t know her might think she was showing off, but the truth is she just had a natural sway to her. And then add to that her legs. They went from here to Las Vegas, which is how Ma once described the length of them.

Some of the memories I have of Helene are from the beginning of my life, when I was a baby. Ma looks at me like I’m crazy when I tell her I remember the day Helene was carrying me, and then she started running and she climbed over a fence with me still in her arms.

What fence? my mother says.

A white fence, I say.

When I say this my father puts his hand on my arm. Stop, he says. Lately that’s getting to be his favorite word.

I think about Helene a lot, but basically I’m not allowed to talk about her. To Ma and Da, I mean. Not that this is a rule. It’s more like a law, I suppose.

The other memory I have is Helene and I are in a hole and it’s dark and wet. Somehow we’re upside down. I remember water getting in my mouth. Maybe we’re in a well is my first thought.

You never fell in a well, Ma says.

What about a grave, I say, or a ditch? People fall in holes all the time, I say.

Ma goes white like I’m the vampire of questions. My beautiful Da looks at me and I stop.

The thing is, Helene died from a train. That’s the problem. She didn’t jump, a man pushed her. We don’t know who this man was and the police say, at this point, we probably never will.

I wasn’t there when it happened. Neither were Ma and Da. Why she was at the train station is still a big question. A boyfriend is what I think. Helene had lots of them, sometimes even boys from other schools in other towns. She was pretty popular. She had red hair, it was the most amazing hair in the world.

It happened on a Wednesday, which is such an ordinary day. It happened in the middle of the afternoon. A man pushed Helene in front of a train, it’s unbelievable. I always think it’s a mistake. But then it proves to be correct.

Do you believe in curses? That there can be a curse on a person or on a bunch of people at the same time, like a family curse? How will we all die? I wonder. And when?

Helene was going to be a singer. She was a singer. There are recordings. Da made them on his old tape recorder. No one can listen to them now, they’re the most dangerous thing in the world. On one of the tapes it’s Da singing some stupid song with Helene. Both of them are laughing as much as singing. If you listened to it now, it would be Da singing with a ghost. The laughing would kill you.

Ma says the recordings are lost but I know where she keeps them. Plus, I have things hidden too. In my room, under my bed, I have some of Helene’s school notebooks. I have letters and drawings and birthday cards. I also have some e-mails she printed out. And there’s tons of stuff still left in her room. A person, even a sixteen-year-old, leaves a lot of stuff behind. For a long time I couldn’t look at any of it, but then I realized there might be clues. I’ve started to spend more time in H’s room, but only when I’m alone in the house. It’s a better room than mine and I wouldn’t mind living there. Ma would never allow it though. Sometimes I leave the door to H’s room open, even though I know it irritates her.

I remember once, when I was little, I was looking out H’s window and I saw a hummingbird. Come quick, I said, but by the time Helene came over it was gone. Maybe it’ll come back, she said, and we both stayed by the window for almost a minute, waiting. I guess we didn’t have anything better to do. When I think of the two of us standing there, waiting for that stupid bird, it drives me crazy for some reason. I feel like screaming.

Why does a person push another person in front of a train? Does it have a meaning for the person, the pusher? The explanation of most people is madman. The voices of demons telling him to do it. But how did he get away is my question. It doesn’t make sense. Two men at the train station said they tried to grab him but he slipped away. He just pushed her and then he took off. The police say it happens all the time.

In my mind it’s almost as if the man disappeared after he did it. Like he had one job on Earth. To kill Helene. And after that there was nothing left for him to do but vanish.

I hate him. The feeling is tremendous. I’ve never felt anything like it. If we knew who the man was he’d be in jail. We could go to the jail and ask him questions. Ma and Da wouldn’t but I would. I would be all over him. Even if it was the voices of demons I would pull the demons out of him and make them explain. I would use every bit of my magic.

Next Thursday it will be the day Helene died all over again. It’ll be exactly one year. I marked it in my calendar like this: H.S.S.H. Which is Helene’s initials the right way and then backwards. If you stare at the letters it’s almost like someone telling you to be quiet. Ma and Da haven’t said anything about the big day. I want H.S.S.H. to be a day we’ll all remember. If Ma and Da think I’m going to ignore it, they’ve got another thing coming.

The thing is, Helene was supposed to live forever. That’s just the kind of person she was. You always felt she had some secret power that was going to make her immortal. I wish I could describe to you the color of her hair but there’s nothing to compare it to.

If the man was caught he’d probably be electrocuted. But electricity doesn’t kill demons as far as I know.

People say the hair was like pennies, but it was better than that.

And she smelled like lemons. When I said this out loud once, Ma looked away, but Da said he had to agree. He whispered in my ear. He said I was right. He said it was lemons all the way.

4

I said to my friend Anna how I want to be awful and Anna said, What about your soul?

What about it? I said. Why should I care about my soul?

If I even have one, I added, and nobody knows for sure.

It can’t be proved, I said. It made me a little mad that Anna brought up the subject of souls, considering everything she knows about me.

And if it is real, I said, "where is it?" Stuck up inside me like a baby all white and pudgy like a piece of dough? And what does it do anyway except stay inside you for your whole life and then it’s not born until you’re dead.

I said all this to Anna and she didn’t have an answer. But it got her thinking. I could tell by the way her face (which for the record is quite beautiful) went ugly with wrinkles. It’s hard for Anna to think, for her it’s like climbing a mountain. She’s in the remedial reading group, as well as slow math.

Finally, after a minute, Anna’s face came back and she said, But the baby is you, Mattie, your soul is you, there’s no difference.

And then she said she didn’t think it was at all like a piece of dough but more like a silk dress in the shape of your body, your head and your hands and your feet and everything.

And see-through, she says. When she says things like this you realize what a child she is. Religion has a way of making people into idiots is what my father says.

If it’s see-through, I say, does that mean I can see your titties?

No, Anna says, the total nun now. The dress is on the inside, she says, and so who could look through it, no one but god.

If Anna gets too smart I might have to stick pins in the head of a doll lumped up into the shape of her. If you added brains to Anna’s beauty it would be unbearable.

And by the way, Anna doesn’t even have titties. She basically has two anthills on her chest.

Don’t you want to live forever? she says.

Heaven and everything, she says. A person like you has to believe in heaven, don’t you Mattie?

I had started up Anna’s thinking engine and now she wouldn’t shut up. Plus I didn’t like where she was going with this conversation. Trying to get me to talk about private things.

Personally, I don’t believe in god. I never had any lessons in him like Anna. She got a bunch of information from her family and from Sunday school. I have my own beliefs, self-invented. What I believe is that there are people watching us, I don’t know who they are, they didn’t give me their names. The watchers I call them. They could be anyone. Who’s to say if they’re even human.

Anna kept talking but I just stopped listening and stared into the blue magic of her eyes. Anna has eyes, not everyone has them. Most people just have holes in their faces, it’s just biological, like pigs or fish. Plain ordinary eyes that don’t mean very much. Anna’s eyes are from outer space, they’re not animal and they’re not human either. I could kiss Anna sometimes she’s so beautiful. Blonde hair too. I only want beautiful friends, even though I’m not beautiful myself. My mother says I’m handsome. I look sort of like a baby horse. Striking is what I am.

I’m looking at Anna going on about her soul, but in my head was still that word. Awful. Awful Awful Awful Awful. Lufwa, if you write it backwards. I figure this out in my head and then I say, Anna, shut up, listen. From now on, I say, "I want you to call me

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