Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Hawaiian Folk Tales
A Collection of Native Legends
Hawaiian Folk Tales
A Collection of Native Legends
Hawaiian Folk Tales
A Collection of Native Legends
Ebook357 pages4 hours

Hawaiian Folk Tales A Collection of Native Legends

Rating: 3 out of 5 stars

3/5

()

Read preview
LanguageEnglish
Release dateApr 1, 1976
Hawaiian Folk Tales
A Collection of Native Legends

Related to Hawaiian Folk Tales A Collection of Native Legends

Related ebooks

Related articles

Reviews for Hawaiian Folk Tales A Collection of Native Legends

Rating: 3.125000025 out of 5 stars
3/5

4 ratings1 review

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 3 out of 5 stars
    3/5
    This collection of native Hawaiian myths and legends, ranging from tiny snippets of folklore to complex tales with rambling plots, was originally published in 1907. The stories themselves are generally interesting, sometimes just for the glimpses they give of Hawaiian culture (particularly the way in which Hawaiian folklore is intimately tied to specific places) and sometimes because they're pretty good stories in their own right, featuring the kinds of heroes and conflicts and random bits of supernatural intervention that can be found in legends all over the world. Unfortunately, many of them are not particularly well-told, and I couldn't help thinking that sometimes a little more context would be nice, for readers (like me) who have only a very vague familiarity with Hawaiian culture and history. Also unfortunate is the fact that it started off very much on the wrong foot for me; the first chapter, which is the only one to deal at all with Hawaiian creation myths, is entirely about parts of Hawaiian mythology that happen to have similarities to stories in the Old Testament, so it's pretty much just a collection of small, out-of-context pieces of stories that I'm willing to bet have been distorted at least a little bit to make for a better cross-cultural fit. The rest of the collection, at least, avoids doing any more of that. But, as the introduction points out, the stories have been edited somewhat so as not to offend Victorian sensibilities, which is annoying.The blurb on the back cover of the edition I have suggests that this is "an excellent first introduction" to Hawaiian folk tales and mythology. I suppose one could do worse, since I do feel like I've come out of it knowing more about the subject than when I went in. But surely there must have been better examples published in the last century.

Book preview

Hawaiian Folk Tales A Collection of Native Legends - Thomas G. (Thomas George) Thrum

The Project Gutenberg EBook of Hawaiian Folk Tales, by Various

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever.  You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.org

Title: Hawaiian Folk Tales

       A Collection of Native Legends

Author: Various

Editor: Thomas G. Thrum

Release Date: May 25, 2006 [EBook #18450]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK HAWAIIAN FOLK TALES ***

Produced by Jeroen Hellingman and the Online Distributed

Proofreading Team at http://www.pgdp.net/ (This file was

made using scans of public domain works from the University

of Michigan Digital Libraries.)

Hawaiian Folk Tales

Hawaiian Girl of the Old Régime.

Hawaiian Folk Tales

A Collection of Native Legends

Compiled by Thos. G. Thrum

With sixteen illustrations from photographs

Chicago

A. C. McClurg & Co.

1907

Copyright, 1907

By

A. C. McClurg & Co.


Entered at Stationers’ Hall, London, England

Published March 1, 1907

The Lakeside Press

R. R. Donnelley & Sons Company

Chicago

Preface

It is becoming more and more a matter of regret that a larger amount of systematic effort was not established in early years for the gathering and preservation of the folk-lore of the Hawaiians. The world is under lasting obligations to the late Judge Fornander, and to Dr. Rae before him, for their painstaking efforts to gather the history of this people and trace their origin and migrations; but Fornander’s work only has seen the light, Dr. Rae’s manuscript having been accidentally destroyed by fire.

The early attempts of Dibble and Pogue to gather history from Hawaiians themselves have preserved to native and foreign readers much that would probably otherwise have been lost. To the late Judge Andrews we are indebted for a very full grammar and dictionary of the language, as also for a valuable manuscript collection of meles and antiquarian literature that passed to the custody of the Board of Education.

There were native historians in those days; the newspaper articles of S. M. Kamakau, the earlier writings of David Malo, and the later contributions of G. W. Pilipo and others are but samples of a wealth of material, most of which has been lost forever to the world. From time to time Prof. W. D. Alexander, as also C. J. Lyons, has furnished interesting extracts from these and other hakus.

The Rev. A. O. Forbes devoted some time and thought to the collecting of island folk-lore: and King Kalakaua took some pains in this line also, as evidenced by his volume of Legends and Myths of Hawaii, edited by R. M. Daggett, though there is much therein that is wholly foreign to ancient Hawaiian customs and thought. No one of late years had a better opportunity than Kalakaua toward collecting the meles, kaaos, and traditions of his race; and for purposes looking to this end there was established by law a Board of Genealogy, which had an existence of some four years, but nothing of permanent value resulted therefrom.

Fornander’s manuscript collection of meles, legends, and genealogies in the vernacular has fortunately become, by purchase, the property of the Hon. C. R. Bishop, which insures for posterity the result of one devoted scholar’s efforts to rescue the ancient traditions that are gradually slipping away; for the haku meles (bards) of Hawaii are gone. This fact, as also the Hawaiian Historical Society’s desire to aid and stimulate research into the history and traditions of this people, strengthens the hope that some one may yet arise to give us further insight into the legendary folk-lore of this interesting race.

T. G. T.

Honolulu, January 1, 1907.

Note

In response to repeated requests, the compiler now presents in book form the series of legends that have been made a feature of The Hawaiian Annual for a number of years past. The series has been enriched by the addition of several tales, the famous shark legend having been furnished for this purpose from the papers of the Hawaiian Historical Society.

The collection embraces contributions by the Rev. A. O. Forbes, Dr. N. B. Emerson, J. S. Emerson, Mrs. E. M. Nakuina, W. M. Gibson, Dr. C. M. Hyde, and others, all of whom are recognized authorities.

T. G. T.

Honolulu, January 1, 1907.

Contents

I. Legends Resembling Old Testament History.

Rev. C. M. Hyde, D.D. 15

II. Exploits of Maui.

Rev. A. O. Forbes

I. Snaring the Sun 31

II. The Origin of Fire 33

III. Pele and the Deluge.

Rev. A. O. Forbes 36

IV. Pele and Kahawali.

From Ellis’s "Tour of Hawaii" 39

V. Hiku and Kawelu.

J. S. Emerson 43

Location of the Lua o Milu 48

VI. Lonopuha; or, Origin of the Art of Healing in Hawaii.

Translated by Thos. G. Thrum 51

VII. A Visit to the Spirit Land; or, The Strange Experience of a Woman in Kona, Hawaii.

Mrs. E. N. Haley 58

VIII. Kapeepeekauila; or, The Rocks of Kana.

Rev. A. O. Forbes 63

IX. Kalelealuaka.

Dr. N. B. Emerson 74

X. Stories of the Menehunes: Hawaii the Original Home of the Brownies.

Thos. G. Thrum 107

Moke Manu’s Account 109

Pi’s Watercourse 110

Laka’s Adventure 111

Kekupua’s Canoe 114

As Heiau Builders 116

XI. Kahalaopuna, Princess of Manoa.

Mrs. E. M.Nakuina 118

XII. The Punahou Spring.

Mrs. E. M. Nakuina 133

XIII. Oahunui.

Mrs. E. M. Nakuina 139

XIV. Ahuula: A Legend of Kanikaniaula and the First Feather Cloak.

Mrs. E. M. Nakuina 147

XV. Kaala and Kaaialii: A Legend of Lanai.

W. M. Gibson 156

XVI. The Tomb of Puupehe: A Legend of Lanai.

From The Hawaiian Gazette 181

XVII. Ai Kanaka: A Legend of Molokai.

Rev. A. O. Forbes 186

XVIII. Kaliuwaa. Scene of the Demigod Kamapuaa’s Escape from Olopana.

From The Hawaiian Spectator 193

XIX. Battle of the Owls.

Jos. M. Poepoe 200

XX. This Land is the Sea’s. Traditional Account of an Ancient Hawaiian Prophecy.

Translated from Moke Manu by Thos. G. Thrum 203

XXI. Ku-ula, the Fish God of Hawaii.

Translated from Moke Manu by M. K. Nakuina 215

XXII. Aiai, Son of Ku-ula. Part II of the Legend of Ku-ula, the Fish God of Hawaii.

Translated from Moke Manu by M. K. Nakuina 230

XXIII. Kaneaukai: A Legend of Waialua.

Thos. G. Thrum 250

XXIV. The Shark-man, Nanaue.

Mrs. E. M. Nakuina 255

XXV. Fish Stories and Superstitions.

Translated by M. K. Nakuina 269

Glossary 277

Illustrations

Hawaiian Girl of the Old RégimeFrontispiece

A Lava Cascade 40

View in Wainiha Valley, Kauai 66

Scene in Olokele Gulch, Makaweli, Kauai 86

The Deep Blue Palis of Koolau 104

Scene from the Road over Nuuanu Pali 112

View at the Head of Manoa Valley, Oahu 120

The Favorite Sport of Surf-Riding 130

Hawaiian Arrayed in Feather Cloak and Helmet 150

The Ceremony of the Hula 158

The Hula Dance 162

Kuumana, the Rain God of Kau 196

A Grass House of the Olden Time 210

Making Ready the Feast 228

Hawaiian Fisherman Using the Throw-Net 246

Coast Surf Scene 262

Hawaiian Folk Tales

I

Legends Resembling Old Testament History

Rev. C. M. Hyde, D.D.

In the first volume of Judge Fornander’s elaborate work on The Polynesian Race he has given some old Hawaiian legends which closely resemble the Old Testament history. How shall we account for such coincidences?

Take, for instance, the Hawaiian account of the Creation. The Kane, Ku and Lono: or, Sunlight, Substance, and Sound,—these constituted a triad named Ku-Kaua-Kahi, or the Fundamental Supreme Unity. In worship the reverence due was expressed by such epithets as Hi-ka-po-loa, Oi-e, Most Excellent, etc. "These gods existed from eternity, from and before chaos, or, as the Hawaiian term expressed it, ‘mai ka po mia’ (from the time of night, darkness, chaos). By an act of their will these gods dissipated or broke into pieces the existing, surrounding, all-containing po, night, or chaos. By this act light entered into space. They then created the heavens, three in number, as a place to dwell in; and the earth to be their footstool, he keehina honua a Kane. Next they created the sun, moon, stars, and a host of angels, or spirits—i kini akua—to minister to them. Last of all they created man as the model, or in the likeness of Kane. The body of the first man was made of red earth—lepo ula, or alaea—and the spittle of the gods—wai nao. His head was made of a whitish clay—palolo—which was brought from the four ends of the world by Lono. When the earth-image of Kane was ready, the three gods breathed into its nose, and called on it to rise, and it became a living being. Afterwards the first woman was created from one of the ribs—lalo puhaka—of the man while asleep, and these two were the progenitors of all mankind. They are called in the chants and in various legends by a large number of different names; but the most common for the man was Kumuhonua, and for the woman Keolakuhonua [or Lalahonua].

"Of the creation of animals these chants are silent; but from the pure tradition it may be inferred that the earth at the time of its creation or emergence from the watery chaos was stocked with vegetable and animal. The animals specially mentioned in the tradition as having been created by Kane were hogs (puaa), dogs (ilio), lizards or reptiles (moo).

"Another legend of the series, that of Wela-ahi-lani, states that after Kane had destroyed the world by fire, on account of the wickedness of the people then living, he organized it as it now is, and created the first man and the first woman, with the assistance of Ku and Lono, nearly in the same manner as narrated in the former legend of Kumuhonua. In this legend the man is called Wela-ahi-lani, and the woman is called Owe."

Of the primeval home, the original ancestral seat of mankind, Hawaiian traditions speak in highest praise. "It had a number of names of various meanings, though the most generally occurring, and said to be the oldest, was Kalana-i-hau-ola (Kalana with the life-giving dew). It was situated in a large country, or continent, variously called in the legends Kahiki-honua-kele, Kahiki-ku, Kapa-kapa-ua-a-Kane, Molo-lani. Among other names for the primary homestead, or paradise, are Pali-uli (the blue mountain), Aina-i-ka-kaupo-o-Kane (the land in the heart of Kane), Aina-wai-akua-a-Kane (the land of the divine water of Kane). The tradition says of Pali-uli, that it was a sacred, tabooed land; that a man must be righteous to attain it; if faulty or sinful he will not get there; if he looks behind he will not get there; if he prefers his family he will not enter Pali-uli. Among other adornments of the Polynesian Paradise, the Kalana-i-hau-ola, there grew the Ulu kapu a Kane, the breadfruit tabooed for Kane, and the ohia hemolele, the sacred apple-tree. The priests of the olden time are said to have held that the tabooed fruits of these trees were in some manner connected with the trouble and death of Kumuhonua and Lalahonua, the first man and the first woman. Hence in the ancient chants he is called Kane-laa-uli, Kumu-uli, Kulu-ipo, the fallen chief, he who fell on account of the tree, or names of similar import."

According to those legends of Kumuhonua and Wela-ahi-lani, "at the time when the gods created the stars, they also created a multitude of angels, or spirits (i kini akua), who were not created like men, but made from the spittle of the gods (i kuhaia), to be their servants or messengers. These spirits, or a number of them, disobeyed and revolted, because they were denied the awa; which means that they were not permitted to be worshipped, awa being a sacrificial offering and sign of worship. These evil spirits did not prevail, however, but were conquered by Kane, and thrust down into uttermost darkness (ilalo loa i ka po). The chief of these spirits was called by some Kanaloa, by others Milu, the ruler of Po; Akua ino; Kupu ino, the evil spirit. Other legends, however, state that the veritable and primordial lord of the Hawaiian inferno was called Manua. The inferno itself bore a number of names, such as Po-pau-ole, Po-kua-kini, Po-kini-kini, Po-papa-ia-owa, Po-ia-milu. Milu, according to those other legends, was a chief of superior wickedness on earth who was thrust down into Po, but who was really both inferior and posterior to Manua. This inferno, this Po, with many names, one of which remarkably enough was Ke-po-lua-ahi, the pit of fire, was not an entirely dark place. There was light of some kind and there was fire. The legends further tell us that when Kane, Ku, and Lono were creating the first man from the earth, Kanaloa was present, and in imitation of Kane, attempted to make another man out of the earth. When his clay model was ready, he called to it to become alive, but no life came to it. Then Kanaloa became very angry, and said to Kane, ‘I will take your man, and he shall die,’ and so it happened. Hence the first man got his other name Kumu-uli, which means a fallen chief, he ’lii kahuli.... With the Hawaiians, Kanaloa is the personified spirit of evil, the origin of death, the prince of Po, or chaos, and yet a revolted, disobedient spirit, who was conquered and punished by Kane. The introduction and worship of Kanaloa, as one of the great gods in the Hawaiian group, can be traced back only to the time of the immigration from the southern groups, some eight hundred years ago. In the more ancient chants he is never mentioned in conjunction with Kane, Ku, and Lono, and even in later Hawaiian mythology he never took precedence of Kane. The Hawaiian legend states that the oldest son of Kumuhonua, the first man, was called Laka, and that the next was called Ahu, and that Laka was a bad man; he killed his brother Ahu.

There are these different Hawaiian genealogies, going back with more or less agreement among themselves to the first created man. The genealogy of Kumuhonua gives thirteen generations inclusive to Nuu, or Kahinalii, or the line of Laka, the oldest son of Kumuhonua. (The line of Seth from Adam to Noah counts ten generations.) The second genealogy, called that of Kumu-uli, was of greatest authority among the highest chiefs down to the latest times, and it was taboo to teach it to the common people. This genealogy counts fourteen generations from Huli-houna, the first man, to Nuu, or Nana-nuu, but inclusive, on the line of Laka. The third genealogy, which, properly speaking, is that of Paao, the high-priest who came with Pili from Tahiti, about twenty-five generations ago, and was a reformer of the Hawaiian priesthood, and among whose descendants it has been preserved, counts only twelve generations from Kumuhonua to Nuu, on the line of Kapili, youngest son of Kumuhonua.

"In the Hawaiian group there are several legends of the Flood. One legend relates that in the time of Nuu, or Nana-nuu (also pronounced lana, that is, floating), the flood, Kaiakahinalii, came upon the earth, and destroyed all living beings; that Nuu, by command of his god, built a large vessel with a house on top of it, which was called and is referred to in chants as ‘He waa halau Alii o ka Moku,’ the royal vessel, in which he and his family, consisting of his wife, Lilinoe, his three sons and their wives, were saved. When the flood subsided, Kane, Ku, and Lono entered the waa halau of Nuu, and told him to go out. He did so, and found himself on the top of Mauna Kea (the highest mountain on the island of Hawaii). He called a cave there after the name of his wife, and the cave remains there to this day—as the legend says in testimony of the fact. Other versions of the legend say that Nuu landed and dwelt in Kahiki-honua-kele, a large and extensive country. ... Nuu left the vessel in the evening of the day and took with him a pig, cocoanuts, and awa as an offering to the god Kane. As he looked up he saw the moon in the sky. He thought it was the god, saying to himself, ‘You are Kane, no doubt, though you have transformed yourself to my sight.’ So he worshipped the moon, and offered his offerings. Then Kane descended on the rainbow and spoke reprovingly to Nuu, but on account of the mistake Nuu escaped punishment, having asked pardon of Kane. ... Nuu’s three sons were Nalu-akea, Nalu-hoo-hua, and Nalu-mana-mana. In the tenth generation from Nuu arose Lua-nuu, or the second Nuu, known also in the legend as Kane-hoa-lani, Kupule, and other names. The legend adds that by command of his god he was the first to introduce circumcision to be practised among his descendants. He left his native home and moved a long way off until he reached a land called Honua-ilalo, ‘the southern country.’ Hence he got the name Lalo-kona, and his wife was called Honua-po-ilalo. He was the father of Ku-nawao by his slave-woman Ahu (O-ahu) and of Kalani-menehune by his wife, Mee-hewa. Another says that the god Kane ordered Lua-nuu to go up on a mountain and perform a sacrifice there. Lua-nuu looked among the mountains of Kahiki-ku, but none of them appeared suitable for the purpose. Then Lua-nuu inquired of God where he might find a proper place. God replied to him: ‘Go travel to the eastward, and where you find a sharp-peaked hill projecting precipitously into the ocean, that is the hill for the sacrifice.’ Then Lua-nuu and his son, Kupulu-pulu-a-Nuu, and his servant, Pili-lua-nuu, started off in their boat to the eastward. In remembrance of this event the Hawaiians called the back of Kualoa Koo-lau; Oahu (after one of Lua-nuu’s names), Kane-hoa-lani; and the smaller hills in front of it were named Kupu-pulu and Pili-lua-nuu. Lua-nuu is the tenth descendant from Nuu by both the oldest and the youngest of Nuu’s sons. This oldest son is represented to have been the progenitor of the Kanaka-maoli, the people living on the mainland of Kane (Aina kumupuaa a Kane): the youngest was the progenitor of the white people (ka poe keo keo maoli). This Lua-nuu (like Abraham, the tenth from Noah, also like Abraham), through his grandson, Kini-lau-a-mano, became the ancestor of the twelve children of the latter, and the original founder of the Menehune people, from whom this legend makes the Polynesian family descend."

The Rev. Sheldon Dibble, in his history of the Sandwich Islands, published at Lahainaluna, in 1843, gives a tradition which very much resembles the history of Joseph. "Waikelenuiaiku was one of ten brethren who had one sister. They were all the children of one father, whose name was Waiku. Waikelenuiaiku was much beloved by his father, but his brethren hated him. On account of their hatred they carried him and cast him into a pit belonging to Holonaeole. The oldest brother had pity on him, and gave charge to Holonaeole to take good care of him. Waikelenuiaiku escaped and fled to a country over which reigned a king whose name was Kamohoalii. There he was thrown into a dark place, a pit under ground, in which many persons were confined for various crimes. Whilst confined in this dark place he told his companions to dream dreams and tell them to him. The night following four of the prisoners had dreams. The first dreamed that he saw a ripe ohia (native apple), and his spirit ate it; the second dreamed that he saw a ripe banana, and his spirit ate it; the third dreamed that he saw a hog, and his spirit ate it; and the fourth dreamed that he saw awa, pressed out the juice, and his spirit drank it. The first three dreams, pertaining to food, Waikelenuiaiku interpreted unfavorably, and told the dreamers they must prepare to die. The fourth dream, pertaining to drink, he interpreted to signify deliverance and life. The first three dreamers were slain according to the interpretation, and the fourth was delivered and saved. Afterward this last dreamer told Kamohoalii, the king of the land, how wonderful was the skill of Waikelenuiaiku in interpreting dreams, and the king sent and delivered him from prison and made him a principal chief in his kingdom."

Judge Fornander alludes to this legend, giving the name, however, Aukelenui-a-Iku, and adding to it the account of the hero’s journey to the place where the water of life was kept (ka-wai-ola-loa-a-Kane), his obtaining it and therewith resuscitating his brothers, who had been killed by drowning some years before. Another striking similarity is that furnished to Judge Fornander in the legend of Ke-alii-waha-nui: "He was king of the country called Honua-i-lalo. He oppressed the Menehune people. Their god Kane sent Kane-apua and Kaneloa, his elder brother, to bring the people away, and take them to the land which Kane had given them, and which was called Ka aina momona a Kane, or Ka one lauena a Kane, and also Ka aina i ka haupo a Kane. The people were then told to observe the four Ku days in the beginning of the month as Kapu-hoano (sacred or holy days), in remembrance of this event, because they thus arose (Ku) to depart from that land. Their offerings on the occasion were swine and goats." The narrator of the legend explains that formerly there were goats without horns, called malailua, on the slopes of Mauna Loa on Hawaii, and that they were found there up to the time of Kamehameha I. The legend further relates that after leaving the land of Honualalo, the people came to the Kai-ula-a-Kane (the Red Sea of Kane); that they were pursued by Ke-alii-waha-nui; that Kane-apua and Kanaloa prayed to Lono, and finally reached the Aina lauena a Kane.

"In the famous Hawaiian legend of Hiiaka-i-ka-poli-o-Pele, it is said that when Hiiaka went to the island of Kauai to recover and restore to life the body of Lohiau, the lover of her sister, Pele, she arrived at the foot of the Kalalau Mountain shortly before sunset. Being told by her friends at Haena that

Enjoying the preview?
Page 1 of 1