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    George Sand
    George Sand
    George Sand
    Ebook44 pages36 minutes

    George Sand

    By Justin M'Carthy

    ()

    Read preview
    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    George Sand

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      Book preview

      George Sand - Justin M'Carthy

      The Project Gutenberg EBook of George Sand, by Justin M'Carthy

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.org

      Title: George Sand

      Author: Justin M'Carthy

      Release Date: May 5, 2011 [EBook #36040]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK GEORGE SAND ***

      Produced by Delphine Lettau, Martin Pettit and the Online

      Distributed Proofreading Team at http://www.pgdp.net (This

      file was produced from images generously made available

      by The Internet Archive/American Libraries.)

      GEORGE SAND.

      By

      JUSTIN M'CARTHY.

      Reprinted from The Galaxy for May, 1870.

      We are all of us probably inclined, now and then, to waste a little time in vaguely speculating on what might have happened if this or that particular event had not given a special direction to the career of some great man or woman. If there had been an inch of difference in the size of Cleopatra's nose; if Hannibal had not lingered at Capua; if Cromwell had carried out his idea of emigration; if Napoleon Bonaparte had taken service under the Turk,—and so on through all the old familiar illustrations dear to the minor essayist and the debating society. I have sometimes felt tempted thus to lose myself in speculating on what might have happened if the woman whom all the world knows as George Sand had been happily married in her youth to the husband of her choice. Would she ever have taken to literature at all? Would she, loving as she does, and as Frenchwomen so rarely do, the changing face of inanimate nature,—the fields, the flowers and the brooks,—have lived a peaceful and obscure life in some happy country place, and been content with home, and family, and love, and never thought of fame? Or if, thus happily married, she still had allowed her genius to find an expression in literature, would she have written books with no passionate purpose in them,—books which might have seemed like those of a good Miss Mulock made perfect,—books which Podsnap might have read with approval, and put without a scruple into the hands of that modest young person, his daughter? Certainly one cannot but think that a different kind of early life would have given a quite different complexion to the literary individuality of George Sand.

      Bulwer Lytton, in one of his novels, insists that true genius is always quite independent of the individual sufferings or joys of its possessor, and describes some inspired youth in the novel as sitting down, while sorrow is in his heart, and hunger gnawing at his vitals, to throw off a sparkling and gladsome little fairy tale. Now this is undoubtedly true, in general, of any high order of genius; but there are at least some great and striking exceptions. Rousseau and Byron are, in modern days, remarkable illustrations of genius, admittedly of a very high rank,

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