"Open" Book Publishing is Almost a Miracle! (31 reports and guidelines)
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About this ebook
The title really says it all: “Open” Book Publishing is Almost a Miracle!
About four years ago some printers changed their business model, and that changed the entire publishing landscape. They told authors and publishers how to submit their books—it didn’t much matter what they were about, as long as they weren’t too dirty or bizarre—and, if a few sensible steps were followed, they would produce a printed book and would help distribute it. Almost free (about $25) for paperback proofs, totally free for ebooks. And fast too.
Digital books, called ebooks, were posted and usually available to buyers in minutes, at most, hours. The publishers showed you on your computer screen what the book's text and artwork looked like just as quickly as you sent it electronically and their software converted into their house text. If the submitter wanted it to look differently, he made the adjustments and sent it in again, until both were satisfied. The publisher paid from 30-85% of the royalty when the ebooks sold. No shipping, no warehousing, and usually no tax.
Three more houses followed a parallel philosophy and produced ink-on-paper books, mostly paperbacks. They are CreateSpace, Blurb, and Lulu again.
Here, the submitter had more steps to follow. They had to send a full cover (front, back, and spine), usually as a .jpg and a minimal size. (Yet all three had a do-it-yourself process on their website to help the author create a free cover.) The submitter got a chance to hand-read their book’s printed proof when it arrived a day or two after the submission steps were completed. They had to give a thumbs-up to the publisher (or not). They also paid for that proof’s mailing—that’s the $25 or so.
There’s a lot more to say about this near-miracle: much of that appears in the pages of the 31 reports and guidelines that follow.
Why does it look like a miracle to be able to write and publish any book you want fast and mostly free? Because in the old days, like a decade back, you really had two choices: (1) get another publisher to sit on your approved manuscript for 18 months, then pay you about 10% in royalties a couple of times a year, or (2) self-publish it, which took a ton of learning, work, and writing—then finding somebody to buy it, then sell it! The second, (2), cost from $2,000-5,000 to do it right, and unless you were niche publishing and pretesting, there was no guarantee you’d come close to breaking even.
The first route didn’t work for about 98% of those who tried to get their novel or how-to book bought; the second was a reinventing of the printing wheel for every tome.
Then the miracle took place. Publishers popped out of the printwork and asked you to write for them, and they’d not only take care of all of the stuff that writers hate (like marketing), they’d even pay you a royalty if your book was anywhere near as good and popular as you thought it was! (They’d pay you if there was only one sale too.)
So on these pages, Gordon Burgett, publisher since 1982 and author of 41 books in print, wrote a primer (sold by Smashwords) called How to Get Your Book Published Free in Minutes and Marketed Worldwide in Days.
Two years have passed since that book appeared, and Burgett has been blogging for the profession ever since. So in this book, "Open" Book Publishing is Almost a Miracle!" Burgett explains the most important changes and newest guidelines, shared as they happened in the blogs and now updated for current use.
Burgett has divided the book into eight sections: General Thoughts, Book Preparation for Open Publishing, Book Cover, Details, Publishing the Books, Specific Open Publishers, Publishing Six Open Books in Six Days, and Future Thoughts.
Is a book with your name on it selling worldwide worth $4.95?
Gordon Burgett
Gordon Burgett has 46 books and 1700+ published articles in print, has given 2000+ paid speaking presentations, and offers a free monthly newsletter at www.gordonburgett.com/free-reports. He posts at his blog at http://blog.gordonburgett.com twice weekly and discusses publishing, niche marketing, and selling one's writing.
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"Open" Book Publishing is Almost a Miracle! (31 reports and guidelines) - Gordon Burgett
Introduction
General Thoughts
1. How to publish your book almost free, almost instantly, and almost without marketing…
2. Why free and fast open
book publishing is a godsend
3. Nine reasons why you might seriously consider publishing through open publishers
4. What should you publish as an ebook?
5. If you’re already an established publisher, how might the open publishing help?
6. Mainstream publishing may be irrelevant to 95% of today’s publishers
Book Preparation for Open Publishing
7. Nine things to do to prep your ebook before you tackle the publishing
8. Nine more things you must then do to quickly produce an open published book
9. The Bowerman way to convert your bound book into an ebook bonanza!
10. How do you create and sell e-versions of your bound books?
11. Steps to create an ebook from your bound book text for Kindle, Nook, Smashwords, and Scribd
Book Cover
12. Four great tips for your ebook’s cover layout
13. Almost free artwork to help create your own ebook .jpg cover
Details
14. Five more ways to share your ebook’s contents...
15. How to lower your ebook prices with open publishers—and why you would
Publishing the Books
16. Eight-step computer process to publish in Kindle, Nook, Smashwords, CreateSpace, Lulu, Blurb, and Scribd
17. What’s the summary schedule and process for printing almost free open books?
18. Getting four open published books in print free in one (long) day
Specific Open Publishers
19. Pubit! (Nook) may be the fastest and easiest open publisher to use,
20. Publishing your book at Scribd,
21. Twenty steps to submit your bound book to CreateSpace,
22. When competing with yourself makes sense by submitting to Amazon’s CreateSpace,
Publishing Six Open Books in Six Days
23. First submission, at Scribd, of a new book to be published by six publishers in one week
24. Second posting, at Smashwords, of a new book to be published six times in one week,
25. Third posting, this at Lightning Source, of a new book to be published six times in one week
26. Fourth posting, now at CreateSpace, of a new book to be published six times in one week,
27. Fifth posting, at Lulu, of a new book to be published six times in one week,
28. Sixth and final posting, at Kindle, of our new book to be published by six publishers in one week,
29. Twenty days later: an update of the six-day postings,
Some Future Thoughts
30. Will the current ebook craze topple or replace publishers as we know them?
31. Where you and the digital world may be headed…
Introduction
For me the title says it all:
Open
Book Publishing
is Almost a Miracle!
About four years ago some printers decided to change their business model, and that changed the entire publishing landscape. They told authors and publishers how to submit their books—it didn’t much matter what they were about, as long as they weren’t too dirty or bizarre—and, if a few sensible steps were followed, they would produce a printed book and would help distribute it. Free (except for about $25 postage to get paperback proofs back to author, to proof. Totally free for ebooks). And it’s fast too.
Your digital books, called ebooks, were posted and usually available to buyers in minutes, at most, hours. The publishers showed you on your computer screen what the book looked like, text and artwork, as quickly as you sent it electronically and their software converted into their house text. If the submitter wanted it to look differently, he made the adjustments and sent it in again, until both were satisfied. The publisher paid from 30-85% of the royalty when the ebooks sold (usually monthly, starting 30-90 days later). No shipping, no warehousing, and usually no tax.
And also no guarantee that anybody would find the book in the publisher’s thumbnail catalog. But sometimes buyers did, particularly if the book preparer helped promote the book, often with the aid of social networks. Fiction usually outsold nonfiction. Artwork suffered. But an industrious producer could write and prep a new book monthly, some weekly, and forget about the publishing altogether once they learned to decipher and complete the submission requirements.
In this book I will focus on five such ebook publishers: Kindle, Nook, Smashwords, Lulu, and Scribd. (Smashwords also sends many of their submissions to Apple, Sony, Kobo, and more.)
Three more houses followed a parallel philosophy and produced ink-on-paper books, mostly paperbacks. They are CreateSpace, Blurb, and Lulu again.
Here, the submitter had more steps to follow. They had to send a full cover (front, back, and spine), usually as a .jpg and a minimal size. (Yet all three had a do-it-yourself process on their website to help the author create a free cover.) The submitter got a chance to hand-read their book’s printed proof when it arrived a day or two after the submission steps were completed. They had to give a thumbs-up to the publisher (or not). They also paid for that proof’s mailing—that’s the $25 or so.
With the bound books, until the publisher received an order from a buyer (with payment) nothing was printed at all (besides the proof). That’s because the books were produced one at a time by the P.O.D. (print-on-demand) method. Again, no warehousing. These publishers pay you a royalty of about 30-35%.
In publishing there’s a costly devil hiding in the process called the ISBN number. The numbers used to be free and given in volume to every new publisher. But now they cost about $250 for 10 (they come in lots of 10, 100, and 1000), so if you put out 10 unique editions of books they are $25 a book. In theory, you should use a different number for each kind of book: paperback, cloth, digital (a different one for each format), and so on. But almost all of the open
publishers will give you free ISBNs. (You need your own for Smashwords premium books and for Lightning Source.) For those providing free ISBNs, this process is doubly free.
There’s a lot more to say about this near-miracle: much of that appears in the pages and reports that follow. Why does it look like a miracle to be able to write and publish any book you want fast and mostly free? Because in the old days, like a decade back, you really had two choices: (1) get another publisher to sit on your approved manuscript for 18 months, then pay you about 10% in royalties a couple of times a year, or (2) self-publish it, which took a ton of learning, work, and writing—then finding somebody to buy it, and then sell it! The second, (2), cost from $2,000-5,000 to do it right, and unless you were niche publishing and pretesting, there was no guarantee you’d come close to breaking even.
The first route didn’t work for about 98% of those who tried to get their novel or how-to book bought; the second was a reinventing of the printing wheel for every tome.
And then some companies pop out of the printwork and ask you to write for them, and they’d not only take care of all of the stuff that writers hate (like marketing), they’d even pay you a royalty if your book was anywhere near as good and popular as you thought it was! (They’d pay you if there was only one sale too.)
That’s almost too much introduction because it’s all explained in greater detail in the good reading that follows.
A few confessions and I’m done.
As soon as I had a handle on open
publishing I wrote a book to show others how to tiptoe through the submissions paths of all seven of the publishers mentioned above. So bear with me if I mention How to Get Your Book Published Free in Minutes and Marketed Worldwide in Days about 200 times. Many of the reports began as individual