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Poison: A Novel of the Renaissance
Poison: A Novel of the Renaissance
Poison: A Novel of the Renaissance
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Poison: A Novel of the Renaissance

Rating: 3.5 out of 5 stars

3.5/5

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In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness.

Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same time, she is drawn to the young renegade monk who yearns to save her life and her soul.

Navigating a web of treachery and deceit, Francesca pursues her father's killer from the depths of Rome's Jewish ghetto to the heights of the Vatican itself. In so doing, she sets the stage for the ultimate confrontation with ancient forces that will seek to use her darkest desires to achieve their own catastrophic ends.

LanguageEnglish
Release dateAug 3, 2010
ISBN9781429953313
Poison: A Novel of the Renaissance
Author

Sara Poole

Sara Poole lives in Connecticut, where her discovery of the abundance of deadly flora growing just beyond her doorstep prompted her interest in the poisoner’s art. Her novels include Poison, The Borgia Betrayal and The Borgia Mistress.

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Reviews for Poison

Rating: 3.67098438134715 out of 5 stars
3.5/5

193 ratings50 reviews

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  • Rating: 3 out of 5 stars
    3/5
    An interesting historical novel set in early Renaissance and featuring a decidedly modern female protagonist. The book held my interest and at points read more like an adventure or suspense novel than historical fiction. Interesting characters, and good plot. I did wonder if I was reading a standalone novel or the first in a new series. It could go either way.
  • Rating: 3 out of 5 stars
    3/5
    I started this book knowing enough about the Borgias to be able to feel like I could follow the story. What I learned along the way was not so much more.The books starts with a bang, a murder and a daughter's vow to avenge her father. About midway through it lost it for me. I felt it was a bit too long.The characters on the other hand were great. Francesca comes across as a very strong, brave young girl who is not afraid to stand up for herself. I enjoyed the interaction between her and Cesare Borgia is interesting to say the least.I am not a huge fan of historical novels and not a whole lot manage to really make an impression on me. That being said I am glad that I got the chance to read Poison. I didn't dislike it or love it, I am in the middle.I know it will appeal to historical fiction lovers so go pick it up and see what you think.I read this as part of Crazy Book Tours
  • Rating: 3 out of 5 stars
    3/5
    Poison, Sara Poole's debut novel, is the tenth book that I have been privileged to receive through LibraryThing's Early Reviewers program. I was actually somewhat surprised to be matched up with Poison, but do not dare to question the Almighty Algorithm. I was interested in and requested Poison for a few different reasons. The first thing that caught my eye, besides the lovely cover, was that it was to some extent about the infamous Borgia family. (I recently learned about the Borgias through You Higuri's historical fantasy manga Cantarella.) The second thing interested me was that Poison deals with, well, poison and is narrated by a professional poisoner--something that has become a particular interest of mine lately (really, this is nothing to worry about, I assure you). I enjoy historical novels and even though I haven't read many set in Renaissance Italy, I was looking forward to trying out Poole's work which promised at hints of romance and intrigue, too.Francesca Giordano is young and ambitious. More specifically, she is determined to become the professional poisoner of the Borgia family, a position that was previously held by her father before his murder. Despite her age, and despite her sex, she secures the title regardless of the cost, believing that only then will she be in a powerful enough position to avenge her father's death. But the responsibilities of a poisoner are heavy, especially when your charge has his eyes set on the papacy. Francesca quickly finds herself deeply involved in the plots and intrigues of Rome and the Church. Hoping that in the process she will be able to discover the truths behind her father's murder, she must first decide exactly how much, and who, she is willing to risk.I found it somewhat hard to believe that Francesca, a young woman, was so easily able to obtain the position of the Borgias' personal poisoner. Ignoring that, I actually really liked this basic premise of the book. However, I often was troubled by the characters in Poison. Their motivations and reasoning behind their actions were not always clear. Even when explained, the leaps of logic were sometimes difficult to follow and only occasionally made any sense to me. Part of this may be caused by the prose telling more than showing. Francesca would declare what her feelings were but little was given to support her statements and I wasn't convinced. It's unfortunate, but the characters and their characterizations just didn't work for me.Ultimately, I must say that I was mostly disappointed with Poison. There were elements that I enjoyed immensely--the interesting historical tidbits and the portions about poisons, poisoning, and poisoners' duties were fascinating--but I found the book to be more frustrating than anything else. I felt little or no connection with Francesca throughout the entire novel, a problem seeing as she is not only the heroine but the narrator as well. She had a habit of breaking the narrative flow to make a comment or address the reader directly. Sometimes this technique can work very well, but in the case of Poison it was just annoying, especially when the asides often amounted to "I could tell you more about this, but I'm not going to" and obscured the chronology of the story. Personally, I also wanted the writing to be more descriptive than it actually was; I never really got a good feel for Poison's time and place which is a weakness when dealing with historical fiction. However, I did greatly appreciate Poole's inclusion of an author's note where she mentions some of the sources she consulted and briefly discusses where historical fact and fiction intersect in Poison. So, while I did not enjoy Poison as much as I was hoping to, I am glad that I had the opportunity to read it.Experiments in Reading
  • Rating: 5 out of 5 stars
    5/5
    I enjoyed it. A rather fast read especially if the reader is quite interested in the Borgia family. I am and I thought it was great. One does not have to be well-versed in the Borgia history. However, the reader should at least be familiar with the key players: Rodrigo, Lucrezia, and Cesare. The story centers around the very barest facts. Everything else was fictionalized in a very well thought out way.I do have one question though... where was Juan in this story?
  • Rating: 1 out of 5 stars
    1/5
    This is another book that I picked up a while ago to read. I did get to chapter sixteen but lost interest and put the book down. It has been so long ago since I read this book that it was collecting dust. So I picked the book up again and proceed to read it from where I left off. I had no interest or desire to re-read from the beginning. I read about ten more chapters and was done with this book. There was nothing in these ten chapters that really intrigued my interest. Plus, I found Francesca to be meek. Also, I can't quite put my finger on it but the way the characters spoke got on my nerves. Sadly, this book was not for me.
  • Rating: 4 out of 5 stars
    4/5
    great suspense, setting, fun to read (lags at times). about a poisoner for the Borgia family and her need to avenge her father's death
  • Rating: 4 out of 5 stars
    4/5
    Awesome book! Can't wait to get my hands on the next one!
  • Rating: 3 out of 5 stars
    3/5
    Probably more like a 3.5. It had some pacing issues and felt a little like two shorter novels mashed together, but it was an interesting and exciting take on the age and I'm eager to check out the second in the series.
  • Rating: 3 out of 5 stars
    3/5
    This book was just ok, It was pretty slow. I had never read and didn't really know anything about the Borgia's, but the author assumes some background knowledge that I did not have, so that was annoying. If you can get the book for free, or cheap it's worth reading, but I wouldn't spend a lot of money on it.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book. It was well-written and truely a page turner for me. The only minor misgiving I have with the story, is that the main character's attitudes and actions seem a bit "modern" for the story's time period in Renaissance Italy.
  • Rating: 5 out of 5 stars
    5/5
    Have you ever read a novel that made you want to quickly flip through the pages because you couldn't wait to devour it all, and yet at the same time want to savor every carefully chosen, skillfully written word? A novel that made you relate to the characters so closely that it hurt you when they made a terrible choice, that you grew anxious when they were in peril? These are the marks of a brilliant novel, well developed characters and a plotline that leaves one wanting more. I must admit I did not have high hopes going into Poison. It was a bargain book that I picked up as a filler for free shipping - and it was one of the best decisions I have made regarding choosing a novel. I will not begin to skirt the fact that this is a slower read. It is not a quick paced, plot driven novel. Sara Poole, a pen name for another famous author I have yet to discover (but long to), carefully explains her settings, allows for one to immerse oneself in a culture from a different time, before moving forward with the story. This type of writing is not bothersome for me, it allows for me to be completely and utterly pulled into the story. However, the impressive detail and full immersion into the setting did not leave me wanting for plot, for it was surely there. I wished for the ability to know the entirety of this novel in an instant because it was difficult for me to pace myself. I regret that this is a series, though I have already read the second one, because I simply cannot wait a moment longer to know what is happening with Francesca. An interesting premise to be sure Francesca Giordano's father, a poisoner for the infamous Rodrigo Borgia, has recently been murdered. Seeking to avenge her father's death, the plot centers around Francesca's assent to his position while being a woman in a man's world full of deceit, illusions and hate. The subplots include a romance, an affair and plans of genocide. If you're one looking for a romantic novel however, look elsewhere. I longed to know more about Francesca and the man she loves, I will not ruin whom she has feelings for as it develops throughout the novel and there are a few men that fit the bill for a while, but Poole was elusive and it is without a doubt a secondary story (a scant few pages every so often to sate one's longing). I'm still waiting to see how that pans out! A definite recommendation, but it is a more mature novel. Darker themes and plotlines fill the pages, especially in the sequel and more than likely the forthcoming third book
  • Rating: 4 out of 5 stars
    4/5
    The Borgias have been well-hyped historical figures for many years but recently they have been front and center so there is no surprise that more and more books are being written with them as main characters. This book is the first in a series with the Borgias in the forefront. In 1492 when this book is set, Rodrigo Borgia, a cardinal in the Catholic Church, is startled when his Poisoner is poisoned by the daughter of his former poisoner. (Are there enough poisoners to go around?) When Francesca Giodano explains that she needs to avenge her father's death she is placed in the envious/not so envious position of protecting Il Cardinale and assisting him in his efforts to be the next Pope. The story-telling is so well structured that one wonders if it could be true.What fascinates me the most about this book and the story it tells is how Ms Poole exposes the corruption of the Church's upper echelon as well as interweaving anti-Semitism and the Spanish Inquisition. MS Poole also has an interesting style of writing with this tale coming directly from the central character as if it were a very long letter being written to a friend.To be honest, I won the second book in the series Borgia Betrayal and figured that I should probably read the first in the series as preparation. Now I am really looking forward to the Borgia Betrayal if it would just get here!
  • Rating: 4 out of 5 stars
    4/5
    Well I think it's pretty obvious by now that a) I'm obsessed with historical fiction right now, b) I'm obsessed with The Borgias show on showtime which ultimately led me to find Borgia-themed books. I tried to get The Borgia Betrayal: A Novel (Poisoner Mysteries) from librarything and found out that it was sort of a sequel to Poison, so alas I gave up and bought Poison. Onto the review now.To be entirely honest, I think the description of the book overestimates how much the Borgias are featured in this novel, especially in the first half of the book they are pretty much MIA. That said, I enjoyed Francesca Giordano POV, and what Poole did with her, she placed this character in the middle of the action and surrounded her by pretty interesting historical figures. As well, I liked that she was a woman in a man's position, that made me like her even more. In terms of pacing, the novel is pretty good the first half, unfortunately my interest started to wane in the second half. There was too much chase, and no results in the second half I suppose. I felt the plot wrap up nicely, but that there was no resolution for Francesca's revenge, then I realized it's because it was leaving the door open for the sequel. Whenever I read historical fiction, I want to know the details, but I want to be entertained too. Poole is very good at slipping in those details through Francesca's POV without making the novel read like a college textbook, and with that alone I can say I'd be more inclined to pick up The Borgia Betrayal in the future.
  • Rating: 5 out of 5 stars
    5/5
    Summary: Francesca Giordano is the daughter of the poisoner employed by Rodrigo Borgia. When her father is murdered in the street, she petitions Borgia to allow her to take his place. While her secret motivation is vengeance for her father, her main responsibilities are making sure Borgia and his household remain safe from the poisons of his rivals, and occasionally using her knowledge to help further Borgia's ambitions... ambitions that stop at nothing short of the papacy. But what Francesca uncovers is a plot that ranges far wider than the Borgias and their rivals, a plot that will take Francesca from the heart of the Jewish Ghetto to the depths of the catacombs beneath the Vatican, a plot of unspeakable evil that could change the face of Europe forever.Review: I haven't read a ton of historical fiction this year, but a lot of what I have read has been really, really good, and Poison is up at the top of the pack. If all of the historical fiction novels on my shelf were as good as this, I'd be a very happy camper indeed.Let's run down the checklist of what I want out of my historical fiction, shall we? An well-evoked and interesting setting with which I am not overly familiar? Poison's got it. I've read plenty of books set in the early Renaissance, plenty set in Rome (this was my third in a row, actually), and at least one that features the Borgias (Gregory Maguire's Mirror, Mirror), but this was the first I've read that involves the papacy and the upper echelons of the Catholic Church so directly. Its plot involving anti-semitism, the Inquisition, the machinations of the Borgias, and the early stirrings of the Renaissance was completely fascinating. In addition, Poole's great at bringing her settings to life, to the point where I could practically feel the Roman summer heat and the creeping chill of the crypts. Next on the checklist: a complex, well-developed, and relatable main character? Check! Francesca's got a great voice, and I really enjoyed her point of view; she's probably somewhat anachronistically independent-minded, but she was so much fun to read that I didn't really mind. Poole's other characters were equally well-drawn, and I particularly enjoyed her interpretations of Cesare and the young Lucrezia Borgia - not traditionally villainous, but still within the realm of historical believability. (Also appreciated is the author's note in which she separates historical fact from authorial invention.)Pretty much the only thing I didn't love was the habit Poole had of starting a scene or digression, and then having Francesca demur from telling us more, citing discretion or protection from a poisoner's knowledge or whatever. Used sparingly, it would have been cute and charming and helped to develop Francesca's character. However, after a while, it started to feel like Poole's way of getting around a scene she didn't want to write, or research she hadn't done.But in the grand scheme of things, that's a pretty minor issue. Other than that, I enjoyed the heck out of this book, and can't wait to read the sequel. 4.5 out of 5 stars.Recommendation: Fans of historical fiction, mysteries involving the Catholic church, or the Borgias should definitely check this out.
  • Rating: 5 out of 5 stars
    5/5
    Who can Francesca trust? Which should side should she pledge her alligence?It's 1492, Francesca Giodano takes over her deceased father's position as poisoner to Cardinal Borgia. Rare to be a woman poisoner, but even more odd when she gets dragged into a plot of treachery and murder. It is a monentous conspiracy that could cost her her life and thousands of others. Murder, religion, lust and conspiracy- this book has it all. Such a page turner! I love historical fiction that grabs you and pulls you in, even after the end. Poison did not disappoint. Kudos Sara Poole, looking forward to the next one already!
  • Rating: 4 out of 5 stars
    4/5
    With the overly crowded sea of Tudor fiction out there, it's refreshing to see something just a little different. Newcomer Sara Poole takes on the deadly Borgias, an Italian Renaissance dynasty that ruled in Rome, primarily through their papal connections. The Borgias, though not often explored in fiction, offer a fertile ground of murder, intrigue, sex, lies, incest and all kinds of juicy things for authors to explore. It's the perfect backdrop for a soap opera complete with cutthroat power games.In this wonderful debut from newcomer Sara Poole, the reader meets young Francesca, the daughter of an alchemist who makes a living by being the professional poisoner to Rodrigo Borgia. After her father dies, Francesca takes his place, using her knowledge of poisons to do Borgia's dirty work. Things start a little slow, but once Pope Innocent dies, the game is on to put Rodrigo in the Vatican. Of course, it's up to Francesca to see that it happens. Francesca finds herself pulled into a web of lies, murder, mystery and even romance with Rodrgio's son, Cesare Borgia.Though a little slow at times and somewhat unpolished, Poison is a promising debut that weaves a fascinating and deadly tale of one of the most dangerous families in the history. Francesca, in particular, is a wonderful and unique heroine that pulls readers in. Unfortunately, I found Francesca to be so enjoyable that many of the other characters seemed to be forgotten. I can't complain too much though -Poole constructed a believable version of Renaissance Italian with an unexpected heroine.Poison ends on an obvious promise for a sequel -can't wait to see it. Things can only get better.
  • Rating: 4 out of 5 stars
    4/5
    I loved this story for what it is - a historical mystery/thriller full of devious individuals, suspect loyalties, action and greed. Oh, the greed! The greed for power and wealth that the time period is famous for! Poole's debut novel is set in the Eternal City of Rome during the summer of 1492, near the beginning of the historical struggle between supporters of the Renaissance and those that supported the Inquisition.18-year-old Francesca Giordano, the story's protagonist and heroine, is determined to avenge the death of her father, poisoner for Cardinal Rodrigo Borgia, who was discovered beaten to death in the streets near the Borgia palazzo. First, Francesca must do away with her father's replacement and have Borgia assign her as the family's new poisoner. Francesca's investigations lead her through the streets of Rome, into the Jewish ghetto and the Vatican itself. In a time period where no one trusts anyone, where treachery and deceit thrives on every street, Francesca finds herself involved in a race against time to hunt her father's killer, do her job to protect the Borgia family and assist Rodrigo Borgia with his aspirations to become the next Pope, in view of what is believed to be Pope Innocent VIII's failing health.Poole has managed to weave an intriguing page-turner built on historical facts regarding the Borgias, the rise of antisemitism in Spain with the edict of Spain's Ferdinand and Isabella and the papal enclave that selected Pope Innocent VIII's successor. The characters are mysterious as to where their loyalties lie - just the way I like them! - and yes, there is enough action to keep the story flowing along at a fair clip. The story has been written with enough hints and innuendos of further stories to come that I can only hope it becomes a series because I would love to read more about the situations Francesca finds herself in.Overall, a good, page-turning historical thriller that captures the flavour and intrigues of the time period, full of interesting historical facts that do not hinder the flow of the action/pace of the story. Great fun!
  • Rating: 4 out of 5 stars
    4/5
    Over all very good book I enjoyed it a lot, a solid plot line and good characters with depth. At first I was a little reluctant to read it because its "Historical fiction" and I'm not familiar with the history of the time period. However I would suggest this book even if you don't know your history. Though there are small references that I'm sure someone with knowledge of the time period would get. They some times leave me a bit lost, however the characters are all introduced nicely and without assuming you know who they are from history. overall i recommend you pick this book up at the store and give it a little read over to see if its your type of book.
  • Rating: 3 out of 5 stars
    3/5
    Poison tells the story of Francesca Girodano, a young woman who positions herself as Cardinal Borgia's "poisoner" in order to avenge her father's death. Francesca is asked to create posions for the Cardinal, as well as to protect him and his family from harm. Putting herself in constant danger to do her job, Francesca learns of the growing tension between the Catholic Church and the Jewish community, as well as finding out much more about her father then she ever knew.The beginning of the book is very fast paced with a lot of action, but the middle is a bit slow in places and even though the ending sets itself up for a sequel I'm not so sure I'll be reading it. Since the novel is told in first person and because of Francesca's job she comes off as a rather unlikeable protagonist, but she is headstrong and brave which is nice to see. I would love to think that more woman at the time where as gutsy as Francesca, but that was also my main complaint with her and the book. She just doesn't seem to fit with how a woman of the time would have been allowed to act. I also seriously doubt she would have been allowed to hold such an important job, considering how women of the time were viewed by men. Since the book was tagged as "Before the Tudors, there were the Borgias" I was definitely a bit disappointed that they weren't featured more heavily in the story. I did enjoy all the action and the religious plot line between the Catholics and the Jews, as I knew very little about that before I read the book. Overall I thought the book was okay, would recommend it more to people who like historical romance rather then did hard historical fiction readers.
  • Rating: 3 out of 5 stars
    3/5
    1492 Rome, Italy. Pope Innocent VIII is very ill and about to sign an edict to wipe out all the Jews within all Christiandom. Francesca Girodano just proved her worth as a poisoner and agrees to serve Cardinal Rodrigo Borgia and ultimately avenge her father's death.Francesca's mission is to create a poison that looks like the person died from natural causes. Her father was working on such poison before he was murdered. While seeking help from an apothecary in the Jewish quarter, Francesca finds out that her father might have been a converso. She also learns that the Jews are not going to let an edict wipe them out. They are ready to fight the Pope or the Grand Inquisitor.Francesca befriends a monk that is close to the Pope in order to deliver the poison. She is betrayed and tricked by him within the Pope's castle. Luckily a local captain who works for the Captain is able to help her and the leader of the Jewish rebels to safety without suspicion. Before escaping though, they are able to plant the poisonous blood within the blood supply for the Pope. The next day the Pope is dead, but no one is sure if it was the poison or just natural causes.Unfortunately, Francesca gave the monk she befriended a capsule with deadly poison in it before he betrayed her. No she must stop him before he uses it to poison the Cardinal or any of the other leading candidates for Pope.Full of mystery and intrigue, Sara Poole captures the struggle between good and evil as well as the religious strife that plagued multiple countries during this time period. I read this book as part of Dewey's 24-hour Read-A-Thon. It is an easy read and did provide some page turning moments. The ending was not what I expected and I believe the author set herself up for a sequel. Even though the book takes place in 1492 - Christopher Columbus does not appear at all within the book.
  • Rating: 5 out of 5 stars
    5/5
    This is a great book about the lengths a woman would go to avenge the death of her father. The characters are likable and the story line is fantastic.
  • Rating: 4 out of 5 stars
    4/5
    First Line:The Spaniard died in agony. That much was evident from the contortions of his once handsome face and limbs and the black foam caking his lips. A horrible death to be sure, one only possible from the most feared of weapons: PoisonFavorite Quote:“Have you noticed that those who murder in the thousands invariably claim divine favor while those who kill on a far more modest scale, myself included, know in our hearts that God weeps for our sins?”My thoughts:I know I rarely add quotes or first lines to my reviews. I just had to with this one because I was impressed by much of the writing.Poison begins with Francesca Giordano confessing to poisoning the Cardinal’s poisoner. A position that belonged to her father before he was brutally beaten to death. She hopes that she’ll be able to take over the job of poisoner, and find the opportunity to avenge her father’s murder. Francesca sets out to discover who ordered her father’s beating, while doing the Cardinal’s bidding. The trail takes her into the Jewish neighborhoods of Rome, and she uncovers secrets that she isn’t sure her father ever wanted her to know.I thoroughly enjoyed this novel. Francesca is such a troubled soul, but that didn’t prevent me from liking her. There is also an extraordinary cast of secondary characters. I hope we’ll learn more about some of my favorites as this series continues. I was fascinated by the factual historical elements the plot contained. Many characters were based on people that actually did exist during this time period. While Francesca is purely fictional, I’d love to think Rome contained a few women as fierce as her.This novel also explores the trouble faced by the Jewish population of Europe. Some parts are graphic, and horrifying. I was under the impression this was a young adult novel, but I’m not really sure. I’d say it is definitely suitable for older teens, but keep in mind it does contain violence, sexual situations, and mild language. It was a pretty heavy read. If you enjoy historical novels that contains fiction with a dash of fact check this one out. I’m looking forward to the next book in this new series.
  • Rating: 4 out of 5 stars
    4/5
    Poison is set in 15th century Rome. The main character is the daughter of Cardinal Rodrigo Borgia's official poisoner. Her father was murdered, the Cardinal appointed another man to the position and the daughter, Francesca, poisoned that man so she could have his job. Part of her job is poisoning the Cardinal's enemies and part is protecting his family from being poisoned themselves. It seems a rather daunting task for the Cardinal to entrust to a young woman, especially given the general view of women at the time. But I am very good at suspending my disbelief if I like the story enough and I suspect there were plenty of strong minded women who acted as independently as they could manage even in the 15th century so really that doesn't bother me too much.It's a first person story and I think it suffers a bit for that. By the very nature of her job Francesca either has be rather unpleasant, if not actively nasty person to poison people, or she has to really distance herself from others to be in the frame of minded needed to cause death at the whims of others. Francesca distances herself & comes of as rather cold to me. She's sleeping with Ceaser Borgia and there is an attempt to create some emotions about it but it seems more of an act of desperation than passion.I did enjoy the overall plot, as Cardinal Borgia manipulates things to become Pope and as Francesca tries to determine who murdered her father and why. The details included in the descriptions of people & places were wonderful, as well as the details of the suffering and pain all around her. I think it is a good book & look forward to seeing how things develop in later ones.
  • Rating: 5 out of 5 stars
    5/5
    Poison by Sara Poole was released on August 3rd, 2010 by St. Martin’s Griffin, an imprint of St. Martin’s Press (Paperback, $14.99, 416 pages; also available in Kindle format).Francesca Giordano knows a little something about working in the world of men– she is a poisoner in the employ of the Cardinal Rodrigo Borgia, one of the most powerful men in Rome. It is her task not only to arrange deaths for Borgia’s enemies, but to protect the family she serves from the poisoners of others. She does all of this with a single-minded drive which cannot be dispelled even by questions about sin and her stained soul, something quite impressive for a denizen of the Catholic Church’s city. Her ultimate goal? Revenge for the murder of her father, who was Borgia’s poisoner before her. This private goal leads Francesca into a tangled web of very public lies, intrigue, and looming slaughter, a web which she must help to untangle if she has any hope for peace with who and what she is.
  • Rating: 4 out of 5 stars
    4/5
    Poison:A novel of the Renaissance by Sara Poole has a taut plot that kept me interested. Francesca becomes the poisoner to the Borgia family after the death of her father. She weaves a careful web between he machinations of Rodrigo Borgia to become the next Pope and a plot against the Jews of Europe after their expulsion from Spain. Character development was light. I like more depth to my characters but the action is thought ful and exciting. A good read for anyone interested in the time period or looking for a book with some historical depth to it.
  • Rating: 3 out of 5 stars
    3/5
    I was expecting this to be a tale of mystery and murder, with lots of interesting details about the many kinds of poison that our heroine would use, and how they affect people. Instead, poison seems to be barely mentioned at all, and details are skipped over with the stated intent of "keeping us from staining our souls." That may be so, but it ends up just feeling like the author did not do the research. Our heroine feels anachronistically independent and fiesty (she dresses as a boy, takes a man's job, sleeps with whomever she please, and hates dirty Jews only up until the second she meets one). Despite being raised by a poisoner and aspiring to be one (and, supposedly being better than her father at the job), she is very ambivalent about actually killing anyone. In one of the VERY rare instances in which she undertakes to kill someone, she (and her partner, a pharmacist/doctor) decide to use poisoned blood, from a patient who is presenting unusual symptoms they have never seen before--which is weird, because these unusual symptoms sound a whole lot like an infected wound, which you would think would be fairly commonplace.On the whole, though, my biggest gripe is that this seemed like it would be a mystery to me, and ended up feeling more like a romance. If you like historical romances that are light on the history, then this may just be your cup of tea. Don't worry; it's definitely not poisoned.
  • Rating: 4 out of 5 stars
    4/5
    In Sara Poole’s Poison we find Francesca Giordano trying to avenge her father’s death. She puts herself in position to do so by killing Cardinal Borgia’s current poisoner and taking his place. She finds herself struggling between her lost faith and the job at hand. Will killing the man responsible for her father’s death be enough, or will she loose herself?I found Poison interesting at the beginning and was very excited to read this book. However I found the middle to become bogged down, and started to lose interest. The end of the book seemed to wrap up all the details a little to fast.
  • Rating: 2 out of 5 stars
    2/5
    Set in 1492, Poison is told from the point of view of Francesca Giordano, professional poisoner to the Borgia family (or, more accurately, Cardinal Rodrigo Borgia, later Pope). Cardinal Borgia is a dangerous man, willing to do anything to further his ambitions, and he hires Francesca to help poison the current pope. Meanwhile, Francesca discovers a plot that her father, also a professional poisoner, may have been involved in.I did like the premise, I really did; that’s why I decided to read this book. It has a great, eye-catching opener, too, which kept me reading. But the plot is so convoluted and so “been there, done that,” that I found myself not caring anymore about what happened to any of the characters. I guess my main problem with the novel is that it fell short of my expectations; I expected a story about the Borgias as told by someone somewhat close to them, and instead I got an overblown adventure/romance story. Cardinal Borgia and Cesar make appearances here and there, and Lucrezia appears once or twice, but that’s about it.As I read, I increasingly found myself disliking Francesca, especially since the book is written in the first person. She’s very modern, independent, intelligent, and yes, she wears boy’s clothing out in public so that she may move around more freely. Basically, she can do anything she wants to, and doesn’t seem to care about the consequences—even after she’s been attacked by a bunch of thugs. I simply didn’t “buy” her as a person form the 15th century. She’s the keeper of a lot of people’s secrets, yet, as another reviewer says, she’s way too chatty. I also didn’t really get her whole relationship with Cesar Borgia, which seemed to be there for sake of being there; it didn’t add very much to the plot. As an adventure/romance story, this might work for some people, but as historical fiction, I didn’t particularly care for it.
  • Rating: 5 out of 5 stars
    5/5
    Poison was a book that pulls you in, deep into the maze of plots, madmen and religious perversion. Francesca takes over her fathers role as Cardinal Borgia's personal poisoner; takes on the duties of poisoning enemies while protecting the Cardinal, his wives, mistresses, and children from being poisoned. As she takes on this role, the current Pope is dying and a crazed race to claim the Papal throne is lining up. Francesca is battling the loss of her father, a new position, and discovering that her father was not exactly the man she believed he was. As accurate of a historical fiction novel as I could imagine, Poison is a straightforward book on how life was lead- from the viewpoint of a girl who is just figuring out who she really is.
  • Rating: 5 out of 5 stars
    5/5
    Francesca Giordano wanted to revenge her Father's death. He had been under the employ of Cardinal Rodrigo Borgia. Her father was called the poisoner because he oversaw everything that came into the household. Putting his seal on items meant they were safe from any toxins that may harm the Cardinal. He was secretly working on a project for the Cardinal which ultimately caused his death. Francesca in a round about way took his place in the household. Though to me the names of the characters were unusual, I had no problem understanding the gist of the Story. The life these people led was harsh. If you had power and could control people's lives, you or your loved ones had to worry about being poisoned. But poverty was worse, cramped germ ridden homes and incurable sicknesses. It was just a fact of life. Good Story, makes me appreciate my luxuries.

Book preview

Poison - Sara Poole

Prelude

ROME

SUMMER, 1483

The white bull charged down the chute into the piazza. Roaring, the crowd shook the tiers of wooden seats erected around the square. In their midst, the child clung to her father and felt the deep vibration within him as he shouted along with all the rest.

Borgia! Borgia! Huzzah!

Beneath a cloudless sky so bright as to be a pain behind the eyes, the red-robed prince of Holy Mother Church stood on a dais draped with the gold and mulberry silks of the House of Borgia. He spread his arms wide as though to embrace the crowd, the piazza, the travertine marble palazzo glowing golden in the sun, and beyond to the farthest reaches of the ancient city awakening to a new dream of glory.

My brothers and sisters, Rodrigo Borgia proclaimed, his voice a thunderclap in the sudden stillness. I thank you for coming here today. I thank you for your friendship and for your support. And I give to you—

He paused and the girl felt the inhalation of the crowd, suspended upon the will of the man who, it was said, aspired to rule all of Christendom though he’d be better suited to reign in Hell.

I give to you from the plains of my home, beautiful Valencia, the greatest of all bulls ever seen in our beloved Rome! I give you his strength, his courage, his glory! I give you his blood! Let it nourish our magnificent city! Roma Eterna!

Roma! Roma! Roma!

The bull pawed the summer dust and tossed its great head, snorting as the black pools of its eyes caught the frenzied scene. A well of silence opened, so deep that the girl could hear the creak of harnesses on the horses closing in from all sides, thrust through their fear by the spurs of the men who led the companies of Il Cardinale’s private army.

Trumpets sounded from high along the walls of the palazzo. A bevy of campinos in parti-colored costumes and garish red wigs ran into the piazza, waving at the bull with their fringed capes and capering as close to him as they dared.

Andiamo, Toro! Andiamo!

Driven before them, the bull turned toward the line of mounted men. One among them, gifted with the honor, rose high in his saddle and saluted Borgia. The killing tip of his rejón lance glinted in the sun as he surged forward.

The crowd screamed its delight. The bull, sensing danger, lowered its head and charged at horse and rider. At the last instant, the rejonear pulled hard on the reins, veered sideways, and, rising again in the stirrups, thrust downward.

The bull bellowed, blood spurting from between its heaving shoulders, spilling over its white hide to splatter in the dust. It raced away, circling the piazza, looking—the girl thought—for a way out, but found instead the parti-colored men, who charged at it, arms waving akimbo.

Andiamo, Toro! Andiamo!

Again they drove the bull toward the rejonear, who, with measured thrust, drew more blood for the thirsting crowd. Again and again and again until the animal staggered and fell first on one knee, then another. At the last, its great hindquarters gave way and it collapsed in the dust churned to mud by the river of its life.

The girl stood frozen in the summer heat, unable to look away. She saw the white bull stained red, the red man on the dais roaring bull-like in his triumph, and all around her, spinning in the gaudy light, the contorted faces of the crowd, mouths agape with lust.

The rejonear lifted his lance to the sun before sending it downward in the final colpo di morte. A long spasm rippled through the animal. In its wake, the parti-colored men ran out, knives flashing.

The girl did not see them cut away at the carcass, taking ears, tail, testicles. She did not watch the dripping prizes held high to the cheers of the crowd. She saw only the river of blood, a crimson tide pulling her down, spinning round and round, heedless of the screams that drew the gaze of the red bull to her.

1

The Spaniard died in agony. That much was evident from the contortions of his once handsome face and limbs and the black foam caking his lips. A horrible death to be sure, one only possible from that most feared of weapons:

Poison.

Having pronounced his verdict, Cardinal Rodrigo Borgia, prince of Holy Mother Church, looked up, his dark eyes heavy-lidded with suspicion, and surveyed the assembled members of his household.

He was poisoned.

A tremor ran through guards, retainers, and servants all, as though a great wind blew across the gilded reception room shaded by the columned loggia beyond and cooled in this blazing Roman summer of Anno Domini 1492 by breezes from the gardens filled with the scents of exotic jasmine and tamarind.

In my house, this man I called to serve me was poisoned in my house!

Pigeons in the cotes beneath the palazzo eaves fluttered as the great booming voice washed over them. Roused to anger, Il Cardinale was a marvel to behold, a true force of nature.

I will find who did this. Whoever dared will pay! Captain, you will—

About to issue his orders to the commander of his condotierri, Borgia paused. I had stepped forward in that moment, squeezing between a house priest and a secretary, to put myself at the front of the crowd that watched him with terrified fascination. The movement distracted him. He stared at me, scowling.

I inclined my head slightly in the direction of the body.

Out!

They fled, all of them, from the old veterans to the youngest servant, tumbling over one another to be gone from his presence, away from his terrifying rage that turned the blood to ice, freed to whisper among themselves about what had happened, what it meant, and, above all, who had dared to do it.

Only I remained.

Giordano’s daughter? Borgia stared at me across the width of the reception room. It was a vast space carpeted in the Moorish fashion as so few can afford to do, furnished with the rarest woods, the most precious fabrics, the grandest silver and gold plate, all to proclaim the power and glory of the man whose will I dared to challenge.

A drop of sweat ran down between my shoulder blades. I had worn my best day clothes for what I feared might be the final hour of my life. The underdress of dark brown velvet, pleated across the bodice and with a wide skirt that trailed slightly behind me, pressed down heavily on my shoulders. A pale yellow overdress was clinched loosely under my breasts, a reminder of the weight I had lost since my father’s death.

By contrast, the Cardinal was the picture of comfort in a loose, billowing shirt and pantaloons of the sort he favored when he was at home and relaxing, as he had been when word was brought to him of the Spaniard’s death.

I nodded. I am, Eminence, Francesca Giordano, your servant.

The Cardinal paced in one direction, back again, a restless animal filled with power, ambition, appetites. He gazed at me and I knew what he must see: a slim woman of not yet twenty, unremarkable in looks except for overly large brown eyes, auburn hair, and, thanks to my fear, very pale skin.

He gestured at the Spaniard, who in the heat of the day had already begun to stink.

What do you know of this?

I killed him.

Even to my own ears, my voice sounded harsh against the tapestry-covered walls. The Cardinal paced closer, his expression that of mingled shock and disbelief.

"You killed him?"

I had prepared a speech that I hoped would explain my actions while concealing my true intent. It came in such a rush I feared I might garble it.

I am my father’s daughter. I learned at his side, yet when he was killed, you did not consider for a moment that I should take his place. You would have for a son but not for me. Instead, you hired this . . . other— I caught my breath and pointed at the dead man. Hired him to protect you and your family. Yet he could not even protect himself, not from me.

I could have said more. That Borgia had done nothing to avenge my father’s murder. That he had allowed him to be beaten in the street like a dog, left in the filth with his skull crushed, and not lifted a hand to seek vengeance. That such a lapse on his part was unparalleled . . . and unforgivable.

He had left it to me, the poisoner’s daughter, to exact justice. But to do so, I needed power, paid for in the coin of one dead Spaniard.

The Cardinal’s great brow wrinkled prodigiously, leaving his eyes mere slits. Yet he appeared calm enough, with no sign of the rage he had shown minutes before.

A flicker of hope stirred within me. Ten years living under his roof, watching him, hearing my father speak of him. Ten years convinced that he was a man of true intelligence, of reason and logic, a man who would never be ruled by his emotions. All down to this single moment.

How did you do it?

He was testing me; that was good. I took a breath and answered more calmly.

I knew he would be hot and thirsty when he arrived, but that he would also be cautious of what he drank. The flagon I left for him contained only iced water, pure enough to pass any inspection. The poison was on the outside, coating the glass. He was sweating, which meant that the pores of his skin were wide open. From the moment he touched the flagon, it would have been over very quickly.

Your father never mentioned such a poison to me, one that could be used in that way.

I saw no reason to tell Il Cardinale that I, not my father, had developed that particular poison. Likely, he would not have believed me anyway. Not then.

No craftsman gives away all his secrets, I said.

He did not reply at once but came closer yet, so close that I could feel the heat pouring off him, see the great swathe of his bull-like shoulders blocking out the light. The glint of gold from the cross dangling against his barrel chest caught my gaze and I could not look away.

Cristo en extremis.

Save me.

By God, girl, the Cardinal said, you have surprised me.

A momentous admission from this man who, it was said, knew before any other which swallow would alight first on any tree in Rome and whether the branch could hold its weight.

I took a breath against the tightness of my chest, looked away from the cross, away from him, out through the open window toward the great river and the vast land beyond.

Breathe.

I would serve you, signore. I turned my head, just enough to meet his gaze and hold it. But first, you must let me live.

2

The servants came and went, removing all trace of the Spaniard. They carried in my chests, brought food and drink, and even turned down the covers of the bed framed in wooden posts of carved acanthus where once my father had slept and now I would.

Tasks completed, they filed out silently, all except the last of them, an old woman close enough to Heaven to have little to lose. Skittering away, she hissed:

Strega!

Witch.

A cold shiver ran through me, though I was careful to give no sign of it. Such a word would never have been applied to my father or to the Spaniard or to any man possessed of the fearsome but respected skills of a professional poisoner. But it would be applied to me now and forever, and I was helpless to prevent it.

They burn witches. The terrifying auto-de-fé is not limited to its point of origin in Spain. It has spread to the Lowlands, the Italian Peninsula, all of Europe. For the most part, the flames consume those accused of heresy, but how easy it is to indict a man or a woman—almost always a woman—or even a child accused of the even graver sin of trafficking with Satan. Anyone too conversant with ancient healing, too knowledgeable about plants, or simply too different from others may end as fuel for the fires that char human skin, sizzle human fat, crack human bones, and reduce to ashes all that is hope and dream.

I turned, intending to distract myself by unpacking the chests, then turned again suddenly, a hand clamped over my mouth. On my knees, I yanked the piss pot from beneath the bed and crouched over it as the contents of my stomach spewed out, a bitter stream that all but choked me.

Disgustoso!

Do not think I am prone to such infirmity, but the events of the day, the desperate gamble I had been forced to take, and the terror of mortal sin it brought overwhelmed me. I lay where I was, unmoving. Exhaustion bore me away as on a fast-running tide flowing swiftly beyond any sight of shore.

The nightmare came almost at once. The same dream that has tormented me all my life. I am in a very small space behind a wall. There is a tiny hole through which I can see into a room filled with shadows, some of them moving. The darkness is broken by a shard of light that flashes again and again. Blood pours from it, a giant wave of blood lapping against the walls of the room and threatening to drown me. I wake to my own screams, which I have learned from long practice to muffle in my pillows.

As quickly as I could, I clambered to my feet. My limbs shook and I could feel the hot wash of tears on my cheeks. Had anyone come in to see me in such a state? Was someone there now, waiting in the shadows? The Spaniard had died not far from where I stood. Did his spirit linger? Did my father’s shade, unable to rest until I fulfilled my vow of vengeance?

Heart hammering, I lit the candle beside the bed but found no comfort in its meager circle of light. Beyond the tall windows, the moon rode high, casting a silver ribbon across the garden and far beyond. Rome slept, so much as it ever did. In the narrow alleys and lanes rats were at work, gnawing here, feasting there, noses twitching, claws grasping, all in the shadow of the Curia. I lifted my gaze, staring into the middle distance from which I fancied I could see, glowing in the silver light, vast, writhing tentacles stretching outward in all directions, grasping at power and glory through all of Christendom. The vision was no more than a figment of an overwrought mind, yet it was real all the same. As real as the whispers that the master of it all, the Vicar of Christ on Earth, Il Papa Innocent VIII was dying.

Of natural causes?

Do not tell me you are shocked. We live in the age of poison, of one kind or another. Every great house employs someone like myself for protection or, when necessary, to make an example of an enemy. It is the way of things. The Throne of Saint Peter is hardly immune, being no more than the ultimate prize the families fight over like yapping dogs maddened at the kill. No one perched on it should sleep too soundly. Or eat without having his food tasted first, but that is just my professional opinion.

Cui bono? If the Pope dies, who gains?

Still weary in body and mind, I pulled off my clothes and slipped at last into the bed. Hugging my knees, I felt the cool damask of the pillow beneath my cheek. Around me the palazzo slumbered and shortly so did I, safe within the stronghold of the man who had plotted for decades to make the papacy the ultimate jewel in his earthly crown.

In the morning, I retrieved the clothes I had abandoned on the floor, smoothed the wrinkles from them, and folded them carefully away in the wardrobe. Mindful of the dignity of my new estate but equally concerned with comfort on what promised to be a sultry day, I donned a simple white linen underdress and covered it with a blue overdress embroidered along the hem with a pastiche of flowers. The embroidery was my own poor effort, for I have never been skilled with a needle; the flowers were the deceptively benign blossoms found on various poisonous plants. So had I made more tolerable the tedium of stitchery, at which every decent woman is expected to excel regardless of her natural inclination.

Properly dressed and with my hair twined in a braid coiled around the crown of my head, I ignored the rumbling of my stomach and set about my newly acquired duties with what I hoped was a pardonable eagerness. First, I sought out the captain of the condotierri to review the security precautions my father had put in place. Every scrap of food, every drop of liquid, every object that conceivably could come into contact with Il Cardinale or any of his family had to be provenanced, vetted, and secured. That required the full cooperation of the captain of his guard.

Vittoro Romano was outside the armory in the wing of the palazzo that also housed the barracks. A dozen or so young guardsmen had dragged benches into the sun and were busy polishing their armor while keeping an eye on the servant girls who found reason to pass by, balancing baskets of laundry or kitchen supplies on their swaying hips. Several cats dozed nearby, raising their heads only to stare at the pigeons who stayed just out of reach. It had not rained in days. The sky held the lemony hue that comes to Rome in summer. The courtyard in front of the armory was dusty, despite being paved with cobblestones. I watched an eddy of dirt spring up in the wake of a passing breeze and dance across the space of several yards before collapsing almost at Vittoro’s booted feet.

He did not appear to notice. In his fifties and of medium height with a saturnine temperament, the captain of the guard gave the impression of being neither very interested nor even particularly aware of whatever happened to be going on around him. Anyone foolish enough to be gulled by that deception could count himself fortunate if he lived long enough to regret it.

Vittoro was speaking with several of his lieutenants but sent them away when he saw me. I was apprehensive about approaching him, wondering how he would take to dealing with a young woman who had killed to attain a position of authority. To my relief, he greeted me with a cordial nod.

"Buongiorno, Donna Francesca. I am pleased to see that you are well."

By which I gleaned that the captain, at least, did not regret Il Cardinale’s decision to let me live, as opposed to having my throat slit and my body tossed into the Tiber, or however he chose to dispose of those who displeased him. Even so, I was under no illusion that the rest of the household felt the same. The old woman who had branded me a witch was unlikely to be alone in her sentiment.

I stood before him gravely, mindful that others were watching. Thank you, Capitano, and I you. If it is convenient, I would like to discuss our security procedures.

He sketched a small bow and straightened, smiling. By all means. Do you wish to make any changes?

To the contrary, I want to make sure that no one mistakes the trust Il Cardinale has placed in me as a license for laxity. Were that to occur, I would have no choice but to take it amiss.

How amiss? Vittoro inquired. I did not mistake the twinkle in his eye. He had known me as long as I had lived under Borgia’s roof and had seen me grow from a gawky child to a somewhat less gawky woman. He and his wife—a plumb, cheerful matron—had three daughters, all close to my own age. Being proper young women, each was married, but they all still lived in the neighborhood with their husbands and growing broods of children. They were a source of great contentment to their father. I had seen my own look at them wistfully on their frequent, clamorous visits to the palazzo.

Very amiss, I replied.

Vittoro nodded. I will put that about. Whatever anyone thinks of Il Cardinale’s choice of you, no sensible person wants to be on the wrong side of a poisoner.

I allowed myself a small sigh of relief. His support was essential to my success and I was grateful for it. We went on to speak of the procedures that, thus far at least, had proven effective in safeguarding Borgia and his family.

Over the years, numerous attempts had been made to kill or at least incapacitate Il Cardinale, but all had failed thanks to my father’s vigilance. One such effort had involved a round of cheese injected with a solution of arsenic. Another concerned a bolt of cloth tainted with tincture of thorn apple. There were others, but I see no reason to detail them.

Of a certainty, there would be more. It was only a question of time before an attempt was made to test the vigilance of Borgia’s new poisoner. I knew that full well even as I lived in apprehension of it.

D’Marco is looking for you, Vittoro warned when we were done.

I grimaced, to his amusement, and took my leave. My intent was to make my presence felt in what was, from my perspective, the most vital part of the household and of necessity the essential focus of my attentions, the kitchens. I got as far as the covered walkway leading to them when I was intercepted by a small, ferretlike fellow.

Renaldo d’Marco was Borgia’s steward, roundly disliked for his tendency to peer into every nook and cranny in search of wrongdoing. A certain amount of skimming is a perquisite of employment in so august a household, but too much cannot be condoned lest it bankrupt the establishment and kill the golden goose. By at least pretending to insist that there should be none, the steward managed to keep what did occur within tolerable limits.

He darted at me from out of the shadows hanging beneath the walkway. Such was his regard for his dignity that he wore a crimson velvet robe and matching cap despite the heat. He clutched a portable writing desk to his meager chest, as though it would ward off whatever blows came his way.

Frowning, he said, There you are, Donna Francesca. I have been looking all over for you. I must say I was surprised when I learned . . . but never mind, that is of no account now. You would have been well advised to seek me out directly this morning and in the future, I hope you will do so. His Eminence trusts me in all things, I know his will and can be of great assistance to you.

Having no wish for his enmity, I answered mildly. I will keep that in mind, Master d’Marco. For now, what do you seek?

Mollified, the steward drew himself up a little straighter and informed me, His Eminence has instructed that you are to inspect arrangements in the household of Madonna Adriana de Mila without delay for such purpose as to confirm the safety and well-being of Madonna Lucrezia and others domiciled there. Further, I am instructed to give you this.

With palpable reluctance, he handed over a small pouch, which, I quickly determined, contained gold florins. I had handled money before; when I visited the markets with my father, he often gave me coins and instructed me to pay. As I grew older, he taught me the fine art of haggling and trusted me to get the best prices. I mention this so that you will understand I was not surprised to be given money, only puzzled as to what I was to do with it.

Your salary for this quarter of the year, Renaldo said. He turned the writing desk toward me. Sign here.

I signed and was glad that my hand did not tremble. Of course, I had understood that I would be paid; I simply had not thought how much. My father had left a substantial amount of money on account in a bank in Rome. It had become mine upon his death. With that and with the addition of my new income, I was that rarity of my age, a woman of independent means.

That suited me very well, as I reflected when I had taken leave of Renaldo and, having returned to my quarters long enough to secure the greater portion of the florins in a chest, set off to do His Eminence’s bidding.

By his own standards, Il Cardinale was a man of discretion. As an example, he did not quarter his current mistress or any of his various children by his past mistress in his official residence on the Corso. Instead, they were in the care of his cousin, conveniently a widow of the powerful Orsini clan who lived in suitably noble circumstances nearby.

Since my father’s death, I had not ventured beyond the palazzo, which, with its vast main building and surrounding dependencies inhabited by hundreds of servants, retainers, courtiers, and clerks, could be thought of as a miniature city. Just outside it lay the gracious square that Borgia viewed as an extension of his own domain, using it for all manner of crowd-pleasing entertainments from bullfights to pantomimes and firework shows. He had even gone so far as to renovate the other homes facing the piazza in order to raise the overall appearance to his own exacting standards.

Like his own monument to himself, the buildings were newly faced in travertine marble, brought from the nearby precincts of Tivoli. You see it everywhere in the city now—on bridges, churches, palazzi, even the windowsills of humbler homes and the curbstones of the newly paved streets. Should you visit Rome or be fortunate enough to reside within it, I recommend that you find occasion to rise early and observe how each new day transforms the city from the monochrome of night to the blushing hues that the sun draws from this remarkable stone. Later, you will see the colors deepen almost to purple before finally yielding late in the day to muted gold. It is said that Rome possesses the fairest palette of any city and I know of no reason to disagree.

As always, leaving the confines of the square for the larger city involved a brief sense of dislocation. Rome was in its usual perpetual turmoil. Everywhere I looked there were throngs of people, some on foot or on horseback, others in litters or carts and wagons, creating a cacophony of sound and a sea of motion that can be dizzying. Priests, merchants, peasants, soldiers, and wide-eyed visitors alike jockeyed for space in the streets and lanes. It was said that every language on earth could be heard there and I believed it. The healing a few decades before of the Great Schism that had torn the Church apart has restored Rome as the center of the Christian world. What had been a scruffy medieval town of haunted ruins and greatly diminished population was being transformed seemingly overnight into the greatest city in all of Europe.

Nothing better exemplified Rome’s rebirth than the grandiose palaces being built by the great families. While the towering palazzo of Il Cardinale, erected fittingly enough on the site of the old Roman mint, was the first among them, the vast and luxurious Palazzo Orsini bid fair to be its rival. Indeed, it should be called the Palazzi Orsini for it comprises several palaces built around a vast inner courtyard, with each belonging to a different—some would say rival—branch of the Orsini clan. My destination was the wing of the palace situated on a narrow street within sight of the Tiber.

Scarcely had I stepped into the blessedly cool marble entry hall and announced myself to the majordomo than I was assailed by a slender girl on the verge of womanhood whose heart-shaped face was framed by a riot of blond curls. This exquisite creature, smelling of violet with a hint of vanilla, threw herself at me and hugged me fiercely.

I have been so worried about you! Why have you stayed away? I wept for you . . . for your beloved father . . . for you both! Why weren’t you here?

How to explain to the cherished only daughter of Il Cardinale why she had been so neglected? How to entreat her pardon?

I am so sorry, I said, hugging the twelve-year-old. I was not fit company, but I knew, truly I did, of your thoughts and prayers. From the bottom of my heart, I thank you.

So soothed, Lucrezia smiled, but her happiness faded as she beheld me. We had known each other virtually all of her young life. We shared the common bond of daughters loving and beloved of powerful, feared fathers. In the isolation that imposed, we had reached out to each other, finding a degree of sisterhood that comforted us both even as it could never erase the social gulf between us.

You are too pale, Lucrezia declared. Though the younger by seven years, she did not hesitate to assert the authority bestowed by her superior position. And you have lost weight, now you are too thin. And your hair, why must you always wear it in that braid? You have beautiful hair—such a lovely shade of auburn—you should let it down, the better to be admired.

I stepped back and smiled at her. My hair is not beautiful and I am not seeking admirers, therefore I wear it up for practicality’s sake.

Lucrezia’s good humor fled, as did her brief interest in my own troubles. With a pretty pout, she sighed. Perhaps I should envy you. Have you heard?

Heard what? I replied, although I knew the answer already. Not even grief for my father had shielded me from the gossip of the household. We linked arms as we walked from the entry hall toward the family

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