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Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942-1963
Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942-1963
Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942-1963
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Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942-1963

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A wry, moving collection of letters from the late J. F. Powers, "a comic writer of genius" (Mary Gordon)

Best known for his 1963 National Book Award–winning novel, Morte D'Urban, and as a master of the short story, J. F. Powers drew praise from Evelyn Waugh, Flannery O'Connor, Saul Bellow, and Philip Roth, among others. Though Powers's fiction dwelt chiefly on the lives of Catholic priests, he long planned to write a novel of family life, a feat he never accomplished. He did, however, write thousands of letters, which, selected here by his daughter, Katherine A. Powers, become an intimate version of that novel, dynamic with plot and character. They show a dedicated artist, passionate lover, reluctant family man, pained aesthete, sports fan, and appreciative friend. At times wrenching and sad, at others ironic and exuberantly funny, Suitable Accommodations is the story of a man at odds with the world and, despite his faith, with his church. Beginning in prison, where Powers spent more than a year as a conscientious objector, the letters move on to his courtship, marriage, comically unsuccessful attempt to live in the woods, life in the Midwest and in Ireland, an unorthodox view of the Catholic Church, and an increasingly bizarre search for "suitable accommodations," which included three full-scale emigrations to Ireland. Here, too, are encounters with such diverse people as Thomas Merton, Eugene McCarthy, Robert Lowell, Theodore Roethke, Sean O'Faolain, Frank O'Connor, Dorothy Day, and Alfred Kinsey.
An NPR Best Book of 2013

LanguageEnglish
Release dateAug 20, 2013
ISBN9780374709686
Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942-1963
Author

J.F. Powers

J. F. Powers died in 1999 at the age of eighty-one. His two novels, Morte D'Urban and Wheat that Springeth Green, and a collected volume of his short stories are available as NYRB Classics.

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  • Rating: 3 out of 5 stars
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    I have read both of JF Powers' novels and all (I think) of his short stories. In fact I remember seeing his first book of stories, PRINCE OF DARKNESS, in a paperback rack in the vestibule of our Catholic church when I was a boy back the 1950s. I read MORTE D'URBAN in college in the late sixties and have read it a few more times since then. I was very pleased to see all of his work back in print from NYRB Press a few years back, and even purchased those editions of WHEAT THAT SPRINGETH GREEN and COLLECTED STORIES - and read them again. So I think its safe to say I am a longtime fan.Since Powers only published five books, I was really looking forward to finally reading SUITABLE ACCOMMODATIONS, AN AUTOBIOGRAPHICAL STORY OF FAMILY LIFE: THE LETTERS OF J.F. POWERS, 1942-1963 (2013), collected and edited by his daughter, Katherine A. Powers (named, incidentally, for author Katherine Ann Porter). Sadly, I found it to be a disappointment, and almost wish I hadn't read it. Some of the early letters were written from prison. Powers was incarcerated for more than a year during the war for ignoring his draft notice after his bid for conscientious objector status was refused. Upon his parole, he was forced to work as a hospital orderly for a time.Powers' later letters do display his determination to earn a living by his writing, a goal he never quite properly achieved, living on the edge of poverty and taking loans and charity from his in-laws and friends throughout his life. I felt sorry for his long-suffering wife, Betty, who bore most of the burdens of their ever-expanding family (five children) and multiple moves into shoddy rentals around Minnesota as well as overseas to Ireland and back (at least twice). What I found most annoying in the letters was ample evidence of what seemed to be laziness, entitlement, and a lack of discipline about his writing as well as a steady stream of complaining, whining even, about his life. And even some begging, wheedling letters to his clergy friends, asking for "loans" he would never repay. And all this in spite of the fact that he was offered multiple decent-paying jobs at various colleges and universities, which he turned down.I kept reading the letters because I assumed things would change for the better for Powers and his family when MORTE D'URBAN won the NBA in 1963. Nope. The thousand dollar prize didn't go far for the financially strapped family of seven, and Powers' lack of discipline in his craft failed to capitalize on his newfound "fame."Powers lived until 1999, but only published two more books after that NBA. So, despite all the 'cleverness' often on display in the letters, I found myself disliking the man behind the books and stories I have so long admired. He is too self-centered too lazy, too selfish. But his books remain. And they are priceless in their portrayals of Catholic parish life in the mid-twentieth century. These letters? Nope.- Tim Bazzett, author of the memoir, BOOKLOVER

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Suitable Accommodations - J.F. Powers

1

Fortunately, I am under no obligation to earn a living wage

September 8, 1942–November 6, 1945

Letter from prison

In 1942, when this story begins, Jim was twenty-five years old and living in Chicago with his parents in their apartment at 4453 North Paulina Street. He had a job at the wholesale book company A. C. McClurg and was also writing. His story He Don’t Plant Cotton (whose characters were based on the jazz musicians Baby Dodds, Jimmie Noone, and Lonnie Johnson) was accepted by Accent: A Quarterly of New Literature. The magazine had been founded in 1940 by Kerker Quinn in concert with six other editors, including Charles Shattuck, who became Jim’s most helpful editor and critic.

CHARLES SHATTUCK

4453 North Paulina Street

Chicago

September 8, 1942

Dear Mr Shattuck,

Naturally, I’m very pleased that the editors of Accent like He Don’t Plant Cotton well enough to publish it.¹ […]

Concerning the who’s who data, this will be my first published story. Aside from the fact that I am 25 and live in Chicago, there is nothing I wish mentioned about me: because those facts, paltry and insignificant, are at least accomplished.

Off the record, I work for a wholesale book company. In fact I might even be what the Publishers Weekly and booksellers refer fondly to as a bookman, but the bestseller wars have left me, in spite of my tender years, battered and scarred beyond finding much solace in that hallowed term, smacking of crafts and guilds though it does.

In italics, I want to get away and, yes, you guessed it, Write. I am not working on a novel now.

I do not think my years are tender. Time passing haunts me even more than Space intervening.

Thanks once more. I am hoping you will be able to publish the story soon.

Sincerely,

J. F. Powers

Jim applied for the status of conscientious objector in November 1940 but was classified 1-A in September 1942. His great friend from his Quincy College Academy days, George Garrelts, ordained a priest in September 1942, was a strong supporter of Jim’s decision to resist military service. After a failed appeal, Jim did not present himself for induction on April 3, 1943. Arrested two weeks later, he spent three days in the Cook County Jail before being released on a thousand-dollar bond. He was indicted by a grand jury on May 6, 1943, and on September 30, 1943, was sentenced to three years at Sandstone Federal Penitentiary in Minnesota. He served thirteen months before being paroled.

While inside, Jim was allowed to write two letters a week. He worked in the hospital and, to some extent, on his own writing. Unlikely though it was, and thanks to the friends he made there, prison gave Jim a sense of what life might be for an artist. Among his fellow inmates were a number of cultivated, idealistic men who were also conscientious objectors. Among them were John Marshall, with whom he wrote and produced a play, and two of Frank Lloyd Wright’s apprentices, Jack Howe and Davy Davison. Howe drew up a plan of a farm for Jim that represented to him a more intellectual and cultivated expression of the ideals of the Catholic Worker movement.

CHARLOTTE AND BILL KRAFT

Sandstone

May 22, 1944

Dear Charlotte and Bill,

[…] You make your life in New England² sound attractive—even to me. At times I’ve thought my place to be there. But most of the time I’ve wondered if there is any place for me except in some branch of the government service. There is a justice, hardly poetic, in the way I find myself tied up in destiny with millions of people when what I want most is to be separated from them. […]

The weather is nice and I’m tempted to get out of the dormitory, but when I do, there’s only a sandy lot surrounded by concrete walls—and so monotony has the upper hand always. There is no grass. A while ago I saw somebody playing with a small snake. There it was lying in the sand, pushed about by prison shoes, and I guess it will die eventually. It can’t get out either. […]

Write when you feel like it—and love.

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

June 11, 1944

Dear Charlotte and Bill,

[…] This is Sunday in Sandstone, and it has rained intermittently all day. […] The letters from Mother and Daddy brought sad news also—Eric Swenson is dead and Russ Alonzo’s brother, whom I hardly remember … Well, I don’t know what to say about these things. I can only hope these boys thought they were engaged in good work. If so, it’s not so bad, as we must all die sooner or later and it is a privilege to die for something meaningful—however funny that sounds. As Father George says, it is very strange how such fuss is made about certain saints who died for the love of God, the hardships and martyrdom they thrust upon themselves, and yet when millions die for—they don’t know what, most of them—it is not wondered at, except secretly by many afraid to speak out. […]

Wm Fifield,³ […] who wrote to me several weeks ago, mentioning that a nun plans to use Lions⁴ in an anthology she’s editing,⁵ writes again that he is a CO and understands my situation. I had written to him, explaining my inability to write a long letter. […]

Love,

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

June 25, 1944

Dear Charlotte and Bill,

This is Sunday again, and it’s hot. […] Despite the play and story I’ve done since coming here, it is impossible to work. Absolute absence of privacy and solitude and silence—makes James a disgusted boy. And then when a day like this comes along, I can’t even escape my own body, which sweats and twists under the heat. That is why I hate summer and why I am happy whenever it is raining and grey. I look out the window now, see across the dusty yards, and there on benches the inmates sit and talk and doze. For all my indolence, I have no talent for that sort of thing. I guess it is the equivalent in my mind of the way Mother and Daddy used to sit out on the back porch. How to spend a lifetime in an evening. […]

Fr George writes of the nice lady parishioner who came to see him about her soul and, more immediately, her finances. She wanted him to recommend a good investment. He recommended the poor. She appealed to common sense. Fr George told her she’d better come back and see the pastor. I’m rather dazed to hear the sermons at your church are strange and different and literate. What a relief it must be for you not to hear about picnics and carnivals. […]

Love,

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

July 21, 1944

Dear Charlotte and Bill,

[…] I just finished a letter to Mother and Daddy in which I told them my ideas about political conventions and farms for the future. The farm is more than usually on my mind because I saw the complete plans the night before last. About six or seven cottages, a twin building joined by a walk: place to eat in one (including a fireplace, huge and roaring) and a little theatre in the other (including projection room for movies, mostly foreign). Finally, a barn. A barn such as I cd not have imagined and which even now I can hardly understand, for the architect (one of Frank Lloyd Wright’s young geniuses)⁶ understands the needs and whims of chickens, hogs, horses, cows, and all the rest. The entire project would cost between $50 and $60,000. Which I am told is less than the same number of buildings wd cost if they were (which they aren’t) ugly and cheap. I know of course you are wondering what we get to drink here that makes me talk loosely about that much money. It is not so much, considering my literary prospects (not what I’ll make from books, but the people I’ll meet). Anyway, that’s the setup. Something beyond a pension to work for. I’m wheeling and dealing where I can. […]

The sky is beautiful today—peace, it’s wonderful—and I can’t remember the sky being like this anywhere else. A different feature daily. I was thinking today (while watching the clouds) how far I’ve traveled from the canoe trips I took with Ramona⁷ around the Chain of Lakes. I told you she got married January 1943, but did I tell you that she expected a baby in November? Well, she’s all taken care of, and it’s a good thing, I’m thinking, for me. She never meant what she said about being different. It took Fr George to detect that a long time ago: the first time he met her.⁸ […] Listened to the convention tonight and lost a bag of cookies on Wallace.⁹

Love,

Jim (Powers)

MARIELLA GABLE

Sandstone

August 1, 1944

Dear Sister Mariella,

The authorities have graciously permitted me to write a special purpose letter to you.

I was very happy to hear that you wish to use my work and feel indebted to William Fifield and Harry Sylvester for bringing it to your attention. […]

Since leaving Chicago, escorted by a U.S. marshal, I have been doing time at Sandstone prison in Minnesota. The rap: failure to report for induction, or conscientious objection to war. For me, the project and prison have been gifts from heaven, periodically bewildering as such, but essentially blessings. I have had the honor of living among men of goodwill in these places, a few of the uncelebrated, if not unknown, victims of peace and war in our age of moderate virtue and of moderate vice.¹⁰

[…]

In Christ,

J. F. Powers

CHARLOTTE AND BILL KRAFT

Sandstone

August 4, 1944

Dear Charlotte and Bill,

[…] I have hopes for a merrier Xmas this year than last: I’m assured on all sides the war will be over and it is very probable I’ll be out on parole and settled, as it were, by then. As a matter of fact, if Washington okays my parole, I may make it by September. […]

Fr George is (or recently was) in Oakmont for a retreat, and a fellow here is going to Oakmont next week to work for Fr Farina.¹¹ Took a lot of accounting at Creighton University and came here as a Catholic CO and now knows accounting is as far from his heart as murder, and will donate his life to such work as Fr Farina and the CW movement entails.

You ask about the farm of the future. You are right: there will be no advertising or insurance men about (unless of course they have mended their ways). You are wrong: there will be no arty people passing through in the summer as though it were Wisconsin Dells. Who lives there lives there. No part time. It will not be a tourist camp. We will get our living from the earth. A living is not so much as the light companies and grocers try to make city people think. It will be a risk of course. I’m dead sure risk is the magic word. The condition of the cities is due to the fact that people will not risk anything to live. They would rather die for not living—it is a slow process like an all-day sucker.¹² A slow process, even if it isn’t any good. If you’ll watch the forthcoming Life magazines, you’ll see some specimens of F. L. Wright’s work. It will be an article on Broadacre City, Mr Wright’s dream city. My farm is the work of a fellow whom Mr Wright called the finest draughtsman he ever met.¹³ […] And now, once more, my love to both of you.

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

August 18, 1944

Dear Charlotte and Bill,

[…] The weather here is cool again, and the trees in the distant bluffs are changing color, just beginning to, and I am told the summer has practically spent itself. I am glad. […] I read Renner,¹⁴ and it doesn’t sound as bad as I was afraid it might—I’ve changed here: am not so quick to see tragedy where I did. I used to give the businessmen a rough go, and the mistake was in limiting such treatment too much to them. The innocents I find are ever harder to find than before. I am thinking of alleged pacifist societies and related groups. More than before I realize that pacifism alone is no use. It is an essential part of Christianity: there is the root—not in pacifism or labor unions or education. This means, then, I was somewhat taken in by do-good organizations; it does not mean the business boys, the common sensers, get off any easier. Being here has matured me. There are people and types of endeavor—architecture, for instance, which I was hardly conscious of. And they all have their way out for humanity. […]

Love,

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

September 1, 1944

Dear Charlotte and Bill,

[…] I’m writing this letter from the barbershop, where I’m waiting my turn. There are three chairs, and tonight the library and hospital workers get theirs. […] Sometimes I feel I must have checked my brain and responsibility (to myself) at the front gate when I came in and they were mailed home with my clothes. I won’t ask again about Bill’s deferment, but only hope he stays unmolested where he is. There are train tracks within whistling distance, and when they sound in the night, and the dogs bark, you know you’re in jail. […]

Love,

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

October 8, 1944

Dear Charlotte and Bill,

Sunday, about 9:00 in the morning, and I’m sitting at a big long table in the dayroom, listening to some wonderful Negro spiritual singing. […]

We must pray that Dick survives and that Mother and Daddy are spared further sorrows.¹⁵ I feel my parole will take a weight off their minds, despite my assurances that I was and am all right here, which is the truth. They were never able to believe that, I always suspected. When you were home, did you feel that they worried about my being here much? Did the neighbors make them feel embarrassed? Now the spirituals have stopped and it is white hymn singing, which, as far as I’m concerned, is something else. This is a chill bleak day, the trees in the distance are many colors and I should very much like to walk through them. […]

All at once, with a date set for my departure, I find myself engaged in counting the days—an old practice among jailbirds. I have, of this writing, 23 days and a get, which means get up. I’ll leave on the 9:39 train on the morning of November 1—All Saints’ Day—a Wednesday. I’ll be paid $50 a month at St Joseph’s¹⁶ and furnished with a room and meals. That isn’t bad—especially the room. Not waking up in the morning in the midst of a multitude. Pray for Dick.

Love,

James (Powers) 1939

CHARLOTTE AND BILL KRAFT

Sandstone

October 19, 1944

Dear Charlotte and Bill,

[…] This is the best time of the year for me, and I’m glad to think I’ll see and smell some of it this year. I’m writing this on my lunch hour, birch trees stick up in the distance like white whiskers. The sky is dull grey and blue. […] How I wish I had my typewriter, or the right to use one, when I look at my handwriting. Now a train is whistling across the frozen plains, and of course I’m put in mind of November. Till I hear from you again—Happy Days.

James (Powers) 1939

Jim was paroled on November 1, 1944, and, as a condition of his release, was assigned a job as an orderly at St. Joseph’s Hospital, St. Paul, Minnesota. At first his duties included work in the morgue, an assignment he found unbearable; later he was given the job of sterilizing instruments on the night shift.

CHARLES SHATTUCK

St Joseph’s Hospital

St Paul, Minnesota

November 3, 1944

Dear Mr Shattuck,

This will be a note, no more, to let you know I am out in the world again. I was paroled to this hospital November 1, All Saints’ Day. You wouldn’t think the government had such a feel for the liturgy. I am in my room in an adjoining building known as the Boys’ Dormitory. So far the majority of the Boys are still in the throes of having solemnized Pay Day. That’s the way one nun explained it to me. They are maintenance men and so forth and like the Middle Ages, the strange, maimed flock that always attaches itself to Catholic institutions. Civil Service wd never stand for them. When they find out I am a conscientious objector, they will either canonize or slaughter me …

[…]

Had to move a still sweaty stiff, fat too, around in the autopsy room yesterday. Wish T. S. Eliot might have been there. I will probably settle down to work in the operating rooms and orderly. Today I worked from seven to three, which leaves a good hunk of the day to me. Marred today by necessity to report to Police (as I’m one convicted of a felony), and it’s funny to see them trying to take the questions and fingerprinting and photography seriously, all the rigmarole designed to keep society safe.

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