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Afterwhiles
Afterwhiles
Afterwhiles
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Afterwhiles

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Release dateApr 1, 1979
Afterwhiles

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    Afterwhiles - James Whitcomb Riley

    The Project Gutenberg EBook of Afterwhiles, by James Whitcomb Riley

    This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

    Title: Afterwhiles

    Author: James Whitcomb Riley

    Release Date: May 19, 2005 [EBook #15862]

    Language: English

    *** START OF THIS PROJECT GUTENBERG EBOOK AFTERWHILES ***

    Produced by Teary Eyes Anderson

    ***Transcriber's Note. Most of this etext was made with a Top Scan text scanner, with a bit of correcting here and there. Mr. Riley does spell pretty=purty and such things and have been left as printed, including the first poem in this book listed as Proem on both the contents page and the page headers, even though in later editions this poem is simply called Afterwhiles. In The South Wind and the Sun the line is 'Laughed out in every look.' while in later versions it has the word 'nook', replacing 'look.' The poem Old Aunt Mary's is later retitled Out To Old Aunt Mary's and later enlarged by 13 verses. The In Dalect section has the ' to replace a letter that he left out, to make the word sound a certain way, including words like sure-enuff he writes as sho'-nuff, or He'pless as helpless and ect. This etext is based on the 1898 edition Published by The Bobbs-Merrill Company, Indianapolis Publishers. Teary Eyes Anderson***

    Afterwhiles by James Whitcomb Riley

    Dedicated to my mother Elizabeth

       Contents

    Proem (AKA Afterwhiles)

    Herr Weiser

    The Beautiful City

    Lockerbie Street

    Das Krist Kindel

    Anselmo

    A Home Made Fairy Tale

    The South Wind and the Sun

    The Lost Kiss

    The Sphinx

    If I knew What Poets Know

    Ike Walton's Prayer

    A Rough Sketch

    Our Kind of a Man

    The Harper

    Old Aunt Mary's (AKA Out To Old Aunt Mary's Later was enlarged by 13

    verses)

    Illileo

    The King

    A Bride

    The Dead Lover

    A Song

    When Bessie Died

    The Shower

    A Life-Lesson

    A Scrawl

    Away

    Who Bides His Time

    From the Headboard of a Grave in Paraguay

    Laughter Holding Both His Sides

    Fame

    The Ripest Peach

    A Fruit Piece

    Their Sweet Sorrow

    John McKeen

    Out of Nazareth

    September Dark

    We to Sigh Instead of Sing

    The Blossoms on the Trees

    Last Night And This

    A Discouraging Model

    Back from a Two Year Sentence

    The Wandering Jew

    Becalmed

    To Santa Claus

    Where the Children Used to Play

    A Glipse of Pan

       Sonnets

    Pan

    Dusk

    June

    Silence

    Sleep

    Her Hair

    Dearth

    A Voice from the Farm

    The Serenade

    Art and Love

    Longfellow

    Indiana

    Time

    Grant At Rest August 8, 1885

       In Dialect

    Old Fashioned Roses

    Griggsby's Station

    Knee Deep in June

    When the Hearse Comes Back

    A Canary at the Farm

    A Liz Town Humorist

    Kingry's Mill

    Joney

    Like His Mother Used to Make

    The Train Misser

    Granny

    Old October

    Jim

    To Robert Burns

    A New Year's Time at Willard's

    The Town Karnteel

    Regardin' Terry Hut

    Leedle Dutch Baby

    Down on Wriggle Crick

    When de Folks is Gone

    The Little Town o' Tailholt

    Little Orphant Annie

    Proem

    Where are they— the Afterwhiles—

    Luring us the lengthening miles

    Of our lives? Where is the dawn

    With the dew across the lawn

    Stroked with eager feet the far

    Way the hills and valleys are?

    Were the sun that smites the frown

    Of the eastward-gazer down?

    Where the rifted wreaths of mist

    O'er us, tinged with amethyst,

    Round the mountain's steep defiles?

    Where are the afterwhiles?

    Afterwhile— and we will go

    Thither, yon, and too and fro—

    From the stifling city streets

    To the country's cool retreats—

    From the riot to the rest

    Were hearts beat the placidest:

    Afterwhile, and we will fall

    Under breezy trees, and loll

    In the shade, with thirsty sight

    Drinking deep the blue delight

    Of the skies that will beguile

    Us as children— afterwhile.

    Afterwhile— and one intends

    To be gentler to his friends—,

    To walk with them, in the hush

    Of still evenings, o'er the plush

    Of home-leading fields, and stand

    Long at parting, hand in hand:

    One, in time, will joy to take

    New resolves for some one's sake,

    And wear then the look that lies

    Clear and pure in other eyes—

    We will soothe and reconcile

    His own conscience— afterwhile.

    Afterwhile— we have in view

    A far scene to journey to—,

    Where the old home is, and where

    The old mother waits us there,

    Peering, as the time grows late,

    Down the old path to the gate—.

    How we'll click the latch that locks

    In the pinks and hollyhocks,

    And leap up the path once more

    Where she waits us at the door—!

    How we'll greet the dear old smile,

    And the warm tears— afterwhile!

    Ah, the endless afterwhiles—!

    Leagues on leagues, and miles on miles,

    In distance far withdrawn,

    Stretching on, and on, and on,

    Till the fancy is footsore

    And faints in the dust before

    The last milestone's granite face,

    Hacked with: Here Beginneth Space.

    O far glimmering worlds and wings,

    Mystic smiles and beckonings,

    Lead us through the shadowy aisles

    Out into the afterwhiles.

    Herr Weiser

    Herr Weiser—! Three-score-years-and-ten—,

    A hale white rose of his country-men,

    Transplanted here in the Hoosier loam,

    And blossomy as his German home—

    As blossomy and as pure and sweet

    As the cool green glen of his calm retreat,

    Far withdrawn from the noisy town

    Where trade goes clamoring up and down,

    Whose fret and fever, and stress and strife,

    May not trouble his tranquil life!

    Breath of rest, what a balmy gust—!

    Quite of the city's heat and dust,

    Jostling down by the winding road,

    Through the orchard ways of his quaint abode—.

    Tether the horse, as we onward fare

    Under the pear-trees trailing there,

    And thumping the wood bridge at night

    With lumps of ripeness and lush delight,

    Till the stream, as it maunders on till dawn,

    Is powdered and pelted and smiled upon.

    Herr Weiser, with his wholesome face,

    And the gentle blue of his eyes, and grace

    Of unassuming honesty,

    Be there to welcome you and me!

    And what though the toil of the farm be stopped

    And the tireless plans of the place be dropped,

    While the prayerful master's knees are set

    In beds of pansy and mignonette

    And lily and aster and columbine,

    Offered in love, as yours and mine—?

    What, but a blessing of kindly thought,

    Sweet as the breath of forget-me-not—!

    What, but a spirit of lustrous love

    White as the aster he bends above—!

    What, but an odorous memory

    Of the dear old man, made known to me

    In days demanding a help like his—,

    As sweet as the life of the lily is—

    As sweet as the soul of a babe, bloom-wise

    Born of a lily in paradise.

    The Beautiful City

    The Beautiful City! Forever

    Its rapturous praises resound;

    We fain would behold it— but never

    A glimpse of its dory is found:

    We slacken

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