Fenimore Cooper's Literary Offences
By Mark Twain
5/5
()
Mark Twain
Mark Twain, born Samuel Langhorne Clemens, was an American humorist and writer, who is best known for his enduring novels The Adventures of Tom Sawyer and Adventures of Huckleberry Finn, which has been called the Great American Novel.
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Reviews for Fenimore Cooper's Literary Offences
10 ratings3 reviews
- Rating: 5 out of 5 stars5/5Every now and then, I reread this because it's just so funny.
- Rating: 5 out of 5 stars5/5Every now and then, I reread this because it's just so funny.
- Rating: 5 out of 5 stars5/5Most scathing long review ever. It's funny, although Natasha wasn't impressed that I kept reading bits aloud. They weren't jokes.
As a review it's kind of frustrating though. Hard to attach Twain's writing to specific places in Cooper's, because he takes everything out of context. I've no doubt that the sailing is all wrong, and possibly every other word, but it's hard to figure out the problems based only on Twain's review.
Book preview
Fenimore Cooper's Literary Offences - Mark Twain
The Project Gutenberg EBook of Fenimore Cooper's Literary Offences
by Mark Twain (Samuel Clemens)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Fenimore Cooper's Literary Offences
Author: Mark Twain (Samuel Clemens)
Release Date: August 20, 2006 [EBook #3172]
Last Updated: October 29, 2012
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK FENIMORE COOPER OFFENCES ***
Produced by David Widger
FENIMORE COOPER'S
LITERARY OFFENCES
by Mark Twain
The Pathfinder and The Deerslayer stand at the head of Cooper's
novels as artistic creations. There are others of his works
which contain parts as perfect as are to be found in these, and
scenes even more thrilling. Not one can be compared with
either of them as a finished whole.
The defects in both of these tales are comparatively slight.
They were pure works of art.—Prof. Lounsbury.
The five tales reveal an extraordinary fulness of invention.
... One of the very greatest characters in fiction, Natty
Bumppo....
The craft of the woodsman, the tricks of the trapper, all the
delicate art of the forest, were familiar to Cooper from his
youth up.—Prof. Brander Matthews.
Cooper is the greatest artist in the domain of romantic fiction
yet produced by America.—Wilkie Collins.
It seems to me that it was far from right for the Professor of English Literature in Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper's literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper.
Cooper's art has some defects. In one place in 'Deerslayer,' and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks the record.
There are nineteen rules governing literary art in the domain of romantic fiction—some say twenty-two. In Deerslayer Cooper violated eighteen of them. These eighteen require:
1. That a tale shall accomplish something and arrive somewhere. But the Deerslayer tale accomplishes nothing and arrives in the air.
2. They require that the episodes of a