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Gladiatrix
Gladiatrix
Gladiatrix
Ebook484 pages6 hours

Gladiatrix

Rating: 3 out of 5 stars

3/5

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The Ancient Roman public's hunger for gladiatorial combat has never been greater. The Emperor Domitian's passion for novelty and variety in the arena has given rise to a very different kind of warrior: the Gladiatrix.

Sole survivor of a shipwreck off the coast of Asia Minor, Lysandra finds herself the property of Lucius Balbus, owner of the foremost Ludus for female gladiators in the Eastern Empire. Lysandra, a member of an ancient Spartan sect of warrior priestesses, refuses to accept her new status as a slave. Forced to fight for survival, her deadly combat skills win the adoration of the crowds, the respect of Balbus.

But Lysandra's Spartan pride also earns her powerful enemies: Sorina, Gladiatrix Prima and leader of the Barbarian faction, and the sadistic Numidian trainer, Nastasen. When plans are laid for the ultimate combat spectacle to honor the visit of the emperor's powerful new emissary, Lysandra must face her greatest and deadliest trial.

This is a thrilling first novel that combines fascinating historical detail with blistering action.

LanguageEnglish
Release dateApr 14, 2009
ISBN9781429967013
Gladiatrix

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Rating: 2.8809523580952385 out of 5 stars
3/5

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  • Rating: 4 out of 5 stars
    4/5
    This was a very interesting book that takes a look into the life of a gladiatrix. It is a fictional story, the author explains at the end of the book where he got the story from and how much is based in fact and fiction. Most of the book is fiction with the historical figures being accurate.Lysandra is a Spartan priestess who is sold into slavery after her ship sinks and she washes up on shore. Her Spartan upbringing serves her well as a gladiatrice and she is quickly found to be ferocious fighter. She finds love where she least expects it and finds a trainer's hatred to be much more dangerous than anything she faces in the ring.This was a well-written book. It was engaging, with well done action scenes. There is something for everyone here; love, hatred, revenge, action, politics. For some reason when I got the book from Amazon Vine I thought it was a young adult book...I don't know where I got that idea from but it is not.This book is not for the faint of heart. The arena violence is described in detail, as is subjugation of the gladiatrix, rape, sex both between same sex and opposite sex partners. From time to time I was cringing at the bloody detail.The author did a great job at weaving this story into what is known about Roman history. It was very believable sounding. The ending takes an ironic twist that was delightfully surprising and somewhat realistic.I was a little disappointed that so much of the story was spend setting Lysandra up as the general of an army for an outlandish arena spectacle, and then nothing was really ever done with that. I guess maybe it was part of the irony of the story but it seemed like that was a waste of plot. Other than that I enjoyed the story.Great book I look forward to more books from this author.
  • Rating: 3 out of 5 stars
    3/5
    Transported into a world where slaves are groomed to fight in the arena for the pleasure of the crowds and the whims of the politicians, Gladiatrix tells the tale of Lysandra, a former Spartan priestess, and her journey as a gladiatrix in Asia Minor.

    I enjoyed the historical details, the training in the ludus, the cast of characters, and the intricacy of the plot as well as the satisfying ending. The only trouble I had was identifying with Lysandra's arrogance, which at times made her less than a sympathetic character. The author, however, balanced this out by throwing Lysandra into terrible circumstances that forced the reader to feel for her and root for her--a woman against all odds.

    A good read for all people, not just history buffs.

  • Rating: 4 out of 5 stars
    4/5
    When I found this book and read the plot summary, my first thought was “Holy crap! It’s like Spartacus/Gladiator for girls!” Awesome! Since Spartacus is one of my favourite TV shows and Gladiator is an epic film, I had high hopes for this book. But despite my high hopes, I was not prepared for how much I would absolutely love this book!When going into this book, I expected the violence, the fame, and the bloodlust — all expected when you’re reading a gladiator book.. But I didn’t expect this book to be so full of emotion. Love, lust, rage, loss, suffering, revenge. I found myself hoping, praying, crying, and sympathizing. This book seriously yanked at my emotions! Gladiatrix is so much more than just a bloody life of a gladiator. It follows the life of a slave — with all the hurts, dreams, and losses that that entails.I felt every betrayal, every pain, and every loss so much more potently through the words of a book. I’ve seen them on screen in Spartacus and Gladiator, but Russell Whitfield magnificently weaved the story to tug at my emotions and really make me feel for the main character — even if I was annoyed with her. I felt like everything that happened to her was happening to me.At the beginning, I fell in love with the main character, Lysandra. I completely sympathized with her situation. She was once an honoured Spartan warrior priestess but was captured and thrown into a world of gladitorial arts and slavery. That’s obviously a huge change and something that would be extremely difficult to adapt to. So I completely understood when Lysandra lost her will to fight and felt as if she shamed her people and her priesthood.From there, I constantly flipflopped between being annoyed with her and admiring her and sympathizing with her. She proved to be arrogant and self important. It was an interesting form of arrogance though. It’s not like she ignored everyone because she thought she was better than them. She thought she was better than them so she felt obligated to walk around saying, “I’m more knowledgeable than you so it’s my duty to help you.” So I guess it was a bit of a double edged sword. She was a little annoying, but at least she was trying to be helpful.But on the other hand, she is incredibly knowledgeable and strong, and I LOVE that in a character. And throughout all her hardships, I found myself wanting to reach out and hug her or something.As a bit of a warning, this book is very sexual and very violent. That could turn people away from it. As for me, I love a good sex book and I like action movies so violence doesn’t bother me. But in addition to just having sex, Gladiatrix does have some pretty vulgar scenes (rape). So keep that in mind if you’re thinking about reading the book.But back to the subject.. I thought the romance in the book was brilliantly crafted. I fell in love with Lysandra’s relationship with her lover and every word felt so genuine and real. At first I was kind of put off by the lesbian relationship, only because I can’t really relate and I thought I’d prefer something that catered more toward my own sexual orientation.. but after a while, I didn’t care any more. I loved the relationship and I could relate to their feelings completely.My biggest gripe with this book was the ending. There was a huge build up but I kind of felt unsatisfied and let down, though it was obvious that the main character felt the same way — she didn’t like how things ended. Now the second book, Roma Victrix, takes place four years later, so I’m concerned that I may not get the satisfying ending I wanted from Gladiatrix. But I guess I’ll just have to read the next book and find out!Thanks for a great read, Russell Whitfield!
  • Rating: 2 out of 5 stars
    2/5
    I was a little bit interested in the concept of female gladiators, and somewhat intrigued by the idea that Whitfield spun this story based on a marble relief from Halicarnassus dating back almost 2000 years. However, the combination of slavery, violence, sex, a protagonist who I didn't particularly like or empathise with, and the lack of a hook to draw me into this story made this both a disconcerting and a mediocre read.
  • Rating: 3 out of 5 stars
    3/5
    Whitfield has certainly done his homework, and his research into such a little-known topic is compelling. However, the same cannot be said for his writing. The same phrases are repeated over and over again throughout the book, the character development is noticeably lacking, and the story is not particularly believable. While I commend the risk Whitfield took in writing about female gladiators, despite the fact that so little is known about them and even forming a story around the cryptic Halicarnassus stele, I would not recommend this book to anyone looking for a good story or a compelling piece of writing.
  • Rating: 3 out of 5 stars
    3/5
    I just finished "Gladiatrix"...took me less than a week to eat it up. The plot moves very quickly throughout and the final 150 pages or so simply flew by. I'm very much looking forward to a sequel.The first 30-50 pages were terrific. The initial character sketching of Lysandra was enticing and beautifully written. Whitfield hit on all cylinders to maximize the opportunity to draw in the reader. The opening sequences contain a strongly written battle and teasing back story.Pieces of the story are a little melodramatic for my tastes - specifically some of the early interactions between the gladiatricies within their ludus.I enjoyed Lysandra's training of the troops in preparation of two gladiatorial armies pitched in a large-scale battle (that never actually happens in the story), and I think Whitfield hit on something very strong by adding the broader army elements to the gladiatorial-focus story.Whitfield managed to create a terrific Scarrow-Duffy super hybrid with plenty of depth and good character development.
  • Rating: 4 out of 5 stars
    4/5
    The other reviews led me to believe I was going to hate this and deride it ceaselessly, but I don't and won't. I kind of loved it, and I'll tell you why.It's not because of the historical accuracy. That obviously wasn't a concern here. The story was based on one image, and focused on what might have happened to achieve a moment like that. This is a highly stylized, highly fetishized, highly modern-opinion-ized version of Rome.It wasn't because the heroine was likeable, because she wasn't. There's not anything likeable about her at all, really, except maybe her perseverance. But she's interesting. I'm not asked to like her, only to understand her.It was because this is a really great pulp action novel. Blood, sex, violence, exotic locations, intrigue. The writing flows well and isn't too stylized or self-aware, and it's no chore to read. It's not a timeless work of literature or one of my favorite books, but it'll only take one afternoon to read. Embrace the glorious VIGOR of it, the intensity that's so serious as to be a bit silly. It's liberating. It's the perfect vacation book, whether you're on vacation or not.
  • Rating: 1 out of 5 stars
    1/5
    I never could finish this book. I got about two thirds of the way through and and stalled. I wanted to like it - women gladiators, some actual historical basis given, but it was a very "guy" sort of book. I really didn't like the protaganist - never warmed up to her. The nominally sympathetic presentation of lesbian relationships should have been a plus but the way in which the sexuality was presented felt male centered - sort of a "hot bi babes" approach.The obligatory "looking in a mirror" (ok, rationalized reflective surface) was the absolute typical thing that men write when writing about women. The point at which I totally bounced off it had to do with an "evil" character who seemed to me to be presented with a totally unnecessary 20/21st century lens of gross racial prejudice - a black male with dreadlocks, smoking hemp and slavering sexually after white women. When I got to the point when I was wishing that the main character would get killed so she'd stop annoying me, I was done.
  • Rating: 3 out of 5 stars
    3/5
    Gladiatrix is the story of a Spartan priestess who became a slave and ended up in the arena as a gladiatrix (female gladiator). She is not a particularly likeable character and there are few surprises other then the rather crappy ending which was surprising for its crappiness only. The dialogue and characters seemed like modern people transported back to the Roman Empire. As you might expect there is a generous amount of sex and violence. It makes a decent beach read but I would not search it out.I received this book from the LT Early Reader Program last year and somehow it got lost in the holiday shuffle.
  • Rating: 2 out of 5 stars
    2/5
    As with many of these reviewers, I wanted to like this historical novel. I liked the premise, but the characters are totally unlikeable. The heroine is arrogant and stupid. Her fellow gladiators are silly and/or stereotypical, with the exception of her lover, of course. The sex, between women, was too graphic for my taste. The writing was actually fine, if mostly simplistic. I was interested in the historical details, although I haven't verified it one way or another. The point-of-view veered from one chapter to another, which was sometimes confusing.Overall, it was a quick read but not satisfactory.
  • Rating: 1 out of 5 stars
    1/5
    Gladatrix follows lesbian gladiators as they battle their way through ancient Rome.The novel simply plays to men's erotic fantasies and while it may be historically accurate (I wouldn't know), it lacks any real depth. The story is more wishful thinking on the part of Whitefield than good storytelling.
  • Rating: 2 out of 5 stars
    2/5
    I wanted to love this book. Really, I did. It had so many things going for it. A great premise, a great setting, the cover art was pretty good... This is a super simplistic hollywood movie of a book, the kind where afterward you're sorry you paid money to see it in the theater instead of waiting for it to come on tv. I couldn't finish it. Even as potato chip fiction or a beach read, I couldn't do it. It's like cotton candy: you take a spoonful or two of sugar, heat it up and spin it around a stick until you have something bigger than your head. There's not a lot of substance to it, and if you ingest too much of it you'll end up queasy.The main character was extremely irritating. I understand she's supposed to be arrogant and abrasive, but she was so much so I could not care what happened to her. The book was poorly edited. I can forgive a mistake or two but there were enough to jar me out of the story. I couldn't understand who the author's intended audience was. The tone was fairly simplistic as though he expected readers to know nothing at all of the time or setting, almost like a YA, but there was way too much graphic sex and violence for a YA, and there were historical inconsistencies that made me wonder why he bothered explaining so much other info instead of just setting it in a fictionalized "roman empire" or a fantasy land. The plot didn't flow smoothly. I can forgive any one or even two of these in the name of entertainment. Not every book needs to be great literature, but there were too many problems for me to overcome and I gave up on it, reluctantly.
  • Rating: 1 out of 5 stars
    1/5
    I have to be honest: I couldn't finish this book. Rarely do I have to say this - I am a compulsive completist. But it was so terrible that I could not finish and almost threw the book at the wall. Unsympathetic characters. Constant jumping of point-of-view that was dizzying. Numerous historical errors. Whitfield gives us the HBO version of history, except without even the storytelling that makes those takes worth bothering with.
  • Rating: 4 out of 5 stars
    4/5
    I was pleased to have snagged this book as i have a vested interest in books based in ancient Rome seeing as I'm working on one myself. I liked the story and its very interesting premise but I have to agree with many of the other reviewers in that I just couldn't really fall in love with Lysandra like I want to with hero/heroines. I was pleased with the gladiator historical tidbits but I wanted more about the world outside the training grounds. While the sex scenes were well written and on their own erotic (I didn't find them as racy as other viewers although some scenes were disturbing) they too fell flat primarily because the characters were flat. Part of what makes love scenes amazing is when people click and since they weren't well-rounded outside those scenes, the sex had no spark. If you are looking for a fast-paced, action-packed read, this is a good bet. If you are looking for a character driven tale, this isn't it.
  • Rating: 3 out of 5 stars
    3/5
    We all know about the gladiators of ancient Rome. Slaves who found a kind of freedom because of the adulation of the crowds for whom they fought, often to the death. However, this historical novel focuses on the female gladiators or gladiatrices.Lysandra is a Spartan prietess (think of the 300) who is sold into slavery when washed up on a beach following a shipwreck. She is an arrogant, detached person, who views anyone who is not Spartan as practically barbarian. But she has been trained since childhood in the arts of war, a fact not lost on her new owner.She is sent to training camp for gladiatrices, where her attitude sets her apart from the others. Her unwillingness to submit to slavery drives her and ultimately depresses her. I just could not warm to the character of Lysandra. She appears cold, aloof and without sympathy for those around her. Even when she loses her lover, it's hard to be sympathetic.The novel is packed full of activity - from graphic scenes of fights in the areans to emotional outbursts between the main characters. There's a definite lesbian hint to this novel - it's full of strong, independant women who can fight. It's got plenty of historical detail but ultimately, it's devoid of emotion and the ending is so abrupt and anti-climatic that you'll wonder where the rest of the book went.
  • Rating: 1 out of 5 stars
    1/5
    I'm not entirely certain as to how this book got published. Numerous typographical errors. Clumsy prose. Flat, irritating characters. Anachronistic phrasing that interrupted what little flow there was to the narrative. Plot threads begun and forgotten. Where was this guy's editor?
  • Rating: 4 out of 5 stars
    4/5
    A great, but not exceptional, historical fiction novel set in late Roman Empire (Eastern area). The main character Lysandra is enslaved to become a gladiatricx and must fight, and survive, for her freedom. Lysandra could be the poster child for arrogance, but some how I have always pictured Spartans to be arrogant when it comes to fighting even if the Spartans had already had their day in the sun (a Greek would consider the rest of the world a bit barbaric). Overall, the book was entertaining but seemed VERY light on historical scholarship or at least historical background to frame the story in. Unless someone was already interested in this particular era, or knew something about it, there will probably be large holes in their understanding of the story. My huge gripe with the book, and what demoted it a whole star, was that I thought the plot should have be rearranged. I felt like I was back in high school English when the teacher was discussing rising and falling action and the climax of the plot and wishing Whitfield could have been there to. For example, I think it would have been a GREAT, GREAT prologue to have Lysandra's capture by Balbus' crew.
  • Rating: 4 out of 5 stars
    4/5
    She found her freedom by the SwordRussell Whitfield's Gladiatrix was an entertaining read with gripping, grisly arena battles between independent, athletic women. Using as his jumping off point an ancient stele from Halicarnassus depicting two gladiatrices with an inscription that indicates honorable retirement from the arena, Whitfield presents an enjoyable tale of love and hatred, slavery and freedom, culture clash among women of different backgrounds, and power struggles between men and women. Don't expect a scholarly tome – be prepared to be entertained. The fight scenes are gripping page-turners. There was a bit too much gore for my taste, but some will find this a plus. Like some of the other reviewers, I found the sex scenes to be much weaker writing than the fight scenes, to the point that some were almost painful to read. However, this did not diminish the entertainment value of the book for me.With regard to Whitfield's characters, our Spartan heroine Lysandra is extraordinarily sure of herself to the point of extreme arrogance. But in a fighter, I can't help but believe that that was part of her success – her unfailing confidence in herself and her training. And, would we call this arrogance or just confidence and assertiveness in a male character? It was a pleasure to read a tale from the point of view of a woman who did not doubt herself. Lysandra is not a weak, waffling, insecure woman! Some have criticized the flat nature of the secondary characters, but if we had too much more information on them, the book would change its focus and grow too lengthy to remain a light, swashbuckling romp. However, I would have loved it if Catuvolcos had had a larger and perhaps different role to play in the novel. He was my favorite character, and I wonder how the novel would read from his point of view rather than from that of Lysandra.If you want something deep and serious or something with well-written sexual encounters – or only heterosexual sex scenes, avoid this book. But if you're after page-turning matches between strong women in the arena, I recommend it.
  • Rating: 3 out of 5 stars
    3/5
    I"ll admit ancient Rome is not my favorite time period for historical fiction, but I was hoping by choosing this Early reviewer book, I'd broaden my horizons. Alas, I'll have to keep trying...but the fault may be more with me than with this book. I'm simply not a fan of graphic sex and violence and tend to skim over those parts as I read. I was skimming A LOT with this book. I may have also expected characters and atmosphere like I Claudius or Colleen McCullough's ancient Rome stories which was way too much to expect from most authors.
  • Rating: 2 out of 5 stars
    2/5
    Lysandra, a Spartan priestess and only survivor of a shipwreck, is made a slave and sold to a ludus, a gladiator training ground. She trains hard, falls in love and is sent to compete in the arena, where she becomes a popular hero to the crowds.An intriguing premise and some interesting historical details are the only redeeming parts of this novel. The bulk of it is one-dimensional caricatures playing out a variety of juvenile male fantasies: nude fights to the death, murder, lesbian sex and even rape. I did care enough to read to the end (barely) and was disappointed even at how the meager plotlines resolved. Not only did it stretch the bounds of belief, but it wasn't even particularly satisfying. I fear the author may be gearing up for a sequel, which I won't touch with a ten-foot pole.
  • Rating: 3 out of 5 stars
    3/5
    I had such high hopes for this book. The idea of female gladiators in Rome sounded like a great story. Well, it still may be, just not in this book. I didn't find the sex that was in the book to be too racy or a turn off like some of the other reviews have stated. I did find the main character to be arrogant and ard to like, but those qualities also drew the reader to wanting to see what she did next. The end of the book is also a dissapointment, when Nastasen dies before Lysandra can fight him was a major dissapointment when the book was building up to it, then the final fight was also a bad way to end the book. after all Lysandra was put through it is hard to imagine she would take over the gladiatrix troop and continue to put girls through what she was put through. an average read in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    A Spartan priestess was caught by the Romans and forced to fight in the arenas. This is an interesting account of her growth from naïve priestess to fierce warrior leader, learning to interact with others. There's a bit of erotica mixed in but nothing too lurid (it's mostly just implied). This version had grammar mistakes peppered throughout (surprising in this age of automated grammar checking) but it didn't detract from the story. Enjoyable, especially after reading the historical basis for the story.
  • Rating: 3 out of 5 stars
    3/5
    This book started off very well, to me. The character, Lysandra, was interesting, she was in a precarious situation, and I empathized with her. I also enjoyed how I was made to like her, and yet, through the opinions of other characters, see her flaws. One of which, I might add, was that she was a bit of a Mary Sue, with her unsurpassed ability and startling, icy, blue eyes. All the issues built well, full of tons of potential pitfalls for the favorites, but both of the major conflicts went unsettled. I knew her rivalry would end the way it did (boringly), but it did surprise me with its means. The huge battle scene never happened, though, and Lysandra's gains at the end of the story were way too convenient--far too much the product of a sudden and unrealistic change of character. The cover is mediocre, and, following this, my final gripe is that the book looks and reads like YA but there is way, way, way too much sex for it -be- YA. I think that a new, better cover would solve many/most of the book's problems! I must give credit, however, for well-opposed characters, suspense, and a gripping nature!
  • Rating: 3 out of 5 stars
    3/5
    I received a complementary copy of Gladiatrix, by Russell Whitfield, through the LibraryThing Early Reviewers program (and a wonderful program it is!). Being a huge fan of Mary Renault, Steven Pressfield (ok he mostly does Greece), Wallace Breem, and of course, the movie Gladiator, I was eagerly anticipating this book. Gladiatrix is the story of Lysandra, the female gladiator. Not a lot of mystery about what this book is going to be about!First off, let’s get it out of the way: the title. Gladiatrix. With a name like that, you expect some titillation, and some lesbianism – if that’s what you’re looking for, you will not be disappointed. Gladiatrices regularly seem to fight in the nude, and the sex scenes are pretty graphic. The subject matter seems to inspire lurid treatment – for example, witness Roger Corman’s Gladiatrix movie with Pam Grier, or the Discovery Channel Documentary on the Gladiatrix finds in London (less salacious). Between the title, the premise, and the cover art, I think the book will sell heavily, and although there have been other gladiatrix movies, I’d expect another one. But I digress. The early stages of the book heavily echo the themes of the movie Gladiator – someone from the upper echelons of society, driven by circumstance into the arena – personal misfortune, gladiator school, rising through the ranks because of innate quality. It is heavily derivative from Gladiator, and in the early going I found myself annoyed that it felt so clearly imitative. I got over it before too long – at some level, it is truth in advertising: this book is Gladiator with a female protagonist. I was disappointed early on that some scenes didn’t happen “on camera”: Lysandra is enslaved through a shipwreck and ensuing events – yet the shipwreck and those events are not really rendered – they would have made nice scenes, and a good counterpoint to the constant martial circumstances that follow. I periodically wondered how historically accurate the book was (of course, there were female gladiatrices) – the references to other historical personages seem accurate insofar as I can tell (but I’m no expert here). I don’t know whether Spartan princesses existed, or whether they received battle training, but I was willing to suspend my disbelief on that point. But the historical side of things doesn’t get much play – this isn’t historical fiction ala Saylor or Pressfield. The book at times feels more like a romance novel, oddly enough – due to the interpersonal issues and personal conflicts that drive the novel forward. The dialog is at times stilted, sometimes the prose feels awkward. I believe it’s a first novel and it periodically feels like one. Lysandra comes off as an insufferable teenager (which in fact she is). But after a few hundred pages, I wanted to say to the author, “OK, I get it – she’s arrogant – you don’t have to beat me over the head with it”. I wanted to see more personal development out Lysandra, but perhaps that is to wait for another installment. The book is not explicitly part of a series, but the deus ex machina ending leads me to conclude more is forthcoming. In the end, I enjoyed the book, and finished it quickly, but I am left wondering who the intended audience is. This is no Renault or Pressfield novel, peering deep into the human condition to find the things that ennoble us. And I don’t believe it’s a juvenile book – the tone feels wrong and the sex is a bit graphic for that. The fights are good and the swordplay frequent. Perhaps it’s just good old fashioned entertainment – just like the Arena was, thousands of years ago.
  • Rating: 2 out of 5 stars
    2/5
    I wanted to like this book. I really did. But, as the song goes, you can't always get what you want.There is a good story in the book, but it is hidden under the disguise of horrible characters (was there one to pull for?), unbelievably stilted language, and choppy scene-breaks. The sex was both gratuitous (not that there's anything wrong with that!) and of the same quality you'd expect from a free internet anthology site. The violence was, considering the subject, somewhat lacking in both flair and gore.I hope Whitfield continues to write, because I think there is hope for him as a storyteller. Gladiatrix, however, is not a showcase of that potential.
  • Rating: 3 out of 5 stars
    3/5
    Granted, I was expecting a good deal of violence and some sex—because what's ancient Rome without either, particularly something with the title so resembling "Gladiator"?—but the emphasis placed on the sex was gratuitous. I couldn't sympathize with any of the characters; the one I came closest to was Varia, the slave to the slaves, but when we were clearly expected to sympathize with the incredibly arrogant and catty Lysandra, it just wasn't there. The writing was bad enough to give me pause and shake the book in an effort to get the prose to be better-written, and the typographical errors abounded [but I'm hoping that that's because this is an ARC, and nothing more]. The mix between the highly stilted and somewhat archaic-sounding dialogue and prose mixed with a few too many colloquialisms was what I saw as an example of the author not being entirely creative enough to come up with things to say.All that being said, it was a very easy read. The plot, such as it was, was compelling, even though the bulk of my attention was me hoping that Lysandra would be put in her place. The romance aspects were incredibly self-indulgent on the writer's part [it became blatantly obvious during the first sex scene that the lesbian perspective just didn't work when written by this particular male], and quite frankly, did not add much to the story—it could just as easily have been explained away as two people who had been close companions rather than lovers.The ending was extremely disappointing—to have the entire novel building up to this point and not have anything achieved was an incredible letdown. The epilogue, such as it was, brought up more questions than it resolved and seemed like a last-minute edit to just have some semblance of closure on one of the characters.I'm not sure I enjoyed that it was written as if it were expecting a movie to come out of it—while it made it easy to visualize what was happening, I would have liked to have been made to do more imaginative gruntwork. The scene breaks were also distracting, when a few complete scenes following each other would have been much better than a few cuts in between two different viewpoints or camera angles were.As the kicker to the book, in the author's notes, he mentions that for part of his research, he used Wikipedia. The first problem is using it as a credible source of information, the second part is admitting that he did—where is the shame? All that accompanies it is a [hopefully] tongue-in-cheek remark of it being a failproof source.Given that I wasn't expecting great things out of it, it sufficed. I'm glad it was a quick read, and for what it was, it was entertaining. As a writer, I wouldn't recommend it at all. As a reader, it's a relatively entertaining way to occupy an afternoon.
  • Rating: 3 out of 5 stars
    3/5
    They say that gratuitous sex and gratuitous violence is the primary attraction for movies these days. Much the same can be said of books. This is not a statement on the quality of the books or movies as many classics exhibit many of the same characteristics, just that some books cross a side show to the sole purpose. Admittedly, Gladiatrix by Russell Whitfield promised nothing else, yet the sex and violence overshadowed even a plot of sex and violence.Perhaps my biggest problem with Gladiatrix was that nearly all of the characters were abhorrent. The supposed heroine, Lysandra, had brief flashes of humility, but otherwise was portrayed as the stereotypical haughty Spartan, and insufferably arrogant at that. Her most interesting characteristics were those of her military training, something which Whitfield admitted was not part of the historical record, but that is not wholly implausible. Aside from those peculiarities, Lysandra is haughty, confrontational, and does nothing to endear herself to the reader. She is the victim of nearly unspeakable tragedy, loss and grief, but she turns she simply becomes bitter and even more self-righteous rather than developing into a likable character. She wins, though.Some of the supporting characters are more sympathetic, but most of them also do despicable acts throughout the book or die, while others are even more revolting. There are a few exceptions to this generality, but overall the message from Gladiatrix is a spiral into depravity and hatred. A series of unfortunate and tragic events combined with egos, tempers and unreasonable hatred sends nearly every character down a dark path that naturally ends with death.None of this is meant to mislead the reader into the fallacy that I despised the book; I did not. Too often in reviews there is either gushing praise or unmitigated hatred, but nothing in between. In this situation there were enough frustrations with the book that those are easier to pick up on. Killer Angels, Catch 22, or Creation it is not, but neither is it wholly unreadable. Even with her flaws, Lysandra draws attention and while her big assignment is left incomplete, much to my chagrin, Gladiatrix provided an acceptable distraction.As a student of history, the historical note at the conclusion of the novel is always a draw. In this situation, Russell Whitfield endeared himself to me by accepting responsibility for any historical errors and, moreover, pointing out that Lysandra and her nemesis, Sorina, are the fictional characters built upon a bit of graffiti from Halicarnassos. Perhaps he did not fulfill his endeavor in full, but providing looks and personality to names on a wall is not an easy task and is one that is at least admirable to attempt.
  • Rating: 4 out of 5 stars
    4/5
    I've always been a fan of historical fiction, especially when it's set in ancient Rome. This book was entertaining and had some plot twists that I didn't see coming, and it kept me interested. There were a few things that distracted from my enjoyment, however.One thing I don't understand is why all of the historical fiction I've read always seems to include lurid sex. Do authors think that we won't read it unless there's some graphic action? I found the book compelling and difficult to put down- it was definitely exciting! Lots of violence, but what else would you expect from a novel about gladiatorial combat? What made it difficult to really enjoy was the attitude of the main character, Lysandra. She was so extremely arrogant that it was difficult to like her. In parts of the book, she was likeable- and I would not wish the horrible things that happened to her on my worst enemy. But it's difficult to root for a heroine that is almost unceasingly arrogant, even if it is explained away by her Spartan heritage.Some background on the time and place might have been helpful- the author did include notes at the end that explained some things, and some of the information would have been fairly major spoilers if it had been at the beginning of the book. It still might have been nice to have even a map of the Roman Empire at the time, though. The author also sprinkled in some Latin and Greek words that might distract some readers- substituting "ludus" for "school", or "polis" for "city", for example.One odd thing was that at times, I felt the author was writing a movie script- particularly towards the end, where every few paragraphs would shift between descriptions of Lysandra and Sorina training. I felt like I was watching a training montage in a "Rocky" movie for a time.Overall, I enjoyed the book but would not purchase it on my own. It's the kind of thing that I would recommend for a light beach reading over summer vacation.
  • Rating: 3 out of 5 stars
    3/5
    This book ended up being a better read than I was expecting, mostly because the author actually bothered to do some research for the book and was also aware of his historical weaknesses.That said, while there were a few nice surprises in the book, much of it was predictable for a book titled "Gladiatrix"--smut (especially lesbian), gore, and very violent rape (which should be a warning to parents that this isn't really something to hand to your kids).While this was not one of my favorite reads, I did enjoy the author's ironic tone. The plot is entertaining, and Whitfield's characters can generally hold the reader's empathy. A pet peeve of mine, however, are when authors expound on their academic just to show off. Whitfield frequently indulges in this (mostly with etymology), and it doesn't add much to the story.As a side note, the book would benefit from a little more proofreading, particularly with some of the Latin words.
  • Rating: 4 out of 5 stars
    4/5
    As a huge fan of historical fiction set in ancient Rome, this book did not disappoint. Gladiatrix tells the story of Lysandra, a Spartan priestess of Athene who is captured as a slave and sent to train as a gladiator. It's a quick read and very entertaining, with vivid descriptions of gladiator battles. The ending of the story is refreshing in that it is somewhat unexpected (and probably unlikely, but that's why this is fiction), and yet it fits very well into the fabric of the story. I'd recommend this to anyone who's a fan of historical fiction set in the ancient world.

Book preview

Gladiatrix - Russell Whitfield

I

Lysandra would never forget her first time.

Alone, she walked through the darkness of the passageway towards the sun-filled amphitheatre.

As she drew closer to the arena, she became aware of the sound from above – a rhythmic, thrumming cadence that began at the periphery of her consciousness. Distant at first, it became hypnotic as a siren’s song, permeating the stone around her, penetrating her to the very bone.

Lysandra battled to keep her churning emotions in check. Fear flowed through her veins and, for a moment, she faltered. Yet part of her surged with the desire to face this most terrible of challenges. It flared only briefly but burned hot enough to sear away her terror. From the darkness, she stepped into the harsh light of the arena.

The roar of the crowd was a living thing as it assaulted her and she staggered beneath its violent intensity. Row upon row of the screaming mob surrounded her, the amphitheatre stuffed full, as if it were a massive god gorging upon base humanity. Her vision swam as she registered innumerable faces, twisted and distorted, their mouths wide open with howls of lust and anticipation.

A fetid stench rose from the freshly raked sands, filling her nostrils with the reek of blood mingled with the excrement of slaughtered animals. The venatores, wild beast hunters, had been at their work that day, butchering hundreds of creatures for the delight of the crowd. Her stomach lurched, raw nerves screaming at her to run, to flee this Tartarus made flesh, but again she fought down the urge.

The baying of the frenzied mob increased in its intensity. Her eyes narrowed as she gazed across the arena; emerging from the tunnel that faced her own was another woman.

Her opponent.

Lysandra was only vaguely aware of an arena slave rushing up and thrusting two short swords into her sweat slick hands, as she focused on her adversary. She realised that the combatants must have been chosen for their physical differences. Whereas she was tall and slender, her foe was short and solidly built, her limbs chunky. To Lysandra’s Spartan eyes, she looked downright vulgar. Huge, udder-like breasts heaved beneath her white tunic, threatening to burst forth from their confinement. This study of Gallic typicality was crowned by straw-coloured hair, the final contrast to the raven-black tresses of Lysandra’s own. There were but two similarities: the weapons they bore and the certain knowledge that, in scant minutes, one of them would die.

The Gaul turned towards the dignitaries’ box and raised her right arm in salute. Lysandra, though unused to arena etiquette, emulated her. She had spent her whole life in ritual observance and made the gesture with confidence. Not that it mattered. The richly clad Roman whom Lysandra assumed to be Sextus Julius Frontinus, the governor and procurator of Asia Minor, did not bother to acknowledge them, his attentions clearly focused on the dusky charms of the slave girl by his side.

Lysandra turned towards her opponent. The two women faced each other, the sea green eyes of the Gaul locked with her own. For interminable moments, they stood, their emotions mirrored in each other’s gaze, and Lysandra felt a sudden, sharp regret at their plight. Though they were not foes of their own volition, Lysandra knew she could not stay her hand. Her eyes hardened with the resoluteness to survive and she saw the other woman nod as she too came to this realisation. They raised their weapons.

For a few heartbeats, all was still. Then, with sudden violence the Gaul attacked and the strangely beautiful sound of iron striking iron sang out as Lysandra met her assault. The Celtic warrior screamed and cursed as she laid in, imbibing rage-fuelled courage. There was no order to her attack, just a constant flurry of hacking blows, dealt with all the strength the stocky body could provide. She was like an avalanche, rolling forward, crushing everything in her path.

Lysandra knew she must be as mist. Most of her life had been spent preparing for combat: a ritual training to be certain; a ceremonial skill never meant to be called upon. But now, in the stark reality of mortal threat, this hard-learnt preparation came to the fore, and her body responded instinctively.

It was as if her opponent was moving underwater. As the Gaul initiated an attack, Lysandra’s own blade moved to deflect the blow. Do not meet force with force, she told herself as she weaved away from the onslaught. Her refusal to engage in a slogging match seemed to encourage her foe, who redoubled her efforts. The Gaul’s feet churned up sand as she pursued Lysandra across the arena, slashing and cutting at thin air. As the chase wore on the crowd erupted into a chorus of boos and cat-calls, demanding more action.

Sweat now plastered the Gaul’s yellow hair to her forehead and darkened the sheer white tunic to gauzy grey. Lysandra saw her shoulders heaving with exertion as she evaded another attack. The Gaul paused momentarily, gasping for breath. It was obvious that she was weakening but, more, her confidence had drained and the insidious worm of doubt was now eating at her fighting spirit. Gamely, she raised her swords, and a sudden rush of fire filled Lysandra’s veins. Now, her instincts screamed at her. Now was the time.

She countered.

Her blades whirled, blurring in their swiftness as she mercilessly turned defence to attack. Her opponent’s parries became frenzied with awful suddenness as she back-stepped, swords moving frantically to deflect the onslaught.

Lysandra pressed in harder, the Gaul only stopping her now at the last possible instant. She increased her efforts, engaging in a final, furious exchange of blows with her desperate opponent. As the impact of blade on blade jarred her arm, she felt the last strength leech from the barbarian and smashed through her guard.

There was no remorse: just a wondrous, beautiful exultation as she felt the other woman’s flesh yield and part as she rammed home her blade. The Gaul made a choking sound, huge gouts of blood vomiting from her mouth and the gaping wound in her chest. Lysandra dragged the blade out and, using her own momentum, spun about. Her sword caught the staggering woman on the neck, severing the head from her body; it arced skywards, the eyes and mouth wide open, frozen forever in shock and pain. The headless body stood wavering for what seemed like an eternity before, with an almost reverential slowness, it toppled backwards and crashed to the sand, blood spreading out behind the gaping neck like a crimson pillow.

With chilling abruptness reality crashed back down upon Lysandra, the roar of the crowd cascading over her, drenching her in a waterfall of dissonance. It was a bizarre tableau: the corpse still twitching at her feet and, approaching her, a tall man, clad as Charon, the ferryman of the dead, bearing a hooked staff. Slowly, and with a degree of ceremony, ‘Charon’ retrieved the Gaul’s head, then attached her torso to the staff. At the same formal pace, he retreated, dragging the body behind him.

Lysandra backed away, then turned and made her way towards the tunnel, her thoughts a confused morass of elation, guilt and relief.

II

Lysandra stared disconsolately through the bars of the moving prison, watching the arid Carian landscape roll by with mind-numbing slowness. Nothing broke the monotony of the view, save for a few hardy shrubs, the odd dusty hillock and the occasional traveller heading towards the city.

The cart had been bouncing along for some hours, leaving the sprawl of Halicarnassus far behind. Certainly, what she had seen of the streets as they left the city had impressed upon her the size of the place: compared to her home polis of Sparta, it was gigantic and somewhat vulgar. That, she considered, was to be expected of Asiatic Hellenes, who were all fawning imitators of the Romans as far as she was concerned. Not that she knew any personally, but then stories were not told if there was no substance to them.

She was one of seven prisoners in the carriage, but Balbus’s train snaked back a good deal further, and she could only assume that she had been placed with the lanista’s latest ‘acquisitions.’ The others in the cart were all of barbarian stock and unable to speak Latin, let alone her native Hellenic. However, this did not stop them from babbling in their own incomprehensible tongues, the sound of which set her teeth on edge.

After her bout in the arena, Lysandra had been shuffled unceremoniously to a cell to wait out the day’s entertainments. Admittedly she had been fed and even given a perfunctory examination by a surgeon to see if she was injured. Her state of health established, she was locked away in the dark and forgotten until it was time for Balbus’s caravan to leave. She had tried to ask questions as they dragged her towards the waiting prison cart but, having ascertained that she was now the ‘property of Lucius Balbus,’ any further enquiry was met with a barked order to remain silent, followed by a sharp slap around the face when she persisted.

Physical pain was something she had been taught to endure since childhood, but the blow served to remind her of her new status. She was almost physically sick when the word came unbidden to her thoughts.

Slave.

And worse, an arena slave – the lowest of the low – hardly more than an animal. She had become a part of the most derided echelon of society. It was almost too much to bear, but she consoled herself with the knowledge that, as soon as the owner of the troupe found out who she was, this ridiculous situation would be fully rectified.

A tap on her shoulder broke her reverie and Lysandra turned to see a red-haired barbarian offering her a chunk of bread. This dubious gift was clutched in filth-begrimed fingers and she was tempted to slap the hand away; yet the smile the woman gave her was genuine and she realised it would be petulant to refuse the offer. She hoped her returning smile did not look too much like a grimace and took the proffered loaf. The woman gave her a sisterly pat on the arm and returned to sit with her companions. Lysandra went back to her brooding but was inwardly grateful for this act of solidarity.

They journeyed for several days and, to her surprise, they were given food at regular intervals. The fare was of excellent quality: a stew of meat and barley, superior to any Lysandra had previously tasted. In fact, their captors seemed at pains to keep the women in good health, which was contrary to much of what she had heard about the life of a slave. Aside from the lice that had infested all of the captives, the trek was, if not pleasant, at least bearable.

Indeed, communication had, to some extent, sprung up between Lysandra and her barbarian companions. Through some faintly comedic pantomiming she had learned that the red-haired woman was named Hildreth. She and her fellows were of the Chattian tribe, which Lysandra identified at once as Germanic.The Chattians were well known throughout the Empire; their warriors had been giving the emperor’s legions hell along the Rhenus River for some years.

Hildreth, of course, had not heard of Hellas; even when Lysandra referred to her homeland as Greece in the Roman manner, the tribeswoman responded with a shrug and a shake of her head. Lysandra thought it pointless to pursue this any further. Geography was going to be far beyond their level of comprehension. Instead, she concentrated on teaching the Germans rudimentary Latin. Unfortunately, the reputation barbarians carried for an innate slowness of wit was not unfounded and she persevered only to occupy her time rather than from any real desire to educate them.

Soon, however, the prison cart was alive with the sound of harshly accented Latin cries such as ‘sky!’ ‘tree!’ and ‘stone!’ which quickly graduated to such statements as ‘I-do-not-speak-Latin-can-you-speak-German?’

It was all good fun at first, but inevitably the hilarity that the lessons produced amongst the tribeswomen attracted the attentions of Balbus’s guards, who admonished them to keep the noise down with much threatening and brandishing of stout clubs to ensure the message got across.

Nevertheless, Lysandra found the diversion had worked. Time slipped by easily enough so that it was a shock to her when she spied a long, walled structure in the distance; unmistakably, this was their final destination.

An expectant hush fell over the prisoners as the caravan wound its leisurely way towards the construction. As they drew closer, Lysandra reckoned that it was akin to a miniature Troy, so soundly were the walls constructed. The ponderous wroughtiron gates swung open, and the caravan passed beneath an arched sign that proclaimed that this was Lucius Balbus’s School of Gladiatrices.

Lysandra leant forward, her hands gripping the iron of the bars of the cage as they entered the ludus. The place was a hive of cacophonous activity, teeming with women involved in various martial exercises. The clack of wooden weapons filled the air, mingling with shouted orders from the trainers and cries of both exultation and exasperation. It was a familiar scene and, despite her circumstances, she found it strangely comforting.

The doors to the cage rattled open and the guards beckoned them out, shouting an order in their guttural barbarian language. Lysandra could sense the horror flooding through the group.

‘Take your clothes off and throw them there,’ a guard repeated, this time in Latin. Lysandra shrugged: in Sparta, all exercises were conducted gymnos, nude; the body was something to be proud of after all. She complied, glad to be rid of the filthy tunic.

Her companions followed her example reluctantly, and she was at once aware of their issue: evidently, in Germania, the body was not something to be proud of. Bereft of their clothes, the tribeswomen were an absurd-looking group. True, she herself was fair skinned, but these women had an almost pale-blue aspect to them. Heavy breasts hung from too-white torsos and such a shock and variety of pubic hair was revealed. Lysandra had to bite her lip not to laugh. Manlike tufts she had seen under their arms on their journey to the ludus, but the complete Germanic nude was comedic in its hairy extreme.

‘You speak Latin.’ The guard’s statement interrupted her critique of the tribal form. She eyed the man, and found him to be short, squat and somewhat ill favoured. Not a barbarian, but close enough, he had the look of a Macedonian about him. She drew herself up.

‘Yes. And evidently better than you.’

The man was nonplussed: he gaped at her for a moment, his mouth falling open; the others quietened, as stunned by the arrogant response as he was. The atmosphere was heavy and uncertain for a moment before one of the men fell about laughing at his companion’s embarrassment. The reaction spread and the guards hooted and guffawed at her audacity.The Germans looked around, unsure of what was happening.

The Macedonian shook his head. ‘You’re lucky I don’t beat you black and blue,’ he said, but the previous mirth undermined his threat. ‘Let’s get you and your barbarian pets cleaned up.’ He motioned for them to start walking.

As the group moved away, the guard noted that the Greek’s flippant mouth had landed her in trouble before. Though from the front she was beautiful and flawless, her back was marked by a latticework of pale scars.

They were led the length of the training compound, giving them an opportunity to take in their surroundings. As the exterior suggested, the ludus was more of a walled town in miniature than a prison. Squat stone huts were set all along one side of the massive training area, which Lysandra assumed to be the slave quarters – her quarters, she thought sullenly. Opposite these were opulent villa-style houses, set much further back from the noise and dust. Fountains and statues were evident, and Lysandra made a gesture of acquiescence as she passed an image of Minerva, the Roman name for the goddess Athene. The far end of the ludus was dominated by a large bath house and it was there she and the barbarians were taken.

The guards ushered them through the entrance and passed them into the care of several slave women, the eldest of whom was a severe-looking German who announced herself as Greta. Fortunately, some of the other attendants spoke Hellenic and hearing the music of her own language lifted Lysandra’s mood somewhat.

They were taken to a side room that contained several buckets of evil-smelling liquid and little else. Greta instructed the women to massage the odoriferous stuff into their heads. There was a vague tang of naphtha in the mix and Lysandra reasoned that, though disgusting, the concoction would rid her of the lice that had been her travelling companions for the past few days. In any event, it was preferable to having her head shaved.

Greta ordered the women sluiced down with warm water before taking them to the building’s main functional room. Lysandra’s lips turned upwards in pleasure as they moved into the baths proper. The pool was large and, to her surprise, scented. Wisps of steam meandered from the surface, making the air humid and heavy. She needed no urging, and made purposefully towards the water.

Hildreth and the others hung back and harsh words in German were exchanged between her and Greta. Greta, though obviously a slave herself, seemed to have carved her way to a position of some seniority in the self-contained world of the ludus and evidently tolerated no defiance. Yet Hildreth had a dangerous look to her as well: certainly, she was not a woman to be trifled with. Lysandra paused and cocked an eyebrow at one of Greta’s scrubs.

‘What are they saying?’ she asked.

The girl was young, perhaps six years junior to Lysandra’s own nineteen. Tiny in stature, her freckled, elfin face was dominated by huge brown eyes and framed by a mop of unruly dark curls. She shrugged her skinny shoulders.

‘I don’t know for sure, but I can guess,’ came the response. ‘The barbarians are fearful of bathing.’ She risked a slight smile. ‘They think that they will get the chills and die!’

Lysandra sniffed loftily. ‘Ignorant savages,’ she muttered and plunged into the pool without further comment. True, she had come to look at the barbarians in a slightly less derogatory light after their journey to the ludus but her low opinion of them was appropriate. They were like overgrown children: stupid, scared and superstitious. And, she thought to herself, their dubious companionship was something that had been forced upon her. In any normal circumstance they would not have warranted even her attention, let alone her time.

Thoughts of the Germans drifted away as she revelled in the sensation of the hot water on her skin. After the filthy days on the road, the pleasure at cleansing herself was immense. She rolled luxuriantly in the bath, letting the heat open her pores and wash the mire of sweat and dirt from her body.

She swam under the water for a while, before letting herself float to the surface and drift lazily to one of the sides. Arms and shoulders resting on the lip of the pool, she watched as the Germans lost their struggle to remain dirty. Reluctantly, one by one, they lowered themselves into the steaming water, crying out with shock at the unnatural warmth. Their fear, however, was soon conquered as the perfumed heat did its seductive work, relaxing cramped muscles and purifying the skin. Greta tossed a bag of sponges among the delighted and cooing tribeswomen. A visible scum began to form around them as their vigorous scrubbing started to shift years of ingrained dirt.

Lysandra stayed well away but any hopes she had of idling in the water were quickly dispelled as Greta’s long-experienced eye adjudged that her countrywomen were sufficiently bathed. Clapping her hands together briskly, she ordered everyone out of the pool.

The tiny slave girl with whom she had spoken earlier approached her. ‘You must come with me,’ the girl said. Similarly, each of the new captives was now being led away by one of Greta’s contingent. After bathing, Lysandra was feeling relaxed and, despite her current circumstances, better than she had in weeks. As such, she was not inclined to question.

Her diminutive guide took her from the bathing area proper and into a side room. Here, a towelled bench lay prepared.

‘I’m Varia,’ the girl offered.

‘Lysandra.’

Varia indicated the bench, instructing Lysandra to lay front down upon it. ‘Just relax,’ she said, pouring a liberal amount of sweet-smelling oil onto her charge’s back and shoulders. Her small hands deftly worked the unguent into her skin, the surprisingly strong fingers kneading and working any remaining tenseness from her muscles.

She almost purred with pleasure under Varia’s ministrations as the massage continued. She could not help but wonder at this sort of treatment, a fact she mentioned to the young slave. Certainly it was not what she had been led to believe a chattel’s lot to be.

‘Ah,’ Varia replied as she now worked her magic on Lysandra’s ’s legs. ‘It will get harder all too soon. There are certain standards to live up to,’ she added matter-of-factly. ‘All the gladiatrices here are very well – trained,’

Lysandra murmured her understanding, her nostrils flaring slightly, catching the aroma of wax in the air. Varia was speaking again. ‘So it is not all massages and bathing. And some of the trainers can be very cruel. I can see you’ve had a cruel master before.’ The slave’s fingertips traced the ridges of the scars on her back.

A sharp tearing sound from the adjacent cell followed by a scream of agony interrupted any answer Lysandra was about to give. She started and looked enquiringly over her shoulder.

‘Waxing,’ Varia responded to the unvoiced question. ‘It lasts longer than shaving, but the first time is very painful for the barbarians.’

Lysandra found herself in absolute agreement. True, she had been trained to ignore pain, she could not help but feel grateful that the waxing was an ordeal she would not have to face. A once-over with a bronze razor would suffice for a civilised woman such as she.

III

In much better form after the unexpected indulgences of the bathhouse, Lysandra emerged wearing the light tunic that had been provided for her, enjoying, despite her circumstances, a lightness of heart she had not felt since her ship was wrecked. Hildreth and the tribeswomen joined her, their gait indicating that the attentions of the waxing cloth had left them somewhat tender. Greta bade them form a single rank and remain silent.

After some minutes one of the trainers, the one she knew went by the name of ‘Stick’ approached the line of women. Lysandra noted his eyes scrutinising them. She had seen the look before in her youth: Stick was assessing their fitness with a glance, seeking a fire in the eyes that might suggest a woman had promise.

‘Welcome to your new home,’ he said in his high, nasal voice. As he spoke, Greta translated for the German women. ‘You are slaves … chattel … less than human. Forget that you were once women with lives beyond these walls.’ He grinned nastily. ‘It will only make this more painful for you.’ He began to pace up and down the line of women, swinging his eponymous vine staff. ‘Your sole purpose in life is to provide high-quality entertainment for a very demanding public. You will be trained to this end: to fight and kill, and to face your death in a civilised manner.

‘You will obey me and the other trainers at all times. Remember, you are but slaves and it is your lot to serve the demands of your masters.’ Stick drew to a halt in front of Hildreth. Slowly and deliberately, he slid a brown, callused hand under the hem of her tunic and fondled her between the legs. He cackled as the tribeswoman flushed scarlet for shame, impotent fury burning in her eyes. Stick withdrew his hand and made a show of breathing in her scent. ‘Whatever those demands happen to be,’ he added. As an aside, he nodded and winked at Hildreth. ‘Very nice.’

Clearly Stick had now warmed to his theme. ‘Obey us in all things, and your lives here may even become pleasant. Disobey, and you will find that I can make your existence so terrible that death will seem a merciful release. Train hard and learn well … and you might survive long enough to buy back your freedom.’ He glared at them and shook his head. ‘But by the looks of you, I doubt it. Most likely, I’m wasting my time and you will be choking on your own blood after your first bout. We had better get to work, curse your eyes! Begin running. Circle the ludus until I tell you to stop.’

The women turned and began to run. As Lysandra stepped up, Stick placed the vine staff on her chest. ‘Not you, Greek. The lanista wants to see you.’

Lysandra regarded the wiry little Parthian, with a mixture of amusement and contempt. ‘That is good,’ she said. ‘For I want to see him.’

Stick held her gaze for a moment; then he slammed the butt end of the vine stick viciously into her solar plexus. The breath rushed out of her and she doubled over in agony. Stick shoved her to the ground and thrashed at her back with the staff, landing several powerful blows. As she reeled in shock and pain, the Parthian grabbed a handful of her hair and dragged her face close to his own, his bulbous eyes glittering with fury. ‘Lose that attitude, my lovely, or you and I will fall out, yes?’ He hurled her back to the ground and brandished the vine staff in her face. ‘Now, the lanista would like to see you.’

Lysandra glared hatred up at her tormentor. Spartan honour – her honour – demanded that she rise and smash the leering, ugly face to a pulp. For a moment only, her mind coursed with bloody fury and she tensed, ready to spring up. Then as quickly as it had been lost, her control returned. She let the rage drain away and forced herself to nod in acquiescence. Time enough for revenge when she had been set free, she told herself. Then the filthy scum would be made to suffer for this insult to her person.

Stick wore an impassive mask as he gestured towards Balbus’s quarters indicating that she follow him. But the encounter had unsettled him. When he looked into her eyes he had seen arrogance and disdain, as well as complete lack of fear. In that moment he realised that he had not seen the like of this girl in all his years in and around the arena. He had hit her hard – hard enough to knock the fight out of most men. But the Greek had not been cowed and something other than fear had stayed her hand. The look on her face told Stick that, on another day, he would have had to put her down permanently.

The house of Lucius Balbus was the most opulent of all those Lysandra had noted when she first entered the ludus. Set farthest back from the training area, it was clean, white and richly decorated. Several large statues of Roman deities, and also a few local divinities, were represented in the flower garden that led to the abode proper. The centrepiece, of course, was an image of the emperor, Domitian. Painted and garlanded, it was a trifle overdone to Lysandra’s austere eye.

Stick glowered and left her in the care of a youth at the entrance to Balbus’s house. He was perfumed and pretty, his pale blue chiton far shorter than her own. The boy’s blond hair was outrageously coiffured and oiled, framing a plump, sultry, almost petulant face, a face that was used to having its whims granted.

‘Greetings,’ he lisped in Hellenic. She recognised the Athenian accent at once. ‘I’m Eros.’

‘Of course you are.’

Eros sniffed disdainfully and indicated that she follow him inside, tutting as her bare feet left dusty prints on the immaculate marble.

The two made their way in silence through the house to a somewhat cluttered office area. The untidy sprawl seemed out of place in the otherwise sumptuous surroundings. ‘The master, Lucius Balbus, is expecting you.’ Eros flounced off, his disapproval evident in every step.

Lucius Balbus had long since acquired himself a niche in the entertainment market of Halicarnassus as the supplier of novelty acts for the great and frequent games of the province – the only lanista who specialised in the training of women for gladiatorial combat. Others dabbled and had women in their stables, but he alone could lay claim to a school comprised solely of female performers.

If he was honest with himself, Balbus had not expected his latest acquisition to survive; to fight as the dimachaera – the two-knife girl – required long months of training and this Greek had been with him less than seven days. She had been a timely arrival. His regular fighter had come down with a stomach illness, rendering her unable to perform – leaving Balbus with the unthinkable prospect of a forfeited fee. The editor of the games would have been most displeased if the scheduled bill was disrupted at the last moment and was well within his contractual rights to hold back the coin on a no-show

But Balbus had always been lucky. With a sense of fondness and reverence for Fortuna he pondered the events that had brought the new girl to him. As his caravan had travelled up the coast to Halicarnassus, his evening meal had been interrupted by Stick, excited and demanding to be seen. Grudgingly, he had consented.

‘Balbus, we are saved!’ Stick had announced as he rushed in. ‘The boys and me went riding down the beach to see if there was anything worth having washed up from the storm.’ Stick’s bulging eyes shone with excitement. ‘We found more than flotsam, Balbus!’

‘Spit it out, Stick!’

‘A girl, Balbus! We found a girl! Rightly, there was a ship caught in the storm. The wreckage was all over the beach.’ He leant forward dropping his voice to a whisper. ‘But it was a Legion ship, Balbus, there were swords, pila, standards …’ He trailed off, seeking the right words. ‘Everything!’

Balbus was not a man to miss an opportunity. ‘I trust you and the boys arranged to have the loot brought back to the caravan?’

Stick had looked insulted. ‘Of course.’

‘So what of some Legion whore,’ Balbus had wanted to know. ‘I take it you’ve had your fun ploughing a well tilled furrow? I don’t see how this ‘saves’ us.’

‘This is the thing,’ Stick said. ‘Some of the lads were going to take her. But she fought like a demon. Grabbed a gladius from the wreckage as they got close and set on the two nearest her. Poor Tiro and Gideon … he shook his head with exaggerated remorse. ‘She finished them both like that.’ He snapped his fingers.

Balbus sat up from his reclined position. ‘She what?’

‘I’m telling you, Balbus, this girl is a natural, better than anything I’ve seen. No one was going to try to fight her alone on foot after what she did to those two. We ran her down from horseback and tied her up. All the while she fought like a Fury.’

‘You wouldn’t be exaggerating, Stick. I’d hate that,’ Balbus had warned.

‘I promise you …’ Stick had put his hand on his heart. ‘She can replace Teuta in the two knives; we won’t have to forfeit our fees!’

‘A consolation for the loss of Tiro and Gideon?’ Balbus asked ironically.

Stick got to his feet. ‘I never liked them anyway,’ he had said, and left him to his thoughts.

Lucius Balbus counted himself no fool and had taken Stick’s claims with a healthy degree of scepticism. Tiro and Gideon were often in their cups and perhaps an armed, desperate woman could just about have dispatched them with apparent ease. But now, this ‘Lysandra’ had impressed him in the arena, dispelling his doubts the moment she put up her blades. She fought with skill that went beyond natural talent; that she was trained – and trained well – was all too obvious. Strategy, timing and stamina had all been evident in her bout with the Gaul. The girl intrigued him and, for that reason alone, he had ordered her to be brought to him at the earliest convenience.

He heard Eros usher her to his office yet she wavered by the door, looking over shoulder at the retreating servant. He was irritated by her disregard for his position: a slave should not keep her master waiting. ‘Come in.’ His voice caused her to turn back. Seated at the far end of the scroll-lined office, behind an ornate wooden work desk, he watched her approach with a critical eye.

Though ascetically pleasing, she did not possess the charms of the gladiatrix favoured by the predominately male fans of the female spectacle. For one, she was too tall, tall enough to look most men directly in the eye. Her hair, black as night, contrasted sharply with the white, almost alabaster skin. Her breasts were firm, yet were not of the size that was currently preferred by the arena connoisseur: the Northern European women were all the rage, voluptuous, savage and dangerously desirable. But it was her eyes that held him, the ice-blue gaze intent and alert. No, he thought, this one possessed the beauty of marble sculpture, serene and distant – an acquired taste for a refined palate.

‘I am pleased this misunderstanding is over,’ she said, interrupting his train of thought. ‘I can see that you are a wealthy man. I shall need to borrow some funds to return to Sparta.’ She raised a hand, cutting off the astonished lanista as he made to speak. ‘Never fear, Lucius Balbus; the Temple of Athene is not without means, and you will be reimbursed.’

Balbus gaped at her. ‘I beg your pardon?’

The girl smiled at him, her expression condescending. ‘I need money to get back to Hellas … Greece as you Romans call it. My sisterhood will send you the amount in full when I return home.’

‘You are a priestess?’ Balbus faltered, unused to having the initiative in conversation taken from him. He was astounded by the girl’s arrogant assumption that she would be released merely because she desired it. Indeed, her very manner indicated that she was going through some sort of formality.

‘A Mission priestess, Lucius Balbus.’

She said it with some pride, though the lanista had not the faintest idea what she might mean. He had, however, sufficiently recovered his wits not to show her his ignorance. He eased his large frame back in his seat, folding his fingers over his belly, gathering his thoughts. Balbus had dealt with similar situations: often, these religious types believed that their devotion to whatever gods they prayed to provided indemnity from slavery. They found out all too soon that none were exempt from servitude to Rome.

‘I’m afraid it is you who has misunderstood.’ He paused, letting that sink in, gratified by the change in her eyes. Evidently, she had not expected this response and it had put her on the defensive. And that was precisely how Lucius Balbus preferred his relationship with his merchandise. ‘Whatever you may have been, you are no longer. Under Roman law, you are my property. My slave.’

‘I am no slave!’ Lysandra cut him off, taking a step forward. Balbus had to use every fibre of will not to jerk back. He was no coward, but had seen the Greek in action and had a more than healthy respect for her skills. He forced a smile.

‘Your former status does not protect you’ – he made a show of looking down at his paperwork, as if seeking a previously scribbled note – ‘Lysandra,’ he finished. ‘I have bought and sold priestesses, princesses and even queens. All have equal rights in the eyes of the lex Romana – that is that slaves have no rights.’ He could see her floundering. She was, after all, still young, and inexperienced; despite the tough exterior, he could tell she was not yet out of her teens. ‘Besides … whoever or whatever you claim to be you are simply detritus washed up by the sea. Two men are dead – my property. As far as the witnesses are concerned you are simply a murderess. The arena is your fate one way or the other. But if the praetors put you there you’ll simply be butchered without a chance to defend yourself.’

Balbus could only imagine what the psychological blow of becoming a slave did to a person, especially those that were used to commanding respect, such as a priestess must. But he was wise enough to know that if he pressed too hard at an early stage, he could shatter their spirit. He had seen tribal women, the sight of whom would unman the doughtiest legionary in battle, reduced to sallow husks when their slavery was too keenly impressed upon them. A woman with no fighting spirit was a poor

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