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Seeing God
Seeing God
Seeing God
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Seeing God

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Who is God? What is God? In what sense can we say that God actually exists? How can a good, omnipotent God permit sin and the suffering of innocents to exist? Theo Lee, a young minister in a small suburban church, confronts these questions head on when his infant son unexpectedly dies. Wrestling with his grief, he comes to a deeper understanding of what the reality we call “God” means. To bring his congregation to a spiritual rebirth beyond all creeds and dogmas he begins a series of sermons taking as his text a paraphrase of John 1:1. “In the beginning was the mystery, and the mystery was with God and the mystery was God.”
For the nature of God is surely a mystery, the biggest mystery of all. Every one of us of us comes face to face with this mystery at some point in our lives. In the dark of night, in our own beds, and alone with our own thoughts, it suddenly occurs to us that these lives of ours appear out of nowhere, for no apparent reason, are going nowhere, and will soon enough disappear.
We come face to face with this mystery because we alone among creatures have something called “consciousness.”We have eaten the fruit of the symbolic tree of knowledge. We have “minds” of our own.’ We know ourselves both from within and without. We see ourselves, and also see ourselves seeing ourselves. And this goes on ad infinitum, like those endlessly multiplying images one sees in the opposing mirrors of a barbershop. Consciousness is both our greatest glory and the source of our most nearly unbearable torment. Because we are conscious we know that we will die.
The story told in Seeing God explores the way in which this same consciousness can lead us to a rebirth, to an understanding that the world­—the universe itself—is a spiritual reality.

LanguageEnglish
Release dateJul 12, 2012
ISBN9781878853738
Seeing God
Author

Thomas Williams

I decided early on that I wanted to earn my living "with words and books." And with hard work and a lot of trial and error, I have done just that. I took the usual detour that many would-be writers take: I became a teacher of literature. In my case it was comparative literature in the University of North Carolina system. I published the usual "scholarly" articles in journals that nobody reads, but soon discovered that I was far more interested in the writing than in the scholarship. I decided to branch out. I began sending out queries and sold my first article, "How to Teach about Poetry" to a magazine called Teacher's Scholastic. Not long thereafter, the University of Georgia Press published my first book, Mallarmé and the Language of Mysticism. Then, in a great stroke of luck (but luck that came about because I was a relentless sender-out of queries) I sold an over-the-transom article to Esquire magazine that managed to be featured on the front cover. With that clip to send out, I was a made man in the freelance business. But like an actor who itches to try directing, I wanted to try my hand at editing and publishing my own periodicals. In 1979 I was able to buy a weekly newspaper with no cash up front by assuming some of its debts. As it turns out, I was a pretty good editor. I increased circulation by 400% and ad revenues by an even larger percentage over a three-year period before selling out to one of the newspaper chains. I started and published many magazines, including Tar Heel: The Magazine of North Carolina (a statewide magazine), The New East magazine, NCEast Magazine (regional magazines) and Washington Magazine (a city magazine). I published Welcome to Wilmington, a newcomer guide, and the North Carolina Travel and Tourism Guide. I wrote extensively of my own magazines, dealing with freelancers from the other side of the editorial desk. I know what freelancers need to learn about querying magazines and writing saleable articles because, in my role as editor, I saw almost everybody doing it wrong. I started Venture Press, my home based publishing company, to self-publish my own books. This worked well. Titles such as How to Make $100,000 a Year in Desktop Publishing and How to Publish Your Poetry became Writers Digest Book Club selections. What Happens When Your Book is Published and What You Can Do about It is a successful eBook. I later expanded Venture Press and began to publish books by other writers as well. The result of all of this? I learned, step-by-step and from both sides of the editorial desk, how to succeed in freelance writing and in writing and publishing books, magazines and newspapers. Now my web site, http://www.Pubmart.com, will offer you every trade secret I have mastered, a very great deal of it free to you. In order to support myself in the modest but delightfully civilized style to which I have become accustomed, I still write, publish and sell my books, and I do one-on-one consultation, workshops and seminars for a fee. But mainly I "gladly learn and gladly teach" (as Chaucer said of his Clerk of Oxenford). If you want to learn how the writing and publishing business really works, PubMart.Com is a good, friendly place to start... Tom Williams PS. You can call me, Dr. Tom Williams, directly at 912.352.0404. I answer my own phone!

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    Book preview

    Seeing God - Thomas Williams

    Seeing God

    by

    Thomas A. Williams

    Venture Press

    ISBN 978-1-878853-028

    Copyright 2012 by Thomas A. Williams

    Published by Venture Press at Smashwords

    I dedicate this book to the memory of

    Christina Dunaway Williams,

    my partner in life, and to our son,

    Thomas Andrew Williams, III

    Also by Thomas A. Williams

    Mallarmé and the Language of Mysticism

    (University of Georgia Press)

    Eliphas Lévi: Master of Occultism

    (Univerisity of Alabama Press)

    The Bicentennial Book

    (Era Press)

    We Choose America

    (Era Press)

    Tales of the Tobacco Country

    (Era Press)

    Poet Power

    (Sentient Publications)

    How to Publish Your Own Magazine, Guidebook, or Weekly Newspaper

    (Sentient Publications)

    How to Write a Book

    (Sentient Publications)

    Acknowledgements

    The many poets I quote in this book often opened spiritual paths that I did not even know were there. The first of these is Robert Frost, whose Death of the Hired Man and The Woodpile I quote in the first few pages of his book. These citations are followed by lines from Carl Sandburg’s The People, Yes!, Whitman’s Song of Myself, Wordsworth’s Preludes, William Blake’s The Lamb, The Tyger, and Auguries of Innocence, Hart Crane’s Legend, Wallace Steven’s Anecdote of the Jar, and Of Modern Poetry, and Robert Browning’s Paracelsus. I would also like to acknowledge the careful work of my daughter Lisa Williams Gelbard, Clay Loadman, Sharla Taylor, and Jackie Williams for their close reading and comments on the galley proof of this text.

    1

    A bitter March wind sliced through the needles of the long-leaf pines. The azaleas would not bloom this year. Bartow Willingham, cheeks flushed red by the blustery cold, checked the address on the paper they had given him at the Home. Yes, this was it, this was where he was supposed to come.

    The door was unlocked and the room looked warm, so Bartow went inside and took a seat, settling his denim rucksack on the floor beside him. On the table to his left, he saw a stack of small magazines. The cover bore the image of a bearded man dressed in a white robe and riding a small, brown donkey. He was riding sidesaddle, it seemed, his feet almost touching the ground. The man did not look happy, Bartow noted, but he did not look particularly unhappy either. Above the image of the man were written the words Upper Room. Bartow wondered where the man on the donkey might be going. Wherever it was, judging by the palm fronds the people along the way were waving, it must have been a warm climate.

    Bartow’s reverie was interrupted by a fresh blast of cold air as the door swung open and quickly closed again. A small man wearing a pin-striped suit, vest buttoned tightly over an ample belly, stood before him. He rubbed his hands and blew on the red tips of his frosted fingers.

    Cold as a witch’s tit out there, the man said. Then, turning to Bartow, plunged on.

    Name’s Andrrew Piper, he said, head deacon around here. This was clearly a man who had no time to waste. He spoke in pure ellipses. Come for the custodian’s job? Good. Gotta clear this up before noon. Got lunch with the new preacher.

    As Bartow was thinking through this bit of information, the deacon continued, turning what he hoped was a piercing gaze on Bartow. You got good references from that Home where you were, and it’s not a hard job, he said. Anybody can do it. Just one question. Do you accept Jesus Christ as your Lord and Savior?

    Do you? Bartow asked.

    Of course, said the deacon. Everybody around here does. This is a Presbyterian church, What else would we do?

    Then I do, too, Bartow said, pleased to agree with this busy little man.

    The deacon clapped his hands, apparently a signal to move on to the fine print of the offer. Good, good. Takes care of that. Here are the details. You keep the place clean, we pay you $200 a week plus room. No board, though there is a good deal to eat at the spreads the women put on every time they get a chance. Leftovers would keep an army fed for a month.

    The deacon turned and motioned for Bartow to follow. They walked through a large room that Bartow would later learn to call the fellowship hall, and down a dim hallway at whose end stood a small room. The Boy Scouts used to meet in this room, the man said, but we built them a new place outside. There’s a sink on the wall and a washroom just down the hall. Once you settle in, you’ll feel right at home. Bartow liked feeling at home. Home was good. He smiled and answered,

    "Home is the place where, when you have to go there,

    They have to take you in."

    When the deacon looked puzzled, Bartow explained. "Robert Frost. The Death of the Hired Man. 1932."

    Right right, replied the deacon, paying scant attention to the words of his new employee. He turned and scurried off to dispose of whatever urgent task was awaiting him elsewhere, leaving Bartow to settle in.

    Bartow was, to all appearances, a thoroughly ordinary person, but an ordinary person from whom a kind of inner joy, a serenity, seemed to flow, even though he made no effort for it to do so.

    No one knew much more about Bartow than that. He was a fairly young man—one would have guessed that he was in his thirties. Standing just short of six feet, he had a solid frame, not particularly muscular, but strong nonetheless. He had the steady, careful hands of a workman, perhaps even of a craftsman. His complexion was clear, and his brown hair was cut and combed from part to side like a schoolboy’s. Gray eyes looked out at the world beneath a smooth, unfurrowed brow as though anticipating that something good—or at least something interesting—was about to happen. When it did, his eyes said, he did not want to miss it.

    The very simplest things were of interest to Bartow. The world was alive for him. Unlike most of us, he noticed things: the warmth of a mother’s hand spread gently against the back of the infant she holds in her arms; a yellow flower pushing up against all odds between the broken bricks of a walkway; the particular way a gnarled hand gripped the handle of an oak walking cane; a child’s rusting red wagon filled with geraniums.

    Now he surveyed his room. A single, iron-framed bed with a mattress that lay across naked, wire springs occupied the corner. Its frame, painted what had once been a yellowish tan, was peeling here and there, revealing darker metal beneath. A small desk sat against the wall across from the bed. It had a single, shallow drawer in the middle. A slat-backed straight chair was pushed beneath it. A wooden chest of drawers rounded out the furnishings.

    Above the desk someone had tacked a cardboard image. The same bearded man who had been pictured riding the donkey was now knocking at a door of a small cottage. It must have been late in the day, observed Bartow, because the man was shown silhouetted in light, with menacing shadows creeping in from the sides. Having arrived wherever he was going, he was, Bartow decided, looking for a place to spend the night. It was uncertain whether anyone would come to open the door. If no one came, the man might be in a tough spot.

    Bartow took off his jacket and hung it neatly on the wire hook affixed to the back of the door. Then he sat in his chair, lifted his faded rucksack and placed it on the table before him. He carefully removed his one change of clothes—shirt, trousers, underwear and socks—and placed them neatly in the top draw of his chest.

    Then he took out his two books and placed them in the center of his table, one on top of the other. These were Webster’s New World Dictionary and the Norton Anthology of English Poetry. Though sturdy, the books were worn, for he had read them through many times. He liked these books. They made him feel at home, wherever he was.

    Bartow quickly took charge of his new domain, for he loved cleanliness and order. Order was a center around which disorder could arrange itself. Like that jar in Tennessee, he thought, the one that Wallace Stevens talked about:

    I placed a jar in Tennessee

    And round it was upon a hill

    It made the slovenly wilderness

    Surround that hill

    Cleanliness was like poetry, Bartow thought. Everything in its place, proceeding inexorably from one thing to another until the whole seemed lit fromsome inner light.

    His new job was not demanding. The church was a small one, standing in a grove of pine and oak trees on the edge of the city. The sanctuary had room enough for more than 200 worshipers when they brought in the folding chairs for Easter or the Christmas Eve candlelight service. This was joined to the much plainer Fellowship Hall by an enclosed walkway. The Fellowship Hall housed the offices of the pastor and the church secretary, several Sunday school classrooms, and a large area for congregational dinners and other activities. During weekdays there was seldom anyone there, and Bartow felt a certain air of . . . . what was the word for it? His mind leafed through the pages of his dictionary and from thousands of words plucked the one that fit best.

    Desuetude n. [ME

    Yes, that’s it, he thought, desuetude He could feel it in the scent of the pale green paint covering the cinder block walls. It was the odor of abandonment. Curious how so many churches were like that, he reflected. But Bartow, being the man he was, took this as a challenge, not a cause for discouragement. He had long ago sensed that meaning was something we infused into our surroundings. We did not derive it from them.

    He set about his work with his customary good will and energy. He assembled the tools he would need from the janitor’s closet: brooms, mops, pails, brushes, cleansers of all varieties, rags. He quickly decided that the first thing that needed cleaning was the janitor’s closet itself, an eight-foot square space, encrusted with the grime left behind by the scores of half-hearted custodians who had preceded him.

    He shook out the ragged ends of the dirt-saturated mop. All the heart seemed to have gone out of this one. He took it to the driveway, soaked it in the strongest cleanser he could find, and sprayed it out with the garden hose. He soaked it in Clorox and dried it again before disinfecting it with Lysol.

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