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We Sinners: A Novel
We Sinners: A Novel
We Sinners: A Novel
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We Sinners: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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This stunning debut novel—drawn from the author's own life experience—tells the moving story of a family of eleven in the American Midwest, bound together and torn apart by their faith

The Rovaniemis and their nine children belong to a deeply traditional church (no drinking, no dancing, no TV) in modern-day Michigan. A normal family in many ways, the Rovaniemis struggle with sibling rivalry, parental expectations, and forming their own unique identities in such a large family. But when two of the children venture from the faith, the family fragments and a haunting question emerges: Do we believe for ourselves, or for each other? Each chapter is told from the distinctive point of view of a different Rovaniemi, drawing a nuanced, kaleidoscopic portrait of this unconventional family. The children who reject the church learn that freedom comes at the almost unbearable price of their close family ties, and those who stay struggle daily with the challenges of resisting the temptations of modern culture. With precision and potent detail, We Sinners follows each character on their journey of doubt, self-knowledge, acceptance, and, ultimately, survival.

LanguageEnglish
Release dateAug 21, 2012
ISBN9780805095340
We Sinners: A Novel
Author

Hanna Pylväinen

Hanna Pylväinen is the author of the novel We Sinners, which received a Whiting Award and a Balcones Fiction Prize. To research The End of Drum-Time, her second novel, she spent six months with Sámi reindeer herders in Finland. She lives in Philadelphia.

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Rating: 3.7371794102564104 out of 5 stars
3.5/5

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  • Rating: 5 out of 5 stars
    5/5
    Large family belonging to obscure religious sect. Very sensitive writing; multiple perspectives and no easy answers.
  • Rating: 2 out of 5 stars
    2/5
    This is a series of interlinked short stories, which is just not my personal thing. So, don't let the low rating fool you if you're a fan of such things. The writing is nice and the characters are okay, but just as I was getting interested, it would switch. I was hoping for a more Poisonwood Bible type book, but this isn't it.
  • Rating: 4 out of 5 stars
    4/5
    I really enjoyed We Sinners. It's the story of a family in the Midwest, The Rovaniemis, who belong to a deeply deeply traditional Lutheran church and the impact their religion and faith (or lack thereof) has on each family member. The story is told through a series of vignettes; each chapter is centered around one of the 11 family members (mom and dad plus 9 kids) and the book dips in and out of different times in their lives. It's a quiet, lovely book, with fantastic writing and something that just grabs you by the hand and keeps you turning pages. There's not a lot of "action," and yet so much goes on in these snapshots of the Rovaniemis that I could not help but get wrapped up in their lives, their struggles with their faith, and the battles and comforts of family. A beautiful read.
  • Rating: 4 out of 5 stars
    4/5
    We Sinners is a collection of stories about the Finnish-American Rovaniemi family, located in the upper Midwest, mostly Michigan. The family of 11, 2 parents and 9 children, are members of the Laestadian Church, a conservative fundamentalist faith. In fact Warren, the father, becomes the minister of their congregation in the first chapter of the book.After the first chapter, which deals mostly with the parents, their beliefs and parenting style (though style is too flattering a word), each following chapter deals with the various children in a coming of age format. Each child struggles with the social limitations and constrained behavior required of them by conservative church doctrine. Some leave the church, some do not, but all are equally haunted by the experience of growing up in a family where the church was placed above all else. It is interesting that none of the children simply drift away from their religious upbringing. This is a black and white faith, with no room for shades of gray in belief.The final chapter, titled "The Whiskey Dragon", is not about the Rovaniemi family but it takes the reader back to the Lapp region of Finland in the 1840's at the birth of Laestadianism. The environment is cold, dark, and harsh. The Lapp people are easily susceptible to alcoholism. And fines are incurred for failure to attend religious services. I'm not quite sure what to make of Gunna, the main female character of the story. Since she has no descendents, she cannot be an ancestor to the Rovaniemi family. But she does reject Laestadianism and appears to be headed for self destruction at the end.I look forward to reading more of this author's work.
  • Rating: 4 out of 5 stars
    4/5
    We Sinners tells the story of the Finnish Rovaniemi family and their nine children. They are the members of an extremely conservative, fundamentalist church, which was founded in 19th – century Sweden, and is based on Lutheranism. This particular branch puts their emphasis on daily practiced forgiveness - to be cleansed of their constant sins, but they also prohibit drinking, TV, cinema, dancing and participation in events outside the community. I think that religious belief is particularly often difficult to explain as it is a highly subjective question, depending on one’s worldview and the way we are brought up. However, the author managed to convey the spirit of this family well by letting every member present a short and sparse part of their life. The story is told by the different voices of the Rovaniemi family, due to that the book actually felt less like a novel, but more like a series of short stories However, the different voices of the Rovaniemi family managed to convey how people feel when their belief sets them apart from everyone else and how choices can lead to guilt and despair. We see the children, how they grow up and how they struggle to understand one another whilst remaining connected to each other as best as they can. Eventually, the family splinters apart when various member of the family start asserting themselves. It was quite fascinating to see that those children who choose to stay in the church were just as miserable as the siblings who left. Although, the ones who left were never shunned by their family, they were showered with the disappointment of the faithful in the faithless. The children who remained in the church found themselves immensely often adrift in a world of restrictions and rules, which gave them the feeling of shallowoness and lonelyness. The final chapter, “The Whiskey Dragon”, kind of stands out for disrupting the story, as it is not related to the story of the Rovaniemi family itself. It sort of tells the story of the founder of this conservative church, without shedding any particular light on the story itself. Well, my response to the story most often varied from fascination, irritation, shock, anger, and the belief that for a church who preaches love, understanding and forgiveness – well, there wasn’t any. The parents wanted to encourage the individuality of each child and yes, they loved them a lot, but that didn’t quite work that way. Sometimes I was horrified how their beliefs held them back and at times even disabled them as much that they were unable to show any compassion. Definitely a remarkably, compelling read I can recommend this book to anyone interested in the different aspects of how beliefs are interpreted and integrated in our modern world.
  • Rating: 4 out of 5 stars
    4/5
    We Sinners by Hanna Pylvainen is the story of the large Rovaniemi clan, Warren and Pirjo, and their nine children. More than that, though, it is the story of their faith, a fundamentalist version of Christianity that originated in Finland, Laestadianism. The Rovaniemis' church is impressively strict, demanding that its congregants forgo dancing, TV watching, drinking, listening to popular music, and using birth control. In the tradition of some evangelical churches, it relies on lay preachers rather than the formally educated and ordained. The church community is small and insular, and rather more a main character in Pylvainen's story so central is it to her characters' lives.In We Sinners, Pylvainen explores the Rovaniemi family member by member, from those who embrace their faith whole-heartedly to those who can't wait to escape to a world free from the narrow confines of it. It probes the psyches of both parents who each question their dedication to God, Warren when he faces the possibility of being called upon to preach and Pirjo, when it seems like something so simple as a television set could derail her family's focus. It follows the children as they explore the lives they've been effectively denied, dating boys outside the church, experimenting with drinking, finding themselves and being excommunicated from everything they've ever known because of the selves they find. Some choose to leave, and some choose to embrace the church and the, strict, if comfortable way of life they have grown to appreciate.Pylvainen's short novel is not short on profundity. Many might choose to villify this church, but Pylvainen, instead, chooses to show a more balanced picture of the trials and rewards of faith and readers emerge on the other side of her narrative forced to decide for themselves which is the better way, if indeed there is one. For some of the children, the comfort of living in a community with faith that they all have in common draws them in inexorably as they grow to adulthood. For them, the longed for words of absolution become a comfort and a necessity. Their large families rise up around them, for better or worse. The others attempt to find solace in "worldly" relationships where it eludes them, they trade their family and faith for freedom, but find that freedom from their faith isn't all they ever dreamed. All find themselves haunted by the faith of their childhood and, it seems, that none find exactly what they're looking for at the end of either path.We Sinners is a quiet but powerful book that explores the vagaries of a commanding faith from inside and out. Pylvainen's prose is stark but illuminating, shining a light on a topic that rarely gets so much balanced attention. While Pylvainen briefly explores each of the family's members to great effect, the focus always remains on the fundamentalism that both unites and divides and how the choice to stay or to go always leaves someone standing on the other side of the glass wondering if they failed to choose the better way. We Sinners' portrayal of faith might not be for everyone, but anyone who wants to understand what makes a fundamentalist Christian family tick would do well to give Pylvainen's thoughtful debut a look.
  • Rating: 4 out of 5 stars
    4/5
    The Rovaniemi family. eleven members, fundamentalist Lutherans, eschew most of the pleasures of modern living, and many of the pleasures of emotional comfort. They avoid television and dancing and worry about emotional complacency. Told through the viewpoints of each of the family members, we see how eleven different individuals experience a particularly rigorous form of fundamentalism. Three of the nine children decide to leave the church. This is a decidedly sympathetic portrait of a fundamentalist family. The characters are complicated, and their relationships to religion vary. That said, I was struck by how much sadness was intertwined with religion. None of the characters is happy. None is even content, and there is little way out, either through faith or outside of it. The Finnish fundamentalist community is a tight one, one I didn't even know existed. This was an interesting read, but a depressing one too. No one finds happiness, and it quickly becomes clear that no one will.
  • Rating: 4 out of 5 stars
    4/5
    We Sinners follows a family of eleven who belong to a claustrophobicly-conservative Lutheran sect that bans everything from television to "music with a beat." Though their religion seems surreal from an outside perspective, the members of the family prove to be all too human. The father struggles with anger, stress, and anxiety, the mother struggles with making the right choices for her nine children, and the children find themselves split as they find their way through contemporary America. The characters are sympathetic and horrifying - and sometimes both. The story is compelling, and the narrative is clear and engaging.
  • Rating: 4 out of 5 stars
    4/5
    Rating: 4* of five The Book Description: This stunning debut novel—drawn from the author's own life experience—tells the moving story of a family of eleven in the American Midwest, bound together and torn apart by their faithThe Rovaniemis and their nine children belong to a deeply traditional church (no drinking, no dancing, no TV) in modern-day Michigan. A normal family in many ways, the Rovaniemis struggle with sibling rivalry, parental expectations, and forming their own unique identities in such a large family. But when two of the children venture from the faith, the family fragments and a haunting question emerges: Do we believe for ourselves, or for each other? Each chapter is told from the distinctive point of view of a different Rovaniemi, drawing a nuanced, kaleidoscopic portrait of this unconventional family. The children who reject the church learn that freedom comes at the almost unbearable price of their close family ties, and those who stay struggle daily with the challenges of resisting the temptations of modern culture. With precision and potent detail, We Sinners follows each character on their journey of doubt, self-knowledge, acceptance, and, ultimately, survival. NB The author won a 2012 Whiting Writers' Award, given for debut or early-career writers who have shown outstanding promise. My Review: What is it with Michigan? Bonnie Jo Campbell (American Salvage and Peace Like A River) made me think I'd rather not visit any time soon, Michael Zadoorian gave me some images I'd rather not have of how failing lives and spirits “cope”, and then came the hopelessness of The Galaxie and Other Rides, Josie Sigler's stories that make Knockemstiff look like madcap comedy. Now this nice Finnish lady makes me think the place should be carpet-bombed and put out of our collective national misery.Hanna Pylväinen is clearly telling the story of her own life. It's made explicit in the publisher's sales pitch. “Drawn from her own life” indeed. And “drawn” in this usage is less “limned” than “poulticed out.” The horrifying, toxic sect of christian belief her family follows is so grotesquely wrongheaded and grimly abusive that it's hard for me to read the book at all. It boggles my mind that anyone could experience any of these things and go on thinking this is a religion of love and light. It's a sadistic, controlling hate group.Anyway.I kept reading because Hanna Pylväinen writes in elegant, unadorned prose about the feelings and spirits of her family. She isn't forgiving and she isn't denigrating and she is, most of all, not apologetic. She quite simply tells the stories she's got inside her to tell, and she does so without one bit of fuss or drama.The stories more than make up for her reticent writing.Oh, and I keep calling them stories because that's what they are. No amount of hollering “this is a novel it's a novel see see it's a novel!” makes it a novel. It's a collection of linked short stories. It's a darn good one, but it's still a collection of linked short stories. That means 99% of y'all will smile wanly, say something polite about the review if you're so inclined, and then shudder off to read something with a plot.Your loss. Hanna Pylväinen is a bright new talent on the literary scene. She's unsparingly sympathetic and astringently kind. She's not to be missed in this debut effort, because one day soon, you'll see her bewildering and unpronounceable name at the front of every B&N/Waterstones/Chapters. You can snort with quietly derisory self-satisfaction at all the Janie-come-latelies warbling her praises. “Oh yes, Hanna {Mumblemumble}! I read We Sinners back in the day. Such a book!”So read it. Read it for fun if you like to get in deep with struggling people; read it for education if you've always had more than enough on your table and in your house; read it to stoke your outrage machine if you're a feminist or a rationalist; read it for bragging rights if you're snobbish. I don't care. Just read it.
  • Rating: 4 out of 5 stars
    4/5
    A book about religious difference among a very large family. Not all family members choose to conform to their family religion and this book is told by different family members as to their views, thoughts, feelings. This book is not for everyone but I enjoyed it.
  • Rating: 3 out of 5 stars
    3/5
    The Rovaniemi family belongs to a sect of ultra conservative Lutherans in the mid-west. They cannot watch television, wear make-up, drink, etc. But the biggest challenge is that they practice no birth control. Each chapter of this book was told from the perspective of a different family member. This was a very effective storytelling technique as every member (of any family) experiences the family differently. We learn how the lives of characters unfold in subsequent chapters as seen through the lens of a sibling. Britta, and Tiina, the two oldest daughters choose very different paths and it leaves the reader wanting to know more about each character as an individual.
  • Rating: 4 out of 5 stars
    4/5
    We Sinners is a book with chapters divided up to tell a little bit of the story of each family member of a large family with a faith-based upbringing. Although a quick read, the book manages to offer many different outcomes from the characters and how they react to their upbringing. From some firmly holding onto and following their faith, to some straying from the church to find their own way and follow their own beliefs. Even to an outsider coming into the church. Overall, an interesting book and well-written.
  • Rating: 4 out of 5 stars
    4/5
    I have tender feelings for this little orange book of fiction about a Finnish-American family of eleven rooted in a deep, evangelical Lutheran faith called Laestadianism. I consider myself a hearty reader of religion and spirituality, familiar with the Amish, the Mennonites and the Mormons. But before reading We Sinners, penned by a young author who grew up in this fundamentalist upbringing, I knew nothing of this faith. The story follows all nine children, three of whom leave the church, in modern-day Michigan. The Rovaniemis appear to be just like any other American family. They just don’t watch television, drink alcohol, dance, listen to music, or engage in any of the joys of the modern world.There is no doubt that Hanna Pylvainen is a gifted writer. She writes with a Hemingway-like simplicity and a Woolf-like gravity. Something about the string of narratives in this book, each chapter showing the point of view of a different member of the family, reminds me of Virginia Woolf’s experimental novel, The Waves. In that book, each of the six characters has a direct voice, speaking in the first person. Though We Sinners is written in the third person, the author manages to make each family member appear to be speaking in the first person.Surprisingly, the family doesn’t seem dysfunctional, even though Brita, the oldest and seemingly most devout child, shuns another, Julia, the middle child, for not believing. She tells her she doesn’t want her holding her baby anymore. Also, the parents don’t come to the funeral of their son’s partner. Their son Simon is gay, and has left the faith too. In each and every page, the reader feels the love that remains within the family. This makes the conflict brutal for the children who are disconnected from the faith. Julia, the most relatable character, has one of the most compelling points of views as depicted in the chapter “Total Loss.” Plyvainen writes, “She wanted to prove that she could leave the church and not become a disaster, that she could still be a good sister, a good aunt, find a good husband—she could still be loved, just the same.” Julia, together with her other two siblings who leave the faith, are given little compassion by their parents and devout siblings for their choices.As for the remaining faithful children, life doesn’t seem to be any more settled. In “Rupture,” Brita is on the precipice of having her seventh C-section. Her doctor is petrified that her uterus will rupture due to her history. She suffers a massive hemorrhage during the surgery, but miraculously survives. Even with that miracle, she remains shrouded in hopelessness: “She realized she had run out of fantasies—out of husbands to imagine, homes to build, pianos—there was nothing, only life itself, only long and hard and always more of it, always more.” As positive adherents of religion, we think of faith as pulling us above the doldrums of life to the endless possibilities. Yet here faith is as limiting as it can get. A belief against birth control leads to Brita’s seventh C-section. The reader is left to wonder, would she survive the eighth? Though the narratives are beautifully woven together, the book longs for a strong sense of place. There is little description of their town or city. I also didn’t get a palpable sense of their Finnish culture. I am left with many questions about their faith and family history. When did the parents come to the United States? Were they first generation? If so, what was life growing up in Finland like for the parents? What is it like to be Finnish-American? The last chapter named “Whiskey Dragon, 1847” was completely disconnected from the rest of the story. Here we are given a completely impartial narrative including Laestadius, the founder and leader of their church. But giving us a whole new story about a woman and her alcoholic husband in the Scandinavian tundra of the nineteenth century, whereby the drinking leads to devastating consequences, didn’t shed much light on the faith or culture of the early Laestadians. Still, We Sinners is one of those rare books that stays with you long after you’ve read the last chapter. It disturbs, it moves, it gnaws. At times the author’s words were so moving and penetrating that I saw chills running up my arms. I haven’t had that reaction in some time.
  • Rating: 3 out of 5 stars
    3/5
    I found this book to be a "mixed bag" (but then, so, too are most religions). A book about a religion that is very legalistic form of Lutheranism that is most restrictive and smothering. Just right for some folks and oh, so wrong for others. Religion, in general, most would say should bring a family together, but in this case, seems to pull this rather tortured family apart by it's total rejection of modern day life. The book did keep me reading and I thought it was a good "first" book by the author but the subject matter may turn a good number of people off. The only thing I could really gather from that last chapter was the highlighting of the fact that most, if not all, religions are started by sinners and carried forth through the generations by sinners. The best thing I got from this book is the fact that there's probably nothing more needed in this world by nations, families, and individuals than true forgiveness.
  • Rating: 4 out of 5 stars
    4/5
    I wish more people would write about religion the way [Hanna Pylväinen] does, about how it can comfortingly bind families together, as well as how it can separate people. The writing is spare, yet gives insight into the relationships & needs that drive the members of the Rovaniemi family.There are eleven people in the family and eleven chapters in [We Sinners], but not everyone gets a chapter and some individuals get more time and attention than others. Rather, the reader gets glimpses of individuals’ thoughts, sufferings, hopes, and relationships.In this family, and in the Finnish-Lutheran sect to which they belong, the central confession of faith is a request to have sins forgiven with the response, “Believe all your sins and doubts forgiven in Jesus’ name and precious blood.” This ritual of forgiveness binds the family (and the church community) together in love. But the behavioral norms of the church set them apart for they are much more conservative than the society of present-day Michigan.Each family member, parents as well as children, must grapple with their relationships to each other, to the church, and to the larger world of which they are part. And each child has to make a decision to stay within the church or to leave it, with both the costs and rewards that decision carries.I’d give this book a 5 for writing and content, but for the last chapter - I don’t understand why it’s included or what it adds to the book. 4 ½ stars, recommended. (This was an Early Reviewer book.)
  • Rating: 5 out of 5 stars
    5/5
    I'm pretty sure this book will not appeal to everyone. Apparently somewhat autobiographical, this is a story of a family (a BIG family) growing up in a very legalistic and mostly unknown Lutheran sect. The reason I loved this book is that so much of it parallels my own experience, it's actually almost creepily eerie. If you know nothing of such sects, it might be unremarkable, but it was amazing to me.
  • Rating: 5 out of 5 stars
    5/5
    To tell you the truth, lately I’ve felt burned out on Sad Stories. While everyone was raving this summer about Light Between Oceans, I gave it a good-but-not-great rating, and most of that was honestly due to Sad Story Burnout. I approached We Sinners with approbation. The blurb about the plot (an enormous---nine kids!---family who follow a fundamentalist religion) set off alarms in my head; you just know this is not going to be a happy tale. It isn’t. But it isn’t just slopped-on, unremitting sadness either. There are the people who leave the religion (you expected that, didn’t you?) and there are the people who try desperately to follow the religion and fail (you probably expected that, too) but there are also stories of the people who the religion pulls out of the drowning sea and throws back on the shore. I found that We Sinners is a story I’m raving about this summer. Sad Story or not.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this novel very much and was convinced it would be another winner for me among literary writers debuts. And then it ended so abruptly and with a story that, while interesting in itself, had nothing to do with the rest of the book, that my enthusiasm deflated and I ended up quite disappointed. But Ms. Pylvainen is a talented new writer and I will read her next book.
  • Rating: 5 out of 5 stars
    5/5
    "You know, the best thing about the church is your family, and the worst thing about your family is the church," Julia's pseudo-boyfriend tells her when she fails to stand up to her mother over the phone. One of nine children in a family of the Laestadian faith, Julia's vignette is her piece of the story. Ms. Pylvainen tells the story of this family through eleven of these vignettes, each from a different character's point of view. Surprisingly, two of the eleven are not from family members' perspectives. One is from the view of a friend of the youngest daughter. Jonas Chan finds Uppu's religion fascinating and wants to be a part of her happy family. Uppu does not want this. She liked the fact that he was not of her faith. Their high school friendship falters when he decides to convert.The last is from the perspective of Gunna, one of the earliest members of this sect of Lutheranism. Set long ago in Lapland, her story seems the beginning of the hard life this religion's members seem to embrace. Or do they? Of the two parents and nine children, the two who do not get their own chapters, Simon and Anni, seem even larger in their absence. Simon is the gay son who leaves the church, becoming an "unbeliever" almost involuntarily because his religion cannot accept his lifestyle. Simon is also the middle child and as a middle child myself, I felt deprived of his presence. Anni, second to youngest, gets mention in Julia's chapter and the mention is fitting: "Anni had always been stuck being the good church girl . . . to the point that Anni had never gotten very much attention, had always floated by in the background of everyone's attention." After finishing the book, I found myself missing those two characters; wanting to know those two people.When I first opened the package containing this Early Review book, I found myself immediately attracted to the paper the book is printed on. Rough page edges and a pleasing font drew me in right away. I bookmarked the page showing the simple family tree with the nine children laid out in order of age. Another pleasing part of this physical book.Overall, the story of these people, as told from different points in each characters lives, is as fascinating as I had hoped. Some very poetic language. Not too religious or preachy. The prevalence of the religion is represented as matter-of-fact to these people. It is a part of their lives, whether they believe throughout their lives or not. Whether they follow in their parents footsteps by marrying and having many children, or by leaving the church and confronting similar sins and graces in the outside world. But must they lose their family if they rebel against their religion or, conversely, lose their religion if they rebel against their family?An intriguing new voice in fiction with the talent to create a satisfying story from so many different characters' experiences.
  • Rating: 4 out of 5 stars
    4/5
    "He was magnetic, that was the word. He was the kind of person who walked down the street and you didn't want to like him but you had to. You wanted to be close to him, for the same reason you went to museums or sat on beaches, simply to be done staring at the ugly things, to put them from your mind for an afternoon or an evening. It was why no one had crushes on her. She was the reminder of how hard the world was; it was in her face, the unfairness of life."Hanna Pylvainen, author of We Sinners, reminds me of early Ellen Gilchrist. This is a good thing. Gilchrist won the 1984 National Book Award for her collection of stories, Victory over Japan and has written some of my favorite southern stories. Pylvainen's debut could be the start of something similar.Her novel is a slight but smart series of perspectives of the eleven member Rovaniemi family who practice and preach Laestadianism, a form of Lutheranism "where everyone is much more hung up on being Lutheran than all the other normal Lutherans". Reading the book is like flipping through their family album and seeing snapshots of the camera ready moments, but then finding an envelope with the other moments, the real moments. We see a glimpse of each character as they confront their own "sins" and struggle with their faith or lack thereof. These sins and struggles are something every parent, child, husband, wife, sister, brother, lover, teenager encounters, regardless of their particular faith or upbringing. This is heartfelt, painful and resonating writing at it's best.

Book preview

We Sinners - Hanna Pylväinen

POX

SHE SHOULD HAVE told him already about the church but she hadn’t. The warnings were all there—he could name all of her siblings, and he looked at her too deliberately, and when he hugged her she was caught too long against his chest. Every morning she decided she would tell him, but every afternoon it was too tempting to go one more day, one more minute where he found a way to hold her fingers as she passed him a note. But now she knew he was going to ruin it all and ask her to the dance, she could feel it—she avoided him carefully but fussed with her hair, nearly sick with the twin terrors of him asking her or not asking her, not sure to which end she should assign her hope.

But he found her—he knew her schedule, and he found her lagging behind after class, talking to the teacher. In the hall he pushed at her shoulder with his shoulder and they seemed alone, despite the swarm of people.

So, he said, are you going to the dance? She kept walking because it was a thing to do. With me, I mean. She found this to be charming, and against her will she was flattered through and through. She looked at him. Her ears hurt with heat. She saw it was stupid to have ever pretended, even to herself, that she could go. Well, she said, but the word caught.

You’re coming, he said.

Her smile was more mischievous than she felt.

Please come, he said. He nearly whispered it in her ear. She looked at him. She detected sweat where his hair began to curl. It moved her, that someone like Jude could feel nervous talking to her.

Well, she said. She thought of the many available lies—she had to babysit, the baby was sick. There was always something, there was nothing like six younger siblings for providing an excuse. But in her mind a minister warned that she should always confess her faith, and it occurred to her, Jude watching her, that confession was what it was. And she confessed. She said things about the church, her voice shaking out of time with her knee. She listed, idly, some things she couldn’t do—nail polish and movies and music with a beat.

So you can’t go to a dance? he said. Someone’s going to what? Punish you?

No, I mean—if you are tempted to do something, you know, maybe it’s better to just not do it. So maybe there are good movies out there but I mean there are so many bad ones, so just don’t watch them.

Just don’t dance, because dancing is—

She blushed.

Man. She saw on his face that she should not have told him.

Sorry, she said softly. She wanted him to hold her, she wanted to sit in his big arms, like stupid girls did. She would cry. Hey, he would say, it’s okay. Instead he walked away without waiting to see what she would do. She watched him go, watched him walk his easy lope.

Before her last class she thought she saw him down the hall, or maybe it was someone else, tall and heavy with dark hair. She pushed into the bathroom, where girls staggered themselves around the mirror. They put on mascara, only on their top lashes, two coats, one under, one over. Hey, someone said, is it true you can’t even go to the movies?

Oh, that, Brita said. Why?

Someone said.

Oh, Brita said, well, it’s not that big of a deal. But she crept into a stall—she saw his name on the wall—and she thought about praying but it felt too vain to pray for something so small, and she didn’t. She pretended to take a long time and she fished through her bag for nothing, but there was a line and she could hear the annoyance in the shuffle of feet.

She told Tiina what had happened. They were tuning their violins before orchestra. Does everyone know? Tiina said, a peg spinning free. Do my friends know? She nearly teared.

Jeez, Brita said, it’s not that big of a deal, but she knew she was talking to herself. Still, she steeled herself, and she made it through the day, without seeing Jude again, without seeing his friends, without seeing her friends. She was almost out of the building when she heard their last name. It’s true, someone was saying, someone she didn’t even know. They’re brainwashed. The whole family. They don’t even have a TV.

Brita sat on the bus and pinched her thigh. She said the word to herself again and again, so it would mean less and less, and then nothing. The Rovaniemis were brainwashed. She was brainwashed. She thought about the people she thought were brainwashed, people who believed the world was ending on a specific date, people who saw aliens, people who believed meditating could make you lift off the ground. The Amish, with their claptrap horses and carts and orange reflectors to keep away motorized traffic. She felt better, thinking about people who were actually brainwashed, and she shook the word from herself, listening to the song piped through the bus, something she wasn’t supposed to listen to, and she watched Tiina do her homework across the aisle, her pencil skidding across the worksheet, the answers easy and known. Tiina didn’t look brainwashed—Tiina looked almost unremarkable, her hair softly brunette, to the shoulders, everything average except her eyes, hooded, heavy, hinting at Finns who had moved to America and married more Finns, and more Finns again. But otherwise she—they—looked normal, their jeans the same cut as everyone else’s, only cheaper, their shirts bold and basic colors, rising to modest places, but normal. This isn’t what brainwashed looks like, she told herself, and she took out her own reading.

When they got home, adding their backpacks to the pile at the door, her mother was abrasively cheerful, pinching everyone. We found a house, her mom said. She did a jig. She said they were having pizza delivered. They never had pizza delivered.

How many bedrooms? Brita asked. She felt suspicious.

Three, but, well, we can convert the basement into another. So four, maybe five.

Her mom took Tiina’s hands and they jigged together.

Four, Brita repeated. She went upstairs. She looked around the room she shared with her sisters, her dresser drawer askew again, her underwear hanging over the edge. She sat on the bottom bunk. She thought about the dance. She imagined what it was like to accidentally step on Jude Palmer’s polished shoe, to smell his father’s cologne in a darkened gym. Probably stupid, she decided, probably it was better she wasn’t going anyway. It was okay, she was different. They were different. They were in the world, but not of the world. And now they were moving, to someplace where people didn’t know yet that they were different. She thought of her new teachers, their faces when they would meet her parents at conferences. Seven kids? Laughs politely stopped when they realized it wasn’t a joke.

*   *   *

The school year mercifully ended. She did not see Jude, and he did not try to see her. She took all his notes and walked them out to the recycling bin at the end of the driveway late at night, stuffing them carefully between pages of newspaper. She said good-bye to her friends, pretending sadness but feeling relief, sensing already the inevitability of growing apart. Her friends would switch from one practice boyfriend to the next and fight for midnight curfews, and she would spend her Saturday nights at some church family’s house, singing the same church hymns, eating cheese and crackers, always unable to get her volleyball serve over the net. She was seeing already that everyone was right, that believing friends were better, if only because you suffered together.

When true summer came, she threw herself into helping them move—of course her family hadn’t hired a real estate agent, or movers, and they collected cardboard boxes from the dumpsters behind grocery stores. And of course in the midst of this, Julia—only five, but somber in her suffering—kept getting ear infections and needed tubes put in her ears, and their van broke down again, and again her dad would come home silent, bitter about needing to buy a new van at the same time they were trying to buy a house, snapping when no one brought their dishes to the sink. You want me to put them away, huh, me? he said through his teeth. Worse, their new home wouldn’t be ready before they moved, and they needed somewhere to live for the intervening month. Instead of going to a motel, like normal people, her mom had decided they would move into her cousin’s apartment since she was gone for the summer, trying to get engaged in Finland.

When they had finally packed a storage unit with cribs and bikes and bunk beds, everything in multiples, they drove out to their cousin’s apartment complex, her parents quiet, a church CD on, the windows down. They piled out of the van, hauling sleeping bags and garbage bags stuffed with clothes. A woman in heavy makeup and dyed red hair was wagging her finger, trying to count them as they marched up the back stairs. Seven, her mom said to the woman, sharply. No divorces. No twins. Brita slung the baby on her hip, lightly.

In the apartment she stood in the living room, which was also the dining room, and looked around herself at the miniature stove, at the couch, which did not pull out into a bed. The confines of the room packed and amplified the heat. On the kitchen table there was a note from her cousin. Eat the food, it said. Avoid the landlord, white hair, big dog—he didn’t know they were there. She missed them. Love and God’s Peace—these final words in Finnish.

At night the heat did not rest. Brita put her pillowcase in the freezer, but the relief was so temporary it was hardly worth the wait. One month, Brita thought, but when she woke she discovered she itched. She touched her face, the back of her neck. She looked at her arms. She looked around herself, at the waking kids and her mother, in the kitchen making puuroa, as if anyone wanted to eat something hot in this weather. She looked at Tiina, who was trying to ignore the baby climbing on her back and pulling at her hair. She saw the spots on the baby first, then on Tiina. She checked the little kids. Mom, she said, Mom, come look, and when her mom began to laugh, Brita could not.

It’s the chicken pox saga, her mom said as they ate a lunch of bologna-and-cheese sandwiches on the living room floor, because now the folding table was covered in calamine lotion and the diapers, and newspapers with ads for new vans circled in crayon.

Maybe we should get a hotel, her dad said. Her mom laughed and laughed. The little kids laughed because she was laughing. Her mouth was open and Brita could see her fillings.

*   *   *

A week of oatmeal baths passed. The little kids rotated in and out of the tub, and by the time it was Brita’s turn the water was not even lukewarm, the residual oatmeal still on her feet when she stepped out, the towel damp from the other kids, the knob turning and jostling as someone tried to come in. All day she itched, but she would not scratch. She had a vision of appearing at her new school with scars, and every day she counted the number of pockmarks on her face. There was one particular mark that, in its close proximity to the somehow sexual organ of her mouth, she desperately needed to fade away. She borrowed winter gloves from her cousin’s closet, so she couldn’t scratch, but at night she would wake to find the gloves strewn and her scabs bleeding.

When it grew dark her parents let her and Tiina go outside. They sat on the back stairs and sniffed at the cigarette butts. How do I look, Tiina said, posing with a stub hanging between her lips.

Stupid, Brita said, but she thought Tiina looked cool.

Do you miss him?

Brita rolled her eyes.

Otherwise they never left the apartment. I’m being held hostage, Tiina would scream from time to time, without prompting. She taped strips of paper to the windows to look like bars.

Her parents took them out a few times, to places with air-conditioning—outdoor-equipment stores, the mall—but people stared. They looked like the walking plague.

Look, Mom, a little kid said, it’s the chicken pox family.

*   *   *

At last her parents left them home alone. Kids in charge, her mother said. They said they needed to run out for more calamine, but really they probably needed a break. Brita and Tiina went into the bedroom and began to go through her cousin’s dresser. They examined a collection of sporty thongs. They searched for love letters, makeup, and finally found a single stick of concealer.

The boys banged on the door. Julia had run out of the apartment, they yelled. Brita left Tiina with the little kids and made her way outside, along the balcony. She was nervous because she had seen the landlord just that morning, out in the courtyard with a graying dog. She hurried down the back stairs to the lower balcony, hissing in Finnish, rounding the corner to find Julia talking shyly to a youngish guy with a thick scar, wide as a finger, that cut across his brow. The scar ruined his good looks, making him approachable. Dad ran over the cat, Julia was saying. The other week, before we moved. He was so mad he broke the garage door. Julia wasn’t contagious anymore—none of them were—but she looked contagious, with her picked skin and her tired eyes, and her starkly blond hair caught by sweat to her neck.

How many of you are there, anyway? I keep hearing all these feet. He was holding plastic grocery bags full of frozen lasagnas and frozen pizzas and frozen french fries.

Seven, Julia said, before Brita could stop her.

Your parents must be pretty busy, he said. He laughed to himself. He shifted the bags from one hand to the other.

What’s your name? Julia asked.

Steve, he said, smiling patiently.

Hi, Brita interrupted apologetically. She took Julia’s sweaty hand, talking in Finnish, reciting the Lord’s Prayer because it was the only Finnish she could speak in full sentences. She tossed her hair over her shoulder and did not look back.

*   *   *

Brita looked for Steve, but she never saw him. People went outside only to walk to their cars, or to let their dogs out, and so she watched the dogs play with each other in the courtyard like children, happy to be among their own. When the landlord appeared with his army buzz cut and giant hound, the others called their dogs in, leaving the landlord’s dog to nose the doorsills alone.

Things were looking up, Brita thought. She hardly ever thought about Jude. The air was cooling. By the time evening fell, half the people in the complex were out on their balconies in folding chairs, sipping iced drinks. Her mom let them take turns sitting out on the balcony. The rest sat on the couch, reading books they had already read. In the kitchen her dad made roast beef sandwiches. The baby crawled into the kitchen and her dad pointed a finger at her and crouched down and said in a pretend growl, Who’s you, who’s the chunkiest chunkerton I’ve ever seen? It’s you, champer-damper, it’s you, and scooped her up. It was the same voice he had used with the cat before the cat had died. He was good, people said, with animals and children, and when Brita saw him like this she wished he would still do that with her, but she was too old now to be teased, and too young to be talked to seriously. Sometimes he said things to her about work, or even money, but not in a confiding way. What do you think I make? he asked once, at a store, when she said she needed socks and then appeared at the register with new packs for

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