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The Forgetting Tree: A Novel
The Forgetting Tree: A Novel
The Forgetting Tree: A Novel
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The Forgetting Tree: A Novel

Rating: 3.5 out of 5 stars

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A New York Times Notable Book!

From Tatjana Soli, The New York Times bestselling author of The Lotus Eaters, comes a breathtaking novel of a California ranching family, its complicated matriarch, and the enigmatic caretaker who may destroy them

When Claire Nagy marries Forster Baumsarg, the only son of prominent California citrus ranchers, she knows she's consenting to a life of hard work, long days, and worry-fraught nights. But her love for Forster is so strong, she turns away from her literary education and embraces the life of the ranch, succumbing to its intoxicating rhythms and bounty until her love of the land becomes a part of her. Not even the tragic, senseless death of her son Joshua at kidnappers' hands, her alienation from her two daughters, or the dissolution of her once-devoted marriage can pull her from the ranch she's devoted her life to preserving.

But despite having survived the most terrible of tragedies, Claire is about to face her greatest struggle: an illness that threatens not only to rip her from her land but take her very life. And she's chosen a caregiver, the inscrutable, Caribbean-born Minna, who may just be the darkest force of all.
Haunting, tough, triumphant, and profound, The Forgetting Tree explores the intimate ties we have to one another, the deepest fears we keep to ourselves, and the calling of the land that ties every one of us together.

LanguageEnglish
Release dateSep 4, 2012
ISBN9781250019349
The Forgetting Tree: A Novel
Author

Tatjana Soli

Tatjana Soli is the bestselling author of The Lotus Eaters, The Forgetting Tree, and The Last Good Paradise. Her work has been awarded the UK’s James Tait Black Prize and been a finalist for the Los Angeles Times Book Award. Her books have also been twice listed as a New York Times Notable Book. She lives on the Monterey Peninsula of California.

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Rating: 3.352459093442623 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    The Forgetting Tree almost feels like several novels in one. It's the story of a family in the aftermath of a horrible act of violence; it's an exploration of that family's ties to the land; it's the tale of a mysterious stranger who enters that family--told from both sides. It made we wonder at times whether Soli might have decided, at some point, to combine several originally unrelated story ideas and see what developed--which sounds a little haphazard, maybe, but for most part it seems to work, largely because most of it is centered on one character.As the child of immigrants, Claire finds Forster Baumsarg's family legacy of citrus farming almost as appealing as Forster himself, and the early years of their marriage are about nurturing both the land and a growing family. Then tragedy strikes, and Claire clings more tightly to the farm than ever, even as her husband and daughters grow more apart from it, and from each other. Eventually Claire's the only one left...and she gets breast cancer. In need of a live-in companion while she goes through treatment, she welcomes a beautiful, intriguing West Indian woman into her home. Minna is mercurial and mysterious, but Claire may prefer her that way; it allows her to believe what she wants to believe about her. And then, just when the reader isn't entirely sure what to believe about Minna either, Soli completely switches gears to her perspective, although she ultimately returns the story to Claire.The Forgetting Tree is a novel that feels both sprawling and intimate--it has the scope of a family saga, but is primarily told from a single character's perspective. Soli retains the gifts for vivid and evocative physical description she showed in The Lotus Eaters, and shows herself equally adept at creating complex psychological landscapes; many of the scenes between Claire and Minna feel fluid and dreamlike.Soli's second novel is ambitious in a very different way from her first, and I appreciate that she's exploring other directions, and I think her writing is capable of sometimes elevating her material. Ultimately, I didn't find The Forgetting Tree as satisfying as The Lotus Eaters, but Tatjana Soli is a writer whose work I intend to continue following.
  • Rating: 4 out of 5 stars
    4/5
    Claire Baumsarg marries a citrus rancher and learns to love the hard life of living off the land. But tragedy strikes Claire not once, but twice in her life, and in the midst of tragedy, Claire begins to question who she can trust. Most of the story is told from Claire's perspective, but about 3/4's of the way through the book, Soli takes us into the past of the assistant who Claire has hired, making us realize that it is hard to understand someone's motives without understanding their past. I liked this strategy of bringing us to the same story through two different viewpoints, but some of the key events were hard for me to believe. I also never felt that I got close enough to any of the characters to be more than just an outside observer.
  • Rating: 1 out of 5 stars
    1/5
    Stopped listening to the tape part way thro first tape. Mother is attacked, and young son disappears. Rest of family ,left adrift. Too depressing
  • Rating: 3 out of 5 stars
    3/5
    This a beautifully written novel. The descriptions of the citrus ranch at the heart of the novel are well done and Claire's obsession with the land is rendered completely believable. It is a complex and ambitious novel, and the last quarter is simply marvelous. However, it dragged in spots and the complex nature of the book is both one of its strengths and one of it weaknesses as it gets in the way of the story. It is hard to understand why the main character's friends and families would abandon her the way they do. It is equally perplexing why Minna would cause so much trouble among the workers and Octavio.
  • Rating: 3 out of 5 stars
    3/5
    I have mixed feelings about The Forgetting Tree. On the one hand, the prose was lush and poetic. I felt like I was in a melancholy fog right along with Claire as I was reading it. On the other hand, I could not relate to Claire or Minna at all. I think they both were mentally-ill in some way. I never found Minna to be a mysterious enigma – I found her to be crazy and mean. I couldn’t understand why Claire was taken with her – sometimes I felt like it was mostly just because Minna was black and Claire hadn’t been around too many black people in her life. That made me uncomfortable, but that is also just my interpretation of Claire and could be totally off base.This may be one of those cases where I am too practical for a book. I just wanted Claire to fire Minna and get on with her life. I kept wondering why no one else in her family was intervening – I think it was pretty clear Claire needed some kind of mental help. My problems with the plot got in the way of my enjoyment of the beautiful writing. The descriptions were wonderfully written, I just didn’t care for a lot of what was being described. Although, I didn’t love this book, I think there are people out there who will.
  • Rating: 4 out of 5 stars
    4/5
    THE FORGETTING TREE begins with a tragic loss and ends with a long-delayed renewal. The bulk of the novel deals with what happens in between these two events, showing the gradual changes that become the impetus for a dramatic rebirth of sorts.The loss of ten-year-old Joshua leads to the eventual dissolution of the Baumsarg family. The mother Claire is left living alone in the family home on their California citrus farm. Her ex-husband Forster has found someone new, and daughters Gwen and Lucy can't stand to be on that isolated farm with their mother and her painful memories.Years later, breast cancer treatments require that a caregiver be found for Claire. Enter Minna, a young woman of dubious motives and questionable background. Here is where the story began to break down for me in terms of both interest and plausibility. I could not buy that Claire would just hire this girl Lucy found at a Starbucks, with no references or background checks. If Claire's tragedies and illness left her feeling frail and vulnerable, she would be LESS trusting of strangers, not more so, especially given the fact that she would be alone with this person in a remote location. And if Claire did act too hastily in hiring Minna, she would have quickly rectified her mistake when she and her neighbors compared notes and found that Minna's stories didn't add up.The premise we're meant to accept is that Claire is so needy and Minna is so exotic and interesting that Claire is just besotted, willing to let Minna call the shots, even when the house is disintegrating around them. It just didn't work for me. I can't say much more about it for fear of spoilers.I also found the reading a trifle tedious in that long stretch where Minna and Claire are living in the house together, mostly lazing around, with Minna doing her weird ritualistic stuff. It felt like I spent almost the whole book waiting for something to happen. When things DO finally start to happen close to the end, it's very dramatic and exciting and a little spooky. But it takes an awfully long time to get to that point where both Claire and Minna reach for renewal and irrevocable change.I loved Tatjana Soli's first novel, THE LOTUS EATERS, but THE FORGETTING TREE, though masterfully written, was less resonant for me. I will certainly look forward to her next book.
  • Rating: 4 out of 5 stars
    4/5
    This was the ideal book for me at a time when I am recovering from a serious illness and hospital stay. A truly complex novel that can be read in many ways, with an extremely strong woman character who pushes things to the limits and beyond. What it means to love the land, family, strengths and ties, to fight for what one believes in and to not give in just because others believe one should. Soli takes this woman, her motivations and tears them down than rebuilding them into a new form. A serious tragedy almost costs this woman her sanity, costs her family much more and only the land, the citrus groves, the belonging to something bigger than herself saves her that time. Than a serious illness threatens once again all she holds dear and this novel takes a bizarre and strange turn. A woman comes to be a companion and caretaker as she fights the invader to her body and the novel shows us the power of letting go. As the groves rot from the outside, the situation with the young woman from Haiti turns serious and quite scary. Are these woman really demented or is there some sense in the way they feel? What can possibly be the outcome of this strange pairing? Why is her family not stepping in and taking over? So many questions, so complex the problems and yet how satisfying, though strange this original and powerful book. 2 comments · see review
  • Rating: 4 out of 5 stars
    4/5
    When Claire gives up her dreams of a literary degree and life spent in books to marry Forster Baumsarg and live with him on his family's citrus farm, she knows that she is choosing a life of physical labor and financial uncertainty. What she doesn't know is how tied to the land she will become both physically and emotionally, invested in the success of the farm and desperately attached to it even in the face of terrible tragedy. When Claire and Forster's young son Josh is kidnapped and murdered, his body buried at the foot of the original root stock tree, Claire and Forster start their long slide away from each other, differing on whether to leave the farm and start anew or to dig into the soil that has supported the Baumsarg's for so long, the rich soil at the root of Josh's death which became his final resting place. Gwen and Lucy, Claire and Forster's daughters, are also indelibly marked by their younger brother's senseless death and they cannot get away from the farm fast enough and side with their father when he urges Claire to let him sell out to developers as so many of their neighbors have done.Years after the tragedy, Claire is alone on the farm with the girls grown and gone, divorced from Forster although maintaining an amicable relationship with him, tied forever by their shared loss. But when Claire is disagnosed with breast cancer, she needs someone to care for her as she undergoes treatments and neither of the girls wants to come back to the farm to oversee their mother. So when free-spirit daughter Lucy finds the appealing and mesmerizing Minna, the professed great-granddaughter of novelist Jean Rhys, everyone jumps at this simple solution to a live-in caretaker. And yet everything is not as it seems with Minna. Her story slips and slides, rife with small, almost unnoticed inconsistencies. But she winnows her way into the beleagured and weary heart of Claire. Although she drives away the very people upon whom Claire has depended for years, farm foreman and family friend Octavio and his daughter Paz, widowed neighbor Mrs. Girbaldi, and the local Hollywood leading man Don Richards, and isolates her at the farm, Minna becomes Claire's lifeline, the only person she sees for days at a time as she descends into the hell of treatment for her cancer. And despite the fact that there are disturbing occurances surrounding Minna, Claire defends her and depends on her, trusting her with her very life.Told in several sections, including one that details Minna's life in Haiti and how she ended up in California on Claire's farm, the writing in this novel is gorgeous and lushly descriptive, cinematic in scope. Throughout it all, there are threads of sinister, almost gothic undertones. The characters are multi-dimensional and complex. Claire's stubbornness, entrenched sadness, and regret resonate through her interactions with others. The brief snatches where Claire (and the reader) see through the veil of caring to Minna's core are alarming. And the tension spirals ever tighter as the novel progresses. In the end, this is a masterful, deeply symbolic story of loss and connection and belonging.
  • Rating: 5 out of 5 stars
    5/5
    Book Title: "The Forgetting Tree”Author: Tatjana SoliPublished By: St. Martin’s PressAge Recommended: 18+Reviewed By: Kitty BullardRaven Rating: 5Review: This is a superbly mesmerizing story of a ranch family in California, their troubles and toils, life and loves. The book takes you on a provocative journey into their lives and leaves you changed forever. I found this novel to have depth and sincerity the kind of story you’ll never forget. Tatjana Soli is a wonderful writer that weaves an untimely tapestry with her words, you do not want to miss out on this one! Be sure to pick up her other novel, “The Lotus Eaters” as well!
  • Rating: 4 out of 5 stars
    4/5
    This was another book I had trouble with. Well written, and I really came to care about the main character, Claire. The book opens with the disappearance of her young son, who is eventually found dead. Claire struggles with this reality all her life. Later, she suffers from cancer and hires a strange woman to live with her during her treatment (her marriage fell apart, her husband is remarried, and her daughters have their own lives.) It is hard for Claire, and for the reader, to decide if the strange woman is "legit," but I think the reader figures it out before Claire. Claire is just so damaged, she doesn't know who to trust. Things are wrapped up a little too neatly (well, maybe not so neat, but quickly) for me near the end, but overall this is a good book.
  • Rating: 4 out of 5 stars
    4/5
    Very complex story. Claire marries a citrus rancher and has three children. Her youngest, and only son, is kidnapped and killed and her marriage falls apart. Her relationship with her daughters is distant and becomes even more so when Caribbean born Minna comes to take care of her because she develops metastatic breast cancer. Minna practices voodoo, steals, controls, but also helps to free Claire and help give her strength to fight the cancer. Well developed characters--holds my interest, although it took a bit to get into it.
  • Rating: 3 out of 5 stars
    3/5
    Tatjana Soli doesn’t disappoint in her second book. I loved her debut novel THE LOTUS EATERS. The death of a son, leaves Claire bereft. As her marriage fall apart and her daughters leave, she decides to stay on the California citrus ranch and run it with the support of their longtime ranch manager Octavio Mejia. Cancer and a mastectomy force her to look for a caregiver. Meena, a girl from a Caribbean Island becomes her caregiver and friend. If nothing else, made this book compelling is how I struggled along with Claire’s friends and family with Claire’s gradual total dependence on Meena, her acceptance of Meena’s lies. When Meena forces the termination of her longtime friendship with Octavio, I kept saying “Wake up, Claire to how Meena is manipulating you.” Although the ending seems to free Claire from her love of the ranch, I found it disturbing.
  • Rating: 3 out of 5 stars
    3/5
    Novel takes place on s citrus farm in California. Claire is a relateable characte who suffers greatly when her son is kidnapped and murdered. Storyis written with such tenderness and great imagery. However when Claire gets cancer and distances herself from her family, her life falls apart. She hires ahatian caregiver who we quickly realize is not sho she says she is.But Claire does not get it and this change in her is hard to swallow in the story and from then on, losses credability with me. Still at interesting read but starts to get too long and then suddenly ends get tidied up and book is over.
  • Rating: 4 out of 5 stars
    4/5
    This is really more like two books- one about a family dealing with the loss of a child, the other examining the close but destructive relationship between an ill woman and her caregiver. When a teenager dies in a crime gone awry, his mother, Claire, struggles to put her life back together. The family's citrus farm becomes the project into which Claire funnels her grief and energies. When she is diagnosed with cancer Claire reuses to leave her ranch for treatment. The rest of the family is reluctant, but Claire agrees to hire a caregiver. She winds up with the mysterious and elegant Minna. Claire and Minna form a desperately close but damaging relationship. This is an elegant complicated book, about a relationship between two troubled women. The writing is rich and the characters are complex. My favorite part of the book was when I finally got to Minna's story. I was less interested in the breast cancer part of the book. I guess I'm getting a bit weary of breast cancer books. They're rare original but always depressing. Thankfully this book had enough other elements to add originality. The descriptions of the ranch are beautiful, and I was captivated.
  • Rating: 4 out of 5 stars
    4/5
    Tatjana Soli has written another compelling novel (her first was Lotus Eaters) this time set in a California fruit ranch. In it, she says alot about home; our helplessness when tragedy enters our lives; the rootedness we cling to; our need for escape from reality. So many things that deserve a great reading group discussion. I was very impressed with Lotus Eaters. (It made a wonderful book for discussion.) And I was fascinated by The Forgetting Tree.
  • Rating: 3 out of 5 stars
    3/5
    The book is lyrical, mystical, yet was to me very difficult to read. In fact, I put the book aside and read about three more before I made myself return and finish. The story centers around Claire, a wife, mother and hard-working farmer in a citrus and avocado farm in California. When her children are grown and gone, and her husband settled with a second wife, she develops cancer. While not really a story focused on her cancer, The Forgetting Tree watches her life develop or degrade during her cancer journey.Because neither of her daughters are willing or easily can provide the daily care and support Claire needs due to her cancer, the younger, flighty daughter produces a young Caribbean woman to provide live-in care. Despite the fact that she has found this person recently fired from a coffee shop, and despite the lack of references, the family lets Claire take Minna into her home and with supervision only from the sick woman, leaves the two of them largely alone. For this reader, this crucial event stretched the imagination.Minna begins as an ideal caregiver, loving, supportive, doing everything Claire might need - and Claire falls a bit in love with the mysteries of Minna. However, with time Minna becomes less grateful and more resentful of the bounty available through Claire and become flightly, unreliable, and perhaps even dangerous. The deft hand of Soli makes us feel we know Claire intimately, but through three-quarters of the book we only see Minna through Claire's eyes, Claire's eyes of chemo fog and perhaps more. The end of the book tells the story of Minna and we come to understand the roundedness of the story and her Minna's motivations. I loved the setting of the orchard and it's rootstock tree, and the insights into the citrus and avocado cultivation were new to me and interesting. Soli helped me to enjoy all the sensory experiences of the orchard, and that was wonderful.I found the climax of the book to be frustrating and unnecessary. Why was there no intervention? Why did things get to the point they did? But it was well-crafted and dramatic, no doubt.So to me, the book was a mixed bag. I found the key relationship of the story unrealistic and the ongoing actions frustrating. On the other hand, I found Claire and Minna to be fascinating women, and their interactions full of wonder and meaning.Meh.

Book preview

The Forgetting Tree - Tatjana Soli

Part One

Chapter 1

Claire did not believe in the evil of the world, and so when it touched her, at first she did not recognize it for what it was. No pointing red tails and pitchforks as in the movies, not even malice in the heart. Evil as simple as an accident, as boring as the aftermath it brings. Forster saying death would have been easier than enduring what followed. A small, domestic evil as random as lightning, as devastating to those touched by it.

*   *   *

She had longed for home—a place of connection and belonging and family—for so long it was hard to believe that her struggle to attain it was about to be consummated. Eighteen years since she first came to the ranch. Her only regret that Hanni, her mother-in-law, wasn’t there to share the moment she finally got it back for the family, because what was the worth of something unless it lasted through one’s desire for it, a whole lifetime if need be, or beyond it, into one’s children’s lives also? She couldn’t imagine anything better than Josh or one of the girls taking over when the time came. She looked around at all that was hers: the blush of sunset on her blossoming citrus trees; Forster, coming down the steps from the porch two at a time, wrapping his arms around her. Hers—his love—also.

Hurry, the girls have a surprise for you. Pretend you don’t know.

Forster was throwing a party, a Claire-will-live-forever party, since she hated birthdays and their reminder of time passing. Yes, about to have everything, but time itself had escaped her, moved on, made her a little more leathery, a little more tired than she wanted to be. At last she had time to spend with the children, just as they were growing up and going away.

Everyone had been invited, everyone came, barbecue for over two hundred, pushing at the seams of the farmhouse, spilling over onto the lawn, eddying around the rose gardens, the shadowy edges of the stalwart orchards. Her mother and father had driven down from Santa Monica—witnesses to her hard-won good fortune. She took a long look around as if she were about to depart on a journey and would need this memory: the citrus fruit hanging heavy with juice; the leaves on the trees turned ever so slightly toward the last rays of sunshine, showing their faintly silvered backsides.

*   *   *

In the kitchen, the caterer was scolding a newly hired waiter who’d come in late and ungroomed. In her room, Gwen, sixteen, put on lipstick and mascara for the first time. The guests walked along admiring the healthy rows of trees, the food-laden tables, as Lucy led the younger children in a game of hide-and-seek. People ate as much as they could bear and drank more. Unnoticed, Joshua snuck out from the bar with a bottle of vodka hidden away in a newspaper. Everyone was giddy with the rare sense of work put aside in favor of pleasure.

*   *   *

As Claire stood admiring the paper lanterns strung across the lawn, her lawn, rocking in the faint breeze, the banker Relicer sidled up to her with a plate stacked high with ribs. Even under the magic golden pink of sunset, time had not been kind during the last ten years she had been in business with him. He looked as severe and expiring as in his mahogany-lined office—aged, pale skin and caved-in cheeks that spoke of a life of frugality.

It’s a beauty, he said. What you’ve accomplished with our money.

Money didn’t accomplish this, Claire said, feeling smug with the last check to him in her pocket. She would put it in the mail after he left. It just kept developers away long enough for it to provide. Impossible to explain that the land was alive and fertile. It just needed coaxing along.

Relicer gnawed at the rib beyond simply getting the meat off, intending to suck the very marrow out. A tardy waiter came by and in offering a napkin almost flipped the paper plate on the banker’s shirt. Claire frowned, noticed the waiter’s greasy blond hair, his unkempt nails. She would complain to the caterer. The young man apologized, but the expression on his face, small eyes and large nose crowded together, wasn’t the least sorry.

The money wasn’t exactly a gift. Claire looked down at her feet. The moment of sweetest revenge. They would no longer be needing his services; the trees were bowing under the weight of their record harvest; prices were up and the loan would be paid off and the Baumsarg ranch would never be beholden again. A happy birthday indeed. Forster had been right that the place never felt as much theirs since the debt, but Claire knew that sometimes necessity made one temporarily do the wrong thing.

The most devastating revenge: the thin envelope with its single stamp, a check for the full amount, and a simple note requesting the closing of the credit line. Gwen made her way over to the rescue. Come on, Mom. Cake time.

Claire looked back at Relicer, happy to be abandoning him. It’s a hard job living here, not a vacation.

As she walked with her daughter, she noticed the girl’s first attempt at makeup. I wish you’d wash that off. It makes you look too old. When Gwen frowned, Claire relented, putting her arms around her shoulders. And too beautiful. What happened to my little girl?

A mountainous tower of frosting masquerading as a cake was wheeled out on a cart, and by it stood Lucy and Gwen, unhappy that Josh was as usual nowhere in sight to sing his part. Raisi, Claire’s mother, offered to go looking for him, but Octavio took charge. The girls sang How Sweet It Is in harmony, one part missing, and it sounded strangely romantic and dreamy coming from their mouths instead of the usual James Taylor version that Forster loved to play. Did the girls mistakenly think that Forster’s favorite song was hers also? The girls didn’t know differently because Claire had no time to listen to music, much less have favorites, so on Saturday nights, exhausted from a long day doing errands that had been put off during the week, she deferred to Forster’s taste.

Where’s Josh for the picture? Claire asked. He had hit a new stage of rebelliousness that was unfathomable after the docile joys of raising daughters.

After a half hour’s search, Octavio found him drinking vodka with older boys in an irrigation ditch.

There are going to be consequences to this, Claire said when she found out. This is not acceptable. Those are teenagers. Not ten-year-olds.

Josh looked at Octavio, betrayed. But they said—

You missed cutting my cake. Singing the song your sisters prepared. You weren’t in the family picture. Things are going to change.

A charmer, Josh held out an orange as a peace offering. It used to be a joke between them when he got in trouble. The most precious thing for the family and the most common.

Not going to get you off the hook this time, mister.

We can always take another picture. Forster held the camera, not paying mind to his son’s ruffled hair, his crooked smile, his fingers making rabbit ears behind Lucy’s head, and at the time Claire was angry that the pictures were too silly to use for the Christmas card. Behave! she said. Forster was distracted after overhearing Claire’s conversation with the banker, a double impotence—the farm’s loan and this man’s presence lording the fact over them. Forster remained sullen until she reminded him that this would be the last time they would have to entertain the man. You can give him the check yourself.

Claire handed him the envelope, then gave him a thumbs-up. We need you in the picture—

Let me take it, Raisi said, stepping out of the line.

You have to stand by Dad, Claire said.

Allow me. Relicer had appeared from nowhere and offered to take the family snapshot. A bad omen. Forster reluctantly handed over the camera. But the old man fumbled with the buttons until the dirty-haired waiter reappeared. He put his hand on the banker’s shoulder. I’ll take over, Pops.

Claire again noticed the dirty fingernails, and Raisi noticed, too, her eyes clouding. Octavio started toward the waiter, sensing the women’s discomfort, but Sofia called him. Go, Claire said. She would handle this herself. The caterer would get an earful soon. Forster escorted Relicer to the car, handed him the envelope, and watched him drive away.

*   *   *

The night after her birthday party, Forster was late coming home from a machinery exposition out in Pomona. Her parents had left that morning to return home. A night of hot moonlight and citrus perfuming the air. Claire had worked late in the fields with Octavio. Listless from the heat, the kids begged to eat a dinner of party leftovers out on a blanket on the lawn.

After the meal, they played cards while she went to the barn to recover a wrap she had left from dancing the night before. Late into the night, Forster and she had danced in celebration of ending the Relicer part of their life. The caterer had bawled a waiter out, demanding to look in his bag before he left. When the silver globe was found in it, she came to the barn to inform them she was calling the police. Never seeing the man in question, Claire had stopped her, telling her to escort the man off their property with a warning not to show up again. A blemish on an otherwise perfect night. They kept dancing. Now ribbon and confetti lodged in the gravel like stars, flashed through the grass like comets, turning the world topsy-turvy.

*   *   *

From the dark surrounding groves, three men appeared, as if they had metamorphosed from the very trees—two Hispanics and one masked by a baseball cap and a bandana from the eyes down. They mumbled about looking for work while the bandanaed one squinted through the darkness at the house, farther up the drive.

Impossible that a house brimming with hundreds of people the day before could be empty and helpless tonight.

My foreman, Octavio, is here. He will take care of you.

But the bandana man seemed hostile to what he sensed was a lie. One of the Hispanic men, wearing a dirty, reeking T-shirt, had a stagger that she thought was a deformity until she noticed the same heaviness in the stride of the other. Drunk. She pictured the loaded rifle safely on the top shelf of the closet in the entry hallway. How perfectly, uselessly far away it was. Even if she reached it, the child-lock would take extra precious seconds to unfasten.

Out of the corner of her eye, Claire saw Gwen walking down the drive looking for her. A cold sweat formed under her arms at the sparkle of a moonlit blade in the hand of the bandana man. She bluffed, Octavio, where are you? until he hushed her with a shave of metal. They must smell fear on her like dogs.

He’s gone home, Gwen yelled back.

The bandana one touched her arm with the cold flat of the blade as he stood partially behind her. His breath was hot and sour; she could smell his unwashed skin as Gwen came up to the group.

Qué linda. Bonito pelo, said the staggering one as he reached to touch Gwen’s hair. Quickly she stepped back, eyes widening as she registered that none of these were their usual workers. Far away, Lucy could be heard arguing with Joshua. Claire saw it, too, for the first time, her daughter’s new curves, now a young woman rather than an awkward teenager, and it put a vise on her heart.

Go back to the house, Gwen.

No! the bandana one said. Keep her. He signaled to the other, who locked his arms around Gwen’s narrow shoulders in a bear hug. When she struggled in a spasm of panic, he shook her like a rag until her body went quiet. He held her with one arm and punched her on the side of the head with his other hand. She yelped in pain.

Let her go back. Claire put herself between the men and her daughter, her body forming a protective shield.

Raspy laughter from the other two, and the bandana one nodded. Let’s all go see what’s in the house.

Her thoughts stopped, sputtered, jumped, grabbing. Money, she said, the suggestion of what they might otherwise do intolerable.

Let’s go.

Not here. It’s at the bank. Tomorrow.

The bandana one laughed, and she knew this was what got him off, the humiliation. He clapped his hands, an understanding between them. We’ll need a hostage. Otherwise you’ll tell the cops.

Touch her and the deal’s off.

How do you figure you’re calling the shots? He stopped, contemplating. Okay, let the girl go. Keep quiet, cutie, or Mama isn’t coming back.

A car motor broke the silence, headlights sweeping the trees just short of them as a pickup went up the drive to the house. Octavio returned or Forster come back early? The men ran, pulling Claire with them to the deepest part of the black-bitter orchard. Afraid for herself, more afraid for her children, she let out a cry. A mistake. They shoved her on the ground, a boot kicked her side. Shut up! They would kill her. Kill them. Mouth gagged with thick fingers and dirty cloth.

"How does the rich puta feel now? Want to order me around now?" he said, as a fist crushed bone.

Rage, hatred, welled through muscles that should have had the strength of new steel. Unacceptable to her that she could be pinned down so easily, that she could not fight back. That she had ignored Forster’s warnings of keeping a gun close by. Like a dog, she bit an ear and was punched. Kneed a groin and was cut. Would gladly have died fighting back, except the maternal kept her from sacrificing herself.

A small voice, not Forster’s, not Octavio’s, broke through. The worst pain yet—Josh had somehow found them. Mom?

She screamed and grabbed hair. A hard knock to her head. As she lost consciousness, she heard a scurrying and then one of the men winded, butted in the stomach. Grab the little fuck!

*   *   *

Recalling those next hours, so frightening, consciousness intermittent, all thought evaporated. She was on the same plane of existence as an animal being led to the stockyard, pure physical dread, and afterward, months later, she understood her mother’s terror escaping across the border, how for so many years she was unable to talk of it. Terror was intimate, entwined in the moment, not translatable.

Afterward, her mouth filled with salt from blood and sweet from blood. Seeded in the dirt, her fingers plowed earth she loved but was now separated from. Divorced, dismissed, expelled from. Was this the feeling of being thrown out of that first, perfect garden? Her farm, her trees, and yet she had been rendered helpless. She woke from unconsciousness to the comfort of a warm rain that turned out to be piss. All bets off because she had fought, and they had gorged on their power over her. She would never forget the spiked hatred in their laughter. Their carelessness. Their lack of fear in repercussion. She lay on the ground, unable to move. Broken arm, torn life. Later (how long? time untethered), alone, she melted into the ground, a superficial burial. Until she remembered Josh.

Chapter 2

The calling voices of the girls were like fingers poking in the darkness. Purple groves that took the dark shapes of men. Leaves in slow swoon on the trees. Her trees, her orchard, but unable to protect her. Broken Claire lay in the dirt as the irrigation came on, the drops sharp and caressing. The earth underneath her fed to mud, but still she lay there. Waiting until the pain washed away. It would never wash away. Curious cleansing of water against evil.

Importune time to be shown eternity, but the stars swung like heavy gates overhead, a celestial unveiling. She saw stars with her eyes closed—a mystery. A mystery, too, why she couldn’t force herself back to the groves, the earth, her brokenness, but kept spinning above. It made sense that heaven would offer itself to those most in need of its vision, not those secure in starched kneel in church pews.

Octavio called her name, but she refused to answer. Did not want the girls or anyone to see her. She in a swale of blackness, hidden. Later she woke to his scooping arms as she struggled blind against him, ineffectual against him, too. He carried her back to the house, but he could not return her.

The house was brightly lit, morbidly festive, as they entered. Forster locked Claire in yet another set of arms. You’re safe. Safe hardly.

Behind his shoulder, through her swelled eyelid, she saw policemen and other people. Are you okay? Just some scratches. More scared than anything else. The doctor took her away. Broken arm, bruises, slight concussion. The house was crowded with strangers, confusing her, as in a dream. Was this still a cruel continuation of her birthday party? A known face, Mrs. Girbaldi, her unlikely confidant, stood by the stairs, owl-like eyes blinking out of her unmade face. Had Claire ever seen her without makeup before?

Terrible, terrible, Mrs. Girbaldi chirped.

Where’s Joshua? Forster asked.

Where are the girls? Claire answered.

They sat on the couch, Lucy and Gwen holding hands. Faces tracked by tears. When they saw her, they jumped up and rushed to be comforted. Buried their heads so hard against her ribs that already hurt badly, but she didn’t care. She hugged each of them, held them away. Are you all right?

They nodded, unsure, the damage invisible but felt.

Where’s Josh? Claire said.

He’s not with you. Forster making a statement.

She was alone, Octavio said.

He ran to look for you, Gwen said. Octavio called the police.

Where’s Josh? The idea growing in Claire’s head that all these strangers were to fill the vacuum of his absence. She searched for Forster’s hand, stumbled across the room to the door. We need to find him.

They have search teams setting out. You need rest.

Josh is still out in the orchard. Claire shook her head, fear tightening the muscles. Where they took me.

Octavio stood as if made of wood, helpless, silent.

Come, Forster said to him. Show me where you found her.

*   *   *

During the first hours of Josh’s being missing, Claire convinced herself it could all be a misunderstanding. Did she really remember his voice in the dark, the headbutt, or was it her imagination that later inserted it into the scene? A cosmic blip that would soon right itself. Her son, the baby of the family and the only boy, was spoiled, no getting around that. Maybe he was up to his favorite trick—pinching a chocolate bar meant to be shared with his sisters, stealing it and hiding out in the orchards to devour it in peace.

As teams of volunteers and police began to scour the acres of orchard, Forster called neighbors, the parents of Joshua’s friends, all in the off hope that Josh had simply run off, cadged a dinner with friends, not called home. Forster prayed for the irresponsibility he usually punished the boy for. Darkness of real night settled in, a penetrating darkness the boy could not tolerate without his night-light before sleep. At ten, Claire still indulged him this.

When Claire’s parents arrived, having turned around within an hour of arriving home in Santa Monica, she collapsed into her mother’s arms. He’s afraid of the dark.

Raisi looked at her bruised face. Oh, my girl, what has happened to us?

Claire shook her head. They wanted money—

Hush, Raisi said, nodding toward the girls.

Raisi watched her granddaughters wandering lost in the living room with smudged faces and reddened eyes, with shorts and T-shirts too insubstantial for the evening’s cool. She signaled to Claire’s father, Almos, to look after their daughter, and then she went to work. Herded the girls into their bedroom, drew warm bubble baths. Went into the kitchen and expertly made dough for cookies. Started a pot of coffee and served it to the volunteers congregated on the porch. Made a sort of order from the chaos.

She knew the value of trifles such as warm socks and hot cider in the face of devastation. Claire could count on her. At first Raisi had been a skeptic of this life her daughter chose, but now she was proud of what had been accomplished. Wrong that after such careful work, it could all so easily be undone. She would not tell Claire her experience of life—that this was the way of the world, to unravel everything one loved most. It was always only a matter of time. She prayed it not be so, but her heart ached with the probability.

Raisi found Claire in Josh’s bedroom, curled underneath his narrow single bed. She made her get up and lie on the mattress, under the posters of airplanes and baseball heroes. Josh swore the family to secrecy about the stuffed animals that he still kept, because even though it was babyish, he wanted someday to be a veterinarian. Raisi sat on the bed to stroke her daughter’s head, seeing the discolored skin and swollen eye and temple, her arm in a sling. Hours later when Claire woke, a question in her eyes.

Raisi shook her head. He’s not home yet.

I’m scared.

Be brave for the girls.

*   *   *

Claire closed her eyes, wishing that this strength were inherited, genetically passed down through the nerve endings, absorbed in the tissue, exhaled in the breath. Raisi, who had escaped Hungary during the uprising, who had lost all her extended family—mother, father, aunts, uncles, brothers—an entire country gone in one swoop of exile. Halfway around the world in Los Angeles, Raisi found and married a man, Almos Nagy, from the same small district village as herself. He ran an antiquarian bookshop in Santa Monica, a dusky backwater of a store that barely made enough to sustain them. Each afternoon, a half-dozen expats would gather and talk about what they had left behind. Things and places and people that over the years no longer existed except in memories.

Almos and Raisi had one daughter and, grateful, were afraid to push their luck for more. They had learned to conserve, to hoard, to save for a time of need. After she’d traveled thousands of miles, Raisi’s life had ended not terribly differently from that if she had stayed in place, except for the longing. Which Claire had inherited, but her nostalgia extended to things not yet gone.

As a teenager, Claire had chafed at the dull, unrelenting routine of her parents—breakfast, lunch, dinner, always rotating between the same predictable choices, regardless of seasons, with only small concessions to the holidays. But now in the days of waiting for Josh’s return, routine was a lifeline that kept the whole family from going under. It returned Claire to the past, trying to find the wrong turn that had caused this.

Go take a bath, Raisi said.

Claire hesitated.

I’ll get you if there is any news.

In this way, Claire was prodded to go on with life.

*   *   *

The first restless night passed with no clues to Josh’s whereabouts. Dawn broke with an ache. The next day, all the workers were ordered to go home, and the farm had an eerie, deserted feel as forensic experts took over, going back over every inch of earth in the daylight, sifting soil in places, looking for signs. They worked meticulously from the farmhouse out, so at their current rate the ranch would be done in years if not decades, while each moment mattered to Josh. Claire walked over the farm, scoured the earth where she had been found, not even able to find her own black drops of blood on the soil. The police demanded the water be turned off even though it was a record heat wave, not wanting evidence contaminated. Octavio cranked the big, shuddering wheels of the pumps

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