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The Quality of the Informant
The Quality of the Informant
The Quality of the Informant
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The Quality of the Informant

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T-Man Charles Carr depends heavily on informants in his pursuit of pushers, passers and makers of counterfeit "paper." Informants are as much a part of the seamy, violent L.A. underworld as are the crooks they inform on, and they are crucial to Carr's effort to track down Paul LaMonica, a smooth thug whose skill at manufacturing paper is matched by his murderous amorality, from L.A. to Mexico.

LanguageEnglish
Release dateSep 29, 2010
ISBN9781452396743
The Quality of the Informant
Author

Gerald Petievich

Gerald Petievich belongs to that tiny group of writers who came to crime fiction from careers in law enforcement. He has been an Army counterspy and a U.S. Secret Service agent, using his real life experiences to achieve verisimilitude in his fiction. His novels are known to come as close as any in the mystery- and-thriller genre to a genuine realism. Three of his novels have been produced as major motion pictures.Gerald grew up in a police family. His father and brother were both members of the Los Angeles Police Department. He attended the Defense Language Institute in Monterey and later served in Germany as a US Army Counterintelligence Special Agent. As Chief of the Counterespionage Section, Field Office Nuremberg, he received commendations for his work during the 1968 Soviet invasion of Czechoslovakia.In 1970 he joined the United States Secret Service where as a Special Agent he spent fifteen years engaged in duties relating to the protection of the President and the enforcement of Federal counterfeiting laws. It was during a long-term Secret Service assignment in Paris, France that Petievich discovered the works of Per Wahloo & Maj Sjowall, Graham Greene and John le Carre, and decided to become a writer. Later, while serving in Los Angeles as the US Secret Service representative to the Department of Justice Organized Crime Strike Force, Gerald's schedule consisted of rising at 4 AM to write before going to his government office.In 1985, Gerald left the Secret Service to pursue his writing career full-time. Gerald's first novel, Money Men, the first of his Charles Carr series of police procedurals, was based on a real-life L.A. case in which an undercover police officer was murdered. This novel and his other police procedural novels belong to the school of inverted detection: that is, the criminals are known to the reader from the beginning, and the suspense lies in how they will be found out and brought to justice. Though some of the detection is of the deductive or scientific types, most of it, just as in real life, involves simple legwork and the use of informants.Money Men introduces Charles Carr, a 20-year veteran of the Secret Service who is the central character in four Petievich novels. During a stakeout in a Sunset Boulevard motel, Carr and his partner Jack Kelly are listening in as an undercover agent arranges a counterfeit money buy in the next room. But the operation is blown and the agent is killed. After the shooting, Carr swears vengeance on the killer. The villain is Red Diamond, an aging counterfeiter just out of prison who is looking for another score. Carr's girlfriend is court reporter Sally Malone who fails in her every attempt to change Carr into something he isn't. Money Men was adapted into the United Artists motion picture "Boiling Point" starring Wesley Snipes and Dennis Hopper.Petievich followed up with three other Charles Carr novels, One-shot Deal, The Quality of the Informant and To Die in Beverly Hills.In One-shot Deal, Carr is six months from his 25-year retirement when he is assigned to hunt down Larry Phillips, a dangerous psychopath who plans to counterfeit millions of dollars in Treasury securities.In Petievich's third novel, To Die in Beverly Hills, Charles Carr is back in Southern California. At the center of the story is one of the author's most interesting villains, the devious and untrustworthy Beverly Hills detective Travis Bailey. Bailey is at the center of a burglary ring victimizing the stars. Carr goes after Bailey, cop against cop.In Petievich's novel The Quality of the Informant the story begins in a seedy a Hollywood bar, where villain Paul La Monica is discussing a cocaine deal with a movieland hair stylist known as "the dope pusher to the stars." The informant in the case, cocktail waitress Linda Gleason, provides the information to apprehend La Monica. But he escapes and kills her, setting Agent Carr on a trail of revenge.In To Live and Die in L.A. Petievich departs from of the Charles Carr series to write a mainstream thriller concerning Secret Service agent Richard Chance and his quest to destroy a vicious killer. In this novel the morals of the "good guys" wind up as much in question as much as those of the villain.To Live and Die in L.A. was the basis for the 1984 MGM motion picture of the same name, starring Willem Dafoe and William Peterson, who currently plays the lead in the number one rated CBS TV show "C.S.I." To Live and Die in L.A, has become a classic Film Noir and is a popular topic in film classes.Petievich’s L.A. crime thriller, Earth Angels, was based on his hands-on research with the Los Angeles Police Department's newly formed specialized gang detail. The novel ironically mirrors the now infamous LAPD Rampart Division scandal, but was written more than ten years earlier.Petievich’s next novel, Shakedown, was based on an idea that came to him while he was a U.S. Secret Service agent working on a long-term undercover operation involving the theft of government bonds. Petievich said: "I ended up in Hollywood being introduced to one of the most fascinating men I have ever met: a professional blackmailer who had spent years impersonating cops in order to extort movie stars. After I returned home, I sat up half the night making notes on what he had told me."Gerald's novel, Paramour also had a non-fiction background. Written years before the Monica Lewinsky scandal, the novel was loosely grounded on a case Petievich actually investigated involving a mysterious woman who was involved with a high-ranking White House VIP.Petievich's latest novel, “The Sentinel” is a political thriller that involves a White House Secret Service bodyguard and a beguiling woman with whom he is having a torrid affair: the First Lady. Critics consider sentinel to be Petievich’s most compelling novel to date. The motion picture based on it starred Michael Douglas and Kiefer Sutherland and was a 2005 box-office success.Gerald lives in Los Angeles with his wife Pam, a gourmet cook who trained at Paris' Cordon Bleu Cooking School. They have a daughter, Emma.

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    The Quality of the Informant - Gerald Petievich

    THE QUALITY OF THE INFORMANT

    GERALD PETIEVICH

    COPYRIGHT © 1985 by Gerald Petievich

    Smashwords Edition

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

    ****

    For

    JOHN,

    GUDRUN,

    TRIXI,

    and

    JOHNNY

    ****

    Chapter 1

    THOUGH IT was early in the day the Castaways Lounge had plenty of customers, mostly men. The walls of the dimly lit bar were decorated with crude glow in the dark paintings of nude women with heavy breasts and luminous pink nipples. There were lots of whispered conversations about money, calls made from the pay phone next to the rest room, sudden departures and returns. There were many bars like it in Hollywood.

    Paul LaMonica sat at a cocktail table with Teddy Mora, a gaunt man with an oatmeal complexion. The meeting had been Mora's idea. He said he had a proposition.

    I've just lined up the best coke connection on the West Coast, Mora said. They call him the Barber. He's a hair stylist who makes house calls to the movie stars; I mean the big movie stars. He told me they don't even haggle price. They like cocaine and they don't give a shit what it costs.

    So? LaMonica said. He sipped a Bloody Mary.

    So, his supplier got himself killed on a rip off day before yesterday, Mora said. The Barber wants me to take over. The man needs dope for the movie stars. This is the chance of a lifetime.

    Where do I fit in? LaMonica asked.

    I need front money for the first load of snow, Mora said. I'm offering you the chance to go in with me. We'd be partners. The way I have it figured, we can triple our investment with every load.

    LaMonica lit a cigarette. Dope is not my thing, he said. I don't even know enough about it to talk price. Besides, every deal has a thousand middlemen involved, and from what I've seen through the years, one of 'em is usually a snitch. He frowned. And I don't like snitches.

    I'm not asking you to get involved in any of the negotiations, Teddy Mora said. I can handle the nitty gritty. You're an ink and paper man and you always have been. I know that. Mora reached across the table and patted the other man on the arm in a brotherly fashion. All I'm asking you to do is to come in as a partner; to make an investment. You'll come straight in from the top end of the thing. I'll handle all the details. There is virtually no risk whatsoever. I guarantee that.

    A ginger haired cocktail waitress came to the table. Her nametag read Linda and she wore a low cut top and a short skirt. Another round? she said. LaMonica nodded. As she emptied the ashtray her leg rubbed against his arm. She smiled at him and walked away. He guessed her age as close to forty, a few years younger than his. How much are we talking about? LaMonica asked. He rubbed his hands together.

    We need a total of a hundred, Mora said. My fifty grand is in the bank right now.

    How do I know that? LaMonica had a wry smile.

    Teddy Mora reached into his back pocket, pulled out a bankbook, and handed it to LaMonica. LaMonica opened the book. There were a dozen or so stamped entries totaling about fifty thousand dollars. He handed the book back.

    Okay, LaMonica said. I come up with fifty ... then what? He took a drag from the cigarette and picked a piece of tobacco off the end of his tongue.

    Then we deposit the money into a bank account in Ensenada, Mora said. An hour later we get a telephone call. The load will be stashed in a car in the tourists' parking lot on the U.S. side of the border. We pick up the load and head for L.A., where the Barber is waiting. He pays us up front and we tell him where to find the package. We triple our hundred grand in one day. On our end, it's just you and me. You don't have to meet anyone. There is no way for anything to go wrong. On the Mexican side, the deal is insured by my contacts in Mexico City. When I say 'contacts', I'm talking about people at the highest level. I'm talking about the politicos. It's taken me three years of living in Mexico to set this thing up.

    LaMonica raised his eyebrows in an expression of disbelief. Why don't you just parlay two deals for fifty each? Why do you need me?

    Good question, Mora said. "The answer is that I've been talking a big game to the Barber, but now that the connection has finally come together, I'm short of cash. I've got a lot of money tied up in my bar in Ensenada, and I just bought a head shop down the street from here by Grauman's Chinese. I'm short of bucks. It's that simple. I'm giving you a shot at the deal because I trust you; we walked the yard together. If you'll come in with me I won't have to worry about talking this thing up to investors and taking the chance of meeting a fed or an informer. But I hope you're realistic enough to see that there are plenty of people who would literally jump on this thing."

    Mora picked up his drink and took sips, then set the glass down. His hands grasped the edge of the table. He leaned forward and said, "What I'm telling you is that you can fuck around for the rest of your life with funny money and phony checks and you will never be able to score anywhere near what you could with just one solid coke deal. I don't have to sit here and remind you that bogus bills have to be passed one at a time, or at best, dealt off in thousand dollar packages to a parade of sniffling, back stabbing hypes, one out of two of which is a rat. Even checks ... top limit can't be more than a few grand and you have to stand there in the bank with your face hanging out in order to cash it. Mora pulled his chair closer to the table. Coke is the answer. There's guys who have made enough to walk away from everything for once and for all. And I'm not talking about heavies. I'm talking about twenty one year old red assed punks sailing around on their yachts in Marina Del Rey right this very minute. They had the guts to get in their car and make one round trip from here to Tijuana and back. L.A. is full of people like that. And what the hell did they have to lose? Minimum, straight probation for the first offense, or maximum, a year in a federal camp with tennis courts. Was it worth it? You're goddamn fucking right it was. Why? Because there's a market for the shit! The movie stars, TV people, doctors, dentists ... they pack their noses every night. They get off on it! And, old buddy, most important of all, they are willing to pay out their asses for it."

    Having spit out the last sentence, Teddy Mora sat back in his chair and folded his arms across his chest.

    LaMonica smiled. I guess after all these years I can trust you not to try to scam me, he said.

    Linda the waitress leaned back against her bar station and gazed in his direction. She popped an olive into her mouth and made a funny face. LaMonica smiled.

    I've always made it a point not to cross Paulie LaMonica, Mora said. It's because I know you too well. Friend or not, you'd kill me and sit down and eat a sandwich afterward. Mora laughed nervously.

    The waitress approached them, and they stopped talking. As she arranged drinks on the table she made a point of giving LaMonica an extra peek down the front of her low cut costume.

    LaMonica paid her. Keep the change.

    Thank you, Silver Fox, she said with a smile.

    As she walked away he noticed that her legs were smooth, no varicose veins. All in all, a reasonably attractive woman.

    Mora's leering eyes followed the waitress back to the bar. Word is she can suck a tennis ball through a twenty foot garden hose, he whispered.

    Linda set the empty drinks down on the bar. She turned and winked at LaMonica. He winked back.

    It'll take me a week or two to come up with my fifty grand, LaMonica said. "I have a thing mapped out."

    We've got to move on this deal as soon as we can, Mora said. "The buyer won't wait forever. He's big, I'm telling ya. He gets invited to every studio party. He's the dope pusher to the stars."

    ****

    Chapter 2

    THE AIR CONDITIONING unit in the modest apartment had just clicked off. Its rattle was replaced by the whiz hum sound of the nearby Hollywood freeway.

    Linda Gleason was in her bedroom, standing in front of a dressing table mirror. She reached behind for the zipper, tugged at it, and the cocktail waitress outfit split in half. She gave a shrug and it dropped to the floor.

    In her underwear she turned and faced the man sitting on the edge of the bed. She knew him only as Paul, and his hair was styled, graying, perhaps dyed. His pants were off. He had the paunch, the fish skin folds on the belly, that all the Hollywood rounders, the credit card bullshitters, the confidence men with open collar Beverly Hills shirts wore like a uniform. To her, it was a telltale mark of prison.

    But there were other signs: his generally cautious demeanor; the vague remarks on the telephone; his reluctance to leave messages or to tell her where he lived; the way he parked his car around the corner from the Castaways Lounge rather than in the parking lot. And the missing little finger ... could he have lost it in a prison knife fight?

    Ile only thing she liked about the man so far was the way he had come right out and put the question to her. No beating around the bush crap about going out for breakfast or taking a drive to the beach. His had been a simple and straightforward Let's fuck. (Much to his surprise, she'd said, Shouldn't we wait until we get to my apartment?) Even as a teenager she had preferred the boys who straight out pulled her sweater off over those who insisted on the crawling hands breath holding kissy face act before getting down to business. Of course she had learned early on that women could not express such thoughts. Richard, her dead husband, had made that point more than once. It kills the mystery, he'd said.

    Small world, Linda said, unsnapping her bra.

    Like how? Paul pulled off his undershirt and tossed it on the floor. He had a florist's smile.

    You having known my husband, she said, shrugging off the bra and sitting down at the dressing table. As she ran a brush through her hair she watched him in the mirror. He leaned back against the headboard.

    Richard and I were at Terminal Island together ten years ago, he said. Maximum security. I heard about what happened to him after we got out. Too bad. He said too bad without shaking his head. He pulled off his shorts and tossed them on the floor.

    Linda leaned closer to the mirror and applied lipstick. I told him it would happen if he took money from a loan shark, but he never listened to me ... or to anyone else, for that matter. She made her lips flat and pressed them together.

    The man's hand was between his legs. He was pulling on himself. Linda hoped it wouldn't mean one of those marathon efforts to make him come. At least he wasn't drunk, she thought.

    Linda Gleason stood up and pulled off her panties. She tossed them at a chair. Crawling onto the bed, she perched on her knees in front of him. Relax, she said. Let me do everything. Without hesitation, she took his cock firmly in her hand and pumped gently. Tell me what you like, she whispered.

    The man gave a moan and soon became erect. He whispered things for her to do, positions to assume, and she complied. None of the requests surprised her. It was the usual bill of fare fantasy cock worship act that always excited men. Hurrying like an adolescent, he was on top of her, rutting, sweating, exercising his ugly abdomen, and Linda made periodic joy yelps to help him along. Finally, his eyes closed and he gave in to orgasm. As the man groaned in a wave of pleasure, Linda glanced at a clock on the nightstand. She made an expected aaaah sound. With a wet kiss, he rolled off her in exhaustion.

    Linda snuggled next to him. Her hand danced gently across the hair of his chest for a while. Mmmm, she said. It's nice to be with someone who turns me on.

    Paul fondled a breast. I don't come to L.A. very often, he said. The feds here are looking for me.

    Linda's neck tingled. She had guessed right. Why? she asked.

    Funny money. He flicked her nipple.

    Hiding her excitement at the remark, Linda took his hand and covered it with little kisses.

    When are you leaving town?

    Tomorrow night, Paul said, looking at the ceiling.

    During the next half hour or so, they showered separately and Paul dressed.

    While Linda stood drying off in front of the bathroom door, Paul said something about using the telephone. Tucking in his shirt, he went into the living room.

    Linda tiptoed to the half closed door as he was dialing the phone.

    This is Robert French, she heard him say. May I speak to Mr. Lassiter please?

    Linda put her ear to the crack of the door.

    Hello, Robert French here, Paul said. I ordered thirty reams of safety paper and some inks yesterday. Would you check and see if the order is ready? Nothing was said for a while. Then, Fine, Paul said. No, that won't be necessary. I'll be in to pick it up. Thanks. He hung up the phone and made another call. Yes, for one month only, he said. I want you to answer: 'International Investigations Incorporated.' I'll call in for messages once a day. Whoever calls, just tell them I'm out of town. He hung up the receiver.

    Linda dashed to the closet and grabbed a robe. Paul came back into the bedroom and sat down on the bed. He started putting on his shoes.

    Sounds like you've got something cooking, Linda said, fearing to be any more direct. She ran a brush through her damp hair.

    You might say that, Paul said. Matter of fact, I'll be needing a female backup in a week or so. Interested?

    Linda shrugged and continued to brush. She wished she'd had a chance to look through his wallet. Tomorrow is my day off, she said, sitting down next to him on the bed.

    How about coming over before you leave. We can barbecue steaks. She nuzzled his ear. And maybe I can have a repeat performance before I let you go, she whispered, giving his crotch a squeeze.

    Why not, he said proudly. He stood up and threw on his camel's hair sport coat. Linda followed him to the front door.

    He patted her on the bottom and said, See ya tomorrow, in a confident tone. Linda Gleason winked. The man walked outside.

    Having closed and bolted the door, she found her purse on the kitchen counter, dug out a pack of filter tips and lit up. Plopping down on the sofa, she grabbed the phone off the coffee table and dialed.

    A sleepy voiced man answered. U.S. Treasury Field Enforcement.

    I'm trying to get in touch with Special Agent Charles Carr, Linda Gleason said. She took a deep drag on the cigarette and blew out a stream of smoke.

    He works the four to twelve shift. Would you like to leave a message?

    I'll call later, thanks.

    The phone clicked.

    It was 3:00 P.M.

    The apartment's solitary bedroom was bare except for a bed with a suitcase opened on it and a dresser. The second-story view from the window was of another apartment house. In Santa Monica, a blocked ocean view was the sign of an affordable address.

    Having shaved, showered, and donned slacks and a short-sleeved white shirt with a frayed collar, Charles Carr fastened a holster to his belt. He realized as he dressed that he had taken the shirt with him to Washington, D.C., when he'd been transferred there from L.A. two years ago. Unable to find his handcuff case after rummaging through the suitcase, he hung the cuffs over his belt at the small of his back. He shoved his .38 into the holster.

    While shaving, he had momentarily considered leaving the stubble on his upper lip to begin a mustache. A lady bartender he'd dated in D.C. had once told him it would make him look younger. He had quickly scotched the daydream and shaved clean. So he looked like a fifty year old man with a barroom flush on his cheekbones so what? The Treasury Department's requirements had been for veterans with 20/20 vision and no distinguishing traits. Though his looks, dress, and general demeanor might keep him from making it to the pages of Gentleman's Quarterly, he figured he still filled the bill as a street level T man.

    He emptied his suitcase of the personal items he always seemed to cart along with him from transfer to transfer: a grainy Treasury Agent Training School class photo with everyone wearing hats; old bullet pouches and scribbly address books; a printed invitation to a 101st Airborne reunion decorated with a map of Korea; a news clipping about his shoot out with the hired killer Clyde Reno; a dog eared photograph of his mother and father sitting on the front porch of their tiny home in Boyle Heights; a stack of letters from Sally Malone. He stuffed the items into dresser drawers.

    Because his belongings were being shipped by government bill of lading (known to federal civil servants as the Wagon Train), he had no utensils. At the kitchen sink, he rinsed out a Styrofoam cup he found in the cabinet and drank two cups of water. He left the apartment and headed downtown.

    A tepid Santa Ana wind swirled in the open

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