Escape from Hell

PREFACE

This is a sequel to our first Inferno published in 1976. That book went through ten editions and was published in seven languages, including Italian. Friends who read Italian tell us the translators did a creditable job with the work. Inferno won us considerable academic acclaim and is said to have sparked a revival of interest in Dante among undergraduates in America.

We wrote Inferno as an adventure novel, with the main character being a reasonably well-known American science fiction writer named Allen Carpenter who wrote under the name Allen Carpentier. A number of friends believe they recognized themselves in parts of that novel. We don’t have to say.

Any rational and inquisitive person finding himself in Hell will want to know why he is there. In the Age of Faith that might not have been so, but a modern science fiction writer from the rationalist tradition would certainly remain skeptical about anything supernatural. He would also have imbibed enough of the humanistic tradition to demand that God’s Rules and Laws be reasonable; that even if this is the biblical Hell, there be some purpose to Hell beyond mere cruelty.

Allen Carpenter is no exception, and since on first look he found nothing he believed to be just, he framed a number of rationalist hypotheses built on the assumption that he was in a physical place with physical laws built by physical beings. They had high technology beyond his imagining, but there was nothing of the supernatural about this place. His odyssey through what he thought was Infernoland and the process by which he changed his mind are documented in the first book, Inferno, by Larry Niven and Jerry Pournelle. By its end, Carpenter is convinced that he is in the literal Hell taught by Christian churches and especially the Roman Catholic Church. He has not yet determined why he is there or why Hell would exist.

This book chronicles his continued adventures, including his efforts to discover the purpose of Hell.

1

Seventh Circle, Second Round: The Wood of the Suicides

When we had put ourselves within a wood,

That was not marked by any path whatever.

Not foliage green, but of a dusky color,

Not branches smooth but gnarly and intertangled.

I sprawled with my back against a thick-boled tree, my ass settled comfortably between two thick roots, my legs and arms splayed out at random, palms to the sky. Hell’s hideous charcoal sky showed in tiny chinks through a dense maze of branches and dry twigs. The leaves were black on all the trees. They looked alien, or dead. The dark forest stretched in all directions, as far as I could see.

And this was all very restful, despite faint screams carried on a parched wind that smelled of decay. I’d been lying here a long time. No way to tell how long; there are no days in Hell. I let my head fall back and didn’t think about how I’d got here, and the souls who hadn’t followed me this far. Where they’d fallen. If they were worse off than if I’d never met them. Rosemary was certainly worse off now. Or was she?

How can they be worse off? I wondered. They know the way now. If they still believe me. But—

But the screams were coming closer, along with an animal snapping and snarling. I grimaced and considered whether there might be a hiding place somewhere. Some of these trees might be undercut between the roots. I really should—

Suddenly, here they were.

Human shapes, too many and too fast to count, a dozen or more, both sexes but more men than women. They ran at impressive speed, using their hands where roots grew thick. Some gasped as if they were dying; they were the slow ones. The dead don’t need breath. Two saw me sprawled out in modified savasana pose, and spared an instant of amazement. But the dogs were right behind them.

The dogs were something like Doberman pinschers, but streamlined. They had perfect teeth in red mouths, and red eyes, and glittering claws. The leader locked eyes with me, and charged. He ran right over me, and the rest ran past and over, tearing branches from the trees around us. The last one took a moment to bite me hard on the face. I swatted him good across the ear and he ran on, laughing redly at me.

Scarlet sap ran from broken twigs and branches all about me. Voices cried and complained. An American New England accent yelled right in my ear. Ow! Ow? I can hear myself! Hello, can you hear me?

Phure. Oo—

A giggle. He tore you up good, didn’t he? Why didn’t you try to get away?

Uh. Good question.

"Listen, I’m Sylvia, and I’d really like to talk. It’s been driving me crazy, I can’t talk, I can’t move, and these damn dogs—Oh, hell, I’m healing,’’ her voice a rising whine that pinched off.

Damn dogs, a distant voice agreed, then bubbled to a stop. There was silence.

A long time ago an Italian poet named Dante Alighieri had a vision, and wrote a long poem about it. He described Hell, a vast bowl with ledges. Some of the ledges had pits. The first of those ledges was called the Vestibule, and no one was more surprised than me when I woke up there. I was dead, but I was able to think.

I spent what seemed like years in solitary confinement, alive and well and unable to move. Then Benito busted me out, and I found I was in the Vestibule, the Ditherers’ Circle. I soon found that the only way out was down, just as Dante had said. I’ve been following Dante’s map ever since.

In the Wood of Suicides the ones who tasted the ultimate in despair grow as trees. They can’t talk except through their own pain. That is, they’ve got to be bleeding. My face hurt, and I didn’t want to talk, but I understood the desperation in Sylvia’s voice. She was starved for conversation. People aren’t meant to suffer alone.

So I tore a branch off above my head and said, Phylfia? My lips and nose were still hanging in tatters. The pain was blinding. I resisted the urge to touch my face.

The branch dripped blood. Sylvia, the tree said. I was a poet. What were you?

Phyenth figshun writher.

Oh, you can’t talk yet. But you’ve been talking to yourself, and I’ve been listening. It sounded like you’ve been everywhere.

Mofe. Nope, I was pretty sure I hadn’t. Hell is big and a lot more complicated than Dante had imagined. Benito and I had taken the most convenient path down to where he said there was a way out. Later I’d followed a similar path, halfway down from the rim, to here.

It sounded like you’ve seen a lot of Hell. You were trying to lead people out. Then you came here and stopped. You’ve been lying there on my roots like an abandoned corpse, for ages. Why did you just stop?

I’ wasn’ worging.

Well. Her voice dropped. Why would it?

I had been looking for that answer since I got to Hell. What was it all for? I lay there and waited to heal. It occurred to me that she’d gone mute, so I tore off another branch. That felt wrong, as if I were torturing somebody’s houseplant.

Eep! So you’ve been traveling. Do most souls do that? Or all but the ones like me?

Moftly they sday where Minos droffs them. Benido … a frien’ buthted me loothe. He led me oud. I know the way oud, Thilvia.

But you didn’t take it.

No.

And you wrote? I’ve seen people torn by the dogs and harpies. They heal. Are you healed yet? I turned my face up toward the gnarled branches. Ugh. What did you write? Not poetry. I’d know.

I think I’m lader than you. I wrode sciensh fiction.

"Never heard of it. No, wait. Scientifiction? Like in Amazing?" She laughed coarsely.

Bedder. My face was healing. Souls heal here, and I’d healed faster since Benito led me into the grotto outside Hell. There had been other changes, too.

"You mean literature? Like Jack Lewis? Narnia? Perelandra?"

Jack Lewis? "Not like that. Hard science fiction, like in Analog. I had a best-selling novel, too. I called myself Allen Carpentier. Like I was going to impress a poet. What did you write? Sylvia who?"

Her voice got formal. The New England accent I’d already noticed was stronger. Every syllable was pronounced with inhuman accuracy.

"And I,

Am the arrow,

The dew that flies

Suicidal, at one with the drive

into the red

Eye, the cauldron of morning.

Sylvia Plath.

Of course that was my cue to announce that I’d never heard of her; but I had. She’d been married to a man who became poet laureate of England. And of course she’d have known C. S. Lewis well enough to call him Jack. And I recognized the poem.

"I read your novel. The Bell Jar. But that was from Ariel." The Bell Jar was a self-pitying look at a young and crazy woman poet. Black humor, funny in spots. Better known than most of my books, very well regarded by critics, and I’d liked it even so.

"You read Ariel!"

I didn’t have the heart to tell her I’d heard a reading of that one poem on National Public Radio as a commemoration of her suicide, and what they’d quoted came from a book review. Ooomph—

I thought you were a writer. You’ve been talking to yourself, she said. The Massachusetts accent had stuck. Not quite Bostonian. If you know the way out of Hell, why don’t you go?

"I watched Benito go so I could say that I saw it. Then I came back to get other damned souls. It hasn’t worked out. Sylvia, I have to know that anyone can get out. If there isn’t a way out, then this is just an enormous torture chamber."

She was silent.

I ripped a branchlet loose. She said, Dammit! No, I was just wondering what you could possibly have been thinking. Of course it’s a torture chamber. Every church I ever was in teaches that Hell is a torture chamber. You see bad people having a wonderful time in life, but the pastor tells you they’ll be tortured after they’re dead. You feel better.

Wouldn’t that make me—

You’ll still be a sadistic son of a bitch. But maybe you won’t do bad things, because you’re afraid to. Allen, what do you want Hell to be?

I’d worked on that a long time. I want Purgatory to be an asylum for the theologically insane. Hell is the violent ward. I want to see some evidence of progress for the patients.

I wasn’t violent.

You don’t call leaving two kids to grow up very publicly without their mother any kind of violence?

She was quiet for a long time. A foul-smelling wind rustled the black leaves of the forest. I reached to break off a twig, but she spoke first. Did you see Benito leave?

Yes. Though he was four thousand miles overhead, a dot when he disappeared, too far away to see where he’d got to.

So we know that people can leave Hell. Churches don’t teach that. But Jack Lewis did. He said that it was your choice, choose to go with God or choose to stay in Hell without God.

All right. I want to see that everyone can get out.

Everyone? You can’t think of anyone who just plain belongs in here?

Maybe there would be conditions, I said. But everyone who wants to leave.

No one deserves to be here forever?

No! Not forever! Why should there be eternal torture? No other religion does that!

So everyone deserves another chance. Even if they have to come back as a hookworm or a pubic louse?

I nodded. Something like that.

Hitler? Stalin? Do you want them to get out? Would you help them?

Hitler? Stalin? I don’t know.

I don’t, either, she said. But how would you get me out? Assuming you think I deserve to get out, she asked.

I laughed. I haven’t the faintest idea. You’re rooted! Maybe there’s a way. But, do you know what’s at the bottom?

"It’s a plain of ice. God’s own Siberia. Every poet reads the Inferno, Allen. Children are surprised to find ice in Hell."

"There are damned souls buried in the ice. How would I get them out?"

All right, Allen, how?

Don’t know.

"Maybe they—we can’t all be saved. What if the whole setup is here just to get your friend Benito into Heaven?"

Huh. I couldn’t help smiling, remembering a story in which the protagonist turned out to be, not the most important man in the world, but the schmuck who was holding his parking spot for him. That’s me, Benito Mussolini’s guide dog, my mission in life—death—already accomplished.

Dante says the suicides can’t be saved. Not even at the Last Trump. We’ll come back to hang on these trees like dead leaves. Her voice trailed off into silence. There was a faint howl in the distance.

I dared to touch my face. Healed.

Was I ready to move on? Try again? No.

I touched a slender branch. It was too much like tearing off fingers, so I let it go. I gave up, I said. I just sat down here and gave up, and I’ve been here ever since. I lost them all. I wasn’t persuasive enough. But I’ve been outside Hell, and I came back. I ripped the twig off.

You’re an idiot, she said.

I got up.

Wait. I’m sorry! Tell me more. For the love of God, Allen! Tell me all of it. Maybe you made some mistake, something I can see that you can’t. I’m a bright girl, Allen, and there’s a lot of poetry in the makeup of this place.

I’ve found a lot of the galloping dumbs in this place. Maybe stupidity is how you get here. Don’t take it personally. I mean everyone.

Examples? You spoke of Rosemary. Who was she? Tell it, Allfb. Her words cut off as the wound closed.

Hah. Where do I start? It was a familiar question; I’d written scores of books and far more short stories, and every one of them needed a beginning. The grotto.

2

The Tenth Circle: Ice

Whereat I turned me round, and saw before me,

And underfoot a lake, that from the frost

The semblance had of glass, and not of water.

THE grotto looks jeweled; it’s brighter than it ought to be. It’s not very large. I took a tourist trip to Lourdes once and it reminds me of that. A stream of clean water runs through it. I had a drink from it, the first cool, sweet water I’d tasted since I died.

The grotto is at the very bottom of Hell, through the lake of ice and down. There are two ways out. One is straight up, and if Dante’s right, that’s a four-thousand-mile climb to the Earth’s surface. That’s the way Benito took, dwindling to a dark mote on a bright dot, then gone. I went the other way, through an opening walled with coarse black hair.

That’s Satan’s leg. Satan is covered in coarse black hair. He stands over a mile tall, buried halfway in ice. There’s space between the hair and the ice, room enough for a man to crawl and crawl and crawl. Like a flea. Once he shifted and almost crushed me. I’m pretty sure it was deliberate, but the hair was too thick and I just kept coming until I was back on the ice.

The lake of ice is huge! The air is thick and murky so you can’t see all the way across, but it’s flat, so there’s no horizon the way lakes and oceans have on Earth.

I crawled. The Devil said—Sylvia, the Devil tried to talk to me, but I kept crawling. There’s a wind that leaches all the heat out of you in an instant. At first I was crawling over bodies sprawled any which way under clear ice. Their eyes were open. They saw me. Then faces started protruding, ice on their eyes, snow in their mouths.

Hello? Is someone there? Moving?

I hesitated. These were traitors. Here, I said.

Is there a way out? He had a long face, dusted with ice.

I haven’t thought of one for you. Who are you? What did you do?

I built an atomic bomb, he said. I do have a solution. Boil the ice.

I laughed. Will Rogers?

That’s right, he was going to win the submarine war by boiling the Atlantic. He didn’t have a power source.

Why are you here?

Quantum physics would tell us that everything is by chance.

I don’t believe that!

Neither do I, but I don’t seem to be able to do anything about it. How are you able to move, here?

Some of us are loose. Like Benito, or—him. Someone was walking toward me across the ice.

He was naked. No robe. Long black beard and hair. He wasn’t crouching against the wind. He shouted something at me, not in English, but I understood him anyway. What are you laughing at, dog?

I patted my face. It was frozen in a great wide grin. I understood then that I was still grinning from my triumph. I’d fought my way out of Hell, and I was back of my own will, knowing why. I’d come back to rescue others, like Benito had. Paying the debt forward. I felt good.

I shouted at him, and managed to wrap my words around his speech. "I know the way out of Hell. Follow