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Rembrandt and His Etchings - Louis Arthur Holman
The Project Gutenberg EBook of Rembrandt and His Etchings by Louis Arthur Holman
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license
Title: Rembrandt and His Etchings
Author: Louis Arthur Holman
Release Date: January 8, 2010 [Ebook #30895]
Language: English
***START OF THE PROJECT GUTENBERG EBOOK REMBRANDT AND HIS ETCHINGS
***
No. 168. Rembrandt Leaning on a Stone Sill
Rembrandt and His Etchings
A Compact Record of the Artist's Life, his Work and his Time. With the Complete Chronological List of his Etchings Compiled by A. M. Hind, of the British Museum
Louis A. Holman
Charles E. Goodspeed & Co., Boston
1921
Contents
REMBRANDT AND HIS ETCHINGS
COMPLETE CHRONOLOGICAL LIST OF THE ETCHINGS OF REMBRANDT
LIST OF THE REJECTED ETCHINGS
Illustrations
No. 168. Rembrandt Leaning on a Stone Sill
No. 116. Two Tramps.
No. 1. Rembrandt's Mother.
No. 210. Omval.
No. 290. Jan Lutma, Goldsmith and Sculptor.
No. 183. Jacob and Laban (?).
No. 228. Jan Six.
Tobias and the Angel. By Hercules Seghers
(No. 266). The Flight into Egypt.
No. 256. Christ Preaching.
No. 129. Old Woman Sleeping.
REMBRANDT AND HIS ETCHINGS
[pg 5]
No. 116. Two Tramps.
A fair & bewtiful citie, and of sweete situation
and famous for ye universitie wherwith it is adorned;
such was Leyden as the fresh eyes of the youthful William Bradford saw it when the little company of English exiles, later revered as the Pilgrim Fathers, sought asylum in Holland. The fame of Leyden was to be further perpetuated, although Bradford knew it not, by one who had but just been born there when the English pilgrims came to the friendly university town; one who has added to the fame of his native place chiefly because he did not attend that university, which seemed so attractive to young Bradford. The father of this boy determined that he should have a collegiate education that he might sometime hold a town office, and fondly hoped that he was preparing him for it (in, perhaps, the very schools attended by the English children), when the lad made it clear to all men that he had no head for Latin and a very decided talent for drawing. So it came to pass that at the time Bradford and his friends set their faces toward America, and per-force turned their backs upon that [pg 6] goodly & pleasante citie which had been ther resting place near twelve years,
Rembrandt Harmens van Rijn, the youngest son of a miller of Leyden, turned his face, too, from the old toward the new. They sought liberty to live and to worship according to the bright light in their hearts: he, too, sought liberty to follow in a no less divinely appointed path, impelled thereto by an irresistible force which, after half a century, retained all its early vigor. They broke from the ways of their fathers and bore an important part in the development of the great American nation; he emancipated himself and his art from the thraldom of tradition and conventionality and became the first of the great modern masters of art.
The twelve-years' truce between the humiliated Dons and the stocky Dutchmen was now nearing its end, and Bradford says, There was nothing but beating of drumes, and preparing for warr.
This was one of the reasons why the peaceable Pilgrims sought a new home beyond the sea. But Rembrandt, already absorbed in his art-studies, saw nothing, heard nothing of these preparations; his ears were deaf to the drum-beats, his eyes were seeing better things than the pride, pomp and circumstances of glorious war
. There
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